Le grant desir (Compère, Loyset)

Movements/SectionsMov'ts/Sec's	1 chanson
First Publication	1502 in Canti B (no.56)
Genre Categories	Chansons; Songs; For 3 voices; For unaccompanied voices; Scores featuring the voice; French language; For 3 viols (arr); Scores featuring the viol (arr); For 3 players (arr)

Performances

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MIDI Performance
*#261320 - 0.00MB - 0:40 - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 146×⇩ - MID - Tpgettys

MID file (audio/video)
Tpgettys (2012/12/8)

Publisher Info.	Thomas Gettys
Performers	Tom Gettys
Copyright	Creative Commons Attribution Non-commercial Share Alike 3.0 [tag/del]
Misc. Notes	These file(s) are part of the Werner Icking Music Collection.
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Complete Score
*#491571 - 0.05MB, 1 pp. - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 654×⇩ - Agarvin

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Agarvin (2017/9/4)

Complete Parts
*#491572 - 0.20MB, 4 pp. - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 173×⇩ - Agarvin

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Agarvin (2017/9/4)

ZIP typeset by editor
Agarvin (2017/9/4)

Editor	Allen Garvin (b. 1969)
Publisher. Info.	Allen Garvin, 2017.
Copyright	Creative Commons Attribution-NonCommercial 4.0 [tag/del/mrg]
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Complete Score
*#261319 - 0.01MB, 1 pp. - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 708×⇩ - Tpgettys

PDF typeset by editor
Tpgettys (2012/12/8)

Editor	Thomas Gettys
Publisher. Info.	Thomas Gettys
Copyright	Creative Commons Attribution Non-commercial Share Alike 3.0 [tag/del]
Misc. Notes	treble, tenor, bass viols These file(s) are part of the Werner Icking Music Collection.
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Work Title	Le grant desir
Alternative. Title
Composer	Compère, Loyset
Internal Reference NumberInternal Ref. No.	ILC 5
Key	D Dorian mode
Movements/SectionsMov'ts/Sec's	1 chanson
First Publication.	1502 in Canti B (no.56)
Language	French
Composer Time PeriodComp. Period	Renaissance
Piece Style	Renaissance
Instrumentation	3 voices

This is the final, closing piece of Canti B. It is found in no other earlier sources.
According to Grove Music, most of the contents of the Harmonice Musices Odhecaton are chansons, and although most of them (including this one) do not have text, the text would have either been known to the people of the time, or available elsewhere. There are a few pieces that may have been instrumental in origin. Grove Music lists this as a chanson, while RISM and RISM's second entry also consider it vocal though they stop short of calling it a "chanson". Accordingly, this has been tagged as a chanson. The language is assumed to be French.