| Op. | WoO | JWV | Title | Key | Date | Scoring | Genre | Notes | |
|---|---|---|---|---|---|---|---|---|---|
| 1 | — | — | 4 Piano Pieces | 1858 | For piano | Pieces | |||
| 1/1 | — | — |
|
1858 | For piano | Scherzos | |||
| 1/2 | — | — |
|
1858 | For piano | Minuets | |||
| 1/3 | — | — |
|
1858 | For piano | Minuets | |||
| 1/4 | — | — |
|
1858 | For piano | Allegrettos | |||
| 2 | — | — | Lieder und Gesänge (5): | 1858-61 | For mixed chorus | Lieder | |||
| 2/1 | — | — |
|
1858 | For mixed chorus | Lieder | text by Felix Dahn | ||
| 2/2 | — | — |
|
— | For mixed chorus | Lieder | text by Johann Wolfgang von Goethe | ||
| 2/3 | — | — |
|
— | For mixed chorus | Lieder | text by "G. op." | ||
| 2/4 | — | — |
|
1861 | For mixed chorus | Lieder | text by Julius Hammer | ||
| 2/5 | — | — |
|
1858 | For mixed chorus | Lieder | Verse 1: text by Ulrich von Schlippenbach
Verse 2: text by Fanny von Hoffnaaß | ||
| 3 | — | — | Lieder (7): | 1858-62 | For voice, piano | Lieder | |||
| 3/1 | — | — |
|
1862 | For voice, piano | Lieder | text by Oskar Horn | ||
| 3/2 | — | — |
|
1861 | For voice, piano | Lieder | text by G.H. Weber | ||
| 3/3 | — | — |
|
1861 | For voice, piano | Lieder | text by Julius Hammer | ||
| 3/4 | — | — |
|
1861 | For voice, piano | Lieder | text by Julius Hammer | ||
| 3/5 | — | — |
|
1858 | For voice, piano | Lieder | text by Joseph von Eichendorff | ||
| 3/6 | — | — |
|
1861 | For voice, piano | Lieder | text by Emanuel Geibel | ||
| 3/7 | — | — |
|
— | For voice, piano | Lieder | text by Johann Wolfgang von Goethe | ||
| 4 | — | — | 5 Lieder | 1859-62 | For voice, piano | Lieder | |||
| 4/1 | — | — |
|
— | For voice, piano | Lieder | text by Oskar Horn | ||
| 4/2 | — | — |
|
1859 | For voice, piano | Lieder | |||
| 4/3 | — | — |
|
1860 | For voice, piano | Lieder | text by Heinrich Heine | ||
| 4/4 | — | — |
|
1862 | For voice, piano | Lieder | text by Nikolaus Lenau | ||
| 4/5 | — | — |
|
1862 | For voice, piano | Lieder | text by Joseph Christian von Zedlitz | ||
| 5 | — | — | 3 Piano Pieces | 1862-64 | For piano | Pieces | |||
| 5/1 | — | — |
|
1864 | For piano | Pieces | |||
| 5/2 | — | — |
|
1864 | For piano | Pieces | |||
| 5/3 | — | — |
|
1862 | For piano | Pieces | |||
| 6 | — | — | Studies (3): | 1867 | For piano | Studies | |||
| 6/1 | — | — |
|
1867 | For piano | Studies | |||
| 6/2 | — | — |
|
1867 | For piano | Studies | |||
| 6/3 | — | — |
|
1867 | For piano | Studies | |||
| 7 | — | — | 3 Characterstücke | 1866 | For piano | Character pieces | |||
| 7/1 | — | — |
|
1866 | For piano | Character pieces | |||
| 7/2 | — | — |
|
1866 | For piano | Character pieces | |||
| 7/3 | — | — |
|
1866 | For piano | Character pieces | |||
| 8 | — | — | Waldmärchen | 1866 | For piano | Sketches | |||
| 9 | — | — | Vortragsstudien (5): | 1856-64 | For piano | Studies | |||
| 9/1 | — | — |
|
1863 | For piano | Studies | |||
| 9/2 | — | — |
|
1864 | For piano | Studies | |||
| 9/3 | — | — |
|
1864 | For piano | Studies | |||
| 9/4 | — | — |
|
1864 | For piano | Studies | |||
| 9/5 | — | — |
|
1856 | For piano | Studies | |||
| 10 | — | — | Symphony No.1 | 1866-68 | For orchestra | Symphonies | Also a symphonic poem ("Wallenstein"). | ||
| 11 | — | — | 5 Tonbilder | 1864-66 | For piano | Pieces | |||
| 11/1 | — | — |
|
1864 | For piano | Pieces | |||
| 11/2 | — | — |
|
1866 | For piano | Pieces | |||
| 11/3 | — | — |
|
1864 | For piano | Pieces | |||
| 11/4 | — | — |
|
1864 | For piano | Pieces | |||
| 11/5 | — | — |
|
1864 | For piano | Pieces | |||
| 12 | — | — | Toccata | G major | 1865 | For piano | Toccatas | ||
| 13 | — | — | Tarantella | B♭ major | 1866 | For piano duet | Tarantellas | ||
| 14 | — | — | Präludien in Etüdenform (24): | 1866-67 | For piano | Preludes | |||
| 14/1 | — | — |
|
C major | 1867 | For piano | Preludes | ||
| 14/2 | — | — |
|
C minor | 1867 | For piano | Preludes | ||
| 14/3 | — | — |
|
E♭ major | 1867 | For piano | Preludes | ||
| 14/4 | — | — |
|
E♭ minor | 1867 | For piano | Preludes | ||
| 14/5 | — | — |
|
F♯ major | 1867 | For piano | Preludes | ||
| 14/6 | — | — |
|
F♯ minor | 1867 | For piano | Preludes | ||
| 14/7 | — | — |
|
A major | 1867 | For piano | Preludes | ||
| 14/8 | — | — |
|
A minor | 1867 | For piano | Preludes | ||
| 14/9 | — | — |
|
F major | 1867 | For piano | Preludes | ||
| 14/10 | — | — |
|
F minor | 1867 | For piano | Preludes | ||
| 14/11 | — | — |
|
A♭ major | 1867 | For piano | Preludes | ||
| 14/12 | — | — |
|
G♯ minor | 1867 | For piano | Preludes | ||
| 14/13 | — | — |
|
B major | 1866 | For piano | Preludes | ||
| 14/14 | — | — |
|
B minor | 1867 | For piano | Preludes | ||
| 14/15 | — | — |
|
D major | 1867 | For piano | Preludes | ||
| 14/16 | — | — |
|
D minor | 1867 | For piano | Preludes | ||
| 14/17 | — | — |
|
B♭ major | 1867 | For piano | Preludes | ||
| 14/18 | — | — |
|
B♭ minor | 1867 | For piano | Preludes | ||
| 14/19 | — | — |
|
D♭ major | 1867 | For piano | Preludes | ||
| 14/20 | — | — |
|
C♯ minor | 1867 | For piano | Preludes | ||
| 14/21 | — | — |
|
E major | 1867 | For piano | Preludes | ||
| 14/22 | — | — |
|
E minor | 1867 | For piano | Preludes | ||
| 14/23 | — | — |
|
G major | 1867 | For piano | Preludes | ||
| 14/24 | — | — |
|
G minor | 1867 | For piano | Preludes | ||
| 15 | — | — | Duo | A minor | 1868 | For 2 pianos | Duets | ||
| 16 | — | — | Stabat Mater | C major | 1864 | For voices, mixed chorus, orchestra | Stabat Mater | ||
| 17 | — | — | Ballades (2): | 1865-66 | For mixed chorus, piano | Ballades | |||
| 17/1 | — | — |
|
1866 | For mixed chorus, piano | Ballades | text by Ludwig Uhland | ||
| 17/2 | — | — |
|
1865 | For mixed chorus, piano | Ballades | text by G. Ch. Pape | ||
| 18 | — | — | Overture to Shakespeare's "The Taming of the Schrew" | 1872 | For orchestra | Overtures | |||
| 19 | — | — | Toccatina | G major | 1867 | For piano | Toccatas | ||
| 20 | — | — | Die 7 Raben | 1863-69 | For voices, chorus, orchestra | Operas | text by Franz Bonn | ||
| 21 | — | — | Die Wasserfee | 1869 | For voices (or mixed chorus), piano | Secular choruses | text by Hermann Lingg | ||
| 22 | — | — | Gesänge (4): | 1858-63 | For voice, piano | Songs | |||
| 22/1 | — | — |
|
1863 | For voice, piano | Songs | text by Joseph Viktor von Scheffel | ||
| 22/2 | — | — |
|
1859 | For voice, piano | Songs | text by Joseph von Eichendorff | ||
| 22/3 | — | — |
|
1863 | For voice, piano | Songs | text by Eduard Mörike | ||
| 22/4 | — | — |
|
1858 | For voice, piano | Songs | text by Esaias Tegnér | ||
| 23 | — | — | Fantasiestück | 1866 | For piano | Fantasias | |||
| 24 | — | — | 4 Lieder des Gedächtnisses: | 1864-69 | For mixed chorus | Lieder | Nos.1, 4 originally for male chorus | ||
| 24/1 | — | — |
|
1864 | For mixed chorus | Lieder | text by Friedrich Gottlieb Klopstock | ||
| 24/2 | — | — |
|
1867 | For mixed chorus | Lieder | text by August Cornelius Stockmann | ||
| 24/3 | — | — |
|
1869 | For mixed chorus | Lieder | |||
| 24/4 | — | — |
|
1864 | For mixed chorus | Lieder | text by Friedrich Gottlieb Klopstock | ||
| 25 | — | — | Lockung | 1859, rev. 1869 | For voices (or mixed chorus), piano | Secular choruses | text by Joseph von Eichendorff | ||
| 26 | — | — | Lieder (7): | 1860-66 | For voice, piano | Lieder | Published in 1871. | ||
| 26/1 | — | — |
|
1862 | For voice, piano | Lieder | text by Karl Stieler | ||
| 26/2 | — | — |
|
1861 | For voice, piano | Lieder | text by Julius Hammer | ||
| 26/3 | — | — |
|
1860 | For voice, piano | Lieder | text by Robert Burns | ||
| 26/4 | — | — |
|
1863 | For voice, piano | Lieder | text by O. Stieler | ||
| 26/5 | — | — |
|
1862 | For voice, piano | Lieder | text by Nikolaus Lenau | ||
| 26/6 | — | — |
|
1866 | For voice, piano | Lieder | text by Christoph August Tiedge | ||
| 26/7 | — | — |
|
1862 | For voice, piano | Lieder | text by Friedrich Halm | ||
| 27 | — | — | Organ Sonata No.1 | C minor | 1854-68, rev. 1893 | For organ | Sonatas | ||
| 28 | — | — | Humoresques (4): | 1861-69 | For piano | Humoresques | |||
| 28/1 | — | — |
|
1869 | For piano | Humoresques | |||
| 28/2 | — | — |
|
1861 | For piano | Humoresques | |||
| 28/3 | — | — |
|
1869 | For piano | Humoresques | |||
| 28/4 | — | — |
|
1861 | For piano | Humoresques | |||
| 29 | — | — | Aus Italien | 1866-67 | For piano | Pieces | |||
| 29/1 | — | — |
|
F♯ minor | 1866 | For piano | Pieces | ||
| 29/2 | — | — |
|
1867 | For piano | Pieces | |||
| 29/3 | — | — |
|
1867 | For piano | Pieces | |||
| 30 | — | — | Music to Calderón's "El mágico prodigioso" | 1865-70 | For orchestra | Incidental music | |||
| 31 | — | — | Lieder (5): | 1869 | For mixed chorus | Lieder | |||
| 31/1 | — | — |
|
1869 | For mixed chorus | Lieder | text by Karl Stieler | ||
| 31/2 | — | — |
|
1869 | For mixed chorus | Lieder | text by Eduard Mörike | ||
| 31/3 | — | — |
|
1869 | For mixed chorus | Lieder | text by Eduard Mörike | ||
| 31/4 | — | — |
|
1869 | For mixed chorus | Lieder | text by Eduard Mörike | ||
| 31/5 | — | — |
|
1869 | For mixed chorus | Lieder | text by Eduard Mörike | ||
| 32 | — | — | Das Töchterlein des Jairus | 1863 | For voices, children's chorus, chamber orchestra (or piano 4 hands) | Sacred cantatas | text by Franz Bonn | ||
| 33 | — | — | Praeludium und Fuge | 1862 | For piano | Preludes, fugues | |||
| 33/1 | — | — |
|
1862 | For piano | Preludes | |||
| 33/2 | — | — |
|
1862 | For piano | Fugues | |||
| 34 | — | — | Piano Trio No.1 | D minor | 1862, rev.1867 | For violin, cello, piano | Trios | ||
| 35 | — | — | Hymn after Psalm 83 | 1865 | For mixed chorus (or 4 voices), organ, piano, or harp ad lib. | Sacred hymns | |||
| 36 | — | — | Music to Raimund's "Die unheilbringende Krone" | 1868-69 | For orchestra | Incidental music | |||
| 37 | — | — | Der arme Heinrich | 1863 | For voices, children's chorus, piano 4 hands | Singspiele | text by Franz Bonn; overture alone arranged for orchestra | ||
| 38 | — | — | Piano Quartet | E♭ major | 1870-75 | For violin, viola, cello, piano | Quartets | ||
| 39 | — | — | Tonstücke in fugierter Form (6): | 1862, rev. 1894 | For piano | Pieces | |||
| 39/1 | — | — |
|
1862 | For piano | Pieces | |||
| 39/2 | — | — |
|
1862 | For piano | Pieces | |||
| 39/3 | — | — |
|
1894 | For piano | Pieces | |||
| 39/4 | — | — |
|
1862 | For piano | Pieces | |||
| 39/5 | — | — |
|
1862 | For piano | Pieces | |||
| 39/6 | — | — |
|
1862 | For piano | Pieces | |||
| 40 | — | — | Motets (5): | 1864 | For mixed chorus | Motets | |||
| 40/1 | — | — |
|
1864 | For mixed chorus | Motets | after Psalm 114 | ||
| 40/2 | — | — |
|
1864 | For mixed chorus | Motets | after Psalm 2 | ||
| 40/3 | — | — |
|
1864 | For mixed chorus | Motets | after Psalm 20 | ||
| 40/4 | — | — |
|
1864 | For mixed chorus | Motets | after Psalm 53 | ||
| 40/5 | — | — |
|
1864 | For mixed chorus | Motets | after Psalm 33 | ||
| 41 | — | — | Zeiten und Stimmungen (7): | 1860-66 | For voice, piano | Songs | |||
| 41/1 | — | — |
|
— | For voice, piano | Songs | text by Joseph Viktor von Scheffel | ||
| 41/2 | — | — |
|
1864 | For voice, piano | Songs | text by Wilhelm Hertz | ||
| 41/3 | — | — |
|
1860 | For voice, piano | Songs | text by Robert Burns | ||
| 41/4 | — | — |
|
1866 | For voice, piano | Songs | text by Julius Hammer | ||
| 41/5 | — | — |
|
1865 | For voice, piano | Songs | text by Julius Hammer | ||
| 41/6 | — | — |
|
— | For voice, piano | Songs | text by Julius Hammer | ||
| 41/7 | — | — |
|
— | For voice, piano | Songs | text by Julius Hammer | ||
| 42 | — | — | Etude und Fugato | 1862 | For piano | Studies, fugatos | |||
| 42/1 | — | — |
|
A minor | 1862 | For piano | Etudes | ||
| 42/2 | — | — |
|
A minor | 1862 | For piano | Fugatos | ||
| 43 | — | — | Capriccio giocoso | E minor | 1864 | For piano | Capriccios | ||
| 44 | — | — | 3 Vierstimmige Männerchöre: | 1869 | For male chorus | Secular choruses | |||
| 44/1 | — | — |
|
1869 | For male chorus | Secular choruses | text by Joseph Viktor von Scheffel | ||
| 44/2 | — | — |
|
1869 | For male chorus | Secular choruses | text by Joseph Viktor von Scheffel | ||
| 44/3 | — | — |
|
1869 | For male chorus | Secular choruses | text by Adalbert von Chamisso | ||
| 45 | — | — | 2 Klaviervorträge: | 1870 | For piano | Pieces | |||
| 45/1 | — | — |
|
1870 | For piano | PIeces | |||
| 45/1 | — | — |
|
1870 | For piano | PIeces | |||
| 46 | — | — | Passionsgesang | 1867 | For mixed chorus, organ | Sacred songs | text by Stephan Schütze | ||
| 47 | — | — | Piano Sonata No.1 | C major | 1857-64, rev. 1878 | For piano | Sonatas | ||
| 48 | — | — | deutsche Gesänge (4): | 1859-70 | For mixed chorus | Songs | |||
| 48/1 | — | — |
|
1859 | For mixed chorus | Songs | text by Julius Mosen | ||
| 48/2 | — | — |
|
1870 | For mixed chorus | Songs | text by Hermann Lingg | ||
| 48/3 | — | — |
|
1870 | For mixed chorus | Songs | text by Hermann Lingg | ||
| 48/4 | — | — |
|
1870 | For mixed chorus | Songs | text by Joseph Viktor von Scheffel | ||
| 49 | — | — | Trios (10): | 1868-70, rev. 1897 | For organ | Trios | |||
| 49/1 | — | — |
|
G minor | 1868 | For organ | Trios | ||
| 49/2 | — | — |
|
C major | 1897 | For organ | Trios | ||
| 49/3 | — | — |
|
A minor | 1868 | For organ | Trios | ||
| 49/4 | — | — |
|
D♭ major | 1868 | For organ | Trios | ||
| 49/5 | — | — |
|
G♯ minor | 1868 | For organ | Trios | ||
| 49/6 | — | — |
|
E♭ major | 1868 | For organ | Trios | ||
| 49/7 | — | — |
|
A major | 1868 | For organ | Trios | ||
| 49/8 | — | — |
|
C minor | 1870 | For organ | Trios | ||
| 49/9 | — | — |
|
G major | 1870 | For organ | Trios | ||
| 49/10 | — | — |
|
F major | 1870 | For organ | Trios | ||
| 50 | — | — | Das Tal des Espingo | 1865-69 | For 4 voices, male chorus, orchestra | Ballades | text by Paul Heyse | ||
| 51 | — | — | Improvisation über Motive aus der Zauberflöte | 1860 | For piano | Improvisations | |||
| 52 | — | — | Im neuen Frühling | 1871 | For mixed chorus | Lieder | |||
| 52/1 | — | — |
|
1871 | For mixed chorus | Lieder | text by Robert Reinick | ||
| 52/2 | — | — |
|
1871 | For mixed chorus | Lieder | text by Ferdinand Freiligrath | ||
| 52/3 | — | — |
|
1871 | For mixed chorus | Lieder | text by Robert Reinick | ||
| 52/4 | — | — |
|
1871 | For mixed chorus | Lieder | text by R. Waldmüller | ||
| 52/5 | — | — |
|
1871 | For mixed chorus | Lieder | text by Friedrich Rückert | ||
| 53 | — | — | Klaviervorträge (3): | 1864-69 | For piano | Pieces | |||
| 53/1 | — | — |
|
1864 | For piano | Pieces | |||
| 53/2 | — | — |
|
1869 | For piano | Pieces | |||
| 53/3 | — | — |
|
1864 | For piano | Pieces | |||
| 54 | — | — | Hymns (4): | — | For voice, organ (or piano) | Hymns | |||
| 54/1 | — | — |
|
— | For voice, organ (or piano) | Hymns | Psalm 9 | ||
| 54/2 | — | — |
|
— | For voice, organ (or piano) | Hymns | |||
| 54/3 | — | — |
|
— | For voice, organ (or piano) | Hymns | Psalm 145 | ||
| 54/4 | — | — |
|
— | For voice, organ (or piano) | Hymns | Luke 1, 28+42 | ||
| 55 | — | — | Liebesleben | 1859-71 | For voice, piano | Songs | |||
| 55/1 | — | — |
|
1862 | For voice, piano | Songs | text by O. Stieler | ||
| 55/2 | — | — |
|
1866 | For voice, piano | Songs | text by Robert Reinick | ||
| 55/3 | — | — |
|
1859 | For voice, piano | Songs | text by Joseph Christian von Zedlitz | ||
| 55/4 | — | — |
|
1864 | For voice, piano | Songs | text by Wilhelm Hertz | ||
| 55/5 | — | — |
|
1866 | For voice, piano | Songs | text by Wilhelm Hertz | ||
| 55/6 | — | — |
|
1864 | For voice, piano | Songs | text by Thomas Moore | ||
| 55/7 | — | — |
|
1871 | For voice, piano | Songs | text by M. Meyer | ||
| 55/8 | — | — |
|
1863 | For voice, piano | Songs | text by Wilhelm Hertz | ||
| 56 | — | — | Die Nacht | 1871 | For mixed chorus, strings, piano (or harmonium) | Secular choruses | text by Joseph von Eichendorff | ||
| 57 | — | — | Wache Träume | 1860-71 | For voice, piano | Songs | |||
| 57/1 | — | — |
|
1871 | For voice, piano | Songs | text by T. Hammerling | ||
| 57/2 | — | — |
|
— | For voice, piano | Songs | text by T. Hammerling | ||
| 57/3 | — | — |
|
1860 | For voice, piano | Songs | text by Robert Burns | ||
| 57/4 | — | — |
|
1860 | For voice, piano | Songs | text by Robert Burns | ||
| 57/5 | — | — |
|
— | For voice, piano | Songs | text by Robert Burns | ||
| 57/6 | — | — |
|
1862 | For voice, piano | Songs | text by Julius Hammer | ||
| 57/7 | — | — |
|
— | For voice, piano | Songs | text by Friedrich Schiller | ||
| 58 | — | — | Hymns (6): | 1869 | For mixed chorus | Hymns | |||
| 58/1 | — | — |
|
1869 | For mixed chorus | Hymns | |||
| 58/2 | — | — |
|
— | For mixed chorus | Hymns | |||
| 58/3 | — | — |
|
1869 | For mixed chorus | Hymns | |||
| 58/4 | — | — |
|
1869 | For mixed chorus | Hymns | |||
| 58/5 | — | — |
|
1869 | For mixed chorus | Hymns | |||
| 58/6 | — | — |
|
1869 | For mixed chorus | Hymns | |||
| 59 | — | — | Zum Abschied | 1871 | For piano | Studies | |||
| 60 | — | — | Requiem | B♭ minor | 1865, rev. 1870 | For 4 voices, mixed chorus, orchestra | Requiems | ||
| 61 | — | — | Theme and Variations (37): | 1860 | For piano | Variations | |||
| 62 | — | — | Kleiner und leichter Messgesang | F minor | 1871, rev. 1892, 1899-1900 | For voice, organ | Masses | ||
| 63 | — | — | Am Walchensee | 1872 | For mixed chorus | Lieder | text by Carl Lemcke | ||
| 63/1 | — | — |
|
1872 | For mixed chorus | Lieder | |||
| 63/2 | — | — |
|
1872 | For mixed chorus | Lieder | |||
| 63/3 | — | — |
|
1872 | For mixed chorus | Lieder | |||
| 63/4 | — | — |
|
1872 | For mixed chorus | Lieder | |||
| 63/5 | — | — |
|
1872 | For mixed chorus | Lieder | |||
| 63/6 | — | — |
|
1872 | For mixed chorus | Lieder | |||
| 63/7 | — | — |
|
1872 | For mixed chorus | Lieder | |||
| 63/8 | — | — |
|
1872 | For mixed chorus | Lieder | |||
| 64 | — | — | Maitag | 1872 | For female chorus, piano | Intermezzos | text by Franziska von Hoffnaass | ||
| 64/1 | — | — |
|
1872 | For female chorus, piano | Intermezzos | |||
| 64/2 | — | — |
|
1872 | For female chorus, piano | Intermezzos | |||
| 64/3 | — | — |
|
1872 | For female chorus, piano | Intermezzos | |||
| 64/4 | — | — |
|
1872 | For female chorus, piano | Intermezzos | |||
| 64/5 | — | — |
|
1872 | For female chorus, piano | Intermezzos | |||
| 65 | — | — | Organ Sonata No.2 ("Fantasie-Sonate") | 1871 | For organ | Sonatas | |||
| 66 | — | — | Vortragsstudien (3): | 1871-73 | For piano | Pieces | |||
| 66/1 | — | — |
|
1871 | For piano | Pieces | |||
| 66/2 | — | — |
|
1873 | For piano | Pieces | |||
| 66/3 | — | — |
|
1873 | For piano | Pieces | |||
| 67 | — | — | charakteristische Stücke (6): | 1873 | For piano | Character pieces | |||
| 67/1 | — | — |
|
1873 | For piano | Character pieces | |||
| 67/2 | — | — |
|
1873 | For piano | Character pieces | |||
| 67/3 | — | — |
|
1873 | For piano | Character pieces | |||
| 67/4 | — | — |
|
1873 | For piano | Character pieces | |||
| 67/5 | — | — |
|
1873 | For piano | Character pieces | |||
| 67/6 | — | — |
|
1873 | For piano | Character pieces | |||
| 68 | — | — | Tonstücke in fugierter Form (6): | 1861-73 | For piano | Pieces | |||
| 68/1 | — | — |
|
1873 | For piano | Pieces | |||
| 68/2 | — | — |
|
1861 | For piano | Pieces | |||
| 68/3 | — | — |
|
1873 | For piano | Pieces | |||
| 68/4 | — | — |
|
1873 | For piano | Pieces | |||
| 68/5 | — | — |
|
1868 | For piano | Pieces | |||
| 68/6 | — | — |
|
1873 | For piano | Pieces | |||
| 69 | — | — | 3 Geistliche Gesänge: | 1855-64 | For mixed chorus | Sacred choruses | |||
| 69/1 | — | — |
|
1858 | For mixed chorus | Sacred choruses | text by August Heinrich Hoffmann von Fallersleben | ||
| 69/2 | — | — |
|
1864 | For mixed chorus | Sacred choruses | after Psalm 89:11.14a | ||
| 69/3 | — | — |
|
1855 | For mixed chorus | Sacred choruses | after Luke 24:29 | ||
| 70 | — | — | Türmers Töchterlein | 1871 | For soloists, chorus and orchestra | Opera | text by Max Stahl | ||
| 71 | — | — | König Erich | 1873 | For mixed chorus and piano | Ballad | text by Robert Reinick | ||
| 72 | — | — | Aus den Ferientagen | 1857-73 | For piano 4 hands | Pieces | |||
| 73 | — | — | Gesänge (5) | 1869-73 | For male chorus | Secular Choruses | |||
| 73/1 | — | — |
|
1872 | For male chorus | Secular Choruses | text by Hermann Lingg | ||
| 73/2 | — | — |
|
1872 | For male chorus | Secular Choruses | text by Carl Lemcke | ||
| 73/3 | — | — |
|
1873 | For male chorus | Secular Choruses | text by Robert Reinick | ||
| 73/4 | — | — |
|
1869 | For male chorus | Secular Choruses | text by Fanny von Hoffnaass | ||
| 73/5 | — | — |
|
1871 | For male chorus | Secular Choruses | text by Carl Lemcke | ||
| 74 | — | — | In der Zechstube | 1873 | For male chorus | Secular Choruses | |||
| 74/1 | — | — |
|
1873 | For male chorus | Secular Choruses | text by Robert Reinick | ||
| 74/2 | — | — |
|
1873 | For male chorus | Secular Choruses | text by Robert Reinick | ||
| 74/3 | — | — |
|
1873 | For male chorus | Secular Choruses | text by Robert Reinick | ||
| 74/4 | — | — |
|
1873 | For male chorus | Secular Choruses | text by Robert Reinick | ||
| 74/5 | — | — |
|
1873 | For male chorus | Secular Choruses | text by Hermann Lingg | ||
| 75 | — | — | Gesänge (2) | 1873 | For mixed chorus and piano | Secular Choruses | |||
| 75/1 | — | — |
|
1873 | For mixed chorus and piano | Secular Choruses | text by Robert Reinick | ||
| 75/2 | — | — |
|
1873 | For mixed chorus and piano | Secular Choruses | text by Robert Reinick | ||
| 76 | — | — | Toggenburg | 1874 | For mixed chorus and piano | Ballad | text by Fanny von Hoffnaass | ||
| 77 | — | — | Violin Sonata No.1 | E♭ major | 1874 | For violin and piano | Sonatas | ||
| 78 | — | — | Stücke für Klavier (3) | 1874 | For piano | Pieces | |||
| 78/1 | — | — |
|
1874 | For piano | Pieces | |||
| 78/2 | — | — |
|
1874 | For piano | Pieces | |||
| 78/3 | — | — |
|
1874 | For piano | Pieces | |||
| 79 | — | — | Fantasie | E♭ major | 1874 | For piano 4 hands | Fantasias | ||
| 80 | — | — | Liebesgarten | For mixed chorus | Secular Choruses | ||||
| 80/1 | — | — |
|
1874 | For mixed chorus | Secular Choruses | text by Robert Reinick | ||
| 80/2 | — | — |
|
1857 | For mixed chorus | Secular Choruses | text by Fanny von Hoffnaass | ||
| 80/3 | — | — |
|
1874 | For mixed chorus | Secular Choruses | text by Robert Reinick | ||
| 80/4 | — | — |
|
1874 | For mixed chorus | Secular Choruses | text by Robert Reinick | ||
| 80/5 | — | — |
|
1874 | For mixed chorus | Secular Choruses | text by Robert Reinick | ||
| 81 | — | — | Die tote Braut | 1874 | For sopran, mixed chorus, piano | Ballad | text by Robert Reinick | ||
| 82 | — | — | String Quintet | A minor | 1874/1899 | For string quintet | Sonatas | ||
| 83 | — | — | Missa brevis in d minor | D minor | 1882-1899 | For mixed chorus | Mass | ||
| 84 | — | — | Requiem in E flat major | 1867-1900 | For mixed chorus | Sacred Chorus | |||
| 85 | — | — | Aus dem Sängerleben | For male chorus | Secular Choruses | ||||
| 85/1 | — | — |
|
1874 | For male chorus | Secular Choruses | text by Franz Alfred Muth | ||
| 85/2 | — | — |
|
1874 | For male chorus | Secular Choruses | text by Robert Reinick | ||
| 85/3 | — | — |
|
1874 | For male chorus | Secular Choruses | text by Franz Alfred Muth | ||
| 85/4 | — | — |
|
1874 | For male chorus | Secular Choruses | text by Franz Alfred Muth | ||
| 85/5 | — | — |
|
1874 | For male chorus | Secular Choruses | text by Franz Alfred Muth | ||
| 85/6 | — | — |
|
1874 | For male chorus | Secular Choruses | text by Franz Alfred Muth | ||
| 85/7 | — | — |
|
1874 | For male chorus | Secular Choruses | text by Franz Alfred Muth | ||
| 86 | — | — | 4 Epische Gesänge | For male chorus | Secular Choruses | ||||
| 86/1 | — | — |
|
1874 | For male chorus | Secular Choruses | text by Franz Alfred Muth | ||
| 86/2 | — | — |
|
1874 | For male chorus | Secular Choruses | text by Franz Alfred Muth | ||
| 86/3 | — | — |
|
1874 | For male chorus | Secular Choruses | text by Franz Alfred Muth | ||
| 86/4 | — | — |
|
1874 | For male chorus | Secular Choruses | text by Franz Alfred Muth | ||
| 87 | — | — | Symphony No.2 | F major | 1875 | For Orchestra | Symphony | ||
| 88 | — | — | Organ Sonata No.3 | G major | 1875 | For Organ | Sonata | ||
| 89 | — | — | String Quartet No.1 | C minor | 1875 | For 2 violins, viola, Cello | Quartets | ||
| 90 | — | — | Am Rhein | For male chorus | Secular Choruses | ||||
| 90/1 | — | — |
|
1875 | For male chorus | Secular Choruses | text by Franz Alfred Muth | ||
| 90/2 | — | — |
|
1875 | For male chorus | Secular Choruses | text by Franz Alfred Muth | ||
| 90/3 | — | — |
|
1875 | For male chorus | Secular Choruses | text by Franz Alfred Muth | ||
| 90/4 | — | — |
|
1875 | For male chorus | Secular Choruses | text by Franz Alfred Muth | ||
| 90/5 | — | — |
|
1875 | For male chorus | Secular Choruses | text by Franz Alfred Muth | ||
| 90/6 | — | — |
|
1875 | For male chorus | Secular Choruses | text by Franz Alfred Muth | ||
| 91 | — | — | Johannisnacht | 1875 | For male chorus, piano | Secular Choruses | text by Franz Alfred Muth | ||
| 92 | — | — | Cello Sonata | C major | 1875 | For cello, piano | Sonatas | ||
| 93 | — | — | Theme and Variations | G minor | 1875 | For 2 violins, viola, cello | Quartets | ||
| 94 | — | — | Piano Concerto | A♭ major | 1875 | For piano, orchestra | Concertos | ||
| 95 | — | — | 2 Gesänge | 1875 | For mixed chorus, piano | Secular Choruses | |||
| 95/1 | — | — |
|
1875 | For mixed chorus, piano | Secular Choruses | text by August Schnezler | ||
| 95/2 | — | — |
|
E minor | 1875 | For mixed chorus, piano | Secular Choruses | text by Ludwig Uhland | |
| 96 | — | — | Drei lateinische Hymnen | For female chorus, organ | Sacred Choruses | ||||
| 96/1 | — | — |
|
1874 | For female chorus, organ | Sacred Choruses | |||
| 96/2 | — | — |
|
1876 | For female chorus, organ | Sacred Choruses | |||
| 96/3 | — | — |
|
E flat major | 1876 | For female chorus, organ | Sacred Choruses | ||
| 97 | — | — | Klärchen auf Eberstein | 1876 | For soloists, mixed chorus, orchestra | Ballads | text by Franziska von Hoffnaass | ||
| 98 | — | — | Organ Sonata No.4 | A minor | 1876 | For Organ | Sonata | ||
| 99 | — | — | Piano Sonata No.2 | D♭ major | 1876 | For piano | Sonatas | ||
| 100 | — | — | Fahrende Schüler | For male chorus | Secular Choruses | ||||
| 100/1 | — | — |
|
1877 | For male chorus | Secular Choruses | text by Franziska von Hoffnaass | ||
| 100/2 | — | — |
|
1877 | For male chorus | Secular Choruses | text by Franziska von Hoffnaass | ||
| 100/3 | — | — |
|
1877 | For male chorus | Secular Choruses | text by Franziska von Hoffnaass | ||
| 100/4 | — | — |
|
1877 | For male chorus | Secular Choruses | text by Franziska von Hoffnaass | ||
| 100/5 | — | — |
|
1877 | For male chorus | Secular Choruses | text by Franziska von Hoffnaass | ||
| 100/6 | — | — |
|
1877 | For male chorus | Secular Choruses | text by Franziska von Hoffnaass | ||
| 100/7 | — | — |
|
1877 | For male chorus | Secular Choruses | text by Franziska von Hoffnaass | ||
| 101 | — | — | Vortragsstudien (3): | 1874-77 | For piano | Pieces | |||
| 101/1 | — | — |
|
1875 | For piano | Pieces | |||
| 101/2 | — | — |
|
1877 | For piano | Pieces | |||
| 101/3 | — | — |
|
1874 | For piano | Pieces | |||
| 102 | — | — | Wittekind | 1877 | For male chorus, orchestra | Ballads | text by Friedrich Halm | ||
| 103 | — | — | Duette (3) | 1877 | For sopran, baritone, piano | Duos | |||
| 103/1 | — | — |
|
1877 | For sopran, baritone, piano | Duos | text by Franziska von Hoffnaass | ||
| 103/2 | — | — |
|
1877 | For sopran, baritone, piano | Duos | text by Franziska von Hoffnaass | ||
| 101/3 | — | — |
|
1877 | For sopran, baritone, piano | Duos | text by Franziska von Hoffnaass | ||
| 104 | — | — | Toccata | E minor | 1877 | For piano | Pieces | ||
| 105 | — | — | Violin Sonata No.2 | E minor | 1875-77 | For violin, piano | Sonatas | Later arranged for clarinet and piano by the composer | |
| 106 | — | — | 2 Romantische Gesänge | 1877 | For sopran, alto, tenor, bass, piano | Ballads | |||
| 106/1 | — | — |
|
1877 | For sopran, alto, tenor, bass, piano | Ballads | text by Ludwig Uhland | ||
| 106/2 | — | — |
|
1877 | For sopran, alto, tenor, bass, piano | Ballads | text by Felix Dahn | ||
| 107 | — | — | Hymnen (5) | 1877 | For mixed chorus | Sacred choruses | |||
| 107/1 | — | — |
|
1877 | For mixed chorus | Sacred choruses | |||
| 107/2 | — | — |
|
1877 | For mixed chorus | Sacred choruses | |||
| 107/3 | — | — |
|
1877 | For mixed chorus | Sacred choruses | |||
| 107/4 | — | — |
|
1877 | For mixed chorus | Sacred choruses | |||
| 107/5 | — | — |
|
1877 | For mixed chorus | Sacred choruses | |||
| 108 | — | — | Am Strome | 1877 | For mixed chorus | Secular choruses | |||
| 108/1 | — | — |
|
1877 | For mixed chorus | Secular choruses | text by Robert Reinick | ||
| 108/2 | — | — |
|
1877 | For mixed chorus | Secular choruses | text by Robert Reinick | ||
| 108/3 | — | — |
|
1877 | For mixed chorus | Secular choruses | text by Philipp Spitta | ||
| 108/4 | — | — |
|
1877 | For mixed chorus | Secular choruses | text by Robert Reinick | ||
| 108/5 | — | — |
|
1877 | For mixed chorus | Secular choruses | text by Eduard Mörike | ||
| 108/6 | — | — |
|
1877 | For mixed chorus | Secular choruses | text by Ludwig Pfau | ||
| 109 | — | — | Mass in E-flat major | 1878-1899 | For mixed chorus | Masses | "Cantus Missae" | ||
| 110 | — | — | Ouvertüre zu Schillers Demetrius | 1878 | For orchestra | Overtures | later arranged for piano 4 hands by the composer | ||
| 111 | — | — | Organ Sonata No.5 | F♯ major | 1878 | For Organ | Sonata | ||
| 112 | — | — | Piano Trio No.2 | A major | 1876-78 | For violin, cello, piano | Trios | ||
| 113 | — | — | Klavierstudien für die linke Hand (6): | 1878-82 | For piano | Studies | |||
| 113/1 | — | — |
|
1878 | For piano | Studies | |||
| 113/2 | — | — |
|
1878 | For piano | Studies | |||
| 113/3 | — | — |
|
1878 | For piano | Studies | |||
| 113/4 | — | — |
|
1882 | For piano | Studies | |||
| 113/5 | — | — |
|
1882 | For piano | Studies | |||
| 113/6 | — | — |
|
1882 | For piano | Studies | |||
| 114 | — | — | Piano Quintet | C major | 1878 | For 2 violins, viola, cello, piano | Quintets | ||
| 115 | — | — | Toccata in C minor | C minor | 1879 | For piano | Pieces | ||
| 116 | — | — | Seebilder | 1879 | For male chorus | Secular choruses | |||
| 116/1 | — | — |
|
1879 | For male chorus | Secular choruses | text by Franziska von Hoffnaass | ||
| 116/2 | — | — |
|
1879 | For male chorus | Secular choruses | text by Franziska von Hoffnaass | ||
| 116/3 | — | — |
|
1879 | For male chorus | Secular choruses | text by Franziska von Hoffnaass | ||
| 116/4 | — | — |
|
1879 | For male chorus | Secular choruses | text by Franziska von Hoffnaass | ||
| 117 | — | — | Missa brevis | F major | 1888-1899 | For mixed chorus | Masses | ||
| 118 | — | — | Hymnen (6) | 1877-80 | For 2 sopranos, organ | Sacred choruses | |||
| 118/1 | — | — |
|
1880 | For 2 sopranos, organ | Sacred choruses | |||
| 118/2 | — | — |
|
1877 | For 2 sopranos, organ | Sacred choruses | |||
| 118/3 | — | — |
|
1880 | For 2 sopranos, organ | Sacred choruses | |||
| 118/4 | — | — |
|
1880 | For 2 sopranos, organ | Sacred choruses | |||
| 118/5 | — | — |
|
1880 | For 2 sopranos, organ | Sacred choruses | |||
| 118/6 | — | — |
|
1880 | For 2 sopranos, organ | Sacred choruses | |||
| 119 | — | — | Organ Sonata No.6 | E flat minor | 1878 | For Organ | Sonata | ||
| 120 | — | — | Christoforus | 1880 | For soloists, mixed chorus, orchestra | Oratorio | text by Franziska von Hoffnaass | ||
| 121 | — | — | Piano Trio No.3 | B flat major | 1880 | For violin, cello, piano | Trios | ||
| 122 | — | — | Sonata for Piano 4-hands | C minor | 1881-86 | For piano 4-hands | Sonatas | ||
| 123 | — | — | 12 Fughetten strengen Stils | 1883 | For organ | Pieces | |||
| 124 | — | — | Waldblumen | 1881 | For mixed chorus | Secular choruses | |||
| 124/1 | — | — |
|
1881 | For mixed chorus | Secular choruses | text by Franz Alfred Muth | ||
| 124/2 | — | — |
|
1881 | For mixed chorus | Secular choruses | text by Franz Alfred Muth | ||
| 124/3 | — | — |
|
1881 | For mixed chorus | Secular choruses | text by Franz Alfred Muth | ||
| 124/4 | — | — |
|
1881 | For mixed chorus | Secular choruses | text by Franz Alfred Muth | ||
| 124/5 | — | — |
|
1881 | For mixed chorus | Secular choruses | text by Franz Alfred Muth | ||
| 124/6 | — | — |
|
1881 | For mixed chorus | Secular choruses | text by Franz Alfred Muth | ||
| 124/7 | — | — |
|
1881 | For mixed chorus | Secular choruses | text by Franz Alfred Muth | ||
| 124/8 | — | — |
|
1881 | For mixed chorus | Secular choruses | text by Franz Alfred Muth | ||
| 125 | — | — | Aus deutschen Gauen | 1881 | For male chorus | Secular choruses | |||
| 125/1 | — | — |
|
1881 | For male chorus | Secular choruses | text by Franziska von Hoffnaass | ||
| 125/2 | — | — |
|
1881 | For male chorus | Secular choruses | text by Julius Sturm | ||
| 125/3 | — | — |
|
1881 | For male chorus | Secular choruses | text by Leberecht Dreves | ||
| 125/4 | — | — |
|
1881 | For male chorus | Secular choruses | text by Julius Sturm | ||
| 125/5 | — | — |
|
1881 | For male chorus | Secular choruses | text by Franziska von Hoffnaass | ||
| 125/6 | — | — |
|
1881 | For male chorus | Secular choruses | text by Robert Müller | ||
| 125/7 | — | — |
|
1881 | For male chorus | Secular choruses | text by Julius Sturm | ||
| 126 | — | — | Mass in A major | 1856-99 | For female chorus, organ | Masses | "In nativitate Domini"; Published 1883. | ||
| 127 | — | — | Organ Sonata No.7 | F minor | 1881 | For Organ | Sonata | ||
| 128 | — | — | Elegische Gesänge (4) | 1882 | For voice, piano | Songs | |||
| 128/1 | — | — |
|
1882 | For voice, piano | Songs | text from Book of Wisdom 3, 1-8 | ||
| 128/2 | — | — |
|
1882 | For voice, piano | Songs | |||
| 128/3 | — | — |
|
1882 | For voice, piano | Songs | text by Robert Prutz | ||
| 128/4 | — | — |
|
1882 | For voice, piano | Songs | text by Emanuel Geibel | ||
| 129 | — | — | Gesänge altitalienischer Dichter | 1882 | For voice, piano | Songs | |||
| 129/1 | — | — |
|
1882 | For voice, piano | Songs | |||
| 129/2 | — | — |
|
1882 | For voice, piano | Songs | |||
| 129/3 | — | — |
|
1882 | For voice, piano | Songs | |||
| 130 | — | — | Aus Westfalen | 1882 | For male chorus | Secular Choruses | text by Friedrich W. Weber | ||
| 130/1 | — | — |
|
1882 | For male chorus | Secular Choruses | text by Friedrich W. Weber | ||
| 130/2 | — | — |
|
1882 | For male chorus | Secular Choruses | text by Friedrich W. Weber | ||
| 130/3 | — | — |
|
1882 | For male chorus | Secular Choruses | text by Friedrich W. Weber | ||
| 130/4 | — | — |
|
1882 | For male chorus | Secular Choruses | text by Friedrich W. Weber | ||
| 130/5 | — | — |
|
1882 | For male chorus | Secular Choruses | text by Friedrich W. Weber | ||
| 130/6 | — | — |
|
1882 | For male chorus | Secular Choruses | text by Friedrich W. Weber | ||
| 130/6 | — | — |
|
1882 | For male chorus | Secular Choruses | text by Friedrich W. Weber | ||
| 131 | — | — | Gesänge (6) | 1881-82 | For female chorus | Secular Choruses | |||
| 131/1 | — | — |
|
1882 | For female chorus | Secular Choruses | text by Franz Alfred Muth | ||
| 131/2 | — | — |
|
1882 | For female chorus | Secular Choruses | text by Franz Alfred Muth | ||
| 131/3 | — | — |
|
1882 | For female chorus | Secular Choruses | text by Franz Alfred Muth | ||
| 131/4 | — | — |
|
1882 | For female chorus | Secular Choruses | text by Franz Alfred Muth | ||
| 131/5 | — | — |
|
1882 | For female chorus | Secular Choruses | text by Franz Alfred Muth | ||
| 131/6 | — | — |
|
1882 | For female chorus | Secular Choruses | text by Emanuel Geibel | ||
| 132 | — | — | Organ Sonata No.8 | E minor | 1882 | For Organ | Sonata | ||
| 133 | — | — | Motetten (6) | 1881 | For mixed chorus | Sacred Choruses | |||
| 133/1 | — | — |
|
1881 | For mixed chorus | Sacred Choruses | |||
| 133/2 | — | — |
|
1881 | For mixed chorus | Sacred Choruses | |||
| 133/3 | — | — |
|
1881 | For mixed chorus | Sacred Choruses | |||
| 133/4 | — | — |
|
1881 | For mixed chorus | Sacred Choruses | |||
| 134 | — | — | Osterhymne | 1881 | For mixed chorus | Sacred Choruses | text by Wipo von Burgund | ||
| 135 | — | — | Piano Sonata No.3 | E♭ major | 1883 | For Piano | Sonata | ||
| 136 | — | — | Aus verborgenem Tal | 1883 | For voice, piano | Songs | text by Franziska von Hoffnaass | ||
| 136/1 | — | — |
|
1883 | For voice, piano | Songs | text by Franziska von Hoffnaass | ||
| 136/2 | — | — |
|
1883 | For voice, piano | Songs | text by Franziska von Hoffnaass | ||
| 136/3 | — | — |
|
1883 | For voice, piano | Songs | text by Franziska von Hoffnaass | ||
| 136/4 | — | — |
|
1883 | For voice, piano | Songs | text by Franziska von Hoffnaass | ||
| 136/5 | — | — |
|
1883 | For voice, piano | Songs | text by Franziska von Hoffnaass | ||
| 136/6 | — | — |
|
1883 | For voice, piano | Songs | text by Franziska von Hoffnaass | ||
| 136/7 | — | — |
|
1883 | For voice, piano | Songs | text by Franziska von Hoffnaass | ||
| 136/8 | — | — |
|
1883 | For voice, piano | Songs | text by Franziska von Hoffnaass | ||
| 136/9 | — | — |
|
1883 | For voice, piano | Songs | text by Franziska von Hoffnaass | ||
| 136/10 | — | — |
|
1883 | For voice, piano | Songs | text by Franziska von Hoffnaass | ||
| 136/11 | — | — |
|
1883 | For voice, piano | Songs | text by Franziska von Hoffnaass | ||
| 136/12 | — | — |
|
1883 | For voice, piano | Songs | text by Franziska von Hoffnaass | ||
| 136/13 | — | — |
|
1883 | For voice, piano | Songs | text by Franziska von Hoffnaass | ||
| 136/14 | — | — |
|
1883 | For voice, piano | Songs | text by Franziska von Hoffnaass | ||
| 137 | — | — | Organ Concerto No.1 | F major | 1883 | For Organ, Orchestra | Sonata | ||
| 138 | — | — | Stabat Mater | G minor | 1884 | For mixed chorus, organ or strings | Sacred Choruses | ||
| 139 | — | — | Nonet | E♭ major | 1884 | For flute, oboe, clarinet, bassoon, horn, violin, viola, violoncello, double bass | Pieces | ||
| 140 | — | — | Hymnen (5) | 1878-84 | For mixed chorus | Sacred Choruses | |||
| 140/1 | — | — |
|
1878 | For mixed chorus | Sacred Choruses | |||
| 140/2 | — | — |
|
1883 | For mixed chorus | Sacred Choruses | |||
| 140/3 | — | — |
|
1884 | For mixed chorus | Sacred Choruses | |||
| 140/4 | — | — |
|
1884 | For mixed chorus | Sacred Choruses | |||
| 140/5 | — | — |
|
1884 | For mixed chorus | Sacred Choruses | |||
| 141 | — | — | Aus fränkischen Landen | 1885 | For male chorus | Secular Choruses | |||
| 141/1 | — | — |
|
1885 | For male chorus | Secular Choruses | text by Franz Alfred Muth | ||
| 141/2 | — | — |
|
1885 | For male chorus | Secular Choruses | text by Fritz Rohrer | ||
| 141/3 | — | — |
|
1885 | For male chorus | Secular Choruses | text by Fritz Rohrer | ||
| 141/4 | — | — |
|
1885 | For male chorus | Secular Choruses | text by Hermann Lingg | ||
| 141/5 | — | — |
|
1885 | For male chorus | Secular Choruses | text by Martin Greif | ||
| 141/6 | — | — |
|
1885 | For male chorus | Secular Choruses | text by Martin Greif | ||
| 142 | — | — | Organ Sonata No.9 | B♭ minor | 1883 | For Organ | Sonata | ||
| 143 | — | — | Die Rosen von Hildesheim | 1885 | For male chorus, brass orchestra | Secular Choruses | text by Franziska von Hoffnaass | ||
| 144 | — | — | Wettgesänge (3) | 1885 | For male chorus | Secular Choruses | |||
| 144/1 | — | — |
|
1885 | For male chorus | Secular Choruses | text by Franz Alfred Muth | ||
| 144/2 | — | — |
|
1885 | For male chorus | Secular Choruses | text by Fr. Trautmann | ||
| 144/3 | — | — |
|
1885 | For male chorus | Secular Choruses | text by Friedrich Oser | ||
| 145 | — | — | Monfort | 1885 | For soloists, mixed chorus, orchestra | Ballad | text by Franziska von Hoffnaass | ||
| 146 | — | — | Organ Sonata No.10 | B minor | 1886 | For Organ | Sonata | ||
| 147 | — | — | String Quartet No.2 | F major | 1886 | For 2 violins, viola and cello | Quartets | ||
| 148 | — | — | Organ Sonata No.11 | D minor | 1887 | For Organ | Sonata | ||
| 149 | — | — | Suite for Organ Trio and Strings | C minor | 1889-90 | For organ, violin, cello and strings | Suites | ||
| 150 | — | — | 6 Pieces | 1887 | For organ, violin | Pieces | |||
| 150/1 | — | — |
|
1887 | For organ, violin | Pieces | |||
| 150/2 | — | — |
|
1887 | For organ, violin | Pieces | |||
| 150/3 | — | — |
|
1887 | For organ, violin | Pieces | |||
| 150/4 | — | — |
|
1887 | For organ, violin | Pieces | |||
| 150/5 | — | — |
|
1887 | For organ, violin | Pieces | |||
| 150/6 | — | — |
|
1887 | For organ, violin | Pieces |