London manuscript, GB-Lbl Add.Ms.30387 (Weiss, Sylvius Leopold)

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#1050825 - 1132.92MB, 329 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 0×⇩ - Stefan Apke

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Stefan Apke (2026/08/04)

Publisher. Info. Holograph manuscript, 1717-24.
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General Information

Work Title London manuscript, GB-Lbl Add.Ms.30387
Alternative. Title
Composer Weiss, Sylvius Leopold
Internal Reference NumberInternal Ref. No. None [force assignment]
Movements/SectionsMov'ts/Sec's several items
  • Many of the items can be collected. But there are divergent opinions how this should be done, see e.g. British Library (interim version, after a cyber-attack) ; luthbaroque.fr ; The London Manuscript, Tree Edition ; Ruggero Chiesa: Intavolatura di Liuto.
  • Most items are from S.L. Weiss but the Concert d' un Luth avec une Flute traversiere Del Sigismundo Weis, f.33v is explicitly and the [Menuet] f.68v will be from his brother Johann Sigismund Weiss.
  • L'amant malheureux, f.66v will be a S.L. Weiss arrangement from Jacques Gallot and Comment Sçavez-vous?, f.129r might be from J.C.M. Pichler (arr. S.L. Weiss).
  • The concerts for lute & transverse flute just have the lute but no flute parts.
  • Concordances: Peter Steur and Markus Lutz. The notations like "(WeissSW 1.1 (Sm 1))" are reused here.

Content:

Praelude (WeissSW 1.1 (Sm 1)) F-Dur, f.1r
Allemande. Weis, original fait à Prague 1717 (WeissSW 1.2 (Sm 2)) F-Dur, f.1v
Cour[ante]: Weis (WeissSW 1.3 (Sm 3)) F-Dur, f.2v
Bouree. Weis original 1717 (WeissSW 1.4 (Sm 4)) F-Dur, f.3v
Sarab[ande]: Weis 1717 (WeissSW 1.5 (Sm 5)) d-Moll, f.4r
Men[uet]: [1] (WeissSW 1.6 (Sm 6)) F-Dur, f.4v
Gigue or[iginal]. 1717 (WeissSW 1.7 (Sm 7)) F-Dur, f.5r
Menuet [2] (WeissSW 1.8 (Sm 8)) F-Dur, f.6r
Men[uet]: [3] (WeissSW 1.9 (Sm 9)) F-Dur, f.6v
Gavotte (WeissSW 1.10 (Sm 10)) F-Dur, f.7r
Prelude (WeissSW 2.1 (Sm 11)) D-Dur, f.7v
Allem[ande]: Weis (WeissSW 2.2 (Sm 12) - WeissSW 63.1) D-Dur, f.8r
Cour[ante]: (WeissSW 2.3 (Sm 13) - WeissSW 71.3) D-Dur, f.8v
Bourée (WeissSW 2.4 (Sm 14) - WeissSW 71.4) D-Dur, f.9v
Sarab[ande]: (WeissSW 2.5 (Sm 15)) D-Dur, f.9v
Men[uet]: (WeissSW 2.6 (Sm 16) - WeissSW 63.6 - see WeissSW 77* and WeissSW 78*) D-Dur, f.10r
Giga (WeissSW 2.7 (Sm 17)) D-Dur, f.10v
[Gavotte] (WeissSW 2.8 (Sm 18)) D-Dur, f.11v
[Double] (WeissSW 2.9 (Sm 18)) D-Dur, f.11v
Prelude (WeissSW 3.1 (Sm 19)) g-Moll, f.12r
Allemande. Weis (WeissSW 3.2 (Sm 20)) g-Moll, f.12v
Courr[ante]: (WeissSW 3.3 (Sm 21)) g-Moll, f.13v
Bouree (WeissSW 3.4 (Sm 22)) g-Moll, f.14v
Sarabande (WeissSW 3.5 (Sm 23)) g-Moll, f.15v
Menuet [1] (WeissSW 3.6 (Sm 24)) g-Moll, f.16r
Menuet 2.do (WeissSW 3.7 (Sm 25)) B-Dur, f.16v
Prelude (WeissSW 4.1 (Sm 26)) B-Dur, f.17r
Ouverture (WeissSW 4.2 (Sm 27)) B-Dur, f.17v
Allegro, f.17v
Largo, f.18r
Cour[ante]: (WeissSW 4.3 (Sm 28)) B-Dur, f.18v
-----------------
Allegro (WeissSW 1* (Sm 29)) G-Dur, f.19v, not belonging to the sonata
-----------------
Bouree (WeissSW 4.4 (Sm 30 - 334)) B-Dur, f.20r
Prelude (WeissSW 5.1 (Sm 32)) G-Dur, f.21v
Allemande (WeissSW 5.2 (Sm 33)) G-Dur, f.22r
Cour[ante]: (WeissSW 5.3 (Sm 34)) G-Dur, f.22v
Bourée. Weis (WeissSW 5.4 (Sm 35)) G-Dur, f.23v
Sarabande. Weis (WeissSW 5.5 (Sm 36)) G-Dur, f.24r
Menuet. Weis (WeissSW 5.6 (Sm 37)) G-Dur, f.24v
Gigue (WeissSW 5.7 (Sm 38)) G-Dur, f.24v
Adagio (WeissSW 6.1 - WeissSW 56.1) B-Dur, f.25v
Allegro (WeissSW 6.2 - WeissSW 56.2) B-Dur, f.26v
Grave (WeissSW 6.3 - WeissSW 56.3) g-Moll, f.28v
Allegro (WeissSW 6.4 - WeissSW 56.4) B-Dur, f.29v, fragment; concordance (Steur / Lutz) shows how to fix it: use the Allegro from Mus.2841-V-1,6, pp.22,23
Allemande. S.L. Weis. (WeissSW 7.1 (Sm 39)) c-Moll, f.30r
Cour[ante]: (WeissSW 7.2 (Sm 40) - WeissSW 79.2) c-Moll, f.30v
Gavotte (WeissSW 7.3 (Sm 41)) c-Moll, f.31r
Sarabande (WeissSW 7.4 (Sm 42)) c-Moll, f.31v
Menuet (WeissSW 7.5 (Sm 43)) c-Moll, f.31v
Gigue (WeissSW 7.6 (Sm 44) - WeissSW 79.5) c-Moll, f.32v
Andante (Johann Sigismund Weiss) (WeissSW 8.1) B-Dur, f.33v
Presto (Johann Sigismund Weiss) (WeissSW 8.2) B-Dur, f.34r
Andante (Johann Sigismund Weiss) (WeissSW 8.3) B-Dur, f.34v
Allegro (Johann Sigismund Weiss) (WeissSW 8.4) B-Dur, f.35v
Adagio (WeissSW 9.1) F-Dur, f.36r
Allegro (WeissSW 9.2) F-Dur, f.36v
Amoroso (WeissSW 9.3) d-Moll, f.37v
Allegro (WeissSW 9.4) F-Dur, f.38v
  • Bourée (WeissSW 13.4 (Sm 71) - WeissSW 93.3 (Sm 71) - App 7 (Sm 435) - WeissSW 3* (Sm 45)) d-Moll, f.39v
  • (Sonata Nr.10, Es-Dur)
Prelude. Weis (WeissSW 10.1 (Sm 46)) Es-Dur, f.40v
Prelude (WeissSW 10.2 (Sm 47)) Es-Dur, f.41r
Allemande. S.L. Weis (WeissSW 10.3 (Sm 48)) Es-Dur, f.41v
Cour[ante]: (WeissSW 10.4 (Sm 49)) Es-Dur, f.42v
Bouree (WeissSW 10.5 (Sm 50)) Es-Dur, f.43v
Sarabande (WeissSW 10.6 (Sm 51)) Es-Dur, f.44r
Menuet (WeissSW 10.7 (Sm 52)) Es-Dur, f.44v
Ciacconne (WeissSW 10.8 (Sm 53)) Es-Dur, f.45v
Allemande (WeissSW 11.1 (Sm 55)) d-Moll, f.47r
Cour[ante]: (WeissSW 11.2 (Sm 56)) d-Moll, f.47v
Gavotte (WeissSW 11.3 (Sm 57)) d-Moll, f.48v
Sarab[ande]: (WeissSW 11.4 (Sm 58)) d-Moll, f.49r
Menuet (WeissSW 11.5 (Sm 59)) d-Moll, f.49v
Gigue (WeissSW 11.6 (Sm 60)) d-Moll, f.50v
Allemande. S.L. Weis (WeissSW 12.1 (Sm 61)) A-Dur, f.51v
Cour[ante]: (WeissSW 12.2 (Sm 62)) A-Dur, f.52r
Bourée (WeissSW 12.3 (Sm 63)) A-Dur, f.52v
Sarabanda (WeissSW 12.4 (Sm 64)) fis-Moll, f.53v
Menuet (WeissSW 12.5 (Sm 65)) A-Dur, f.54r
Ciacona (WeissSW 12.6 (Sm 66)) A-Dur, f.54v
Gigue (WeissSW 12.7 (Sm 67)) A-Dur, f.55v
Preludie (WeissSW 13.1 (Sm 68)) d-Moll, f.56v
Allemande. Weis (WeissSW 13.2 (Sm 69)) d-Moll, f.57r
Cour[ante]: (WeissSW 13.3 (Sm 70)) d-Moll, f.57v
Bouree (WeissSW 13.4 (Sm 71) - WeissSW 93.3 (Sm 71) - App 7 (Sm 435) - WeissSW 3* (Sm 45)) d-Moll, f.58r
Menuet (WeissSW 13.5 (Sm 72)) d-Moll, f.58v
Adagio (WeissSW 14.1 (Sm 75)) g-Moll, f.61v
Gavotte (WeissSW 14.2 (Sm 76)) g-Moll, f.62r
Sarabande (WeissSW 14.3 (Sm 77)) g-Moll, f.62v
Menuet (WeissSW 14.4 (Sm 78)) B-Dur, f.62v
Bourée (WeissSW 14.5 (Sm 79)) g-Moll, f.63v
Ciaconna (WeissSW 14.6 (Sm 80)) g-Moll, f.64v
  • Fuga (WeissSW 7* (Sm 81) - App 4 (early version?)) d-Moll, f.65v
  • L'Amant malheureux [Jacques Gallot] (S.L.Weiss (Arr.), WeissSW 8* (Sm 82) - WeissSW 76.2 - WeissSW 64.1) a-Moll, f.66v
  • Fantasie. Weis 1719 a Prague (WeissSW 9* (Sm 83)) c-Moll, f.67v
  • [Menuet] [Johann Sigismund Weiss] (WeissSW 10* - WeissSW 83.5 cf. WeissSW 73,1 (Sm 84)) B-Dur, f.68v
  • (Sonata Nr.15, B-Dur)
Plainte de Mons: Weis sur la generosite de la grande Noblesse au cap de bonne esperance, en attendant la flotille d' or de leur promesse: compose le 11. Janvrier 1719: (WeissSW 15.1 (Sm 85)) B-Dur, f.69r
Allemande (WeissSW 15.2 (Sm 86)) B-Dur, f.69v
Cour[ante]: (WeissSW 15.3 (Sm 87)) B-Dur, f.70v
Paisane (WeissSW 15.4 (Sm 88)) B-Dur, f.71v
Sarab[ande]: (WeissSW 15.5 (Sm 89)) B-Dur, f.72r
Menuet (WeissSW 15.6 (Sm 90)) B-Dur, f.72v
Gigue (WeissSW 15.7 (Sm 91)), f.73v
Allem[ande]: (WeissSW 16.1 (Sm 92)) A-Dur, f.74v
Air en echo, Largo (WeissSW 16.2 (Sm 93)) A-Dur, f.75v
Paisanne (WeissSW 16.3 (Sm 94)) A-Dur, f.76r
Sarab[ande]: (WeissSW 16.4 (Sm 95)) A-Dur, f.76v
Men[uet]: (WeissSW 16.5 (Sm 96)) A-Dur, f.77r
Pastorrele (WeissSW 16.6 (Sm 97)) A-Dur, f.77v
Allem[ande]: Veritable original S.L. Weis (WeissSW 17.1 (Sm 98)) C-Dur, f.78v
Courente (WeissSW 17.2 (Sm 99)) C-Dur, f.79v
[Bourrée] (WeissSW 17.3 (Sm 100)) C-Dur, f.80v
Sarabande (WeissSW 17.4 (Sm 101)) C-Dur, f.81v
Menuet (WeissSW 17.5 (Sm 102)) C-Dur, f.82r
[Paisanne] (WeissSW 17.6 (Sm 103)) C-Dur, f.82v
Allemande. Weis 1719 (WeissSW 18.1 (Sm 104)) D-Dur, f.83v
Cour[ante]: Weis (WeissSW 18.2 (Sm 105)) D-Dur, f.84v
Angloise (WeissSW 18.3 (Sm 106) - WeissSW 92.12) D-Dur, f.85v
Sarab[ande]: Weis (WeissSW 18.4 (Sm 107)) D-Dur, f.86r
Menuet. Weis (WeissSW 18.5 (Sm 108) - WeissSW 100.4) D-Dur, f.86v
Passagaille (WeissSW 18.6 (Sm 109)) D-Dur, f.87v
  • Tombeau sur la Mort de M: Cajetan Baron d'Hartig arrivée le 25 de mars 1719. Composée par Silvio Lepold Weis à Dresden. Adagio assai (WeissSW 11* (Sm 110)) es-Moll, f.88v
  • [Angloise? / Bourrée?] 1719 Weis (WeissSW 12* (Sm 111) - WeissSW 88.8) C-Dur, f.89v
  • Menuet. Weis (WeissSW 13* (Sm 112) - WeissSW 88.6) C-Dur, f.90v
  • (Sonata Nr.19, F-Dur)
Prelud[e]: SL Weis (WeissSW 19.1 (Sm 113)) F-Dur, f.91r
Allemande. Weis 1719 (WeissSW 19.2 (Sm 114)) F-Dur, f.91v
Cour[ante]: Weis 1719 (WeissSW 19.3 (Sm 115)) F-Dur, f.92v
Bourée. Weis 1719 (WeissSW 19.4 (Sm 116)) F-Dur, f.93v
Sarab[ande]: Weis 1719 (WeissSW 19.5 (Sm 117)) d-Moll, f.94v
Menuet. Weis 1719 (WeissSW 19.6 (Sm 118)) F-Dur, f.95r
Gigue. Weis 1719 (WeissSW 19.7 (Sm 119)) F-Dur, f.95v
Prelud[e]:, Presto, Adagio, Presto. Weis 1719 (WeissSW 20.1 (Sm 120)) d-Moll, f.96v, (lute solo)
Un poco andante (WeissSW 20.2 (Sm 121)) d-Moll, f.97r
La Badinage. Weis 1719 (WeissSW 20.3 (Sm 122)) d-Moll, f.97v
Le Sicilien. Weis 1719 (WeissSW 20.4 (Sm 123)) d-Moll, f.98v
Menuet (WeissSW 20.5 (Sm 124)) d-Moll, f.99r
Gigue (WeissSW 20.6 (Sm 125)) d-Moll, f.99v
  • Gavotte (WeissSW 14* (Sm 126) - WeissSW 93.2) d-Moll, f100r
  • Men[uet]: (WeissSW 15* (Sm 127) - WeissSW 80.8) d-Moll, f100r
  • (Sonata Nr.21, f-moll)
Allemande. Weis 1719 (WeissSW 21.1 (Sm 128)) f-Moll, f.100v
Courrante. Weis 1719 (WeissSW 21.2 (Sm 129)) f-Moll, f.101v
Sarabande, Adagio. Weis 1719 (WeissSW 21.3 (Sm 130)) f-Moll, f.102v
Bourée. Weis 1719 (WeissSW 21.4 (Sm 131)) f-Moll, f.103v
Tempo di Menueto (WeissSW 21.5 (Sm 132)) f-Moll, f.104r
Gigue. Weis 1719 (WeissSW 21.6 (Sm 133)) f-Moll, f.104v
Preludie (WeissSW 22.1 (Sm 134)) G-Dur, f.105v
Toccata (WeissSW 22.2 (Sm 135)) G-Dur, f.106r
Fuga, f.106v
Cour[ante]: S.L. Weis 1719 (WeissSW 22.3 (Sm 137)) G-Dur, f.107v
Bouree. S.L. Weis 1719 (WeissSW 22.4 (Sm 138)) G-Dur, f.108v
Sarabande, un poco andante. S.L. Weis 1719 (WeissSW 22.5 (Sm 139)) e-Moll, f.109v
Menuet. S.L. Weis 1719 (WeissSW 22.6 (Sm 140)) G-Dur, f.110v
Allegro. S.L. Weis 1719. F. (WeissSW 22.7 (Sm 141)) G-Dur, f.111v
Praelude (WeissSW 23.1 (Sm 142)) B-Dur, f.112v
Entrée (WeissSW 23.2 (Sm 143)) B-Dur, f.113r
Bourée (WeissSW 23.3 (Sm 144)) B-Dur, f.113v
Bourée (WeissSW 23.4 (Sm 145)) B-Dur, f.114r
Gavotte (WeissSW 23.5 (Sm 146)) B-Dur, f.114v
Gavotte (WeissSW 23.6 (Sm 147)) B-Dur, f.115r
Sarabande (WeissSW 23.7 (Sm 148)) B-Dur, f.115v
Menuet (WeissSW 23.8 (Sm 149)) B-Dur, f.115v
Menuet (WeissSW 23.9 (Sm 150)) B-Dur, f.116r
Saltarella (WeissSW 23.10 (Sm 151)) B-Dur, f.116v
Ouverture (WeissSW 24.1 (Sm 152)) C-Dur, f.117v
Bourée (WeissSW 24.2 (Sm 153)) C-Dur, f.118v
Aria, un poco andante (WeissSW 24.3 (Sm 154)) C-Dur, f.118v
Menuet (WeissSW 24.4 (Sm 155)) C-Dur, f.119v
Trio (WeissSW 24.5 (Sm 156)) c-Moll, f.119v
Gigue (WeissSW 24.6 (Sm 157)) C-Dur, f.120v
Andante (WeissSW 25.1 (Sm 159)) g-Moll, f.122r
Passepied (WeissSW 25.2 (Sm 160)) g-Moll, f.122v
[Bourée] (WeissSW 25.3 (Sm 161)) g-Moll, f.122v
Sarabande (WeissSW 25.4 (Sm 162)) g-Moll, f.123v
La babilieuse en Menuet (WeissSW 25.5 (Sm 163)) g-Moll, f.123v
Gigue (WeissSW 25.6 (Sm 164)) g-Moll, f.124v
[Prelude] (WeissSW 26.1 (Sm 165)) D-Dur, f.125v
Marche (WeissSW 26.2 (Sm 166)) D-Dur, f.126r
Gavotte (WeissSW 26.3 (Sm 167)) D-Dur, f.126v
Aria, adagio (WeissSW 26.4 (Sm 168)) D-Dur, f.126v
Menuet (WeissSW 26.5 (Sm 169)) D-Dur, f.127v
Musette (WeissSW 26.6 (Sm 170)) D-Dur, f.127v
Rondeau en Echo (WeissSW 26.7 (Sm 171)) D-Dur, f.128v
Praelude (WeissSW 27.1 (Sm 173)) c-Moll, f.129v
Allemande, andante (WeissSW 27.2 (Sm 174)) c-Moll, f.130r
Gavotte (WeissSW 27.3 (Sm 175)) c-Moll, f.130v
Rondeau (WeissSW 27.4 (Sm 176)) c-Moll, f.131r
Sarabanda (WeissSW 27.5 (Sm 177)) Es-Dur, f.131v
Menuet (WeissSW 27.6 (Sm 178)) c-Moll, f.132r
Riguadon (WeissSW 27.7 (Sm 179)) c-Moll, f.132v
La belle Tiroloise (WeissSW 27.8 (Sm 180)) Es-Dur, f.133r
Allemande (WeissSW 28.1 (Sm 181)) F-Dur, f.133v
Courrante (WeissSW 28.2 (Sm 182)) F-Dur, f.134v
Bouree (WeissSW 28.3 (Sm 183)) F-Dur, f.135v
Sarabande (WeissSW 28.4 (Sm 184)) F-Dur, f.136r
Menuet (WeissSW 28.5 (Sm 185)) F-Dur, f.136v
Presto (WeissSW 28.6 (Sm 186)) F-Dur, f.137v
Entrée (WeissSW 29.1 (Sm 187)) a-Moll, f.138v
Cour[ante]: (WeissSW 29.2 (Sm 188)) a-Moll, f.139r
Sarabande (WeissSW 29.3 (Sm 189)) a-Moll, f.139v
Menuet (WeissSW 29.4 (Sm 190)) a-Moll, f.140r
Musette (WeissSW 29.5 (Sm 191)) a-Moll, f.140v
Paÿsane. Weiss (WeissSW 29.6 (Sm 192)) a-Moll, f.141r
Allemande (WeissSW 30.2 (Sm 193)) Es-Dur, f.141v, will have to be sequenced after the Prelude
Prelude. Weiss (WeissSW 30.1 (Sm 194)) Es-Dur, f.142r
Rigaudon (WeissSW 30.3 (Sm 195)) Es-Dur, f.142v
Sarab[ande]: (WeissSW 30.4 (Sm 196)) Es-Dur, f.143r
Gavotte (WeissSW 30.5 (Sm 197)) Es-Dur, f.143v
Menuet (WeissSW 30.6 (Sm 198)) Es-Dur, f.144r
Le Sans Soucie, Allegro assai (WeissSW 30.7 (Sm 199)) Es-Dur, f.144v
  • Praelude. Del Sig:re Silvio Leopold Weis. (WeissSW 17* (Sm 200)) Es-Dur, f.145v
  • [Menuet] (WeissSW 18* (Sm 201)) G-Dur, f.146v
Trio (WeissSW 19* (Sm 202)) g-Moll, f.146v
Allemande (WeissSW 31.1 (Sm 203-Sm 226)) F-Dur, f.147r
Allegro (WeissSW 31.2 (Sm 204)) F-Dur, f.147v
Bourée (WeissSW 31.3 (Sm 205)) F-Dur, f.148r
Menuet (WeissSW 31.4 (Sm 206)) F-Dur, f.148v
Menuet 2.do (WeissSW 31.5 (Sm 207)) d-Moll, f.148v
Gigue (WeissSW 31.6 (Sm 208) - WeissSW 32.7 (Sm 232)) F-Dur, f.149v
Bourée (WeissSW 31.7 (Sm 209)) F-Dur, f.150r
  • Tombeau sur la mort de M.r Comte d' Logÿ arrivee 1721. Composée par Silvio Leopold Weiss, Adagio (WeissSW 20* (Sm 210)) b-Moll, f.150v
  • Prelud[e]: de Weiss (WeissSW 21* (Sm 211)) C-Dur, f.151v
  • Menuet (WeissSW 22* (Sm 212)) C-Dur, f.152r
  • Gavotte. Compose ense craignant à Töpliz le 12 Juillet 1724 (WeissSW 23* (Sm 213)) C-Dur, f.152v
  • Fantasie (WeissSW 24* (Sm 214)) C-Dur, f.153r
  • Capricio (WeissSW 25* (Sm 215) - WeissSW 91.2) D-Dur, f.153v
  • Menuet (WeissSW 26* (Sm 216)) D-Dur, f.154v
  • Menuet 2. (WeissSW 27* (Sm 217)) h-Moll, f.155r
  • Mademoiselle Tiroloise [Paisanne] (WeissSW 28* (Sm 218)) D-Dur, f.155v
  • (Sonata Nr.32, F-Dur)
Allemande (WeissSW 32.1 (Sm 219)) F-Dur, f.156r
Cour[ante]: (WeissSW 32.2 (Sm 220)) F-Dur, f.156v
Bourrée (WeissSW 32.3 (Sm 221)) F-Dur, f.157r
Sarabande (WeissSW 32.4 (Sm 222)) F-Dur, f.157v
[add the Menuet from f.121v here?]
Menuet (WeissSW 32.5 (Sm 223)) F-Dur, f.158r
Gigue (WeissSW 32.6 (Sm 224)) F-Dur, f.158v
Composer Time PeriodComp. Period Baroque
Piece Style Baroque
Instrumentation lute
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