Maddalena (Magni, Bartholomeo)

Movements/SectionsMov'ts/Sec's	5 movements
First Publication	1617
Genre Categories	Madrigals; Sonatas; For 5 instruments; Scores with open instrumentation; For 5 players; For voice, continuo; For voices with continuo; Scores featuring the voice; Scores with basso continuo; For 2 voices, continuo; For 3 voices, continuo; For 4 voices, continuo; For 3 voices, 3 violas, continuo; For voices with solo instruments; Scores featuring the viola; Italian language

Sheet Music

Complete Score
*#310445 - 1.30MB, 5 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 404×⇩ - Feduol

PDF scanned by I-Bc
Feduol (2014/1/7)

Publisher. Info.	Venice: Bartholomeo Magni, 1617.
Copyright	Public Domain [tag/del]
Misc. Notes	RISM 1617³
Purchase	Javascript is required for this feature.

Complete Score [B]
*#310448 - 0.40MB, 4 pp. - 24/26/44 - Feduol

PDF scanned by Unknown
Feduol (2014/1/7)

Editor	Gian Francesco Malipiero (1882–1973)
Publisher. Info.	Tutte le opere, Vol.XI (pp.170-171) Vienna: Universal Edition, 1930. Plate XI.
Copyright	Public Domain - Non-PD Canada, Non-PD US, Non-PD EU [tag/del]
Purchase	Javascript is required for this feature.

Javascript is required to submit files.

Work Title	Maddalena
Alternative. Title	Musiche de alcuni eccellentissimi Musici composte per la Maddalena, Sacra Rappresentazione di Gio. Battista Andreini Fiorentino
Composer	Magni, Bartholomeo
Internal Reference NumberInternal Ref. No.	None [force assignment]
Movements/SectionsMov'ts/Sec's	5 movements: Monteverdi: Ritornello & Prologo Su le penne de venti - Per tenori col basso continuo Effrem: Fra le ruggiade eterne - A due soprani col basso continuo Ghivizzani: Da la fonte del core - A tre voci parimente col basso con tinuo Effrem: Anime fortunate - A quattro voci Rossi: Spazztan pront'o - Cantato & Sonato con 3. viole da braccio
First Publication.	1617
Language	Italian
Composer Time PeriodComp. Period	Baroque
Piece Style	Baroque
Instrumentation	see above

Re tags: "va"? Not "vda" or similar- in 1617? - Schissel

Yes, as early as that is, "da braccio" means on the arm as opposed to "da gamba", on the leg.