Missa Laetatus sum (Victoria, Tomás Luis de)

Movements/SectionsMov'ts/Sec's 5 sections
  1. Kyrie – Christe à 3 (SSS) – Kyrie
  2. Gloria – Domine Deus à 3 (SAT) – Domine Deus à 3 (ATB) – Qui tollis
  3. Credo – Et incarnatus – Crucifixus à 4 (SATB) – Et in Spiritum
  4. Sanctus & Benedictus à 4 (SATB)
  5. Agnus Dei
First Publication 1600 in Missae, Magnificat, Motecta, Psalmi (No.5)
Genre Categories Masses; Religious works; For 12 voices; Scores featuring the voice; Scores featuring the soprano voice; Scores featuring the alto voice; Scores featuring the tenor voice; Scores featuring the bass voice; For unaccompanied voices; For 12 voices, continuo; Scores with basso continuo; For voices with continuo; Latin language

Contents

Performances

Sheet Music

Scores

 Complete Score
#410304 - 16.82MB, 43 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 68×⇩ - PML

PDF scanned by PL-LZu
PML (2016/2/8)

Editor Felipe Pedrell (1841–1922)
Publisher. Info. Opera Omnia, Vol.6 (pp.59–101)
Leipzig: Breitkopf und Härtel, 1909. Plate V.W.VI.
Copyright
Public Domain [tag/del]
Misc. Notes Includes organ transcription of Victoria’s ad libitum continuo (doubling choir 1).
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 Complete Score (revised edition)
#411310 - 0.81MB, 49 pp. -  0.0/10 2 4 6 8 10 (-) - !N*/!N*/!N* - 503×⇩ - PML

PDF typeset by Nancho Alvarez
PML (2016/2/12)

Editor Nancho Alvarez
Publisher. Info. Nancho Alvarez
Copyright
Creative Commons Attribution-NonCommercial-ShareAlike 4.0 [tag/del]
Misc. Notes N.B. Álvarez has reversed choirs 1 and 2 with respect to Pedrell’s edition; omits Victoria’s ad libitum organ part.
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 Kyrie
#18258 - 0.09MB, 6 pp. -  0.0/10 2 4 6 8 10 (-) - !N*/!N*/!N* - 1224×⇩ - ras1

PDF typeset by Nancho Alvarez
ras1 (2008/7/6)

⇒ 4 more: Gloria • Credo • Sanctus and Benedictus • Agnus Dei

 Gloria
#18259 - 0.13MB, 11 pp. -  0.0/10 2 4 6 8 10 (-) - !N*/!N*/!N* - 525×⇩ - ras1

PDF typeset by Nancho Alvarez
ras1 (2008/7/6)

 Credo
#18260 - 0.18MB, 20 pp. -  0.0/10 2 4 6 8 10 (-) - !N*/!N*/!N* - 405×⇩ - ras1

PDF typeset by Nancho Alvarez
ras1 (2008/7/6)

 Sanctus and Benedictus
#18261 - 0.08MB, 6 pp. -  0.0/10 2 4 6 8 10 (-) - !N*/!N*/!N* - 482×⇩ - ras1

PDF typeset by Nancho Alvarez
ras1 (2008/7/6)

 Agnus Dei
#18262 - 0.07MB, 4 pp. -  0.0/10 2 4 6 8 10 (-) - !N*/!N*/!N* - 460×⇩ - ras1

PDF typeset by Nancho Alvarez
ras1 (2008/7/6)

Editor Nancho Alvarez
Publisher. Info. Nancho Alvarez
Copyright
Creative Commons Attribution Non-commercial Share Alike 3.0 [tag/del/mrg]
Misc. Notes Omits direction for Victoria’s ad libitum continuo.
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General Information

Work Title Missa Lætatus sum
Alternative. Title
Composer Victoria, Tomás Luis de
Internal Reference NumberInternal Ref. No. ITV 80
Movements/SectionsMov'ts/Sec's 5 sections
  1. Kyrie – Christe à 3 (SSS) – Kyrie
  2. Gloria – Domine Deus à 3 (SAT) – Domine Deus à 3 (ATB) – Qui tollis
  3. Credo – Et incarnatus – Crucifixus à 4 (SATB) – Et in Spiritum
  4. Sanctus & Benedictus à 4 (SATB)
  5. Agnus Dei
First Publication. 1600 in Missae, Magnificat, Motecta, Psalmi (No.5)
Language Latin
Composer Time PeriodComp. Period Renaissance
Piece Style Renaissance
Instrumentation SATB–SSAB–SATB voices, continuo ad libitum
Extra Information Based on his own 1583 psalm setting.

Navigation etc.

Masses by Tomás Luis de Victoria
  1. Missa Alma Redemptoris mater (8 voices, 1600)
  2. Missa Ascendens Christus in altum (5 voices, 1592)
  3. Missa Ave maris stella (4 voices, 1576)
  4. Missa Ave Regina (8 voices, 1600)
  5. Missa de Beata Maria (5 voices, 1576)
  6. Missa Dum complerentur (6 voices, 1576)
  7. Missa Gaudeamus (6 voices, 1576)
  8. Missa Laetatus sum (12 voices, 1600)
  9. Missa O magnum mysterium (4 voices, 1592)
  10. Missa O quam gloriosum (4 voices, 1583)
11. Missa pro defunctis (4 voices, 1583)
12. Missa pro victoria (9 voices, 1600)
13. Missa Quam pulchri sunt (4 voices, 1583)
14. Missa Quarti toni (4 voices, 1592)
15. Missa Salve (8 voices, 1592)
16. Missa Simile est regnum coelorum (4 voices, 1576)
17. Missa Surge propera (5 voices, 1583)
18. Missa Trahe me post te (5 voices, 1592)
19. Missa Vidi speciosam (6 voices, 1592)
20. Officium defunctorum (6 voices, 1605)
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