Contents |
New Music Edition originated as the New Music Society of California, based in San Francisco, devoted to publishing "ultra-modern" classical compositions that other music publishers of the time might not have agreed to publish. The organization was founded by Henry Cowell in 1925, and the first issue of the New Music quarterly published in October 1927.
In 1932, New Music Edition began to publish New Music Orchestra Series, which as its name implies, had more focus on orchestral works. It was originally intended to be a quarterly to supplement New Music, but due to various factors, financial and otherwise, the series was not a regular quarterly publication and it was discontinued in 1939.
Publication of the New Music quarterly continued until July 1958, when the company was acquired by Theodore Presser.
Notes:
| Year | Issue | Composer | Work | Instrumentation | Remarks |
|---|---|---|---|---|---|
| 1927 | 1/1 | Ruggles | Men and Mountains | orch | |
| 1928 | 1/2 | Dane Rudhyar | 3 Paeans | pf | |
| 1928 | 1/3 | Ornstein | The Corpse | v | |
| 1928 | 1/3 | Paul Arma | 6 Pieces | v | composer name in issue: Imre Weisshaus |
| 1928 | 1/4 | Chávez | Violin Sonatina | vn pf | |
| 1928 | 2/1 | Crawford Seeger | Piano Preludes (Nos.6-9) | pf | composer name in issue: Ruth Crawford |
| 1929 | 2/2 | Ives | Symphony No.4 (2nd mvmt) | orch | |
| 1929 | 2/3 | Weiss | 12 Preludes (Nos.1, 2, 6, 9, 11, 12) | pf | |
| 1929 | 2/4 | Copland | As It Fell Upon A Day | sop fl cl | |
| 1929 | 3/1 | Slonimsky | Studies in Black and White | pf | |
| 1930 | 3/2 | Becker | Symphony No.3 'Symphonia Brevis' | pf (arr) | |
| 1930 | 3/3 | Ruggles | Portals | str | |
| 1930 | 3/4 | Riegger | Suite for Flute Alone, Op.8 | fl | |
| 1930 | 3/4 | McPhee | Kinesis, Invention | pf | |
| 1930 | 4/1 | Webern | Geistlicher Volkstext | v cl bcl vn | |
| 1930 | 4/1 | Weiss | Sonate | fl va | |
| 1930 | 4/1 | Chávez | 36 | pf | |
| 1931 | 4/2 | McPhee | Concerto for Piano and Wind Octet | 2fl ob cl bn hn tpt tbn pf | |
| 1931 | 4/3 | Antheil | Second Sonata ("The Airplane") | pf | |
| 1931 | 4/4 | Henry Brant | Variations for 4 instruments | 4open | instrumentation of the 4 parts "[...] relegated to the discretion of the performer" |
| 1931 | 4/4 | Henry Brant | 2 Sarabandes | pf | |
| 1931 | 5/1 | Achron | Statuettes, Op.66 | pf | |
| 1932 | 5/2 | Ives | Set for Theatre Orchestra | orch | also includes selected arrangements: voice and piano (No.1: "The Cage"); piano solo (No.2: "In the Inn") |
| 1932 | 5/3 | Schoenberg | Klavierstücke, Op.33 | pf | |
| 1932 | 5/4 | Riegger | 3 Canons for Woodwinds, Op.9 | fl ob cl bn | |
| 1932 | 5/4 | Gerald Strang | Mirrorrorrim | pf | |
| 1932 | 6/1 | Crawford Seeger | Piano Study in Mixed Accents | pf | composer name in issue: Ruth Crawford |
| 1932 | 6/1 | Engel | Excerpts from Job | v pf | composer name in issue: A. Lehman Engel |
| 1933 | 6/2 | Chávez | Sonata | pf | |
| 1933 | 6/3 | Richard Donovan | Suite | pf | |
| 1933 | 6/3 | Arthur E. Hardcastle | Prelude No.4 | pf | |
| 1933 | 6/4 | Piston | 3 Pieces | fl cl bn | |
| 1933 | 6/4 | Fine | 4 Songs | v str | |
| 1933 | 7/1 | Ives | 34 Songs | v pf | |
| 1934 | 7/2 | Roldàn | 3 Songs from Motivos de Son | v pf | |
| 1934 | 7/2 | Ruyneman | Sonata for Chamber Choir | ch | |
| 1934 | 7/3 | Ray Green | 2 Madrigals | ch / mch | two choral pieces: (a) Hey Nonny No for mixed chorus; (b) Sea Calm (printed with incorrect title Sea Charm in this edition) for male chorus |
| 1934 | 7/3 | Ray Green | Sonatina | pf | |
| 1934 | 7/3 | Ray Green | 2 Songs | v pf | both songs from composer's 4 Short Songs based on poems by Carl Sandburg: (a) Fog, (b) Summer Grass |
| 1934 | 7/4 | José Ardévol | Sonatina | pf | |
| 1934 | 7/4 | Caturla | Preludio Corto No.1 | pf | |
| 1934 | 7/4 | Caturla | Sonata Corta | pf | |
| 1934 | 7/4 | Gerald Strang | Eleven, Fifteen | pf | |
| 1934 | 8/1 | Aleksandr Davidenko | Song of a Shepherd | ch | |
| 1934 | 8/1 | Khachaturian | Dance No.3 | ch | |
| 1934 | 8/1 | Mosolov | Turkmenian Lullaby | ch | composer name in issue: A. Mossolov |
| 1934 | 8/1 | Polovinkin | Humoresque No.1 | pf | with title "Humoresque Philosophique" |
| 1934 | 8/1 | Veprik | Stalinstan | ch | |
| 1935 | 8/2 | Paul Creston | 7 Theses | pf | |
| 1935 | 8/3 | Chávez | Spiral | vn pf | |
| 1935 | 8/3 | Paul Bowles | Cafe Sin Nombre | v pf | |
| 1935 | 8/3 | Paul Bowles | Danger du Mort | v pf | |
| 1935 | 8/3 | Paul Bowles | Letter to Freddy | v pf | |
| 1935 | 8/3 | Paul Bowles | Scenes d'Anabase | v pf | |
| 1935 | 8/4 | Dane Rudhyar | Granites | pf | |
| 1935 | 8/4 | Luening | Only Themselves Understand Themselves | v pf | |
| 1935 | 8/4 | Irwin Heilner | 2nd Rhapsody for Tenor | v pf | |
| 1935 | 9/1 | Ives | 19 Songs | v pf | |
| 1936 | 9/2 | Béla Rózsa | Sonate | pf | |
| 1936 | 9/3 | Roy Harris | Trio | vn vc pf | |
| 1936 | 9/4 | Elie Siegmeister | Strange Funeral at Braddock | bar pf | |
| 1936 | 9/4 | Ernest Brooks | Toccata | pf | |
| 1936 | 10/1 | Chávez | 7 Pieces | pf | |
| 1937 | 10/2 | William Bailey | Ideless | vn pf | |
| 1937 | 10/2 | Mildred Couper | Dirge | 2pf | the 2 pianos are to be tuned 1/4 tone apart |
| 1937 | 10/3 | Caturla | Comparsa | pf | |
| 1937 | 10/3 | Caturla | Yambambo | v pf | |
| 1937 | 10/3 | Clara Stocker | 2 Little Pieces | pf | |
| 1937 | 10/4 | Luening | Fantasia Brevis | cl pf | |
| 1937 | 10/4 | Gerald Strang | Sonatina | cl | |
| 1937 | 10/4 | Gerald Strang | 3 Pieces | fl pf | |
| 1937 | 11/1 | Finney | Piano Sonata | pf | |
| 1938 | 11/2 | Nancarrow | Prelude for Piano | pf | |
| 1938 | 11/2 | Nancarrow | Blues for Piano | pf | |
| 1938 | 11/2 | Nancarrow | Toccata for Piano and Violin | vn pf | |
| 1938 | 11/3 | Paul Creston | Suite | sax/cl pf | |
| 1938 | 11/4 | James Cleghorn | How Do You Like This? | pf | |
| 1938 | 11/4 | Harrison | Sarabande and Prelude | pf | |
| 1938 | 12/1 | Jacobo Ficher | Sonatina, Op.21 | pf tpt sax | |
| 1939 | 12/2 | George Tremblay | 2 Piano Sonatas | pf | |
| 1939 | 12/3 | Domingo Santa Cruz | 3 Pieces | vn pf | |
| 1939 | 12/4 | Armando Carvajal | 3 Piano Pieces for Children | pf | |
| 1939 | 12/4 | Guillermo Uribe Holguín | 3 Preludes | pf | |
| 1939 | 13/1 | David Diamond | Cello Sonata | vc pf | |
| 1940 | 13/2 | Norman Cazden | Sonatina | pf | |
| 1940 | 13/2 | McKay | Dance Suite No.2 | pf | |
| 1940 | 13/3 | Harrison Kerr | Trio | cl vc pf | |
| 1940 | 13/4 | Weber | 5 Bagatelles | pf | |
| 1940 | 14/1 | Cowell | Maestoso | pf | |
| 1941 | 14/2 | Crawford Seeger | String Quartet | 2vn va vc | composer name in issue: Ruth Crawford |
| 1941 | 14/3 | Richard Donovan | Serenade | ob vn va vc | |
| 1941 | 14/3 | Harrison Kerr | Study | vc | |
| 1941 | 14/4 | Gerald Strang | Intermezzo | orch | |
| 1941 | 15/1 | Goldman | Hymn for Brass Choir (1939) | 4tpt 4hn 3tbn euph tba | modern editions appear to have parts for timpani and/or optional double bass, but it's unclear if either of those parts exist in this edition |
| 1941 | 15/1 | Jemnitz | Violin Sonata, Op.37 | vn | composer name in issue: Alexander Jemnitz; with title "Second Sonata for Violin Alone" |
| 1942 | 15/2 | Bacon | 6 Songs | v pf | |
| 1942 | 15/3 | Luening | 8 Preludes for Piano, W99 | pf | |
| 1942 | 15/3 | Pisk | 5 Sketches, Op.39 | pf | |
| 1942 | 15/4 | Achron | Sextet | fl ob cl bn hn tpt | |
| 1942 | 16/1 | Fernández | Moda | pf | dedicatee: Nicolas Slonimsky; issue title: "Piano Music of Brazil" |
| 1942 | 16/1 | Guarnieri | Valsa | pf | issue title: "Piano Music of Brazil" |
| 1942 | 16/1 | Radamés Gnattali | Chôro | pf | issue title: "Piano Music of Brazil" |
| 1942 | 16/1 | Villa-Lobos | Melodia da Montanha (Serra da Piede de Bello Horizonte) | pf | issue title: "Piano Music of Brazil"; includes a "millemetric chart" that diagrams the melodic and rhythmic structure of the piece |
| 1942 | 16/1 | Villa-Lobos | New York Sky-Line | pf | issue title: "Piano Music of Brazil" |
| 1942 | 16/1 | Mignone | Lenda Sertaneja No.9 | pf | dedicatee: Nicolas Slonimsky; issue title: "Piano Music of Brazil" |
| 1943 | 16/2 | Juan Carlos Paz | Composicions en Los 12 Tonos | cl pf | |
| 1943 | 16/3 | Ruggles | Evocations (3 chants) | pf | |
| 1943 | 16/3 | Ruggles | Angels | 4tpt 3tbn | |
| 1943 | 16/4 | Cage | Amores | pf perc | |
| 1943 | 17/1 | Harrison | 6 Sonatas | hpd/pf | "for Cembalo or Pianoforte" |
| 1944 | 17/2 | David Van Vactor | Vocal Works | v | |
| 1944 | 17/3 | Carrillo | Preludio a Colón | sop fl gtr hp 2vn va vc | full title: "Preludio a Cristobal Colón" |
| 1944 | 17/4 | Riegger | Duos for 3 Woodwinds, Op.35 | ww | issue incorrectly labeled Vol.18 No.4; instrumentation differs for each piece: fl ob (No.1); ob cl (No.2); fl cl (No.3) |
| 1944 | 18/1 | Thomson | Sonata da Chiesa | cl tpt va hn tbn | |
| 1945 | 18/2 | Ruggles | Evocation No.4 (chant) | pf | |
| 1945 | 18/3 | Carter | Pastoral | va pf / eh / cl | |
| 1945 | 18/4 | McPhee | 4 Iroquois Dances | orch | |
| 1945 | 19/1 | Cowell | Les mariés de la tour Eiffel, HC 563 | pf | with title: "Hilarious Curtain Opener and Ritournelle" |
| 1946 | 19/2 | Merton Brown | Cantabile | str | |
| 1946 | 19/3 | Hovhaness | Mihr, Op.60 | 2pf | |
| 1946 | 19/4 | Dahl | Variations on a Swedish Folktune | fl | |
| 1946 | 19/4 | Varèse | Density 21.5 | fl | |
| 1946 | 20/1 | Wolpe | Passacaglia | pf | |
| 1947 | 20/2 | Gideon | Canzona | pf | |
| 1947 | 20/3 | Thomson | Capital, Capitals (or Gertrude Stein) | 4mvv pf | |
| 1947 | 20/4 | Sessions | Duo | vn pf | |
| 1947 | 21/1 | Ives | 22 | pf | NME catalogue pages from 1948 onward list 2 piano pieces by Ives included in this issue: 3 Protests (see row below) and Cannon. No mention of 22. Perhaps 22 and Cannon are the same piece? |
| 1947 | 21/1 | Ives | 3 Protests | pf | |
| 1947 | 21/1 | Cowell | 2 Woofs, HC 451 | pf | |
| 1947 | 21/1 | Ruggles | Organum | pf | |
| 1948 | 21/2 | Harrison | Alleluia | orch | |
| 1948 | 21/3 | Fine | The Great Wall of China | v fl | |
| 1948 | 21/3 | Theodore Strongin | 4 Duos | 2fl | |
| 1948 | 21/4 | Edmund Haines | Slow Dance | org | |
| 1948 | 21/4 | Will Bradley | Honeysuckle and Clover | 4tpt 3tbn tba | |
| 1948 | 21/4 | Will Bradley | The Deep Quarry | 5cl bsthn 2bcl | |
| 1948 | 22/1 | Becker | Soundpiece No.4 | 2vn va vc | |
| 1949 | 22/2 | Weber | Dance | vc | |
| 1949 | 22/2 | George Perle | Hebrew Melodies | vc | |
| 1949 | 22/2 | Prausnitz | Episode | orch | |
| 1949 | 22/3 | Kauder | Quartet (1948) | ob cl hn bn | |
| 1949 | 22/4 | Babbitt | Composition for 4 Instruments | cl fl vn vc | |
| 1949 | 23/1 | George Perle | Quartet No.3, Op.21 | 2vn va vc | |
| 1950 | 23/2 | Toch | Fuge aus der Geographie | vv | for speaking voices, SATB |
| 1950 | 23/3 | Wladimir Woronoff | Sonnet pour Dallapiccola | pf | |
| 1950 | 23/4 | Feldman | Illusions | pf | |
| 1950 | 23/4 | Shifrin | 4 Cantos | pf | |
| 1950 | 24/1 | Berger | 3 Poems of Yeats | v fl cl vc | |
| 1951 | 24/2 | Ives | Violin Sonata No.3 | vn pf | |
| 1951 | 24/3 | Christian Wolff | For prepared piano | pf | |
| 1951 | 24/4 | Marc Wilkinson | 3 Pieces | vc pf | |
| 1951 | 25/1 | Nancarrow | Study No.1 for Player Piano | pf | |
| 1952 | 25/2 | Monod | Passacaille, Op.1 | sop fl ob cl bn tpt hn pf | |
| 1952 | 25/3 | Nowak | Sonata for Solo Violin | vn | |
| 1952 | 25/4 | Chou | 7 Poems of T'ang Dynasty | ten orch | |
| 1952 | 26/1 | Cowell | Ostinato Pianissimo, HC 505 | perc | |
| 1953 | 26/2 | Ives | Lincoln, the Great Commoner | ch orch | Reprint of OS 1 (Orchestra Series, No.1) from 1932 |
| 1953 | 26/3 | Crawford Seeger | Diaphonic Suite | fl/ob, v | |
| 1953 | 26/3 | Seeger | The Letter (song) | v | |
| 1953 | 26/3 | Seeger | Psalm 137 (recitation) | v | |
| 1953 | 26/4 | Ives | The Gong on the Hook and Ladder | pf str | printed with the incorrect title Calcium Light, which is a different piece by Ives |
| 1953 | 27/1 | Jacob Avshalomov | Tom O'Bedlam | ch ob perc | |
| 1954 | 27/2 | Weber | 4 Songs, Op.40 | sop/ten vc | |
| 1954 | 27/3 | Teo Macero | Canzona No.1 | 4sax tpt | |
| 1954 | 27/4 | Henry Brant | Ice Age | cl gl pf | |
| 1954 | 28/1 | Weber | Closing Piece, Op.36 | org | |
| 1955 | 28/2 | Pisk | Meadow-Saffrons | alt cl bcl | |
| 1955 | 28/3 | Bill Russell | 3 Dance Movements | 3perc pf | composer name in issue: William Russell |
| 1955 | 28/4 | Leopold Spinner | Trio, Op.6 | vn vc pf | |
| 1955 | 29/1 | - | - | - | not published |
| 1956 | 29/2 | - | - | - | not published |
| 1956 | 29/3 | - | - | - | not published |
| 1956 | 29/4 | Wuorinen | Sonatina | fl ob cl bn | |
| 1956 | 30/1 | - | - | - | not published |
| 1957 | 30/2 | Wuorinen | Into the Organ Pipes and Steeples | orch | |
| 1957 | 30/3 | Lejaren Hiller Leonard Isaacson |
Illiac Suite | 2vn va vc | |
| 1957 | 30/4 | - | - | - | not published |
| 1957 | 31/1 | - | - | - | not published |
| 1958 | 31/2 | - | - | - | not published |
| 1958 | 31/3 | - | - | - | not published |
| 1958 | 31/4 | Kenneth Duhon | 4 Pieces | pf | |
| 1932 | OS 1 | Ives | Lincoln, the Great Commoner | ch orch | |
| 1932 | OS 2 | Weiss | American Life | orch | |
| 1932 | OS 3 | Ives | Fourth of July | orch | |
| 1932 | OS 4 | Riegger | Dichotomy | orch | reprinted sometime after 1940 and assigned Op.12 |
| 1933 | OS 5 | Crawford Seeger | 3 Songs (Rat Riddles, Prayers of Steel, In Tall Grass) | alt orch | composer name in issue: Ruth Crawford; originally planned to publish in 1932, but delayed |
| 1933 | OS 6 | Bill Russell | Fugue for 8 Percussion Instruments | perc | composer name in issue: William Russell; originally planned to publish in 1932, but delayed |
| 1932 | OS 7 | Becker | Concerto Arabesque | pf orch | published between OS 4 and OS 5, so the issue number is out-of-sequence |
| 1933 | OS 8 | Jerome Moross | Paeans | orch | |
| 1935 | OS 9 | Jerome Moross | Biguine | orch | |
| 1933 | OS 10 | Caturla | Primera Suite Cubana | orch | |
| 1934 | OS 11 | Varèse | Ionisation | 13perc | |
| 1934 | OS 12 | Myaskovsky | Fragment Lyrique | orch | |
| 1934 | OS 13 | Dane Rudhyar | Sinfonietta | orch | |
| 1934 | OS 14 | Ruggles | Sun Treader | orch | |
| 1934 | OS 15 | Ives | Symphony No.4 (2nd mvmt) | orch | Reprint of Vol.2, No.2 from 1929 |
| 1935 | OS 16 | Roldàn | Motivos de Son | v orch | |
| 1936 | OS 17 | Becker | Horn Concerto | orch | |
| 1936 | OS 18 | Beyer | IV | 9perc | |
| 1936 | OS 18 | Davidson | Auto Accident for percussion | perc | |
| 1936 | OS 18 | Ray Green | 3 Inventories of Casey Jones | perc | |
| 1936 | OS 18 | Doris Humphrey | Dance Rhythms | perc | Humphrey improvised the rhythms through dance, and Riegger transcribed/notated the performance |
| 1936 | OS 18 | Bill Russell | 3 Dance Movements | perc | composer name in issue: William Russell |
| 1936 | OS 18 | Gerald Strang | Percussion Music for 3 Players | 3perc | |
| 1936 | OS 19 | Herrmann | Sinfonietta | str | |
| 1936 | OS 20 | Ives | Holidays Symphony, 1st mvmt | orch | |
| 1937 | OS 21 | William Grant Still | Dismal Swamp | orch | |
| 1938 | OS 22 | Dane Rudhyar | 5 Stanzas | str | |
| 1938 | OS 23 | Becker | Soundpiece No.2 'Homage to Haydn' | str | |
| 1938 | OS 24 | Levant | Nocturne | orch | |
| 1939 | OS 25 | Harrison Kerr | Notations on a Sensitized Plate | v cl 2vn va vc pf | |
| 1939 | OS 26 | Fernández | Batuque | orch | |
| 1939? | OS 27 | Jerome Moross | Suite for Chamber Orchestra | orch | |
| ? | OS 1-1 | Ruggles | Men and Mountains | orch | reprint of Vol.1 No.1? |
| ? | OS 3-3 | Ruggles | Portals | str | reprint of Vol.3 No.3? |
| ? | OS 4-2 | McPhee | Concerto for Piano and Wind Octet | 2fl ob cl bn hn tpt tbn pf | reprint for Vol.4 No.2? |
| ? | OS 5-2 | Ives | Set for Theatre Orchestra | orch | for small orchestra; reprint of Vol.5 No.2? |
| ? | OS 5-2a | Ives | Set for Theatre Orchestra | orch | for chamber orchestra; possibly a reprint of Vol.5 No.2, with different instrumentation compared to OS 5-2? |
| 1938 | D 1 | Cowell | Sunset, Rest, HC 492 | v pf | |
| 1938 | D 2 | Cowell | United String Quartet, HC 522 | 2vn va vc | |
| 1938 | D 3 | Becker | Soundpiece No.5 | pf | |
| 1946-7 | D 4 | Slonimsky | Studies in Black and White | orch (arr) | |
| ? | Special | Cowell | Reel | orch | Two possibilities on the identity of this work: (a) Lilt of the Reel, HC 463 No.1, arranged for orchestra from the piano solo original, or for piano and orchestra as No.4 from 4 Irish Tales, HC 605; (b) Reel No.2, HC 506, which was written for John J. Becker. Mead notes it published as a Special Edition in an unspecified year, and New Music catalogue pages note it was published in "OS", but without any volume indication. |
| 1947 | Special | Ruggles | Organum | orch | |
| 1948 | Special | Merton Brown | Choral | str | |
| 1949 | Special | Cage | Sonatas and Interludes | pf | "Blue printed and spiral bound with kit for preparation of the piano" |
| 1950 | Special | Merton Brown | Arioso | pf |