Ode to Napoleon Buonaparte, Op.41 (Schoenberg, Arnold)

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Contents

Performances

Sheet Music

Full Scores

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Madcapellan (2011/9/4)

Editor First edition? (reprint)
Publisher. Info. New York: G. Schirmer, Inc., 1944?.
Reprinted USA, etc.: Belmont Music Publishers, n.d. Plate Bel-1008.
Copyright
Misc. Notes 600 dpi
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Madcapellan (2022/9/11)

Editor Reinhold Brinkmann (1934-2010)
Publisher. Info. New York: Schirmer, Inc., 1944-45.
Sämtliche Werke, VI. Kammermusik, Reihe A, Bd.24, Teil 1 (pp.103-166)
Mainz: B. Schott’s Söhne
Wien: Universal Edition AG, 1996.
URTEXT EDITION 

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Parts

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Madcapellan (2011/9/5)

PDF scanned by Unknown
Madcapellan (2011/9/5)

PDF scanned by Unknown
Madcapellan (2011/9/5)

PDF scanned by Unknown
Madcapellan (2011/9/5)

Editor First edition? (reprint)
Publisher. Info. New York: G. Schirmer, Inc., 1944?.
Reprinted USA, etc.: Belmont Music Publishers, n.d. Plate Bel-1008.
Copyright
Misc. Notes 600 dpi Finding the date "1944" on these maybe a bit dubious- should maybe be 1945, does the 1944 look written in?
Purchase
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Arrangements and Transcriptions

For Reciter, Piano and Strings

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Madcapellan (2024/2/6)

Arranger Composer
Editor Martin Albrecht-Hohmaier (b. 1968)
Publisher. Info. Sämtliche Werke, IV. Orchesterwerke, Reihe A, Bd.9, Teil 2 (pp.101-164)
Mainz: B. Schott’s Söhne
Wien: Universal Edition AG, 2008.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

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General Information

Work Title Ode to Napoleon Buonaparte
Alternative. Title
Composer Schoenberg, Arnold
Opus/Catalogue NumberOp./Cat. No. Op.41
I-Catalogue NumberI-Cat. No. IAS 20
Year/Date of CompositionY/D of Comp. 1942 (string quartet and string orchestra versions)
1943 (orchestral edition completed)
First Performance. 1944/11/23 in New York, Carnegie Hall
Artur Rodzinsky conducting the strings of the New York Philharmonic
Mack Harrell, narrator; Eduard Steuermann, piano

Chamber version: 1946/07/10, London, Goldsmith's Hall

Aeolian String Quartet
Cuthbert Kelly, narrator; Else Cross, piano
First Publication. 1944 (orchestral version)
1945 (chamber version)
Librettist George Gordon Byron (1788–1824)
Language English
Average DurationAvg. Duration 16 minutes
Composer Time PeriodComp. Period Early 20th century
Piece Style Early 20th century
Instrumentation reciter, piano, 2 violins, viola, cello; reciter, piano, strings; reciter, piano, orchestra
External Links Schoenberg Center
Extra Information According to Schoenberg.at, 3 versions:
  1. reciter, string quartet and piano. completed 1942, published 1945, premiered 1946
  2. reciter, string orchestra and piano (Fassung fĂĽr Streichorchester, Klavier und Sprecher). completed 1942, published - 1944 or 1945? (probably 1945? since essentially the same as above but for double bass part perhaps? (maybe, maybe not))
  3. reciter, full orchestra and piano. completed 1943, published 1944 (premiered 1944)