Psalmorum selectorum, Tomus 4 (Berg, Johann vom)

Movements/SectionsMov'ts/Sec's 40 psalm motets
First Publication 1546
Genre Categories Psalms; Religious works; Motets; For 4 voices; For unaccompanied voices; Scores featuring the voice; For 5 voices; For 6 voices; Latin language

Sheet Music

Parts

 Complete Parts
#632798 - 84.87MB, 546 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 24×⇩ - Ks

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Ks (2020/6/23)

Publisher. Info. Nürnberg: Johann vom Berg & Ulrich Neuber, 1554.
Copyright
Public Domain [tag/del]
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 Discantus
#680291 - 13.66MB, 110 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 86×⇩ - Fynnjamin

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 Altus
#680292 - 20.17MB, 164 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 17×⇩ - Fynnjamin

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 Tenor
#680293 - 21.14MB, 164 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 14×⇩ - Fynnjamin

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 Bassus
#680294 - 12.88MB, 102 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 78×⇩ - Fynnjamin

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Fynnjamin (2021/3/8)

Publisher. Info. Nürnberg: Johann vom Berg & Ulrich Neuber, 1554.
Copyright
Public Domain [tag/del/mrg]
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General Information

Work Title Psalmorum selectorum, tomus 4
Alternative. Title PSALMORVM SELECTORVM A' PRAESTANTISSIMIS HVIVS NOSTRI TEMPORIS IN ARTE MVSICA ARTIFICIBVS IN HARMONIAS QVATVOR, QVINQVE, ET SEX VOCVM REDACTORVM TOMVS PRIMVS (-QVARTVS), QVI CVM FERÈ, VT RELIQVI tres, nouos, & hactenus in publico non conspectos uel auditos Psalmos contineat, Recens natus recte dici potest, [Stimmen], Bd.: 4, TOMVS QVARTVS PSALMORVM SELECTORVM, QVATVOR ET PLVRIVM VOCVM, Noribergae, 1554
Composer Berg, Johann vom
Internal Reference NumberInternal Ref. No. None [force assignment]
Movements/SectionsMov'ts/Sec's 40 psalm motets:
  1. Claudin de Sermisy - Verba mea auribus (4vv)
    (Secuda pars) Adiuva me
  2. Nicolas Gombert - Laqueus contritus (4vv)
    (Secuda pars) Tribulationem et dolorem
  3. Mathieu Lasson - In manibus tuis (4vv)
    (Secuda pars) Esto domine propitius sorti mee
  4. Jacobus Clemens non Papa - Servus tuus ego sum (5vv)
    (Secuda pars) Ego vero egenus
  5. Jean Conseil (Consilium) - Adjuva Me Domine (4vv)
    (Secuda pars) Servus tuus ego sum
  6. Jean Conseil (Consilium) - Dextera tua Domine (4 vv)
  7. Jacobus Clemens non Papa - Confundantur omnes (5vv)
  8. Thomas Crecquillon - Invocabo nomen tuum (5vv)
    (Secuda pars) Per singulos dies
    (Tertia pars) In tribulatione mea
  9. Claudin de Sermisy - Deus in adiutorium (4vv)
  10. Nicolas Gombert - Iudica me deus (5vv)
    (Secuda pars) Et introibo ad altare
  11. Thomas Crecquillon - Dirige gressus meos (5vv)
    (Secuda pars) Averte oculos meos
  12. Mattheus Maistre - Adiuva me Domine (5vv) (see below, Comments, for links to possible composers)
    (Secuda pars) Servus tuus ego sum
  13. Anonymous - De profundis (4vv)
    (Secuda pars) Sustinuit anima
  14. Thomas Crecquillon - Adiuva nos Deus (5vv)
  15. Thomas Crecquillon - Erravi sicut ovis (4vv (in index: quinquem voc.))
    (Secuda pars) Delicta juventutis meae
  16. Thomas Crecquillon - Delectare in Domino (4vv)
    (Secuda pars) Et educet quasi lumen
  17. Wacław of Szamotuły - In te Domine speravi (4vv)
    (Secuda pars) Quoniam fortitudo mea (4vv)
  18. Thomas Crecquillon - Domine da nobis (6vv)
    (Secuda pars) Tibi subjecta sit
  19. Jacobus Clemens non Papa - Fac mecum signum (5vv)
    (Secuda pars) Illumina oculos meos
  20. Thomas Crecquillon - Ne proijcias me (5vv)
    (Secuda pars) Annos aeternos in mentem habeam
  21. Nicolas Gombert - Peccata me (6vv)
    (Secuda pars) Quoniam iniquitatem meam
  22. Nicolas Gombert - In te Domine speravi (6vv)
    (Secuda pars) Educes me de laqueo
  23. Thomas Crecquillon - Deus virtutum convertere (5vv)
    (Secuda pars) Et perfice eam
  24. Anonymous - Peccavi Domine (4vv)
    (Secuda pars) - Quoniam ij quoniam
  25. Nicolas Payen - Et erexit cornu salutis nobis (Canticum Zachariae, Benedictus Dominus Deus Israel, 4vv)
  26. Anonymous - Respice in me (5vv)
  27. Mathieu Gascongne - Quare tristis es anima mea (4vv)
    (Secuda pars) Quare oblitus
    (Tertia pars) Dum dicunt mihi
  28. Thomas Crecquillon - Venite et videte opera Domini (4vv)
    (Secuda pars) Videntes sic admirati sunt
  29. Anonymous (possibly Jean Courtois - Peccata mea Domine sicut sagittae (4vv)
    (Secuda pars) Quoniam iniquitatem meam
  30. Henricus Schaffen - Heu mini Domine (4vv)
  31. Thomas Crecquillon - Cor mundum crea in me Deus (4vv)
    (Secuda pars) Averte faciem tuam
  32. Nicolas Payen - Eripe me de inimicis meis (4vv)
    (Secuda pars) Educes de tribulatione
  33. Jacobus Clemens non Papa - Aperi Domine (5vv (struck through: "sex voc."))
    (Secuda pars) Afflige opprimentes nos
  34. Anonymous - Domine ne memineris (5vv)
    (Secuda pars) Adiuva nos Deus
  35. Nicolas Gombert - Inclina Domine (5vv)
    (Secuda pars) Exaudi me Domine quoniam ad te clamavi
  36. Adrian Willaert - Dominus regit me (4vv)
    (Secuda pars) Parasti in conspectu meo
  37. Morel (possibly Clement Morel) - Aufer a me iniquitates (4vv)
    (Secuda pars) Ego clamabo in coelum
  38. Philippe Verdelot - In te Domine speravi (5vv)
    (Secuda pars) Educes me de laqueo
  39. Thomas Crecquillon - Heu mihi Domine (5vv)
    (Secuda pars) Anima mea turbata est
  40. Dominique Phinot - Exaudiat te Dominus (6vv)
    (Secunda pars) Impleat Dominus omnes petitiones tuas
First Publication. 1546
Librettist Bible
Language Latin
Composer Time PeriodComp. Period Renaissance
Piece Style Renaissance
Instrumentation 4-6 voices

Navigation etc.

Notes:

  • No.12: Maistre could be either Maistre Jhan (ca.1485 — October 1538) or Jhan Gero (1518 — 1583), because attributions to the two of them have been mixed up. However, this RISM entry for the psalm in this collection gives birth dates of 1505c-1577, which differs from either of those entries by at least 10 years, so it is unclear exactly which composer this is.
  • No.29: "Cortois" is in the heading of the bass part for this, which gives a possible composer, but this has not been confirmed, and none of the other parts contain this.
  • No.30: Though the heading says "Incerti Autoris", RISM identifies the composer as Henricus Schaffen.
  • No.32: RISM seems to question Willaert as the composer of this, because although they acknowledge that his name is in the header, they list the motet as anonymous.
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