List of works by Ludwig van Beethoven
- This list is manually maintained, therefore some of the available pieces may not yet be linked from this page. For an automatically generated alphabetical list of all available pieces, please see Category:Beethoven, Ludwig van.
For cataloguing purposes, pieces by Beethoven are identified in four ways:
- by opus number. These were assigned by his publishers, and follow the order in which his works were published, rather than the order they were written. This is why, for example, the Wind Octet of 1792 can be Opus 103, when Opus 102 and Opus 104 were written in 1815 and 1817 respectively. Everything up to and including Opus 135 was published in Beethoven's lifetime; later numbers were published posthumously.
- by WoO (Werke ohne Opuszahl - literally, "works without opus number") number. These were assigned by Georg Kinsky and Hans Halm (who took over from Kinsky after his death) in their 1955 catalogue of Beethoven's works.
- by AnH number - these are works listed in the appendix (German: Anhang, hence the abbreviation) of Kinsky's catalogue as being probably spurious. Some of these have since been shown to be authored by Beethoven.
- by Hess (abbreviated to H) number. These were assigned by Willy Hess in a listing published shortly after Kinsky's which includes pieces not included in the 19th century Beethoven Gesamtausgabe published by Breitkopf und Härtel. Hess includes many more fragmentary works than does Kinsky. Many pieces have both WoO and H numbers - in these cases, WoO numbers are generally favoured over Hess numbers.
There is also the Biamonti catalogue, compiled by Giovanni Biamonti and published in 1968. This combines the pieces with opus numbers and all the works from Kinsky's and Hess' catalogue with hitherto uncatalogued fragments to make a single chronological listing. Biamonti numbers are not very often referred to, however.
Return to category: Beethoven, Ludwig van
Contents |
Works with Opus Number
| Op. | WoO | Hess | Biam-onti | Title | Key | Date | Scoring | Genre | Notes |
|---|---|---|---|---|---|---|---|---|---|
| 1 | — | — | 62 | Piano Trios (3): | 1792–94 | For violin, cello, piano | Trios | ||
| 1/1 | — | — | 62/1 | E♭ major | 1792–93 | For violin, cello, piano | Trios | ||
| 1/2 | — | — | 62/2 | G major | 1792–94 | For violin, cello, piano | Trios | ||
| 1/3 | — | — | 62/3 | C minor | 1792–94 | For violin, cello, piano | Trios | arranged for string quintet as Op.104 | |
| 2 | — | — | 87 | Piano Sonatas (3): | 1793–95 | For piano | Sonatas | ||
| 2/1 | — | — | 87/1 | F minor | 1793–95 | For piano | Sonatas | ||
| 2/2 | — | — | 87/2 | A major | 1794–95 | For piano | Sonatas | ||
| 2/3 | — | — | 87/3 | C major | 1794–95 | For piano | Sonatas | ||
| 3 | — | — | 105 | String Trio | E♭ major | 1794 | For violin, viola, cello | Trios | see also Op.64 |
| 4 | — | — | 115 | String Quintet | E♭ major | 1795 | For 2 violins, viola, cello, double bass | Quintets | based on Op.103; see also Op.63 |
| 5 | — | — | 106 | Cello Sonatas (2) | 1796 | For cello, piano | Sonatas | ||
| 5/1 | — | — | 106/1 | F major | 1796 | For cello, piano | Sonatas | ||
| 5/2 | — | — | 106/2 | G minor | 1796 | For cello, piano | Sonatas | ||
| 6 | — | — | 134 | Sonata | D major | 1796–97 | For piano 4 hands | Sonatas | |
| 7 | — | — | 136 | Piano Sonata No.4 ("Grand Sonata") | E♭ major | 1796–97 | For piano | Sonatas | |
| 8 | — | — | 135 | Serenade | D major | 1796–97 | For violin, viola, cello | Serenades | |
| 9 | — | — | 153 | String Trios (3): | 1797–98 | For violin, viola, cello | Trios | ||
| 9/1 | — | — | 153/1 |
|
G major | 1797–98 | For violin, viola, cello | Trios | |
| 9/2 | — | — | 153/2 |
|
D major | 1797–98 | For violin, viola, cello | Trios | |
| 9/3 | — | — | 153/3 |
|
C minor | 1797–98 | For violin, viola, cello | Trios | |
| 10 | — | — | 157 | Piano Sonatas (3): | 1795–98 | For piano | Sonatas | ||
| 10/1 | — | — | 157/1 | C minor | 1795–97 | For piano | Sonatas | ||
| 10/2 | — | — | 157/2 | F major | 1796–97 | For piano | Sonatas | ||
| 10/3 | — | — | 157/3 | D major | 1797–98 | For piano | Sonatas | ||
| 11 | — | — | 156 | Trio ("Gassenhauer") | B♭ major | 1797–98 | For clarinet (or violin), cello, piano | Trios | |
| 12 | — | — | 165 | Violin Sonatas (3): | 1797–98 | For violin, piano | Sonatas | ||
| 12/1 | — | — | 165/1 | D major | 1797–98 | For violin, piano | Sonatas | ||
| 12/2 | — | — | 165/2 | A major | 1797–98 | For violin, piano | Sonatas | ||
| 12/3 | — | — | 165/3 | E♭ major | 1797–98 | For violin, piano | Sonatas | ||
| 13 | — | — | 184 | Piano Sonata No.8 ("Pathétique") | C minor | 1797–98 | For piano | Sonatas | |
| 14 | — | — | — | Piano Sonatas (2): | 1798–99 | For piano | Sonatas | ||
| 14/1 | — | — | 285 | E major | 1798–99 | For piano | Sonatas | ||
| 14/2 | — | — | 284 | G major | 1799 | For piano | Sonatas | ||
| 15 | — | — | 167 | Piano Concerto No.1 | C major | 1795–1800 | For piano, orchestra | Concertos | |
| 16 | — | — | 130 | Quintet | E♭ major | 1796–97 | For oboe, clarinet, bassoon, horn, piano | Quintets | |
| 16a | — | — | 131 | Quintet | E♭ major | 1796–97 | For violin, viola, cello, piano | Quartets | composer's arrangement |
| 17 | — | — | 206 | Horn Sonata | F major | 1800 | For horn, piano | Sonatas | |
| 18 | — | — | 225/1 | 6 String Quartets, Op.18 (6): | 1798–1800 | For 2 violins, viola, cello | Quartets | ||
| 18/1 | — | — | 225/1 | F major | 1798–1800 | For 2 violins, viola, cello | Quartets | ||
| 18/2 | — | — | 225/2 |
|
G major | 1798–1800 | For 2 violins, viola, cello | Quartets | |
| 18/3 | — | — | 225/3 | D major | 1798–1800 | For 2 violins, viola, cello | Quartets | ||
| 18/4 | — | — | 225/4 | C minor | 1798–1800 | For 2 violins, viola, cello | Quartets | ||
| 18/5 | — | — | 225/5 | A major | 1798–1800 | For 2 violins, viola, cello | Quartets | ||
| 18/6 | — | — | 225/6 | B♭ major | 1798–1800 | For 2 violins, viola, cello | Quartets | ||
| 19 | — | — | 166 | Piano Concerto No.2 | B♭ major | 1788–1801 | For piano, orchestra | Concertos | |
| 20 | — | — | 204 | Septet | E♭ major | 1799 | For clarinet, bassoon, horn, violin, viola, cello, double bass | Septets | |
| 21 | — | — | 203 | Symphony No.1 | C major | 1799–1800 | For orchestra | Orchestra | |
| 22 | — | — | 208 | Piano Sonata No.11 | B♭ major | 1800 | For piano | Sonatas | |
| 23 | — | — | 293 | Violin Sonata No.4 | A minor | 1800–01 | For piano, violin | Sonatas | |
| 24 | — | — | 294 | Violin Sonata No.5 ("Spring") | F major | 1800–01 | For piano, violin | Sonatas | |
| 25 | — | — | 114 | Serenade | D major | 1801 | For flute, violin, viola | Serenades | arranged for flute and piano as Op.41 |
| 26 | — | — | 296 | Piano Sonata No.12 ("Funeral March") | A♭ major | 1800–01 | For piano | Sonatas | |
| 27 | — | — | 297/1 | Piano Sonatas (2): | 1800–01 | For piano | Sonatas | ||
| 27/1 | — | — | 297/1 |
|
E♭ major | 1800–01 | For piano | Sonatas | |
| 27/2 | — | — | 297/2 |
|
C♯ minor | 1801 | For piano | Sonatas | |
| 28 | — | — | 302 | Piano Sonata No.15 ("Pastoral") | D major | 1801 | For piano | Sonatas | |
| 29 | — | — | 298 | String Quintet ("Storm") | C major | 1801 | For 2 violins, 2 violas, cello | Quintets | |
| 30 | — | — | 340 | Violin Sonatas (3): | 1801–02 | For violin, piano | Sonatas | ||
| 30/1 | — | — | 340/1 | A major | 1801–02 | For violin, piano | Sonatas | ||
| 30/2 | — | — | 340/2 |
|
C minor | 1801–02 | For violin, piano | Sonatas | |
| 30/3 | — | — | 340/3 | G major | 1801–02 | For violin, piano | Sonatas | ||
| 31 | — | — | 339 | Piano Sonatas (3): | 1802 | For piano | Sonatas | ||
| 31/1 | — | — | 339/1 | G major | 1802 | For piano | Sonatas | ||
| 31/2 | — | — | 339/3 |
|
D minor | 1802 | For piano | Sonatas | |
| 31/3 | — | — | 339/2 |
|
E♭ major | 1802 | For piano | Sonatas | |
| 32 | — | — | 421 | An die Hoffnung ("Die du so gern in heilgen Nächten feierst") | 1804–05 | For voice, piano | Songs | 1st setting; see also Op.94 | |
| 33 | — | — | 334 | Bagatelles (7) | 1801–02 | For piano | Bagatelles | ||
| 33/1 | — | — | 334/1 |
|
E♭ major | 1801–02 | For piano | Bagatelles | |
| 33/2 | — | — | 334/2 |
|
C major | 1801–02 | For piano | Bagatelles | |
| 33/3 | — | — | 334/3 |
|
F major | 1801–02 | For piano | Bagatelles | |
| 33/4 | — | — | 334/4 |
|
C major | 1801–02 | For piano | Bagatelles | |
| 33/5 | — | — | 334/5 |
|
A major | 1801–02 | For piano | Bagatelles | |
| 33/6 | — | — | 334/6 |
|
D major | 1801–02 | For piano | Bagatelles | |
| 33/7 | — | — | 334/7 |
|
A♭ major | 1801–02 | For piano | Bagatelles | |
| 34 | — | — | 327 | Variations (6) | F major | 1802 | For piano | Variations | |
| 35 | — | — | 328 | Variations and Fugue ("Eroica Variations") | E♭ major | 1802 | For piano | Variations Fugue |
|
| 36 | — | — | 326 | Symphony No.2 | D major | 1801–02 | For orchestra | Symphonies | |
| 36 | — | — | 425 | Symphony No.2 | D major | 1805 | For violin, cello, piano | Symphonies | composer's arrangement |
| 37 | — | — | 337 | Piano Concerto No.3 | C minor | 1800–03 | For piano, orchestra | Concertos | |
| 38 | — | — | 376 | Trio | E♭ major | 1802–03 | For clarinet (or violin), cello, piano | Trios | |
| 39 | — | — | 375 | Preludes (2) ("par tous les 12 tons majeurs") | C major | 1789 | For piano or organ | Preludes | |
| 39/1 | — | — | 375/1 |
|
C major | 1789 | For piano or organ | Preludes | |
| 39/2 | — | — | 375/2 |
|
C major | 1789 | For piano or organ | Preludes | |
| 40 | — | — | 329 | Romance | G major | 1800–02 | For violin, orchestra | Romances | |
| 41 | — | Anh.12 | 371 | Serenade | D major | 1803 | For flute, piano | Serenades | arrangement of Op.25 |
| 42 | — | Anh.13 | 372 | Notturno | D major | 1803–04 | For viola, piano | Nocturnes | |
| 43 | — | — | 288 | Die Geschöpfe des Prometheus (The Creatures of Prometheus) | 1800–01 | For orchestra | Ballet | ||
| 44 | — | — | 263 | Variations (14) | E♭ major | 1792 | For violin, viola, piano | Variations | |
| 45 | — | — | 377 | Marches (3) | 1803 | For piano 4 hands | Marches | ||
| 45/1 | — | — | 377/1 |
|
C major | 1803 | For piano 4 hands | Marches | |
| 45/2 | — | — | 377/2 |
|
E♭ major | 1803 | For piano 4 hands | Marches | |
| 45/3 | — | — | 377/3 |
|
D major | 1803 | For piano 4 hands | Marches | |
| 46 | — | — | 111 | Adelaide ("Einsam wandelt dein Freund") | 1794–95 | For voice, piano | Songs | ||
| 47 | — | — | 366 | Violin Sonata No.9 ("Kreutzer") | A major | 1802–03 | For violin, piano | Sonatas | |
| 48 | — | — | 367 | Lieder (6) | 1801–02 | For voice, piano | Lieder | ||
| 48/1 | — | — | 367/1 |
|
E major | 1801–02 | For voice, piano | Lieder | |
| 48/2 | — | — | 367/2 |
|
E♭ major | 1801–02 | For voice, piano | Lieder | |
| 48/3 | — | — | 367/3 |
|
F♯ minor | 1801–02 | For voice, piano | Lieder | |
| 48/4 | — | — | 367/4 |
|
C major | 1801–02 | For voice, piano | Lieder | |
| 48/5 | — | — | 367/5 |
|
C major | 1801–02 | For voice, piano | Lieder | |
| 48/6 | — | — | 367/6 |
|
A minor | 1801–02 | For voice, piano | Lieder | |
| 49 | — | — | — | Piano Sonatas (2): | G minor | 1797 | For piano | Sonatas | |
| 49/1 | — | — | 170 | G minor | 1797 | For piano | Sonatas | ||
| 49/2 | — | — | 120 | G major | 1795–96 | For piano | Sonatas | ||
| 50 | — | — | 330 | Romance | F major | 1798 | For violin, orchestra | Romances | |
| 51 | — | — | — | Rondos (2): | C major | 1796–97 | For piano | Rondos | |
| 51/1 | — | — | 133 |
|
C major | 1796–97 | For piano | Rondos | |
| 51/2 | — | — | 220 |
|
G major | 1798 | For piano | Rondos | |
| 52 | — | — | 34 | Lieder (8): | 1785–93 | For voice, piano | Lieder | ||
| 52/1 | — | — | 34/1 |
|
1785–93 | For voice, piano | Lieder | ||
| 52/2 | — | — | 34/2 |
|
1785–93 | For voice, piano | Lieder | ||
| 52/3 | — | — | 34/3 |
|
1785–93 | For voice, piano | Lieder | ||
| 52/4 | — | — | 34/4 |
|
1785–93 | For voice, piano | Lieder | ||
| 52/5 | — | — | 34/5 |
|
1785–93 | For voice, piano | Lieder | ||
| 52/6 | — | — | 34/6 |
|
1785–93 | For voice, piano | Lieder | ||
| 52/7 | — | — | 34/7 |
|
1785–93 | For voice, piano | Lieder | ||
| 52/8 | — | — | 34/8 |
|
1785–93 | For voice, piano | Lieder | ||
| 53 | — | — | 411 | Piano Sonata No.21 ("Waldstein") | C major | 1803–04 | For piano | Sonatas | |
| 54 | — | — | 412 | Piano Sonata No.22 | F major | 1804 | For piano | Sonatas | |
| 55 | — | — | 406 | Symphony No.3 ("Eroica") | E♭ major | 1803 | For orchestra | Symphonies | |
| 56 | — | — | 410 | Triple Concerto | C major | 1804–05 | For violin, cello, piano, orchestra | Concertos | |
| 57 | — | — | 420 | Piano Sonata No.23 ("Appassionata") | F minor | 1804–05 | For piano | Sonatas | |
| 58 | — | — | 431 | Piano Concerto No.4 | G major | 1804–07, rev.1809 | For piano, orchestra | Concertos | see also Op.58a |
| 58a | — | — | 431 | Piano Concerto No.4 | G major | 1804–07 | For 2 violins, viola, cello, double bass, piano | Concertos | arrangement of Op.58 |
| 59 | — | — | 436 | String Quartets (3) ("Razumovsky"): | F major | 1806 | For 2 violins, viola, cello | Quartets | |
| 59/1 | — | — | 436/1 | F major | 1806 | For 2 violins, viola, cello | Quartets | ||
| 59/2 | — | — | 436/2 | E minor | 1806 | For 2 violins, viola, cello | Quartets | ||
| 59/3 | — | — | 436/3 | C major | 1806 | For 2 violins, viola, cello | Quartets | ||
| 60 | — | — | 429 | Symphony No.4 | B♭ major | 1806 | For orchestra | Symphonies | |
| 61 | — | — | 432 | Violin Concerto | D major | 1806 | For violin, orchstra | Concertos | see also Op.61a |
| 61a | — | — | 441 | Piano Concerto | D major | 1807 | For piano, orchestra | Concertos | arrangement of Op.61 |
| 62 | — | — | 438 | Coriolan | C minor | 1807 | For orchestra | Overtures | |
| 63 | — | Anh.14 | II/65 | Piano Trio | E♭ major | — | For violin, viola, cello | Trios | arrangement of Op.4; Beethoven's authorship doubtful |
| 64 | — | Anh.15 | II/60 | Cello Sonata ("Grand Sonata") | E♭ major | 1807 | For cello, piano | Sonatas | spurious; arrangement of Op.3 by unknown author |
| 65 | — | — | 116 | Ah! Perfido | 1796 | For voice, orchestra | Arias | ||
| 66 | — | — | 160 | Variations on 'Ein Mädchen oder Weibchen' (12) | F major | 1796 | For cello, piano | Variations | based on an aria from Die Zauberflöte, K.620, by Wolfgang Amadeus Mozart |
| 67 | — | — | 443 | Symphony No.5 | C minor | 1804–08 | For orchestra | Symphonies | |
| 68 | — | — | 453 | Symphony No.6 | F major | 1807–08 | For orchestra | Symphonies | |
| 69 | — | — | 444 | Cello Sonata No.3 | A major | 1807–08 | For cello, piano | Sonatas | |
| 70 | — | — | 455 | Piano Trios (2): | E♭ major | 1808 | For violin, cello, piano | Trios | |
| 70/1 | — | — | 455/1 |
|
D major | 1808 | For violin, cello, piano | Trios | |
| 70/2 | — | — | 455/2 | E♭ major | 1808 | For violin, cello, piano | Trios | ||
| 71 | — | — | 118 | Sextet | E♭ major | 1792–96 | For 2 clarinets, 2 bassoons, 2 horns | Sextets | |
| 72 | — | 109 | 423 | Fidelio ("Leonore, oder Der Triumph der ehelichen Liebe") | 1804–05 | For voices, mixed chorus, orchestra | Operas | 1st version (including overture "Leonore No.2") | |
| 72 | — | 110 | 427 | Fidelio ("Leonore, oder Der Triumph der ehelichen Liebe") | 1805–06 | For voices, mixed chorus, orchestra | Operas | 2nd version (including overture "Leonore No.3"); see also Op.138 | |
| 72 | — | — | 570 | Fidelio | 1814 | For voices, mixed chorus, orchestra | Operas | 3rd version (including Fidelio overture) | |
| 73 | — | — | 499 | Piano Concerto No.5 ("Emperor") | E♭ major | 1808–09 | For piano, orchestra | Concertos | |
| 74 | — | — | 485 | String Quartet No.10 ("Harp") | E♭ major | 1809 | For 2 violins, viola, cello | Quartets | |
| 75 | — | — | 502 | Gesänge (6): | 1809 | For voice, piano | Songs | ||
| 75/1 | — | — | 502/1 |
|
1809 | For voice, piano | Songs | ||
| 75/2 | — | — | 502/2 |
|
1809 | For voice, piano | Songs | 2nd setting | |
| 75/3 | — | — | 502/3 |
|
1809 | For voice, piano | Songs | ||
| 75/4 | — | — | 502/4 |
|
1809 | For voice, piano | Songs | ||
| 75/5 | — | — | 502/5 |
|
1809 | For voice, piano | Songs | ||
| 75/6 | — | — | 502/6 |
|
1809 | For voice, piano | Songs | ||
| 76 | — | — | 494 | Variations (6) | D major | 1809 | For piano | Variations | |
| 77 | — | — | 492 | Fantasia | G minor–B major | 1809 | For piano | Fantasias | |
| 78 | — | — | 493 | Piano Sonata No.24("A Thérèse") | F♯ major | 1809 | For piano | Sonatas | |
| 79 | — | — | 495 | Piano Sonata No.25 ("Cuckoo") | G major | 1809 | For piano | Sonatas | |
| 80 | — | — | 486 | Fantasia in C minor ("Choral Fantasia") | C minor | 1808–09 | For mixed chorus, piano, orchestra | Fantasias | |
| 81a | — | — | 514 | Piano Sonata No.26 ("Les adieux") | E♭ major | 1809–10 | For piano | Sonatas | |
| 81b | — | — | 72 | Sextet | E♭ major | 1795 | For 2 horns, 2 violins, viola, cello | Sextets | |
| 82 | — | — | 513 | 4 Arietten und ein Duett | 1809–10 | For voices, piano | Ariettas Duets |
||
| 82/1 | — | — | 513/1 |
|
1809–10 | For voice, piano | Ariettas | ||
| 82/2 | — | — | 513/2 |
|
1809–10 | For voice, piano | Ariettas | ||
| 82/3 | — | — | 513/3 |
|
1809–10 | For voice, piano | Ariettas | ||
| 82/4 | — | — | 513/4 |
|
1809–10 | For voice, piano | Ariettas | ||
| 82/5 | — | — | 513/5 |
|
1809–10 | For 2 voices, piano | Duets | ||
| 83 | — | — | 531 | Gesänge (3): | 1810 | For voice, piano | Songs | ||
| 83/1 | — | — | 531 |
|
1810 | For voice, piano | Songs | ||
| 83/2 | — | — | 531 |
|
1810 | For voice, piano | Songs | ||
| 83/3 | — | — | 531 |
|
1810 | For voice, piano | Songs | ||
| 84 | — | — | 518 | Egmont | 1809–10 | For voices, orchestra | Incidental music | ||
| 85 | — | — | 363 | Christus am Ölberge ("Christ on the Mount of Olives") | 1803–04 | For 3 voices, mixed chorus, orchestra | Oratorios | ||
| 86 | — | — | 439 | Mass | C major | 1807 | For 4 voices, mixed chorus, orchestra | Masses | |
| 87 | — | — | 63 | Trio | C major | 1794–95 | For 2 oboes, English horn | Trios | |
| 88 | — | — | 370 | Das Glück der Freundschaft("Der lebt ein Leben wonniglich") | 1803 | For voice, piano | Songs | ||
| 89 | — | — | 588 | Polonaise | C major | 1814 | For piano | Polonaises | |
| 90 | — | — | 578 | Piano Sonata No.27 | E minor | 1814 | For piano | Sonatas | |
| 91 | — | — | 560 | Wellingtons Sieg ("Wellington's Victory" or "Battle Symphony") | 1813 | For orchestra | Symphonies | ||
| 92 | — | — | 544 | Symphony No.7 | A major | 1811–12 | For orchestra | Symphonies | |
| 93 | — | — | 659 | Symphony No.8 | F major | 1812 | For orchestra | Symphonies | |
| 94 | — | — | 611 | An die Hoffnung ("Ob ein Gott sei?") | 1813–15 | For voice, piano | Songs | 2nd setting; see Op.32 | |
| 95 | — | — | 524 | String Quartet No.11 ("Serioso") | F minor | 1810–11 | For 2 violins, viola, cello | Quartets | |
| 96 | — | — | 550 | Violin Sonata No.10 ("Cock-crow") | G major | 1812 | For violin, piano | Sonatas | |
| 97 | — | — | 536 | Piano Trio("Archduke") | B♭ major | 1810–15 | For violin, viola, cello | Trios | |
| 98 | — | — | 652 | An die ferne Geliebte (6): | 1816 | For voice, piano | Songs | ||
| 98/1 | — | — | 652 |
|
1816 | For voice, piano | Songs | ||
| 98/2 | — | — | 652 |
|
1816 | For voice, piano | Songs | ||
| 98/3 | — | — | 652 |
|
1816 | For voice, piano | Songs | ||
| 98/4 | — | — | 652 |
|
1816 | For voice, piano | Songs | ||
| 98/5 | — | — | 652 |
|
1816 | For voice, piano | Songs | ||
| 98/6 | — | — | 652 |
|
1816 | For voice, piano | Songs | ||
| 99 | — | — | 655 | Der Mann von Wort ("Du sagtest, Freund") | 1816 | For voice, piano | Songs | ||
| 100 | — | — | 596 | Merkenstein | 1815 | For 2 voices, piano | Duets | 2nd setting; see also WoO 144 | |
| 101 | — | — | 656 | Piano Sonata No.28 | A major | 1816 | For piano | Sonatas | |
| 102 | — | — | 599 | Cello Sonatas (2): | 1815 | For cello, piano | Sonatas | ||
| 102/1 | — | — | 599/1 | C major | 1815 | For cello, piano | Sonatas | ||
| 102/2 | — | — | 599/2 | D major | 1815 | For cello, piano | Sonatas | ||
| 103 | — | — | 41 | Octet | E♭ major | 1792–93 | For 2 oboes, 2 clarinets, 2 bassoons, 2 horns | Octets | revised for string quintet as Op.4 |
| 104 | — | — | 675 | String Quintet | C minor | 1817 | For 2 violins, viola, cello | Quartets | arrangement of Op.1/3 |
| 105 | — | — | 693 | National Airs with Variations (6): | 1818–19 | For flute (or violin), piano | Variations | ||
| 105/1 | — | — | 693/1 |
|
G major | 1818 | For flute (or violin), piano | Variations | |
| 105/2 | — | — | 693/2 |
|
C minor | 1819 | For flute (or violin), piano | Variations | |
| 105/3 | — | — | 693/3 |
|
C major | 1818 | For flute (or violin), piano | Variations | |
| 105/4 | — | — | 693/4 |
|
E♭ major | 1818 | For flute (or violin), piano | Variations | |
| 105/5 | — | — | 693/5 |
|
E♭ major | 1818 | For flute (or violin), piano | Variations | |
| 105/6 | — | — | 693/6 |
|
D major | 1818 | For flute (or violin), piano | Variations | |
| 106 | — | — | 708 | Piano Sonata No.29 ("Hammerklavier") | B♭ major | 1816–18 | For piano | Sonatas | |
| 107 | — | — | 694 | National Airs with Variations (10): | 1818–19 | For flute (or violin), piano | Variations | ||
| 107/1 | — | — | 694/1 |
|
1819 | For flute (or violin), piano | Variations | see also WoO 158/5 | |
| 107/2 | — | — | 694/2 |
|
1818 | For flute (or violin), piano | Variations | ||
| 107/3 | — | — | 694/3 |
|
1819 | For flute (or violin), piano | Variations | ||
| 107/4 | — | — | 694/4 |
|
1819 | For flute (or violin), piano | Variations | see also WoO 154/4 | |
| 107/5 | — | — | 694/5 |
|
1818 | For flute (or violin), piano | Variations | see also WoO 158/6 | |
| 107/6 | — | — | 694/6 |
|
1818 | For flute (or violin), piano | Variations | see also WoO 155/11 | |
| 107/7 | — | — | 694/7 |
|
1818 | For flute (or violin), piano | Variations | see also WoO 158/16 | |
| 107/8 | — | — | 694/8 |
|
1818 | For flute (or violin), piano | Variations | ||
| 107/9 | — | — | 694/9 |
|
1818 | For flute (or violin), piano | Variations | ||
| 107/10 | — | — | 694/10 |
|
1818 | For flute (or violin), piano | Variations | ||
| 108 | — | — | 660 | Schottische Lieder (25): | 1815–18 | For voice, violin, cello, piano | Folksongs | ||
| 108/1 | — | — | 660/1 |
|
1817 | For voice, violin, cello, piano | Folksongs | ||
| 108/2 | — | — | 660/2 |
|
1818 | For voice, violin, cello, piano | Folksongs | ||
| 108/3 | — | — | 660/3 |
|
1817 | For voice, violin, cello, piano | Folksongs | ||
| 108/4 | — | — | 660/4 |
|
1817 | For voice, violin, cello, piano | Folksongs | ||
| 108/5 | — | — | 660/5 |
|
1815 | For voice, violin, cello, piano | Folksongs | ||
| 108/6 | — | — | 660/6 |
|
1815 | For voice, violin, cello, piano | Folksongs | ||
| 108/7 | — | — | 660/7 |
|
1815 | For voice, violin, cello, piano | Folksongs | ||
| 108/8 | — | — | 660/8 |
|
1816 | For voice, violin, cello, piano | Folksongs | ||
| 108/9 | — | — | 660/9 |
|
1817 | For voice, violin, cello, piano | Folksongs | ||
| 108/10 | — | — | 660/10 |
|
1815 | For voice, violin, cello, piano | Folksongs | ||
| 108/11 | — | — | 660/11 |
|
1815 | For voice, violin, cello, piano | Folksongs | ||
| 108/12 | — | — | 660/12 |
|
1816 | For voice, violin, cello, piano | Folksongs | ||
| 108/13 | — | — | 660/13 |
|
1817 | For voice, violin, cello, piano | Folksongs | ||
| 108/14 | — | — | 660/14 |
|
1816 | For voice, violin, cello, piano | Folksongs | ||
| 108/15 | — | — | 660/15 |
|
1816 | For voice, violin, cello, piano | Folksongs | ||
| 108/16 | — | — | 660/16 |
|
1816 | For voice, violin, cello, piano | Folksongs | ||
| 108/17 | — | — | 660/17 |
|
1817 | For voice, violin, cello, piano | Folksongs | ||
| 108/18 | — | — | 660/18 |
|
1818 | For voice, violin, cello, piano | Folksongs | ||
| 108/19 | — | — | 660/19 |
|
1815 | For voice, violin, cello, piano | Folksongs | ||
| 108/20 | — | — | 660/20 |
|
1813 | For voice, violin, cello, piano | Folksongs | ||
| 108/21 | — | — | 660/21 |
|
1817 | For voice, violin, cello, piano | Folksongs | ||
| 108/22 | — | — | 660/22 |
|
1817 | For voice, violin, cello, piano | Folksongs | ||
| 108/23 | — | — | 660/23 |
|
1818 | For voice, violin, cello, piano | Folksongs | ||
| 108/24 | — | — | 660/24 |
|
1815 | For voice, violin, cello, piano | Folksongs | ||
| 108/25 | — | — | 660/25 |
|
1817 | For voice, violin, cello, piano | Folksongs | ||
| 109 | — | — | 729 | Piano Sonata No.30 | E major | 1820 | For piano | Sonatas | |
| 110 | — | — | 739 | Piano Sonata No.31 | A♭ major | 1821–22 | For piano | Sonatas | |
| 111 | — | — | 741 | Piano Sonata No.32 | C minor | 1821–22 | For piano | Sonatas | |
| 112 | — | — | 609 | Meeresstille und glückliche Fahrt ("Calm Sea & Prosperous Voyage") | 1814–15 | For mixed chorus, orchestra | Secular cantatas | ||
| 113 | — | 118 | 539 | Die Ruinen von Athen (The Ruins of Athens) | 1811 | For voices, mixed chorus, orchestra | Incidental music | see also Op.114, Op.124 | |
| 114 | — | 118 | 742 | March for Die Weihe des Hauses (The Consecration of the House) | 1822 | For mixed chorus, orchestra | Marches | adaptation of Op. 113 No. 6 | |
| 115 | — | — | 597 | Overture ("Namensfeier") | C major | 1814–15 | For orchestra | Overtures | |
| 116 | — | — | 567 | Tremate, empi, tremate | 1802–14 | For 3 voices, orchestra | Trios | ||
| 117 | — | — | 538 | König Stephan (King Stephen) | 1811 | For voices, mixed chorus, orchestra | Incidental music | ||
| 118 | — | — | 576 | Elegischer Gesang ("Sanft wie du lebtest") | 1814 | For 4 voices, 2 violins, viola, celloo | Elegies Songs |
||
| 119 | — | — | 745 | Bagatelles (11): | 1820–22 | For piano | Bagatelles | ||
| 119/1 | — | — | 745/1 |
|
G minor | 1822 | For piano | Bagatelles | |
| 119/2 | — | — | 745/2 |
|
C major | 1822 | For piano | Bagatelles | |
| 119/3 | — | — | 745/3 |
|
D major | 1822 | For piano | Bagatelles | |
| 119/4 | — | — | 745/4 |
|
A major | 1822 | For piano | Bagatelles | |
| 119/5 | — | — | 745/5 |
|
C minor | 1822 | For piano | Bagatelles | |
| 119/6 | — | — | 745/6 |
|
G major | 1822 | For piano | Bagatelles | |
| 119/7 | — | — | 745/7 |
|
C major | 1820–21 | For piano | Bagatelles | |
| 119/8 | — | — | 745/8 |
|
C major | 1820–21 | For piano | Bagatelles | |
| 119/9 | — | — | 745/9 |
|
A minor | 1820–21 | For piano | Bagatelles | |
| 119/10 | — | — | 745/10 |
|
A major | 1820–21 | For piano | Bagatelles | |
| 119/11 | — | — | 745/11 |
|
B♭ major | 1820–21 | For piano | Bagatelles | |
| 120 | — | — | 774 | Veränderungen über einen Walzer ("Diabelli Variations") | C major | 1819–23 | For piano | Variations | |
| 121a | — | — | 654 | Variations on 'Ich bin der Schneider Kakadu' (10) | G major | 1803–16 | For violin, viola, piano | Variations | on a theme from Die Schwestern von Prag by Wenzel Müller |
| 121b | — | — | 766 | Opferlied ("Die Flamme lodert") | E major | 1822 | For 3 voices, mixed chorus, orchestra | Lieder | 1st version |
| 121b | — | — | 790 | Opferlied ("Die Flamme lodert") | E major | 1824 | For voice, mixed chorus, orchestra | Lieder | 2nd version |
| 122 | — | — | 767 | Bundeslied ("In allen guten Stunden") | 1822–24 | For 2 voices, mixed chorus, wind band | Lieder | ||
| 123 | — | — | 776 | Missa solemnis | D major | 1819–23 | For 4 voices, mixed chorus, organ, orchestra | Masses | |
| 124 | — | 118 | 742 | Die Weihe des Hauses | C major | 1822 | For orchestra | Overtures | revised version of overture to Op.113 |
| 125 | — | — | 787 | Symphony No.9 | D minor | 1817–24 | For 4 voices, mixed chorus, orchestra | Symphonies | |
| 126 | — | — | 788 | Bagatelles (11): | 1824 | For piano | Bagatelles | ||
| 126/1 | — | — | 788/1 |
|
G major | 1824 | For piano | Bagatelles | |
| 126/2 | — | — | 788/2 |
|
G minor | 1824 | For piano | Bagatelles | |
| 126/3 | — | — | 788/3 |
|
E♭ major | 1824 | For piano | Bagatelles | |
| 126/4 | — | — | 788/4 |
|
B minor | 1824 | For piano | Bagatelles | |
| 126/5 | — | — | 788/5 |
|
G major | 1824 | For piano | Bagatelles | |
| 126/6 | — | — | 788/6 |
|
E♭ major | 1824 | For piano | Bagatelles | |
| 127 | — | — | 803 | String Quartet No.12 | E♭ major | 1822–25 | For 2 violins, viola, cello | Quartets | |
| 128 | — | — | 748 | Der Kuß ("Ich var bei Chloen ganz allein") | A major | 1798–1822 | For voice, piano | Ariettas | |
| 129 | — | — | 162 | Rondo a capriccio ("Rage Over a Lost Penny") | G major | 1795 | For piano | Rondos Capriccios |
|
| 130 | — | — | 830 | String Quartet No.13 | B♭ major | 1825 | For 2 violins, viola, cello | Quartets | 1st version (including Op.133) |
| 130 | — | — | 847 | String Quartet No.13 | B♭ major | 1826 | For 2 violins, viola, cello | Quartets | 2nd version |
| 131 | — | — | 840 | String Quartet No.14 | C♯ minor | 1825–26 | For 2 violins, viola, cello | Quartets | |
| 132 | — | — | 808 | String Quartet No.15 ("Heiliger Dankgesang") | A minor | 1823–25 | For 2 violins, viola, cello | Quartets | |
| 133 | — | — | 830 | Große Fuge | B♭ major | 1825–26 | For 2 violins, viola, cello | Fugues | finale to 1st version of Op.130; arranged for piano 4 hands as Op.134 |
| 134 | — | 86 | 841 | Große Fuge | B♭ major | 1826 | For piano 4 hands | Fugues | arrangement of Op.133 |
| 135 | — | — | 845 | String Quartet No.16 | F major | 1826 | For 2 violins, viola, cello | Quartets | |
| 136 | — | — | 581 | Der glorreiche Augenblick ("The Glorious Moment") | 1814 | For 4 voices, mixed chorus, orchestra | Secular cantatas | ||
| 137 | — | — | 678 | Fugue | D major | 1817 | For 2 violins, 2 violas, cello | Fugues | |
| 138 | — | — | 422 | Overture("Leonore No.1") | C major | 1807 | For orchestra | Overtures | revised overture for 2nd version of Op.72 |
Works without Opus Number (WoO)
The numbers and categories used below are from the Kinsky catalog of 1955. WoO is an abbreviation of "Werke ohne Opuszahl", German for "Works without Opus number".
- WoO 1 - Music for a Ritterballett
- WoO 2a - Triumphal March for orchestra for Christoph Kuffner's tragedy Tarpeja
- WoO 2b - Prelude to Act II of Tarpeja
- WoO 3 - "Gratulations-Menuett", minuet for orchestra
- WoO 4 - Piano Concerto in E flat major (solo part only with indications of orchestration)
- WoO 5 - Violin Concerto movement in C major, fragment (same as Hess 10; first published edited by Hellmesberger in 1876 by Schreiber, Vienna)
- WoO 6 - Rondo in B flat major for piano and orchestra, fragment, possibly part of initial version of the Piano Concerto No. 2
- WoO 7 - Twelve minuets for orchestra
- WoO 8 - Twelve German Dances for orchestra (later arranged for piano)
- WoO 9 - Six minuets for two violins and cello (same as Hess 26; published in Werke, Abteilung II, Band 3, pp. 59-64)
- WoO 10 - Six minuets for orchestra (original version lost, only an arrangement for piano is extant)
- WoO 11 - Seven Ländler for two violins and cello (same as Hess 27; original version lost, only an arrangement for piano is extant)
- WoO 12 - Twelve minuets for orchestra (same as Hess 2; probably spurious, actually by Beethoven's brother Carl)
- WoO 13 - Twelve German Dances for orchestra (same as Hess 5; only a version for piano is extant)
- WoO 14 - Twelve contredanses for orchestra
- WoO 15 - Six Laendler for two violins and cello (also arranged for piano)
- WoO 16 - Twelve Ecossaises for orchestra (probably spurious)
- WoO 17 - Eleven "Mödlinger Tänze" for seven instruments (same as Hess 20; probably spurious)
- WoO 18 - March and Trio for Military Band (same as Hess 7; the trio was added later)
- WoO 19 - March and Trio for Military Band (same as Hess 9; the trio was added later)
- WoO 20 - March and Trio for Military Band (the trio was added later)
- WoO 21 - Polonaise for Military Band
- WoO 22 - Ecossaise for Military Band
- WoO 23 - Ecossaise for Military Band (same as Hess 4; only a piano arrangement by Carl Czerny is extant)
- WoO 24 - March for Military Band
- WoO 25 - Rondo for two oboes, two clarinets, two French horns and two bassoons (original finale of the Octet, opus 103)
- WoO 26 - Duo for two flutes (same as Hess 17)
- WoO 27 - Three duets for clarinet and bassoon (possibly spurious)
- WoO 28 - Variations for two oboes and cor anglais on "Là ci darem la mano" from Wolfgang Amadeus Mozart's opera Don Giovanni (same as Hess 18)
- WoO 29 - March for wind sextet
- WoO 30 - Three Equali for four trombones (also arranged for four male voices)
- WoO 31 - Fugue for organ
- WoO 32 - Duo for viola and cello, "mit zwei obligaten Augengläsern" ("with two obbligato eyeglasses"; published in Werke, Abteilung VI, Band 6, pp. 115-121)
- WoO 33 - Five pieces for mechanical clock or flute
- No. 1: Adagio assai, in F major (same as Hess 103)
- No. 2: Scherzo. Allegro, in G major (same as Hess 104)
- No. 3: Allegro, in G major (same as Hess 105)
- No. 4: Allegro non più molto, in C major (same as Hess 106a)
- No. 5: Menuett. Allegretto, in C major (same as Hess 106b)
- WoO 34 - Duet for two violins (same as Hess 42)
- WoO 35 - Canon for two violins
- WoO 36 - Three piano quartets
- WoO 37 - Trio in G major for piano, flute and bassoon
- WoO 38 - Piano Trio No. 8 in E flat major
- WoO 39 - Allegretto in B flat major for piano trio
- WoO 40 - Twelve variations for piano and violin on "Se vuol ballare" from Mozart's The Marriage of Figaro
- WoO 41 - Rondo in G major for piano and violin
- WoO 42 - Six German Dances for violin and piano
- WoO 43a - Sonatina for mandolin and harpsichord
- WoO 43b - Adagio for mandolin and harpsichord
- WoO 44a - Sonatina for mandolin and piano (same as Hess 43)
- WoO 44b - Andante and variations for mandolin and harpsichord (same as Hess 45)
- WoO 45 - Twelve variations for cello and piano "See the conqu'ring hero comes" from George Frideric Handel's oratorio Judas Maccabaeus
- WoO 46 - Seven variations for cello and piano on "Bei Männern, welche Liebe fühlen" from Mozart's opera Die Zauberflöte
- WoO 47 - Three Piano Sonatas (Es-dur, F-dur, D-dur) Kurfürsten Sonatas (1783)
- No.1: Sonatina in Eb
- No.2: Sonatina in F minor
- No.3: Sonatina in D
- WoO 48 - Rondo for Piano, C-dur (1783; same as Hess 51)
- WoO 49 - Rondo for Piano, A-dur (1783)
- WoO 50 - Piano Sonata, F-dur (1790-2; same as Hess 53)
- WoO 51 - Piano Sonata, C-dur (1797-8, fragment)
- WoO 52 - Bagatelle for Piano, C-moll (1795, rev. 1798 and 1822)
- WoO 53 - Allegretto, C minor (1796-7)
- WoO 54 - Bagatelle for Piano (1802)
- WoO 55 - Prelude for Piano, F minor (1803)
- WoO 56 - Bagatelle for Piano, C-dur (1803, rev. 1822)
- WoO 57 - Andante Favori (Original middle movement from Piano Sonata No. 21 (Waldstein)) (1805)
- WoO 58 - 2 Cadenzas for Piano (for Mozart's Piano Concerto in D minor, K. 466)
- WoO 59 - Für Elise (Bagatelle) in A minor for piano (c. 1810)
- WoO 60 - Bagatelle for Piano in Bb (1818)
- WoO 61 - Allegretto for Piano in B minor (1821; same as Hess 62)
- WoO 61a - Allegretto quasi andante for Piano in G minor (1825; same as Hess 56)
- WoO 62 - String Quintet in C major (1826, fragment; same as Hess 41)
- WoO 63 - Nine variations for piano on a march by Ernst Christoph Dressler
- WoO 64 - Six variations for piano or harp on a Swiss song
- WoO 65 - Twenty-four variations for piano on Vincenzo Righini's aria "Venni Amore"
- WoO 66 - Thirteen variations for piano on the aria "Es war einmal ein alter Mann" from Carl Ditters von Dittersdorf's opera Das rote Käppchen
- WoO 67 - Eight variations for piano four hands on a theme by Count Waldstein
- WoO 68 - Twelve variations for piano on the "Menuet a la Vigano" from Jakob Haibel's ballet La nozza disturbate
- WoO 69 - Nine variations for piano on "Quant'e piu bello" from Giovanni Paisiello's opera La Molinara
- WoO 70 - Six variations for piano on "Nel cor piu non mi sento" from Giovanni Paisiello's opera La Molinara
- WoO 71 - Twelve variations for piano on the Russian dance from Paul Wranitzky's ballet Das Waldmädchen
- WoO 72 - Eight variations for piano on "Mich brennt ein heisses Fieber" from André-Ernest-Modeste Grétry's opera Richard Löwenherz
- WoO 73 - Ten variations for piano on "La stessa, la stessissima" from Antonio Salieri's opera Falstaff
- WoO 74 - "Ich denke dein" - song with six variations for piano four hands
- WoO 75 - Seven variations for piano on "Kind, willst du ruhig schlafen" from Peter Winter's opera Das unterbrochene Opferfest
- WoO 76 - Eight variations for piano on "Tandeln und scherzen" from Franz Xaver Süssmayr's opera Soliman II
- WoO 77 - Six easy variations for piano on an original theme
- WoO 78 - Seven variations for piano on "God Save the King"
- WoO 79 - Five variations for piano on "Rule Britannia"
- WoO 80 - Thirty-two variations in C minor on an original theme
- WoO 81 - Allemande for piano in A major
- WoO 82 - Minuet for piano in E flat major
- WoO 83 - Six Ecossaises for piano
- WoO 84 - Waltz in E-flat for piano
- WoO 85 - Waltz for piano in D Major
- WoO 86 - Ecossaise for piano in E flat major
- WoO 87 - Cantata on the Death of Emperor Joseph II
- WoO 88 - Cantata on the Accession of Emperor Leopold II
- WoO 89 - Aria 'Pruefung des Kuessens'
- WoO 90 - Aria 'Mit Maedeln sich vertragen'
- WoO 91 - Two arias for Die Schöne Schusterin
- WoO 92 - Aria 'Primo Amore'
- WoO 92a - Aria 'No, non turbarti'
- WoO 93 - Duet 'Ne' giorni tuoi felici'
- WoO 94 - Germania
- WoO 95 - Chorus for the Congress of Vienna
- WoO 96 - Incidental Music to Leonore Prohaska
- WoO 97 - "Es ist vollbracht" for Die Ehrenpforten
- WoO 98 - "Wo sich die Pulse," chorus for Consecration of the House
- WoO 99 - Italian Partsongs
- WoO 100 - 'Lob auf den Dicken' (3 solo voices and choir)
- WoO 101 - 'Graf, Graf, liebster Graf' (3 voices; published in Letters, Vol. 1, #124)
- WoO 102 - 'Abschiedsgesang' (3 male voices)
- WoO 103 - Cantata 'Un lieto Brindisi'
- WoO 104 - 'Gesang der Moenche' aus Schillers Schauspiel Wilhelm Tell
- WoO 105 - 'Hochzeitslied'
- WoO 106 - Birthday Cantata for Prince Lobkowitz
- WoO 107 - Song 'Schilderung eines Mädchens'
- WoO 108 - Song 'An einen Säugling'
- WoO 109 - Song 'Trinklied (beim Abschied zu singen)'
- WoO 110 - Song 'Elegie auf den Tod eines Pudels'
- WoO 111 - Song 'Punschlied'
- WoO 112 - Song 'An Laura'
- WoO 113 - Song 'Klage'
- WoO 114 - Song 'Selbstgespräch'
- WoO 115 - Song 'An Minna'
- WoO 116 - Song 'Que le temps me dure'
- WoO 117 - Song 'Der freie Mann'
- WoO 118 - Song 'Seufzer eines Ungeliebten' und 'Gegenliebe'
- WoO 119 - Song 'O care selve'
- WoO 120 - Song 'Man strebt die Flamme zu verhehlen'
- WoO 121 - Song 'Abschiedsgesang an Wiens Bürger'
- WoO 122 - Song 'Kriegslied der Österrecher'
- WoO 123 - Song 'Zärtliche Liebe' (Ich liebe dich)
- WoO 124 - Song 'La partenza'
- WoO 125 - Song 'La tiranna'
- WoO 126 - Song 'Opferlied'
- WoO 127 - Song 'Neue Liebe, neues Leben'
- WoO 128 - Song 'Plaisir d'aimer'
- WoO 129 - Song 'Der Wachtelschlag'
- WoO 130 - Song 'Gedenke mein'
- WoO 131 - Unfinished song 'Erlkoenig'
- WoO 132 - Song 'Als die Geliebte sich trennen wollte'
- WoO 133 - Song 'In questa tomba oscura'
- WoO 134 - Song 'Sehnsucht' in four settings
- WoO 135 - Song 'Die laute Klage'
- WoO 136 - Song 'Andenken'
- WoO 137 - Song 'Lied aus der Ferne'
- WoO 138 - Song 'Der Jüngling in der Fremde'
- WoO 139 - Song 'Der Liebende'
- WoO 140 - Song 'An die Geliebte'
- WoO 141 - Song 'Der Gesang der Nachtigall'
- WoO 142 - Song 'Der Bardengeist'
- WoO 143 - Song 'Des Kriegers Abschied'
- WoO 144 - Song 'Merkenstein'
- WoO 145 - Song 'Das Geheimnis'
- WoO 146 - Song 'Sehnsucht'
- WoO 147 - Song 'Ruf vom Berge'
- WoO 148 - Song 'So oder so'
- WoO 149 - Song 'Resignation'
- WoO 150 - Song 'Abendlied unterm gestirnten Himmel'
- WoO 151 - Song 'Der edle Mensch sei hilfreich und gut'
- WoO 152 - Twenty-five Irish Songs
- WoO 153 - Twenty Irish Songs
- WoO 154 - Twelve Irish Songs
- WoO 155 - Twenty-six Welsh Songs
- WoO 156 - Twelve Scottish Songs
- WoO 157 - Twelve Songs of Various Nationalities
- WoO 158 - Thirty-six Songs of Various Nationalities
- WoO 159 - Canon à 3 'Im Arm der Liebe ruht sich's wohl'
- WoO 160 - Two Instrumental Canons: No. 1 à 3; No. 2 à 4 (published in Studien im Generalbass, Contrapunkt und in der Compositionslehre)
- WoO 161 - Canon à 3 'Ewig dein'
- WoO 162 - Canon à 4 'Ta ta ta, lieber Mälzel' (theme in Symphony No. 8)
- WoO 163 - Canon à 3 'Kurz ist der Schmerz'
- WoO 164 - Canon à 3 'Freundschaft ist die Quelle wahrer Glückseligkeit'
- WoO 165 - Canon à 4 'Glück zum neuen Jahr'
- WoO 166 - Canon à 3 'Kurz ist der Schmerz' (also published in Letters, Vol. 1, #147)
- WoO 167 - Canon à 4 'Brauchle, Linke'
- WoO 168 - Two Canons à 3
- WoO 169 - Canon à 2 'Ich küsse Sie' (published in Letters, Vol. 1, #164)
- WoO 170 - Canon à 2 'Ars longa, vita brevis'
- WoO 171 - Canon à 4 'Glück fehl' dir vor allem'
- WoO 172 - Canon à 3 'Ich bitt' dich, schreib mir die Es-Scala auf'
- WoO 173 - Canon à 2 'Hol' euch der Teufel! B'hüt euch Gott!'
- WoO 174 - Canon à 4 'Glaube und hoffe' (also published in Letters, Vol. 2, #277)
- WoO 175 - Canon à 4 'Sankt Petrus war ein Fels'
- WoO 176 - Canon à 3 'Glück, Glück zum neuen Jahr'
- WoO 177 - Canon à 2 'Bester Magistrat, Ihr friert' (with two double-basses)
- WoO 178 - Canon à 3 'Signor Abate'
- WoO 179 - Canon à 4 'Seiner kaiserlichen Hoheit ... alles Gute, alles Schöne' (also published in Letters, Vol. 2, #288)
- WoO 180 - Canon à 2 'Auf einen, welcher Hoffmann geheißen' (also published in Letters, Vol. 2, #405)
- WoO 181 - Three Canons:
- No. 1 à 4 'Gedenket heute an Baden'
- No. 2 à 4 'Gehabt euch wohl'
- No. 3 à 3 'Tugend ist kein leerer Name'
- WoO 182 - Canon à 3 'O Tobias' (also published in Letters, Vol. 2, #299)
- WoO 183 - Canon à 4 'Bester Herr Graf'
- WoO 184 - Canon à 5 'Falstafferel'
- WoO 185 - Canon à 6 'Edel sei der Mensch'
- WoO 186 - Canon à 2 'Te solo adoro'
- WoO 187 - Canon à 4 'Auf einen, welcher Schwenke geheißen' (also published in Letters, Vol. 2, #405)
- WoO 188 - Canon à 2 'Gott ist eine feste Burg'
- WoO 189 - Canon à 4 'Doktor sperrt das Tor dem Tod' (published in Letters, Vol. 2, #412)
- WoO 190 - Canon à 2 'Ich war hier, Doktor'
- WoO 191 - Canon à 3 'Kühl, nicht lau' (also published in Letters, Vol. 2, #442)
- WoO 192 - Canon à 4 'Ars longa, vita brevis'
- WoO 193 - Canon 'Ars longa, vita brevis'
- WoO 194 - Canon 'Si non per portas, per muros' (also published in Letters, Vol. 2, #445)
- WoO 195 - Canon à 2 'Freu dich des Lebens'
- WoO 196 - Canon à 4 'Es muss sein'
- WoO 197 - Canon à 5 'Da ist das Werk'
- WoO 198 - Canon à 2 'Wir irren allesamt' (published in Letters, Vol. 2, #462)
- WoO 199 - 'Ich bin der Herr von zu'
- WoO 200 - 'O Hoffnung', Theme for Variations (for Erzherzog Rudolph; same as Hess 75)
- WoO 201 - 'Ich bin bereit'
- WoO 202 - 'Das Schöne zum Guten'
- WoO 203 - 'Das Schöne zu dem Guten' (published in Letters, Vol. 2, #406)
- WoO 204 - 'Holz, Holz geigt die Quartette so'
- WoO 205 - Musical quips from Beethoven's letters
- a. 'Baron, Baron, Baron' (published in Letters, Vol. 1, #10)
- b. 'Allein, allein, allein' (published in Letters, Vol. 1, #131)
- c. 'O Adjutant' (published in Letters, Vol. 1, #214)
- d. 'Wo? Wo?' (published in Letters, Vol. 2, #247)
- e. 'Erfüllung, Erfüllung'
- f. 'Scheut euch nicht'
- g. 'Tobias! Paternostergäßler'
- h. 'Tobias Tobias'
- i. 'Bester Tobias' (published in Letters, Vol. 2, #460)
- k. 'Erster aller Tobiasse'
Works with "Anh" Number (spurious)
These are works from the Appendix (Anhang in German) of Kinsky's catalog that were attributed to Beethoven at the time the catalog was compiled, but might not have been written by him.
- Anh 1: Symphony in C major ("Jena") – now attributed to Friedrich Witt
- Anh 2: Six string quartets
- Anh 3 - Piano Trio in D major (published in Werke, Abteilung IV, Band 3, pp. 199-218)
- Anh 4 - Flute Sonata in B-flat major
- Anh 5 - Two Piano Sonatinas
- No.1: Sonatina in F major
- No.2: Sonatina in G
- Anh 6 - Rondo in B flat major for piano
- Anh 7 - Piano Concerto (Allegro) for Piano & Orchestra in D Major (first movement); authorship: spurious – at first, many were unconvinced that this work was by Beethoven; some believed this to be a missing movement from a piano concerto by the Bohemian composer, Jan Joseph Rosler (1771-1813). Though today, some experts believe this to be a true work by Beethoven as it musically represents an early 20-year old Beethoven. Regardless, this work is estimated to have been written between 1788 and 1793.
- Anh 8
- Gavotte in F Major
- Allegro for Piano Four Hands in B Flat Major; authorship: probably doubtful
- Fragment for Piano Four Hands in C Minor: of Marche lugubre; authorship: probably doubtful
- Anh 9 - 9 German Dances for Piano Four Hands
- Anh 10 - 8 Variations for Piano in B flat major: on "Gestern abend war Vetter Michael da" (Yesterday evening nephew Michael was there) or "Ich habe ein kleines Huettchen nur" (I only have a little hat)
- Anh 11 - March for Piano in F Major: "Alexandermarsch" for Duport’s ballet "Der blode Ritter"
- Anh 12 - March for Piano in C Major: "Pariser Einzugsmarsch"; authorship: Johnn H. Walch.
- Anh 13 - "Trauermarsch", Funeral March for Piano in F Minor; authorship: Johnn H. Walch.
- Anh 14 - 6 Waltzes for Piano
- No.1: Waltz for Piano in A-flat major: "Sehnsuchtwalzer"; authorship: probably spurious
- No.2: Waltz for Piano in F minor: "Schmerzenwalzer"; authorship: probably spurious
- No.3: Waltz for Piano in E flat major: "Hoffnungswalzer"; authorship: probably spurious
- No.4: Waltz for Piano in A major: "Geisterwalzer"; authorship: probably spurious
- No.5: Waltz for Piano in F major; authorship: probably spurious
- No.6: Waltz for Piano in D flat major; authorship: probably spurious
- Anh 15 - Waltz for Piano in F Major: "Glaube, Liebe, und Hoffnung"; authorship: probably doubtful (also known as 'Farewell to the Piano').
- Anh 16 - 4 Waltzes for piano
- No.1: Waltz for Piano in C sharp major: "Jubelwalzer"; authorship: probably doubtful
- No.2: Waltz for Piano in B flat major: "Gertruds Traumwalzer" (Gertrude’s Dream); authorship: spurious
- No.3: Waltz for Piano in B Flat Major: "Sonnenscheinwalzer"; authorship: probably doubtful
- No.4: Waltz for Piano in A Flat Major: "Mondscheinwalzer"; authorship: probably doubtful
- Anh 17 - Waltz for Piano in F Major: Introduction and Waltz
- Anh 18 - Song: "An Sie" or "Nachruf"
Selected works with "Hess" Number
These works have numbers that were assigned by Willy Hess. Many of the works in the Hess catalog also have WoO numbers; those entries are not listed here.
- Hess 1 - Fragment in F major (original ending to first movement of Symphony No. 8, Opus 93)
- Hess 3 - 12 Ecossaises for piano or orchestra (lost; possibly the same as WoO 16)
- Hess 6 - March for Military Band (version of WoO 18 without trio)
- Hess 8 - March for Military Band (version of WoO 19 without trio)
- Hess 11 - Romance for Violin and Orchestra No. 3 (lost or never written)
- Hess 12 - Oboe Concerto in F (fragment only)
- Hess 13 - Romance in E minor for 3 soloists and orchestra
- Hess 14 - Fragment for Piano and Orchestra in B flat major (unfinished; fragment of the first version of the first movement of Piano Concerto No. 2, Opus 19)
- Hess 15 - Piano Concerto No. 6 (unfinished)
- Hess 16 - Original introduction to the Choral Fantasia, Opus 80
- Hess 19 - Wind quintet in E flat major
- Hess 21 - Andante con Variazioni for Wind Band (fragments of an arrangement of the Septet, Opus 20, for Military Band; Beethoven's involvement with the arrangement is uncertain)
- Hess 22 - Duo for viola and cello (first movement of WoO 32; published in Werke, Abteilung VI, Band 6, pp. 115-120)
- Hess 23 - Minuet for viola and cello (third movement of WoO 32; published in Werke, Abteilung VI, Band 6, pp. 120-121)
- Hess 24 - Fragment for viola and cello (second movement of WoO 32, fragment only)
- Hess 25 - String Trio (original finale to Opus 3)
- Hess 28 - Movement in A flat major for string trio (second trio to the scherzo of Opus 9 No. 1; published in Werke, Abteilung VI, Band 6, pp. 122-123)
- Hess 29 - Prelude and Fugue for 2 Violins and Cello
- Hess 30 - Prelude and Fugue for String Quartet
- Hess 31 - Prelude and Fugue for String Quartet
- Hess 32 - String Quartet in F major (first version of Opus 18 No. 1; published in Werke, Abteilung VI, Band 3, pp. 124-150)
- Hess 33 - Minuet for string quartet
- Hess 34 - String Quartet arrangement of Opus 14 No. 1 (also published in Werke, Abteilung VI, Band 3, pp. 151-161)
- Hess 35 - Fragment for String Quartet in B minor (arrangement of Fugue No. 24 from Das wohltemperierte Klavier I by J. S. Bach)
- Hess 36 - Handel Fugue (from Solomon overture) arranged for String Quartet
- Hess 37 - Mozart Fugue for 2 pianos in C minor, KV 426, revised by Beethoven
- Hess 38 - J. S. Bach Fugue (No. 22 from Das wohltemperierte Klavier I) arranged for String Quintet
- Hess 39 - String Quintet in F major (lost)
- Hess 40 - Movement in D minor for String Quintet (published in Werke, Abteilung VI, Band 2, pp. 117-118)
- Hess 44 - Adagio for mandolin and harpsichord (later revision of WoO 43b)
- Hess 46 - Violin Sonata in A major
- Hess 47 - Piano Trio (arrangement of Opus 3)
- Hess 48 - Allegretto in E flat major for piano trio (published in Werke, Abteilung IV, Band 3, pp. 219-223)
- Hess 49 - Piano Trio in E flat major (lost or spurious)
- Hess 50 - Piano Trio in B Flat Major (lost or spurious)
- Hess 52 - Piano Sonata in C Major (lost; possibly spurious)
- Hess 54 - Variations for piano on Amenda's theme "Freudvoll und leidvoll" (lost)
- Hess 55 - Variations for piano on Vincenzo Righini's aria "Venni Amore" (original version of 1791; originally thought to be different from the 1802 edition, WoO 65, but now known to be identical)
- Hess 57 - Bagatelle in C major (unfinished sketch for piano)
- Hess 58 - Exercise for Piano in B flat major
- Hess 59 - Exercise for Piano in C major
- Hess 60 - Draft for Piano in A major (unfinished)
- Hess 61 - Anglaise in D major for piano
- Hess 63 - Piece for Piano (arrangement of Christian Friedrich Daniel Schubart's "Kaplied")
- Hess 64 - Fugue for keyboard
- Hess 65 - Concerto excerpt (piano solo arrangement of Opus 37)
- Hess 66 - Allegretto for Piano in C minor (second version of WoO 53)
- Hess 67 - 2 German Dances for Piano: in F major and F minor
- Hess 68 - Ländler for Piano in C minor
- Hess 69 - Bagatelle in C minor for piano
- Hess 70 - Adagio for Piano in G major
- Hess 71 - Movement for Piano in G major
- Hess 72 - Variations for Piano in A major
- Hess 73 - Bagatelle for Piano in C major
- Hess 74 - Bagatelle for Piano in E flat major
- Hess 76 - Cadenza for Piano Concerto No. 1, Opus 15 (fragments and sketches)
- Hess 77 - Cadenza for the first movement of Piano Concerto No. 1, Opus 15 (lost)
- Hess 78 - Cadenza for the third movement of Piano Concerto No. 1, Opus 15
- Hess 79 - Cadenza for the first version of Piano Concerto No. 2, Opus 19 (fragments and sketches)
- Hess 80 - Cadenza for the first movement of Piano Concerto No. 3, Opus 37 (spurious, actually by Thalberg)
- Hess 81 - Cadenza for the first movement of Piano Concerto No. 4, Opus 58 (published in Werke, Abteilung VII, Band 7, p. 28)
- Hess 82 - Cadenza "senza misura" for the Rondo of Piano Concerto No. 4, Opus 58 (published in Werke, Abteilung VII, Band 7, p. 31)
- Hess 83 - Very brief cadenza for the Rondo of Piano Concerto No. 4, Opus 58 (published in Werke, Abteilung VII, Band 7, p. 31)
- Hess 84 - Solo passage for the Rondo of the piano version of the Violin Concerto, Opus 61 (published in Werke, Abteilung VII, Band 7, p. 41)
- Hess 85 - Cadenza for the Rondo of the piano version of the Violin Concerto, Opus 61 (published in Werke, Abteilung VII, Band 7, pp. 42-43)
- Hess 86 - Große Fuge for Piano Four Hands (same as Opus 134; arrangement of Opus 133)
- Hess 87 - March for piano (arrangement of WoO 29)
- Hess 88 - Minuet for piano (arrangement of Hess 33)
- Hess 89 - Ritterballett (piano arrangement of WoO 1)
- Hess 90 - The Creatures of Prometheus (piano arrangement of Opus 43)
- Hess 91 - Opferlied (piano arrangement of Opus 121b)
- Hess 92 - Bundeslied (piano arrangement of Opus 122)
- Hess 93 - 'Freudvoll und leidvoll' (in A major), piano accompaniment for Opus 84 No. 4
- Hess 94 - 'Freudvoll und leidvoll' (in G major), piano accompaniment for Opus 84 No. 4
- Hess 95 - 'Freudvoll und leidvoll' (in F major), piano accompaniment for Opus 84 No. 4
- Hess 96 - Fragment of Symphony No. 7, Opus 92, for piano (first 46 measures of first movement)
- Hess 97 - Wellington's Victory (piano arrangement of Opus 91)
- Hess 98 - Scherzo for piano (unfinished; arrangement of the third movement of Opus 1 No. 2)
- Hess 99 - March for piano (arrangement of Hess 6)
- Hess 100 - 12 German Dances for Piano (arrangement of WoO 8)
- Hess 101 - 12 Minuets for Piano (arrangement of WoO 7)
- Hess 102 - 9 Contredanses for Piano (arrangement of WoO 14, Nos. 8, 7, 4, 10, 9, 1, 2, 5 and 12)
- Hess 107 - Grenadier's March
- Hess 108 - Wellington's Victory (panharmonicon arrangement of Opus 91)
- Hess 115 - Vestas Feuer (unfinished Opera)
- Hess 118 - Music for the Consecration of the House (from Opus 113)
- Hess 133 - Folksong
- Hess 134 - Folksong
- Hess 137 - Song `Ich wiege dich' (lost)
- Hess 139 - Song `Minnesold' (lost)
- Hess 143 - Song `An die Freude' (lost)
- Hess 151 - Song 'Traute Henriette'
- Hess 152-207 - Folksong settings
- Hess 208-232 - Italian partsongs
- Hess 233-246 - Counterpoint exercises
- Hess 274 - Canon à 2 in G (instrumental)
- Hess 275 - Canon à 2 in Ab (instrumental)
- Hess 276 - Canon à 3 'Herr Graf, ich komme zu fragen'
- Hess 277 - Canon à 3 'Esel aller Esel, hi ha'
- Hess 297 - Adagio for three horns
- Hess 300-301 - Two Canons
- ...
- Hess 335
- Hess Anh 1
- ...
- Hess Anh 66
Collections and other miscellaneous works
- Cadenzas for Piano Concertos Nos.1-4
- Bagatelle in F minor
- Hymne an die Nacht
- Symphony “No.10” in E flat major (sketches, elaborated by Barry Cooper)
- String Quintet in C major
- Revisionsbericht
- Studien im Generalbass, Contrapunkt und in der Compositionslehre
- Thematisches Verzeichniss Der Im Druck Erschienenen Werke
- Letters

