Piano Sonata No.8, Op.13 (Beethoven, Ludwig van)
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Performances
General
No files submitted.
Synthesized/MIDI
Adagio
For Guitar (Nachbaur)
MIDI performance
*#207942 - 0.01MB - ? - (0) - !N/!N/!N - 17x⇩
Synthesized MIDI
Fred Nachbaur
Creative Commons Attribution Non-commercial Share Alike 3.0 [tag all]
These file(s) are part of the Werner Icking Music Collection.
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Scores
Piano Scores
Complete Score
*#50958 - 3.25MB, 21 pages - (10) - V/V/V - 30217x⇩
PDF file, Scanned by Beethoven-Haus Bonn
Ivdruiz (27 December 2009)
First edition
Vienna: Eder, n.d.(1799), Plate 128
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Complete Score (Preview)
*#51718 - 2.59MB, 18 pages - (14) - V/V/V - 33608x⇩
PDF file, Scanned by BSB (MDZ)
piupianissimo (1 January 2010)
Ludwig van Beethovens Werke, Serie 16: Sonaten für das Pianoforte, No.131
Leipzig: Breitkopf & Härtel, 1862. Plate B.131.
Originally scanned at about 160pi, converted to 600dpi monochrome.
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Complete Score (Preview)
*#30364 - 3.20MB, 18 pages - (21) - V/V/V - 23068x⇩
PDF file, Scanned by piupianissimo
piupianissimo (13 April 2009)
Louis Köhler (1820–1886)
Adolf Ruthardt (1849–1934)
Sonaten für Pianoforte solo (Band 1)
Leipzig: C.F. Peters, n.d.(ca.1910). Plate 9452.
scanned at 600 dpi (for title pages see Piano Sonata No.1, Op.2 No.1), original papersize and borders. If you rate this score, please give feedback to scanner talk
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Complete Score
*#00008 - 1.36MB, 19 (#143-161) pages - (11) - V/V/V - 15563x⇩
PDF file, Scanned by Unknown
Feldmahler (16 February 2006)
Heinrich Schenker (1868–1935)
Vienna: Universal Edition, 1918-21
New York: Dover Publications, 1975
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Complete Score (Preview)
*#03865 - 1.00MB, 16 (127-142) pages - (7) - V/C/19 - 6105x⇩
Frederic Lamond (1868–1948)
Klaviersonaten Vol. I
Berlin: Ullstein, n.d.(ca.1918)
Reissue - Leipzig: Breitkopf & Härtel, 1923, Plate 28726
Kiev: Musytschna Ukraina, 1969
Public Domain - Non-PD EU [tag all]
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Complete Score
*#68721 - 3.16MB, 18 (#148-165) pages - (1) - V/V/18 - 3725x⇩
Alfredo Casella (1883-1947)
Milan: G. Ricordi & C., 1920. Plate E.R. 2452.
Public Domain - Non-PD EU [tag all]
Low resolution. File includes first 3 pages of Sonata No.14.
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Complete Score
*#05534 - 1.19MB, 18 pages - (6) - V/V/16 - 4535x⇩
Complete score
*#66397 - 0.97MB, 18 (#144-161) pages - (0) - V/C/26 - 3317x⇩
Max Pauer (1866–1945)
Carl Adolf Martienssen (1881–1955), revision (#66397)
Sonaten für Klavier zu zwei Händen (3 vols.)
Leipzig: C.F. Peters, n.d.(ca.1920). Plates 10543, 10555-56
#66397: (revision by Martienssen), n.d.(1927)
Public Domain - Non-PD EU [tag all]
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Complete Score (EU)
*#11070 - 4.60MB, 25 pages - (4) - V/19/09 - 4701x⇩
Leopold Godowsky (1870–1938)
St. Louis: Art Publication Society, 1923. Plate 1014.
Public Domain - Non-PD US [tag all]
This file is from the MIT archive project.
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I. Grave. Allegro di molto e con brio
*#215109 - 0.13MB, 7 pages - (0) - !N/!N/!N - 9x⇩
RSB 2012
Creative Commons Attribution 3.0 [tag all]
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II. Adagio cantabile
*#195385 - 1.26MB, 7 pages - (0) - V/V/V - 277x⇩
PDF file, Scanned by Library of Congress
Schissel (30 March 2012)
Albert W. Berg (1825–1906)
New York: Firth, Pond & Co., 1857. Plate 4163.
Some see-through trouble with pages, but (possibly) interesting redistribution of staves compared to (at least) one other edition. Basically the same text except for the lack of a tie mark between two bars (unless it's subtle and hard to read which it may be because of the other problems.)
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Arrangements and Transcriptions
II. Adagio cantabile
For Viola and Piano (Sitt)
Piano Score and Viola part
*#107666 - 0.57MB, 5 pages - (0) - V/V/V - 710x⇩
PDF file, Scanned by Russian State Library
WiliamBunting (2 July 2011)
Hans Sitt (1850-1922)
Leipzig; Steingräber Verlag, 1919. Plate 2066
Sammlung Klassischer und Moderner Stücke für Bratsche und Klavier, Band 1
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For Cello and Piano (Vogel and Guérout)
Piano Score
*#65315 - 0.80MB, 4 pages - (1) - V/V/V - 1977x⇩
PDF file, Scanned by Sibley Music Library
Generoso (28 May 2010)
Cello Part
*#65316 - 0.20MB, 1 pages - (1) - V/V/V - 1039x⇩
PDF file, Scanned by Sibley Music Library
Generoso (28 May 2010)
Charles Vogel (1808-1892)
Henri Guérout (1822-1913)
Brunswick: Henry Litolff's Verlag, n.d. Plate 10103.B.
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For Organ (André)
Complete Score
*#90460 - 0.11MB, 2 (#3-4) pages - (1) - V/V/V - 878x⇩
PDF file, Scanned by Library of Congress
Lndlewis10 (16 January 2011)
Julius André (1808-1880)
Offenbach: Johann André, n.d.[1884]. Plate 9123 E.I-III.
Reissue - Boston: Arthur P. Schmidt, n.d.
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For Guitar (Nachbaur)
Complete score
*#116887 - 0.14MB, 4 pages - (0) - !N/!N/!N - 458x⇩
PDF file, Typeset by Fred Nachbaur
Damián H. Zanette (1 September 2011)
Engraving files (NoteWorthy Composer)
*#207940 - 0.01MB, ? pages - (0) - !N/!N/!N - 8x⇩
Fred Nachbaur
Creative Commons Attribution Non-commercial Share Alike 3.0 [tag all]
This arrangement for solo guitar was developed over the course of
approximately one year. It is not particularly difficult, the hardest
part is getting smooth shifts in position without excessive fret noise.
The original is in A-flat major, but the guitar adaptation was done in
the much easier key of A major. If you wish to adhere to the original
tonality, tune your guitar one semitone flat. This also gives a deep,
rich quality which is especially appropriate for this beautiful
composition.
I have maintained the original tempo and time signature, even though all
those sixteenth notes make the piece look more formidable than it really
is. Suggested tempo is 30 beats per quarter note (or set your metronome
for 60 beats and count eighth notes).
The midi demo can be used as a learning aid, or simply to evaluate the
arrangement before committing time to learning it. It will be virtually
impossible to derive a meaningful score from the midi file, since each
string of the guitar was assigned to its own track to make the midi
performance more realistic.
Dynamics were intentionally left out of the score, to encourage the
performer to become involved in the process of arranging by working out
his/her own interpretation. Similarly, tempo variances were kept to a
bare minimum. The midi demo gives examples of both, for the player's
evaluation.
Fingering is extensively marked in the first 2/3 of the piece. However,
if you find easier or better fingerings for your own playing style,
don't adhere to the ones provided just because they are written. The
last section is essentially the same fingering as the opening theme,
except with a different rhythm. For this reason the fingerings were not
provided here.
These file(s) are part of the Werner Icking Music Collection.
Javascript is required for this feature.
General Information
| Work Title | Piano Sonata No.8 |
|---|---|
| Alternative Title | Pathétique |
| Composer | Beethoven, Ludwig van |
|---|---|
| Opus/Catalogue Number | Op.13 |
| Key | C minor |
| Movements/Sections | 3 movements
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| Year/Date of Composition | 1798 |
| First Publication | 1799 |
| Dedication | Prince Karl von Lichnowsky |
| Piece Style | Classical |
| Instrumentation | Piano |
Misc. Comments
- Recordings
- WIMA files
- Pages with First Editions
- Scores from Bayerische Staatsbibliothek
- Köhler, Louis
- Ruthardt, Adolf
- Schenker, Heinrich
- Scores with links to Amazon
- Lamond, Frederic
- Casella, Alfredo
- Pauer, Max
- Martienssen, Carl Adolf
- Godowsky, Leopold
- MIT project
- RSB
- Scores from the Library of Congress
- Berg, Albert W.
- Sitt, Hans
- Vogel, Charles
- Guérout, Henri
- André, Julius
- Nachbaur, Fred
- Scores
- Beethoven, Ludwig van
- Classical
- Sonatas
- For piano
- Scores featuring the piano
- For 1 player
- For viola, piano (arr)
- For 2 players
- Scores featuring the viola
- For cello, piano (arr)
- Scores featuring the cello
- Scores featuring the organ
- For organ (arr)
- For guitar (arr)
- Scores featuring the guitar
- Pages with arrangements
- C minor
