| Number | Title | Subtitle/Movement Title | Composer | Publication Date | Notes |
|---|---|---|---|---|---|
| 1 | Mountain Music Suite: Mvt. 1 | Sunrise on the Mountain | Borch | 1917 | re-issue of S.M. Berg publication |
| 2 | Mountain Music Suite: Mvt. 2 | Moutaineer's March | Borch | 1917 | re-issue of S.M. Berg publication |
| 3 | Mountain Music Suite: Mvt. 3 | Mountain Song | Borch | 1917 | re-issue of S.M. Berg publication |
| 4 | Mountain Music Suite: Mvt. 4 | Mountaineer's Dance | Borch | 1917 | re-issue of S.M. Berg publication |
| 5 | Frills and Furbellows | Rondo Rococo | Fanchette-Crespi | 1917 | arranged by Bergé, published in 1917 by S.M. Berg, copyright registration noted that Fanchette-Crespi was a pseudonym |
| 6 | Symphonette in four parts-on one theme: Mvt. 1 | I. Lento-Allegro | Bergé | 1917 | re-issue of S.M. Berg publication |
| 7 | Symphonette in four parts-on one theme: Mvt. 2 | II. Adagietto | Bergé | 1917 | re-issue of S.M. Berg publication |
| 8 | Symphonette in four parts-on one theme: Mvt. 3 | III. Scherzetto | Bergé | 1917 | re-issue of S.M. Berg publication |
| 9 | Symphonette in four parts-on one theme: Mvt. 4 | IV. Finale | Bergé | 1917 | re-issue of S.M. Berg publication |
| 10 | May-Dreams | Romance | Borch | 1918 | Issued in 1918 by Belwin under number 120 suggesting it was originally intended to be part of Berg's Concert Series |
| 11 | Birds and Butterflies | Intermezzo capriccioso | Levy | 1918 | Published under the pseudonym Paul Vely |
| 12 | Bleeding Hearts | A Floral Poem | Levy | 1918 | |
| 13 | Victorious Democracy | Grand fantasie triomphale | Borch | 1919 | |
| 14 | Boutonnière Suite: Part 1 | Clematis | Tonning | 1919 | Also listed as the Flower Suite, arranged by Kiefert |
| 15 | Boutonnière Suite: Part 2 | Camelia | Tonning | 1919 | Also listed as the Flower Suite, arranged by Kiefert |
| 16 | Boutonnière Suite: Part 3 | Canterbury Bells | Tonning | 1919 | Also listed as the Flower Suite, arranged by Kiefert |
| 17 | Flirty-Flirts | Intermezzo giocoso (Intermezzo rubato) | Levy | 1919 | |
| 18 | Sérénade romantique | Romance | Borch | 1918 | |
| 19 | Poème symphonique | Borch | 1918 | ||
| 20 | Because You Say Good Bye | Concert Ballad | Levy | 1919 | |
| 21 | Budding Spring | Romance | Platzmann | 1919 | orchestrated by Levy |
| 22 | Love's Enchantment | Intermezzo d'amour | Varley | 1919 | arranged by Levy |
| 23 | Lovelette | Levy | 1919 | ||
| 24 | Thoughts at Twilight | Reverie | Kendall | 1919 | orchestrated by Levy |
| 25 | Spring Blossoms | Novelette | Del Castillo | 1920 | orchestrated by Levy |
| 26 | Chanson mélancolique | Collinge, Patricia | 1920 | orchestrated by Levy | |
| 27 | Chant érotique | Bergé | 1920 | arranged by Levy | |
| 28 | A Cannibal Carnival | Dance Barbarique | Levy | 1920 | |
| 29 | Adolescence | Collinge, F.C. | 1920 | orchestrated by Ernst Bial | |
| 30 | Reverie | A Tone Poem | Drumm | 1920 | Originally published by the composer in 1919 |
| 31 | The Roses that Die Bloom Again | Levy | 1920 | arranged by Baron (credited as Morris Aborn) | |
| 32 | Recuerdos | A Spanish Caprice | Santos | 1920 | |
| 33 | Laughing Beauties | Intermezzo | Bergé | 1920 | arranged by Beynon |
| 34 | Floretta | Cuban Caprice | Henneberg | 1920 | |
| 35 | Twilight Reverie | Bergé | 1920 | ||
| 36 | Frivolette | Entr'acte | Baron | 1920 | |
| 37 | Queen of My Heart | Ballad d'amour | Baron | 1920 | |
| 38 | A Musical Thought | Reverie | Titlebaum | 1920 | orchestrated by Henneberg |
| 39 | The Sing Song Girl | Chinese Intermezzo | Thiele; Savino | 1920 | arranged by Savino (credited as M. David) |
| 40 | Phantom Visions | Skeleton Dance | Stevenson | 1920 | scored by Baron (credited as Morris Aborn) |
| 41 | Capricietta | Varley | 1920 | scored by Baron (credited as Morris Aborn) | |
| 42 | Sérénade lointaine | Bergé | 1920 | ||
| 43 | La petite duchesse | Gavotte Louis XV | Baron, Henri | 1921 | |
| 44 | Twilight Fancies | Reverie | Frommel | 1921 | scored by Baron (credited as Morris Aborn) |
| 45 | Idylle japonaise | Baron | 1920 | ||
| 46 | Reves d'orient | A Tone Poem for Orchestra | Baron | 1921 | |
| 47 | Caprice joyeux | Seeligson | 1921 | arranged by Baron (credited as Morris Aborn) | |
| 48 | Barcarolle amoureuse | Casadesus | 1921 | arranged by Baron (credited as Morris Aborn) | |
| 49 | Elegie | Baron | 1921 | ||
| 50 | Baby Dreams | Petite rêverie | Boyaner | 1921 | arranged by Baron (credited as Morris Aborn) |
| 51 | Cavatina | Baron | 1921 | ||
| 52 | Rendez-vous d'amour | A Serenade | Edwards | 1921 | scored by Baron (credited as Morris Aborn) |
| 53 | Paradise is Mine | Baron | 1921 | ||
| 54 | Air de ballet | Varley | 1921 | ||
| 55 | Fragrance of Spring | Intermezzo | Sanders | 1921 | scored by Baron (credited as Morris Aborn) |
| 56 | Romance | Baron | 1921 | ||
| 57 | Chant d'amour | Frommel | 1921 | scored by Baron (credited as Morris Aborn) | |
| 58 | Blushing Coquette | Intermezzo | Schendel | 1921 | scored by Baron (credited as Morris Aborn) |
| 59 | Lamento | Baron | 1921 | ||
| 60 | The Last Lullaby | In Baby's Memory | Baron | 1921 | |
| 61 | Rosebud | Reverie | Sanford | 1921 | |
| 62 | Love In May | Reverie | Breau | 1922 | scored by Baron (credited as Morris Aborn) |
| 63 | Sunshine and Roses | Intermezzo | Borch | 1921 | revised by Baron (credited as M. Aborn) |
| 64 | Graceful Blondinette | Intermezzo | Borch | 1922 | revised by Baron (credited as Morris Aborn) |
| 65 | Falling Rose Leaves | Reverie Sentimentale | Sanders | 1922 | scored by Baron (credited as Morris Aborn) |
| 66 | The Song of the Brook | Baron | 1922 | ||
| 67 | Suite tyrolienne | I. In the Forest II. At the Inn III. Wooden Shoe Dance |
Di Stefano | 1922 | Piano solo version copyright 1921. Probably orchestrated by Baron. |
| 68 | Love's Glamour | Reverie | Varley | 1922 | scored by Baron (credited as Morris Aborn) |
| 69 | Whims of Love | Caprice | Baron | 1922 | |
| 70 | Love among Flowers | Reverie | Frommel | 1922 | arranged by Baron (credited as Morris Aborn). Piano solo version copyright 1921 |
| 71 | By the Garden Gate | Serenade | Simon Nathan | 1922 | scored by Baron (credited as Morris Aborn) |
| 72 | Cupid's Conquest | Intermezzo | Herman Kahn | 1922 | |
| 73 | By-gone Days | Reverie | Pintel | 1921 | Theater orchestra version possibly copyright 1922 |
| 74 | Heart's Desire | Reverie | Varley | 1922 | arranged by Baron (credited as Morris Aborn). Piano solo version copyright 1921 |
| 75 | The Woodland Flirt | A Bird Flirtation | Hager; Ring | 1922 | Piano solo version copyright 1921 |
| 76 | Dainty Damsel | Sérénade discrěte | Baron | 1922 | Version for solo piano copyright 1921 |
| 77 | Autumn Gold | Reverie | Kappey | 1923 | scored by Baron (credited as Morris Aborn) |
| 78 | First Courtship | Caprice | Lindgreen | 1922 | scored by Baron (credited as Morris Aborn) |
| 79 | Little Girl of Long Ago | Baron | 1921 | ||
| 80 | Love's Sweet Hour | Rêverie | Őtvős | 1922 | |
| 81 | A Legend of Erin | Johnson | 1922 | scored by Baron (credited as Morris Aborn) | |
| 82 | Love's Golden Arrows | Smith | 1922 | scored by Baron (credited as Morris Aborn) | |
| 83 | Romeo's Farewell to Juliet | Shakespearean Sketch No.1; Tone Poem | Baron | 1923 | |
| 84 | The World is a Beautiful Song | Classic Ballad | Sybil Vane; Breau | ||
| 85 | Strolling Dolly | Caprice | Lindgreen | 1923 | scored by Baron (credited as Morris Aborn). Piano solo version copyright 1922 |
| 86 | Promenade amoureuse | Intermezzo | Baron | 1923 | Piano solo version copyright 1922 |
| 87 | A Place of Dreams | Romance | Charles Gras | 1923 | arranged by Baron (credited as Morris Aborn) |
| 88 | Extase mélodieuse | Littau | 1923 | rev. by Baron | |
| 89 | Love's Declaration | Romance | Baron | Piano solo version copyright 1922 | |
| 90 | Golden Morning | Reverie | Al Morton | 1923 | scored by Baron (credited as Morris Aborn) |
| 91 | Little Flower Garden | Caprice | Breil | 1923 | scored by Baron (credited as Morris Aborn); piano solo version copyright 1922 |
| 92 | Miss Blue Eyes | Caprice | Bergh | 1923 | scored by Baron (credited as Morris Aborn); Piano solo version copyright 1922 |
| 93 | Song of Zion | Hebrew Lament | Baron | 1923 | |
| 94 | First Call of Spring | A Serenade | Smith | piano solo copyright 1922 | |
| 95 | Meditation | Baron | 1923 | Piano solo version copyright 1922 | |
| 96 | A Fairy Flirtation | Entr'acte | Wheeler | piano solo copyright 1923 | |
| 97 | Reverie poetique | Baron | 1923 | ||
| 98 | Lady Lilly, Op.10 | Intermezzo | Fresco | 1924 | Fresco noted as being from Holland |
| 99 | Othello's Remorse | Shakespearean Sketch No.2 | Baron | 1924 | |
| 100 | The Conqueror | Overture Triomphale | Baron | 1924 | |
| 101 | Indian Reverie | Kappey | 1925 | arranged by Baron (credited as Morris Aborn), piano solo version copyright 1922 | |
| 102 | Autumn Voices | Intermezzo | R. H. Bassett | 1925 | piano solo copyright 1924, scored by Baron (credited as Morris Aborn) |
| 103 | Early Roses | Entr'acte | Baron | 1924 | |
| 104 | Whimsical Charms, Op.9 | Entr'acte | Fresco | 1925 | Fresco noted as being from Holland, piano solo copyright 1924 |
| 105 | Dante's Inferno | A Tone Poem | Borch | 1925 | |
| 106 | Alluring Coquetry | Air de Ballet | Baron | 1925 | |
| 107 | Elves in the Moonlight | Caprice | Lindgreen | 1925 | piano solo version copyright 1923 |
| 108 | An Arcadian Idyl | Rondo a l'antique | Ida Bostelman | 1926 | scored by Baron (credited as Morris Aborn), piano solo copyright 1925 |
| 109 | Chiffons and Laces | Minuet a l'antique | Baron | 1926 | |
| 110 | A Bedtime Tale | Intermezzo | Firmin Swinnen | 1926 | arranged by Baron (credited as Morris Aborn) |
| 111 | Rural Flirts | Intermezzo | Bradford | 1925 | arranged by Baron (credited as Morris Aborn) |
| 112 | Cleopartra's Dream | Shakespearean Sketch No.3 | Baron | 1926 | |
| 113 | La Petite Danseuse | Caprice | Willard Parkhurst | 1927 | |
| 114 | Fanchonette | Capriccietto | Gustav(e) Klemm | 1927 | arranged by Baron (credited as Morris Aborn) |
| 115 | Tenderness | Romance | Schad | 1927 | |
| 116 | Parade of the Victors | Patrol | Bergh | ||
| 117 | Scene d'amour | Baron | 1927 | ||
| 118 | Valse Melodie | Drigo | 1928 | arranged by James C. McCabe | |
| 119 | Smile of Columbine | Air de Ballet | Drigo | 1928 | arranged by James C. McCabe |
| 120 | Demand d'amour | Romance | Drigo | 1928 | arranged by James C. McCabe |
| 121 | Hebrew Grand Fantasia on Traditional Melodies, Op.54 | Levenson | 1928 | ||
| 122 | A Rube Festival | Rural Sketch | Dudley Peele | 1928 | arranged by James C. McCabe |
| 123 | The Clown's Carnival | Characteristic | Rapée | 1928 | arranged by George Torke |
| 124 | Mauresques Serenade | Borch | 1928 | piano solo copyright 1928 | |
| 125 | Desert Love Episode | Reverie | Borch | 1928 | orchestrated by Schad, piano solo copyright 1928 |
| 126 | Dance of the Houris | Borch | 1928 | orchestrated by Schad, piano solo copyright 1928 | |
| 127 | Farmers' Carnival | Characteristic | Kendall | 1928 | orchestrated by Schad, piano solo copyright 1928 |
| 128 | Golden Autumn | A Scenic Reverie | Schad | 1929 | |
| 129 | Valse de concert | Borch | 1929 | piano solo copyright 1928 | |
| 130 | Tarantella | Borch | 1929 | piano solo copyright 1928 | |
| 131 | The Old Hand Organ Man | Characteristic | Bradford | 1929 | orchestrated by Schad |