Die Choralmelodien (Various)

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Editor Heinz-Harald Löhlein (b. 1947)
Publisher. Info. Neue Bach-Ausgabe, Serie IV, Band 1 (pp.VII-XXIV)
Kassel: Bärenreiter Verlag, 1983. Plate BA 5056.
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Misc. Notes 600 dpi. Page size is 12.688 x 10.00 inches.
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Editor Heinz-Harald Löhlein (b. 1947)
Publisher. Info. Neue Bach-Ausgabe, Serie IV, Band 1 (pp.VIII-XXI)
Kassel: Bärenreiter Verlag, 1984. Plate BA 5171.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States.

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Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
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Misc. Notes From the Bärenreiter edition of Bach's complete organ works.
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General Information

Work Title Die Choralmelodien
Alternative. Title
Composer Various
I-Catalogue NumberI-Cat. No. None [force assignment]
Movements/SectionsMov'ts/Sec's 3 sections (56 chorale tunes):
I. Orgelbüchlein
1. Luther: Nun komm, der Heiden Heiland
2a. Weisse: Gott, durch deine Güte
2b. Weisse: Gottes Sohn ist kommen
3. Anonymous: Herr Christ, der ein'ge Gottessohn
4. Weisse: Lob sei dem allmächtigen Gott
5. Lossius: Puer natus in Bethlehem
6. Walter: Gelobet seist du, Jesu Christ
7. Anonymous: Der Tag, der ist so freudenreich
8. Luther: Vom Himmel hoch, da komm ich her
9. Anonymous: Vom Himmel kam der Engel Schar
10. Anonymous: In dulci jubilo
11. Herman: Lobt Gott, ihr Christen, allzugleich
12. Crüger: Jesu meine Freude
13. Anonymous: Christum wir sollen loben schon
14. Anonymous: Wir Christenleut
15. Figulus: Helft mir Gottes Güte preisen
16. Steuerlein: Das alte Jahr vergangen ist
17. Gastoldi: In dir ist Freude
18. Walter: Mit fried und freud ich far dahin
19. Altenburg: Herr Gott, nun schleuß den Himmel auf
20. Decius and Spangenberg: O Lamm Gottes, unschuldig
21. Luther: Christe, du Lamm Gottes
22. Weisse: Christus, der uns selig macht
23. Anonymous: Da Jesus an dem Kreuze stund
24. Anonymous: O Mensch, bewein dein Sünde groß
25. Eccard: Wir danken dir, Herr Jesu Christ, daß du für uns gestorben bist
26. Anonymous: Hilf, Gott, daß mir's gelinge
27. Walter: Christ lag in Todesbanden
28. Anonymous: Jesus Christus, unser Heiland, der den Tod überwand
29. Anonymous: Christ ist erstanden
30a. Weisse: Erstanden ist der heilge Christ
30b. Vulpius: Erstanden ist der heilge Christ
31. Herman: Erschienen ist der herrliche Tag
32. Gesius: Heut triumphieret Gottes Sohn
33. Anonymous: Komm, Gott Schöpfer, Heiliger Geist
34. Anonymous: Herr Jesu Christ, dich zu uns wend
35. Anonymous: Liebster Jesu, wir sind hier
36. Anonymous: Dies sind die heilgen zehn Gebot
37. Anonymous: Vater unser im Himmelreich
38. Anonymous: Durch Adams Fall ist ganz verderbt
39. Anonymous: Es ist das Heil uns kommen her
40. Anonymous: Ich ruf zu dir, Herr Jesu Christ
41. Anonymous: In dich hab ich gehoffet, Herr
42a. Bourgeois: Wenn wir in höchsten Nöten sein
42b. Anonymous: Wenn wir in höchsten Nöten sein
43. Neumark: Wer nur den lieben Gott läßt walten
44. Anonymous: Alle Menschen müssen sterben
45. Anonymous: Ach wie nichtig, ach wie flüchtig
II. Schübler-Choräle
1. Nicolai: Wachet auf, ruft uns die Stimme
2a. Vulpius: Wo soll ich fliehen hin
2b. Vulpius: Auf meinen lieben Gott
3. Neumark: Wer nur den lieben Gott läßt walten
4. Anonymous: Meine Seele erhebt den Herren
5. Calvisius: Ach bleib bei uns, Herr Jesu Christ
6. Anonymous: Kommst du nun, Jesu, vom Himmel herunter auf Erden
III. Choralpartiten
1a. Anonymous: Ach, was soll ich Sünder machen
1b. Flitner: Ach, was soll ich Sünder machen
2a. Anonymous: Christ, der du bist der helle Tag
2b. Spangenberg: Christ, der du bist der helle Tag
3. Anonymous: O Gott, du frommer Gott
4. Anonymous: Sei gegrüßet, Jesu gütig
Year/Date of CompositionY/D of Comp. 1500-1700 ca.
First Publication. 1500-1700 ca.
Librettist Various (see below)
I. Orgelbüchlein
1. Martin Luther (1483–1546)
2a. Johann Horn (ca.1485/90–1547)
2b. Johann Spangenberg (1484–1550)
3. Elisabeth Cruciger (ca.1500–1535)
4. Michael Weisse (1488–1534)
5. Anonymous (14th century)
6. Martin Luther (1483–1546)
7. Anonymous
8. Martin Luther (1483–1546)
9. Martin Luther (1483–1546)
10. Anonymous (14th century)
11. Nikolaus Herman (ca.1480/1500–1561)
12. Johann Franck (1618–1677)
13. Martin Luther (1483–1546)
14. Kaspar Füger (1521–1592)
15. Paul Eber (1511–1569)
16. Johann Steuerlein (1546–1613)
17. Johann Lindemann (1549–1631)
18. Martin Luther (1483–1546)
19. Tobias Kiel (1584–1626)
20. Nikolaus Decius (1480/85–1541)
21. Anonymous
22. Michael Weisse (1488–1534)
23. Johann Böschenstein (1472–1540) (revised by Vincentius Schmuck (1565–1628))
24. Sebald Heyden (1499–1561)
25. Christoph Vischer (1518/20–1597)
26. Heinrich von Zütphen (ca.1488/89–1524)
27. Martin Luther (1483–1546)
28. Martin Luther (1483–1546)
29. Anonymous (12th Century)
30a. Anonymous
30b. Anonymous
31. Nikolaus Herman (ca.1480/1500–1561)
32. Basilius Förtsch (ca.1500-50s–1619)
33. Martin Luther (1483–1546), German Text
34. Wilhelm von Sachsen-Weimar (1598–1662)
35. Tobias Clausnitzer (1619–1684)
36. Martin Luther (1483–1546)
37. Martin Luther (1483–1546)
38. Lazarus Spengler (1479–1534)
39. Paulus Speratus (1484–1551)
40. Johann Agricola (1492–1566)
41. Adam Reusner (ca.1496/1500–1575/82)
42a. Paul Eber (1511–1569)
42b. Paul Eber (1511–1569)
43. Georg Neumark (1621–1681)
44. Johann Georg Albinus (1624–1679) (also Johann Rosenmüller (1617–1684))
45. Michael Franck (1609–1677)
II. Schübler-Choräle
1. Philipp Nicolai (1556–1608)
2a. Johann Heermann (1585–1647)
2b. Anonymous
3. Georg Neumark (1621–1681)
4. Lukas I, 46-55
5. Philipp Schwartzerdt (1497–1560), Nikolaus Selnecker (1530–1592)
6. Caspar Friedrich Nachtenhöfer (1624–1685)
III. Choralpartiten
1a. Johann Flitner (1618–1678)
1b. Johann Flitner (1618–1678)
2a. Erasmus Alberus (1500–1553)
2b. Erasmus Alberus (1500–1553)
3. Johann Heermann (1585–1647)
4. Christian Keymann (1607–1662)
Language German, Latin
Piece Style Baroque
Instrumentation [Bach's instrumentation to be added here]
Related Works Choral melodies used as a basis for the following other collections and pieces:
Das Orgel-Büchlein, BWV 599-644, by Johann Sebastian Bach (I. Orgelbüchlein)
6 Choräle von verschiedener Art, BWV 645-650, by Johann Sebastian Bach (II. Schübler-Choräle)
Ach, was soll ich Sünder machen, BWV 770, by Johann Sebastian Bach (III. Choralpartiten)
Christ, der du bist der helle Tag, BWV 766, by Johann Sebastian Bach (III. Choralpartiten)
O Gott, du frommer Gott, BWV 767, by Johann Sebastian Bach (III. Choralpartiten)
Sei gegrüsset, Jesu gütig, BWV 768, by Johann Sebastian Bach (III. Choralpartiten)
Extra Information The Neue Bach Ausgabe presents chorale melodies that Bach used in his compositions; each of these is compared with a version from its earliest known source.