Piano Sonata No.3, Op.14 (Schumann, Robert)

Movements/SectionsMov'ts/Sec's 5 originally, then 3
Composition Year 1836, revised 1853
Genre Categories Sonatas; For piano; Scores featuring the piano; For 1 player

Contents

Performances

Sheet Music

Scores

 Complete Score (scan) (Preview)
#289790 - 9.47MB, 63 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 4428×⇩ - Piupianissimo

PDF scanned by piupianissimo
Piupianissimo (2013/7/26)

 Complete Score (Preview)
#51538 - 14.17MB, 68 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 5825×⇩ - Ivdruiz

PDF scanned by D-Mbs
Ivdruiz (2009/12/31)

 Complete Score (Preview)
#00410 - 2.54MB, 32 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 8899×⇩ - Feldmahler

PDF scanned by Unknown
Feldmahler (2006/2/24)

Editor Clara Schumann (1819-1896)
Publisher. Info. Robert Schumanns Werke, Serie VII: Pianoforte zu zwei Händen
Leipzig: Breitkopf & Härtel, 1887. Plate R.S. 52.I, II.
Copyright
Public Domain [tag/del/mrg]
Misc. Notes scan: score scanned at 600dpi (High Quality Scanning)
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 Complete Score
#927914 - 6.55MB, 48 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 13×⇩ - Pnorcks

PDF scanned by US-PRV
Pnorcks (2024/8/17)

Editor Alfred Dörffel (1821-1905)
Richard Schmidt (1839-1920)
Publisher. Info. Werke für Pianoforte solo, Band V
Leipzig: C.F. Peters, n.d.[1887]. Plate 7015.
Copyright
Public Domain [tag/del]
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 Complete Score (scan) (Preview)
#271030 - 7.12MB, 46 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 2580×⇩ - Piupianissimo

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Piupianissimo (2013/2/24)

Editor Adolf Ruthardt (1849-1934)
Publisher. Info. Werke für Pianoforte solo, Band V
Leipzig: C.F. Peters, n.d.[1887]. Plate 7015.
Reissue – Leipzig: Edition Peters, n.d.(ca.1900).
Copyright
Public Domain [tag/del]
Misc. Notes scan: score scanned at 600dpi (High Quality Scanning)
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 Complete score
#30326 - 3.85MB, 50 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 3640×⇩ - Carolus

PDF scanned by Google (Harvard)
Carolus (2009/4/11)

Editor Max Vogrich (1852-1916)
Publisher. Info. Schirmer's Library of Musical Classics, Vol.104
New York: G. Schirmer, 1902. Plate 15961.
Copyright
Public Domain [tag/del]
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 Complete Score
#382277 - 5.09MB, 52 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 424×⇩ - David Campbell

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David Campbell (2015/6/17)

 Color Cover
#382278 - 1.15MB, 1 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 120×⇩ - David Campbell

PDF scanned by US-R
David Campbell (2015/6/17)

Editor Max Vogrich (1852-1916)
Publisher. Info. Schirmer's Library of Musical Classics, Vol.104
New York: G. Schirmer, 1902. Plate 15961.
Copyright
Public Domain [tag/del/mrg]
Misc. Notes This file is part of the Sibley Mirroring Project.
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Quasi Variazioni. Andantino di Clara Wieck (3rd mo.)

 Complete Score
#745084 - 1.29MB, 15 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 828×⇩ - Raybird

PDF typeset by editor
Raybird (2021/11/15)

Editor Ray Alston
Publisher. Info. Ray Alston, 2021.
Copyright
Creative Commons Attribution-NonCommercial-ShareAlike 4.0 [tag/del]
Misc. Notes Variations on a theme of Clara Wieck Op 14 plus 2 discarded variations.
A creative and critical new edition including changes of key and time-signatures. High quality, re-worked text for maximum clarity and improved layout.
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General Information

Work Title Piano Sonata No.3
Alternative. Title Grand Sonata No.3 ; Concert sans Orchestre
Composer Schumann, Robert
Opus/Catalogue NumberOp./Cat. No. Op.14
I-Catalogue NumberI-Cat. No. IRS 113
Key F minor
Movements/SectionsMov'ts/Sec's 5 originally, then 3
Year/Date of CompositionY/D of Comp. 1836, revised 1853
First Publication. 1836
Dedication Ignaz Moscheles (1794–1870) gewidmet
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation piano
External Links Wikipedia article
Extra Information 1853 revised restored a scherzo and retitled as Piano Sonata No.3.

Navigation etc.

According to Daverio, there were three versions-

5-movement sonata composed June 1836
Revised version published September 1836 (both scherzos dropped, new finale, retitled Concert sans orchestre)
Second (also?) and very substantial revision published in (but perhaps undertaken before) 1853, (very considerable revision especially of the first movement); entitled Grande sonate, with the second scherzo of the June 1836 sonata restored (but not the first - see Scherzo, H/K WoO 5,1). According to Daverio, throughout all this only the variations movement (on a theme of Clara Wieck (later Clara Schumann) remained basically untouched throughout all the revisions.) (Daverio: Robert Schumann : Herald of a "New Poetic Age", p.150.)
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