Movements/SectionsMov'ts/Sec's | 1 funeral march |
---|---|
Composition Year | 1784 |
Genre Categories | Funeral marches; Funeral music; Marches; |
Contents |
Complete Score
*#561711 - 0.32MB, 1 pp. - -) (- V/V/V - 79×⇩ - Irishmaestro
PDF scanned by Unknown
Irishmaestro (2019/2/16)
Complete Score (monochrome)
*#563858 - 0.04MB, 1 pp. - -) (- V/V/V - 26×⇩ - Irishmaestro
PDF scanned by Unknown
Irishmaestro (2019/3/6)
|
Complete Score (scan) (EU) (Preview)
*#167209 - 0.08MB, 1 pp. - -) (- C*/66*/V* - 4845×⇩ - piupianissimo
PDF scanned by piupianissimo
piupianissimo (2011/12/29)
Complete Score (filter) (EU) (Preview)
*#167210 - 0.06MB, 1 pp. - -) (- C*/66*/V* - 2451×⇩ - piupianissimo
PDF scanned by piupianissimo
piupianissimo (2011/12/29)
|
Complete Score (Preview)
*#167409 - 0.10MB, 1 pp. - -) (- !N/!C/!N - 2609×⇩ - piupianissimo
PDF typeset by piupianissimo
piupianissimo (2011/12/30)
|
Work Title | Kleiner Trauermarsch in C minor |
---|---|
Alternative. Title | Marche funebre del Sigr Maestro Contrappunto |
Name Translations | Piccola marcia funebre del Signor Maestro Contrappunto; Kleiner Trauermarsch; Pequeña marcha fúnebre en do menor (Mozart); Kleiner Trauermarsch, K. 453a; Petite marche funèbre en do mineur |
Name Aliases | KV 453a; Kleiner Trauermarsch c-Moll; K 453a; Little Funeral March |
Authorities | WorldCat; Wikipedia; VIAF: 184115478; BNF: 13915190m |
Composer | Mozart, Wolfgang Amadeus |
Opus/Catalogue NumberOp./Cat. No. | K.453a |
I-Catalogue NumberI-Cat. No. | IWM 251 |
Key | C minor |
Movements/SectionsMov'ts/Sec's | 1 funeral march |
Year/Date of CompositionY/D of Comp. | 1784 |
First Publication. | 1930 or before |
Dedication | Barbara Ployer |
Average DurationAvg. Duration | 2.5 minutes |
Composer Time PeriodComp. Period | Classical |
Piece Style | Classical |
Instrumentation | piano |
External Links | Wikipedia article |
Appears in the 1982 NMA, NMA IX/27/2, pp. 35–36. Discussed briefly in the preface, page XVI, of the same. This says of the autograph, from Barbara Ployer's Stammbuch, that it was lost in 1945. (As his Piano Concerto No.17 in G major was also written for her, K453a is considered something of an- appendix?...) (According to one forum post :), the title arises because Mozart was the dedicatee's music theory/counterpoint teacher.)
(However, with the return recently of some Mozart autographs that were not destroyed but instead taken as war spoils in World War II this last claim ("lost") may be subject to revision as with other works, according at least to recent news reports.)