Neue Mozart-Ausgabe (Mozart, Wolfgang Amadeus)

Movements/SectionsMov'ts/Sec's 10 series, 35 workgroups, 127 volumes
First Publication 1955-2011 (currently)
Genre Categories Critical editions; German language

Sheet Music

Volumes

Series I. Sacred Vocal Works

Work Group 1: Masses and Requiem

 Section 1: Messen - Volume 1 (EU)
#989704 - 62.88MB, 355 pp. -  0.0/10 2 4 6 8 10 (-) - C*/64*/V* - 155×⇩ - Piupianissimo

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⇒ 7 more: Section 1: Messen - Volume 2 • Section 1: Messen - Volume 3 • Section 1: Messen - Volume 4 • Section 1: Messen - Volume 5 • Section 1: Messen - Volume 6 • Section 2: Requiem - Volume 1 • Section 2: Requiem - Volume 2

 Section 1: Messen - Volume 2 (EU)
#989705 - 57.96MB, 356 pp. -  0.0/10 2 4 6 8 10 (-) - C*/71*/V* - 53×⇩ - Piupianissimo

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 Section 1: Messen - Volume 3 (EU)
#989706 - 42.89MB, 300 pp. -  0.0/10 2 4 6 8 10 (-) - C*/52*/V* - 44×⇩ - Piupianissimo

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 Section 1: Messen - Volume 4 (EU)
#989763 - 46.79MB, 358 pp. -  0.0/10 2 4 6 8 10 (-) - C*/N*/V* - 42×⇩ - Piupianissimo

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 Section 1: Messen - Volume 5 (EU)
#989796 - 47.79MB, 200 pp. -  0.0/10 2 4 6 8 10 (-) - C*/N*/V* - 49×⇩ - Piupianissimo

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 Section 1: Messen - Volume 6 (EU)
#989797 - 37.54MB, 142 pp. -  0.0/10 2 4 6 8 10 (-) - C*/N*/V* - 47×⇩ - Piupianissimo

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 Section 2: Requiem - Volume 1 (EU)
#989764 - 31.13MB, 87 pp. -  0.0/10 2 4 6 8 10 (-) - C*/61*/V* - 68×⇩ - Piupianissimo

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 Section 2: Requiem - Volume 2 (EU)
#989765 - 29.28MB, 223 pp. -  0.0/10 2 4 6 8 10 (-) - C*/61*/V* - 52×⇩ - Piupianissimo

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Editor Series editors - see below
Publisher. Info. Kassel: Bärenreiter-Verlag, 1955-1986. Various plates.
Copyright
Public Domain - See notes on copyright status for urtext editions [tag/del/mrg]
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Work Group 2: Litanies, Vespers

 1. Litaneien (EU)
#989799 - 63.29MB, 407 pp. -  0.0/10 2 4 6 8 10 (-) - C*/65*/V* - 51×⇩ - Piupianissimo

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 2. Vespern und Vesperpsalmen (EU)
#989800 - 42.76MB, 201 pp. -  0.0/10 2 4 6 8 10 (-) - C*/55*/V* - 38×⇩ - Piupianissimo

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Editor Series editors - see below
Publisher. Info. Kassel: Bärenreiter-Verlag, 1955-1986. Various plates.
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Public Domain - See notes on copyright status for urtext editions [tag/del/mrg]
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Work Group 3: Smaller Church Works

 Complete Volume (EU)
#989803 - 52.63MB, 304 pp. -  0.0/10 2 4 6 8 10 (-) - C*/59*/V* - 82×⇩ - Piupianissimo

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Publisher. Info. Kassel: Bärenreiter-Verlag, 1955-1986. Various plates.
Copyright
Public Domain - See notes on copyright status for urtext editions [tag/del]
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Work Group 4: Oratorios, Sacred Singspiele and Cantatas

 1. Die Schuldigkeit des ersten Gebotes (EU)
#989820 - 35.16MB, 171 pp. -  0.0/10 2 4 6 8 10 (-) - C*/54*/V* - 30×⇩ - Piupianissimo

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 2. Betulia Liberata (EU)
#989821 - 41.34MB, 244 pp. -  0.0/10 2 4 6 8 10 (-) - C*/56*/V* - 30×⇩ - Piupianissimo

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 3. Davide Penitente (EU)
#989822 - 28.00MB, 162 pp. -  0.0/10 2 4 6 8 10 (-) - C*/N*/V* - 44×⇩ - Piupianissimo

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 4. Kantaten (EU)
#989823 - 24.32MB, 123 pp. -  0.0/10 2 4 6 8 10 (-) - C*/53*/V* - 36×⇩ - Piupianissimo

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Publisher. Info. Kassel: Bärenreiter-Verlag, 1955-1986. Various plates.
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Public Domain - See notes on copyright status for urtext editions [tag/del/mrg]
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Series II. Stage Works

Work Group 5: Operas and Singspiele

 1. Apollo und Hyacinth (EU)
#989853 - 28.36MB, 128 pp. -  0.0/10 2 4 6 8 10 (-) - C*/55*/V* - 65×⇩ - Piupianissimo

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Publisher. Info. Kassel: Bärenreiter-Verlag, 1955-1986. Various plates.
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Public Domain - See notes on copyright status for urtext editions [tag/del]
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Work Group 6: Music for Plays, Pantomimes and Ballets

 1. Chöre und Zwischenaktmusiken zu Thamos, König in Ägypten (EU)
#991052 - 57.39MB, 248 pp. -  0.0/10 2 4 6 8 10 (-) - C*/52*/V* - 30×⇩ - Piupianissimo

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 2. Musik zu Pantomimen und Balletten (EU)
#991053 - 35.87MB, 147 pp. -  0.0/10 2 4 6 8 10 (-) - C*/59*/V* - 29×⇩ - Piupianissimo

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Publisher. Info. Kassel: Bärenreiter-Verlag, 1955-1986. Various plates.
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Public Domain - See notes on copyright status for urtext editions [tag/del/mrg]
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Work Group 7: Arias, Scenes, Ensembles and Choirs with Orchestra

 Band 1 (EU)
#991079 - 38.45MB, 222 pp. -  0.0/10 2 4 6 8 10 (-) - C*/63*/V* - 51×⇩ - Piupianissimo

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 Band 2 (EU)
#991080 - 40.17MB, 209 pp. -  0.0/10 2 4 6 8 10 (-) - C*/64*/V* - 34×⇩ - Piupianissimo

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 Band 3 (EU)
#992171 - 49.63MB, 243 pp. -  0.0/10 2 4 6 8 10 (-) - C*/67*/V* - 29×⇩ - Piupianissimo

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 Band 4 (EU)
#992172 - 45.92MB, 203 pp. -  0.0/10 2 4 6 8 10 (-) - C*/68*/V* - 32×⇩ - Piupianissimo

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Publisher. Info. Kassel: Bärenreiter-Verlag, 1955-1986. Various plates.
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Public Domain - See notes on copyright status for urtext editions [tag/del/mrg]
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Series III. Lieder, Part Songs, Canons

 Work Group 8: Lieder (EU)
#992173 - 19.87MB, 102 pp. -  0.0/10 2 4 6 8 10 (-) - C*/59*/V* - 74×⇩ - Piupianissimo

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 Work Group 9: Mehrstimmige Gesänge (EU)
#992174 - 22.55MB, 86 pp. -  0.0/10 2 4 6 8 10 (-) - C*/67*/V* - 25×⇩ - Piupianissimo

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 Work Group 10: Kanons (EU)
#992175 - 20.83MB, 134 pp. -  0.0/10 2 4 6 8 10 (-) - C*/70*/V* - 32×⇩ - Piupianissimo

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Editor Series editors - see below
Publisher. Info. Kassel: Bärenreiter-Verlag, 1955-1986. Various plates.
Copyright
Public Domain - See notes on copyright status for urtext editions [tag/del/mrg]
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Series IV. Orchestral Works

Work Group 11: Symphonies

 Band 1 (EU)
#486322 - 57.12MB, 228 pp. -  0.0/10 2 4 6 8 10 (-) - C*/N*/V* - 6343×⇩ - Piupianissimo

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⇒ 9 more: Band 2 • Band 3 • Band 4 • Band 5 • Band 6 • Band 7 • Band 8 • Band 9 • Band 10

 Band 2 (EU)
#992192 - 46.23MB, 223 pp. -  0.0/10 2 4 6 8 10 (-) - C*/N*/V* - 36×⇩ - Piupianissimo

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 Band 3 (EU)
#992193 - 27.47MB, 154 pp. -  0.0/10 2 4 6 8 10 (-) - C*/52*/V* - 27×⇩ - Piupianissimo

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 Band 4 (EU)
#992194 - 38.62MB, 149 pp. -  0.0/10 2 4 6 8 10 (-) - C*/56*/V* - 25×⇩ - Piupianissimo

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 Band 5 (EU)
#992195 - 37.24MB, 170 pp. -  0.0/10 2 4 6 8 10 (-) - C*/53*/V* - 29×⇩ - Piupianissimo

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 Band 6 (EU)
#992196 - 42.49MB, 187 pp. -  0.0/10 2 4 6 8 10 (-) - C*/66*/V* - 29×⇩ - Piupianissimo

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 Band 7 (EU)
#992197 - 35.50MB, 151 pp. -  0.0/10 2 4 6 8 10 (-) - C*/55*/V* - 28×⇩ - Piupianissimo

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 Band 8 (EU)
#992198 - 38.02MB, 143 pp. -  0.0/10 2 4 6 8 10 (-) - C*/67*/V* - 34×⇩ - Piupianissimo

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 Band 9 (EU)
#992199 - 51.83MB, 288 pp. -  0.0/10 2 4 6 8 10 (-) - C*/53*/V* - 45×⇩ - Piupianissimo

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 Band 10 (EU)
#992200 - 16.90MB, 72 pp. -  0.0/10 2 4 6 8 10 (-) - C*/66*/V* - 42×⇩ - Piupianissimo

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Publisher. Info. Kassel: Bärenreiter-Verlag, 1955-1986. Various plates.
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Public Domain - See notes on copyright status for urtext editions [tag/del/mrg]
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Work Group 12: Cassations, Serenades and Divertimenti for Orchestra

 Band 1 (EU)
#993899 - 36.97MB, 143 pp. -  0.0/10 2 4 6 8 10 (-) - C*/66*/V* - 35×⇩ - Piupianissimo

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⇒ 5 more: Band 2 • Band 3 • Band 4 • Band 5 • Band 6

 Band 2 (EU)
#993900 - 30.23MB, 143 pp. -  0.0/10 2 4 6 8 10 (-) - C*/57*/V* - 21×⇩ - Piupianissimo

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 Band 3
#993901 - 33.48MB, 153 pp. -  0.0/10 2 4 6 8 10 (-) - C*/C*/V* - 4×⇩ - Piupianissimo

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 Band 4 (EU)
#993902 - 24.25MB, 160 pp. -  0.0/10 2 4 6 8 10 (-) - C*/73*/V* - 19×⇩ - Piupianissimo

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 Band 5 (EU)
#993903 - 30.20MB, 188 pp. -  0.0/10 2 4 6 8 10 (-) - C*/52*/V* - 23×⇩ - Piupianissimo

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 Band 6 (EU)
#993904 - 26.67MB, 86 pp. -  0.0/10 2 4 6 8 10 (-) - C*/60*/V* - 19×⇩ - Piupianissimo

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Publisher. Info. Kassel: Bärenreiter-Verlag, 1955-1986. Various plates.
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Public Domain - Non-PD US [tag/del/mrg]
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Work Group 13: Dances and Marches

 Section 1: Tänze - Band 1 (EU)
#993905 - 25.34MB, 133 pp. -  0.0/10 2 4 6 8 10 (-) - C*/57*/V* - 21×⇩ - Piupianissimo

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 Section 1: Tänze - Band 2 (EU)
#993906 - 42.12MB, 280 pp. -  0.0/10 2 4 6 8 10 (-) - C*/72*/V* - 20×⇩ - Piupianissimo

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 Section 2: Märsche (EU)
#993907 - 19.78MB, 103 pp. -  0.0/10 2 4 6 8 10 (-) - C*/66*/V* - 16×⇩ - Piupianissimo

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Series V. Concertos

Work Group 14: Concertos for One or More Pianos and Orchestra with Cadenzas

 1. Violinkonzerte und Einzelsätze (EU)
#993925 - 49.79MB, 329 pp. -  0.0/10 2 4 6 8 10 (-) - C*/83*/V* - 46×⇩ - Piupianissimo

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⇒ 5 more: 2. Concertone, Sinfonia Concertante • 3. Konzerte für Flöte, für Oboe und für Fagott • 4. Klarinettenkonzert • 5. Hornkonzerte • 6. Konzert für Flöte und Harfe

 2. Concertone, Sinfonia Concertante (EU)
#993926 - 35.75MB, 181 pp. -  0.0/10 2 4 6 8 10 (-) - C*/71*/V* - 29×⇩ - Piupianissimo

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 3. Konzerte für Flöte, für Oboe und für Fagott (EU)
#993927 - 29.76MB, 190 pp. -  0.0/10 2 4 6 8 10 (-) - C*/78*/V* - 25×⇩ - Piupianissimo

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 4. Klarinettenkonzert (EU)
#993928 - 42.68MB, 188 pp. -  0.0/10 2 4 6 8 10 (-) - C*/73*/V* - 26×⇩ - Piupianissimo

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 5. Hornkonzerte (EU)
#993929 - 41.55MB, 199 pp. -  0.0/10 2 4 6 8 10 (-) - C*/78*/V* - 27×⇩ - Piupianissimo

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 6. Konzert für Flöte und Harfe (EU)
#993930 - 15.91MB, 90 pp. -  0.0/10 2 4 6 8 10 (-) - C*/78*/V* - 20×⇩ - Piupianissimo

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Publisher. Info. Kassel: Bärenreiter-Verlag, 1955-1986. Various plates.
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Public Domain - See notes on copyright status for urtext editions [tag/del/mrg]
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Work Group 15: Concertos for One or More Pianos and Orchestra with Cadenzas

Series VI. Church Sonatas

Series VII. Music for Large Ensembles of Solo Instruments

Series VIII. Chamber Music

Series IX. Keyboard Music

Series X. Supplement

 IV/11/1. Sinfonien (Band 1) (EU)
#486322 - 57.12MB, 228 pp. -  0.0/10 2 4 6 8 10 (-) - C*/N*/V* - 6343×⇩ - Piupianissimo

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⇒ 19 more: VI/16. Sonaten für Orgel und Orchester • VIII/19/Abt.1. Streichquintette • VIII/19/Abt.2. Quintette mit Bläsern • VIII/20/Abt.1/1. Streichquartette (Band 1) • VIII/20/Abt.1/2. Streichquartette (Band 2) • VIII/20/Abt.1/3. Streichquartette (Band 3) • VIII/20/Abt.2. Quartette mit einem Blasinstument • VIII/21. Duos und Trios für Streicher und Bläser • VIII/22/Abt.1. Quartette und Quintette mit Klavier und mit Glasharmonika • VIII/22/Abt.2. Klaviertrios • VIII/23/1. Sonaten und Variationen für Klavier und Violine (Band 1) • VIII/23/2. Sonaten und Variationen für Klavier und Violine (Band 2) • IX/24/Abt.1. Werke für zwei Klaviere • IX/24/Abt.2. Werke für Klavier zu vier Händen • IX/25/1. Klaviersonaten (Band 1) • IX/25/2. Klaviersonaten (Band 2) • IX/26. Variationen für Klavier • IX/27/1. Klavierstücke (Band 1 - Die Notenbücher) • IX/27/2. Klavierstücke (Band 2 - Einzelstücke für Klavier)

 VI/16. Sonaten für Orgel und Orchester
#486323 - 19.20MB, 86 pp. -  0.0/10 2 4 6 8 10 (-) - V/C*/V* - 935×⇩ - Piupianissimo

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 VIII/19/Abt.1. Streichquintette (EU)
#531811 - 52.79MB, 218 pp. -  0.0/10 2 4 6 8 10 (-) - V/63*/V* - 744×⇩ - Piupianissimo

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 VIII/19/Abt.2. Quintette mit Bläsern
#531812 - 17.01MB, 72 pp. -  0.0/10 2 4 6 8 10 (-) - V/C*/V* - 547×⇩ - Piupianissimo

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 VIII/20/Abt.1/1. Streichquartette (Band 1) (EU)
#486324 - 40.41MB, 222 pp. -  0.0/10 2 4 6 8 10 (-) - C*/62*/V* - 1109×⇩ - Piupianissimo

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 VIII/20/Abt.1/2. Streichquartette (Band 2)
#486325 - 40.04MB, 199 pp. -  0.0/10 2 4 6 8 10 (-) - C*/C*/V* - 829×⇩ - Piupianissimo

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 VIII/20/Abt.1/3. Streichquartette (Band 3)
#486326 - 36.24MB, 170 pp. -  0.0/10 2 4 6 8 10 (-) - C*/C*/V* - 861×⇩ - Piupianissimo

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 VIII/20/Abt.2. Quartette mit einem Blasinstument
#531816 - 24.57MB, 104 pp. -  0.0/10 2 4 6 8 10 (-) - V/C*/V* - 585×⇩ - Piupianissimo

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 VIII/21. Duos und Trios für Streicher und Bläser (EU)
#531772 - 34.09MB, 200 pp. -  0.0/10 2 4 6 8 10 (-) - C*/71*/V* - 878×⇩ - Piupianissimo

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 VIII/22/Abt.1. Quartette und Quintette mit Klavier und mit Glasharmonika
#486327 - 32.48MB, 184 pp. -  0.0/10 2 4 6 8 10 (-) - C*/C*/V* - 734×⇩ - Piupianissimo

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 VIII/22/Abt.2. Klaviertrios (EU)
#531777 - 47.53MB, 292 pp. -  0.0/10 2 4 6 8 10 (-) - C*/63*/V* - 859×⇩ - Piupianissimo

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 VIII/23/1. Sonaten und Variationen für Klavier und Violine (Band 1) (EU)
#479891 - 35.69MB, 199 pp. -  0.0/10 2 4 6 8 10 (-) - C*/60*/V* - 1468×⇩ - Piupianissimo

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 VIII/23/2. Sonaten und Variationen für Klavier und Violine (Band 2) (EU)
#479900 - 38.47MB, 210 pp. -  0.0/10 2 4 6 8 10 (-) - C*/61*/V* - 1147×⇩ - Piupianissimo

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 IX/24/Abt.1. Werke für zwei Klaviere
#479905 - 12.98MB, 63 pp. -  0.0/10 2 4 6 8 10 (-) - V/C*/V* - 123×⇩ - Piupianissimo

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 IX/24/Abt.2. Werke für Klavier zu vier Händen
#479906 - 28.99MB, 163 pp. -  0.0/10 2 4 6 8 10 (-) - C*/C*/V* - 132×⇩ - Piupianissimo

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 IX/25/1. Klaviersonaten (Band 1) (EU)
#479908 - 37.30MB, 168 pp. -  0.0/10 2 4 6 8 10 (-) - C*/88*/V* - 3554×⇩ - Piupianissimo

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 IX/25/2. Klaviersonaten (Band 2) (EU)
#479909 - 43.83MB, 220 pp. -  0.0/10 2 4 6 8 10 (-) - C*/88*/V* - 2880×⇩ - Piupianissimo

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 IX/26. Variationen für Klavier
#479915 - 35.52MB, 180 pp. -  0.0/10 2 4 6 8 10 (-) - C*/C*/V* - 238×⇩ - Piupianissimo

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 IX/27/1. Klavierstücke (Band 1 - Die Notenbücher) (EU)
#479916 - 37.41MB, 211 pp. -  0.0/10 2 4 6 8 10 (-) - C*/66*/V* - 2674×⇩ - Piupianissimo

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 IX/27/2. Klavierstücke (Band 2 - Einzelstücke für Klavier) (EU)
#479917 - 34.36MB, 227 pp. -  0.0/10 2 4 6 8 10 (-) - C*/66*/V* - 2586×⇩ - Piupianissimo

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Piupianissimo (2017/7/1)

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Publisher. Info. Kassel: Bärenreiter-Verlag, 1955-1986. Various plates.
Copyright
Public Domain - Non-PD US [tag/del/mrg]
Misc. Notes scan: score scanned at 600dpi (High Quality Scanning)
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Critical Commentaries

 IV/11/3. Sinfonien (Band 3) (CA)
#920500 - 1.34MB, 23 pp. -  0.0/10 2 4 6 8 10 (-) - V/53/33 - ScoreUpdater

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 VI/16. Sonaten für Orgel und Orchester (CA)
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 IX/24/Abt.1. Werke für zwei Klaviere (CA)
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Editor Series editors - see below
Publisher. Info. Kassel: Bärenreiter-Verlag, 1957-58. Various plates.
Copyright
Public Domain - Non-PD US, Non-PD EU [tag/del/mrg]
Misc. Notes All other critical commentaries are under copyright worldwide.
#920574: Split from a scan of the book (BA 4503-40) containing both abteilungen of werkgruppe 24. The other abteilung is under copyright due to its editor, Wolfgang Rehm (1929–2017), having died in 1972 or later.
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General Information

Work Title Neue Mozart-Ausgabe
Alternative. Title Wolfgang Amadeus Mozart: Neue Ausgabe sämtlicher Werke
Name Translations 新モーツァルト全集; 新版莫扎特全集; 新版莫札特全集
Name Aliases Neue-Mozart Ausgabe; Neue Mozart Ausgabe; NMA; 新莫札特全集; Wolfgang Amadeus Mozart (1756–1791): Neue Ausgabe sämtlicher Werke
Authorities Wikipedia
Composer Mozart, Wolfgang Amadeus
Internal Reference NumberInternal Ref. No. None [force assignment]
Movements/SectionsMov'ts/Sec's 10 series, 35 workgroups, 127 volumes:
I. Sacred Vocal Works (15 volumes)
II. Stage Works (27 volumes)
III. Lieder, Part Songs, Canons (3 volumes)
IV. Orchestral Works (19 volumes)
V. Concertos (14 volumes)
VI. Church Sonatas (1 volume)
VII. Music for Large Ensembles of Solo Instruments (3 volumes)
VIII. Chamber Music (11 volumes)
IX. Piano Music (8 volumes)
X. Supplement (26 volumes)
First Publication. 1955-2011 (currently)
Composer Time PeriodComp. Period Classical
Piece Style Classical
Instrumentation various
External Links Wikipedia article
Bärenreiter website
NMA online

WOLFGANG AMADEUS MOZART
Neue Ausgabe
sämtlicher Werke

IN VERBINDUNG MIT DEN MOZARTSTÄDTEN
AUGSBURG, SALZBURG UND WIEN HERAUSGEGEBEN VON DER
INTERNATIONALEN STIFTUNG MOZARTEUM SALZBURG

Editors

Publisher

  • Kassel: Bärenreiter-Verlag
  • Plate numbers: BA #### (in the range 4501–4617; 4611, 4615 not yet issued)
Several books in the NMA are not represented in the usual Bärenreiter-Ausgaben (BA) series numbering. For example, Mozart’s thematic catalogue (NMA X/33/1) is represented in the Bärenreiter book and facsimile series: BVK 980.
  • Reprint: Bärenreiter, Werkausgabe in 20 Bänden, 1991 (Series I – IX in twenty study-score paperback volumes)

Template

{{MozartNMA|Serie|Werkgruppe|Subgroup abbreviation|Subgroup long|Plate number|Year(s) of issue|Page-range (optional)}}

Refer to the IMSLP project page for more information.

Contents


Contents

Serie I. Geistliche Gesangswerke (Sacred Vocal Works)

Werkgruppe 1: Messen und Requiem

Abteilung 1: Messen (6 Bände)

Volume 1

Editor: Walter Senn (1904–1981)
Score: XXVIII, 327 pages, 1968. BA 4547-01.
Critical commentary: 126 pages, 1977. BA 4547-40.
  1. pp.3-36: Missa brevis in G major, K.49/47d
  2. pp.37-158: Missa solemnis in C minor, K.139/47a
  3. pp.159-184: Missa brevis in D minor, K.65/61a
  4. pp.185-284: Mass in C major, K.66
  5. pp.285-311: Missa brevis in G major, K.140/Anh.C 1.12
Appendices
  1. p.315: Fragmentary draft of the Gloria from the Missa brevis in G major, K.49/47d
  2. p.316: Alternative, possibly later version of measures 182 to 195 (K.Anh.20a = K6.626b/25) of the Credo from the Missa brevis in G major, K.49/47d
  3. pp.317-318: Original, erased version of measures 24 to 35 of the Credo from the Missa solemnis in C minor, K.139 = K3a.47a = K6.114a
  4. p.319: Original, deleted ending of the Missa solemnis in C minor, K.139 = K3a.47a = K6.114a
  5. p.320: Sketch of the Kyrie (from measure 11=32) from the Missa brevis in D minor, K.65/61a (facsimile and transcription)
  6. p.320: First, deleted version (draft) of the Benedictus from the Missa brevis in D minor, K.65/61a
  7. p.320: Second, deleted version of the Benedictus from the Missa brevis in D minor, K.65/61a
  8. p.321: Third, erased version of the Benedictus from the Missa brevis in D minor, K.65/61a
  9. pp.322-323: Beginning of the Kyrie from the Mass in C major, K.66 in the original instrumentation
  10. pp.324-325: Sketch of the Gloria (from measure 310) from the Mass in C major, K.66
  11. p.326: First, deleted version of the Credo (from measure 134) from the Mass in C major, K.66
  12. p.327: Original, erased version of the Credo (from measure 166) from the Mass in C major, K.66

Volume 2

Editor: Walter Senn (1904–1981)
Score: XXV, 330 pages, 1975. BA 4573-01.
Critical commentary: 86 pages, 1978. BA 4573-40.
  1. pp.3-74: Mass in C major, K.167
  2. pp.75-120: Missa brevis in F major, K.192/186f
  3. pp.121-162: Missa brevis in D major, K.194/186h
  4. pp.163-196: Missa brevis in C major, K.220/196b
  5. pp.197-330: Mass in C major, K.262/246a

Volume 3

Editor: Walter Senn (1904–1981)
Score: XXVII, 272 pages, 1980. BA 4585-01.
Critical commentary: 60 pages, 1981. BA 4585-40.
  1. pp.3-114: Mass in C major, K.257
  2. pp.115-194: Missa brevis in C major, K.258
  3. pp.195-264: Missa brevis in C major, K.259
Appendices
  1. pp.267-269: Sketches of the Mass in C major, K.257 (facsimile and transcription)
    1. p.267: Sketch of the beginning of a Gloria?
    2. p.267: Sketch of measures 80 to 86 and 90 to 95 of the Credo
    3. p.268: Sketch, probably of the Credo
    4. p.269: Sketch of measures 117 to 127 of the Credo
    5. p.269: Sketch of measures 180 to 183 of the Credo
  2. pp.270-272: First, deleted (incomplete) version of the Sanctus from the Missa brevis in C major, K.259

Volume 4

Editor: Monika Holl
Score: XXIV, 334 pages, 1989. BA 4604-01.
Critical commentary: 62 pages, 1999. BA 4604-40.
  1. pp.3-56: Missa brevis in B-flat major, K.275/272b
  2. pp.57-192: Mass in C major, K.317
  3. pp.193-318: Missa solemnis in C major, K.337
Appendices
  • pp.321-334: First, unfinished version of the Credo from the Missa solemnis in C major, K.337

Volume 5

Editors: Monika Holl, with Karl-Heinz Köhler (1928–1997)
Critical commentary editor: Monika Holl
Score: XXIV, 172 pages, 1983. BA 4592-01.
Critical commentary: 60 pages, 1992. BA 4592-40.
  1. pp.3-164: Mass in C minor, K.427/417a
Appendices
  1. pp.166-171: Drafts, contrapuntal studies and sketches:
    1. pp.166-169: Fragmentary drafts for the Laudamus te
      1. pp.166-167: For measures 71 to 87
      2. pp.167-169: For measures 123 to 138
    2. pp.169-170: Contrapuntal studies on the "Cum sancto Spiritu" theme
      1. p.169: Beginning of a fugue (K6.417B no.1)
      2. p.170: Studies on a sketchleaf (privately owned)
      3. p.170: Studies on a sketchleaf (in the Central State Archive, Prague)
    3. p.171: Sketches for a "Dona nobis pacem" (facsimile and transcription)
  2. p.172: 5 Solfeggios, K.393/385b (no.2)

Volume 6 (Einzelsätze und Fragmente)

Editor: Monika Holl
Score: XXXI, 109 pages, 1990. BA 4605-01.
Critical commentary: 45 pages, 2000. BA 4605-40.
  1. pp.3-5: Kyrie in F major, K.33
  2. pp.6-12: Kyrie in G major, K.89/73k
  3. pp.13-14: Kyrie in D minor, K.90
  4. pp.15-16: Hosanna in G major, K.223/166e
  5. pp.17-28: Kyrie in C major, K.Anh.18/166f
  6. pp.29-30: Kyrie in D major, K.Anh.19/166g
  7. pp.31-45: Kyrie in E-flat major, K.322/296a (fragment, completed by Maximilian Stadler) = K.Anh.12/296b
  8. pp.46-49: Kyrie in G major, K.Anh.16/196a (fragment, with an attempt at completion by Maximilian Stadler)
  9. pp.50-75: Kyrie in C major, K.Anh.15/323 (fragment, completed by Maximilian Stadler)
  10. pp.76-79: Gloria in C major, K.Anh.20/323a (fragment)
  11. pp.80-81: Kyrie in D major, K.Anh.14/422a (fragment)
  12. pp.82-83: Kyrie in C major, K.Anh.13/258a (fragment)
  13. pp.84-106: Kyrie in D minor, K.341/368a
Appendices
  • pp.108-109: Sketch of a Sanctus in E flat, K.Anh.12/296c (facsimile and transcription)
Abteilung 2: Requiem (2 Bände)

Sub-volume 1 (Mozarts Fragment)

Editor: Leopold Nowak (1904–1991)
Critical commentary editors: Dietrich Berke (1938–2010) and Christoph Wolff (b. 1940), with Walburga Litschauer (b. 1954)
Score: XXV, 61 pages, 1965. BA 4537-01.
Critical commentary: 96 pages, 2007. BA 4537-40.
Appendices
  1. p.61: Sketch of the Rex tremendae (from measure 7)
  2. p.61: Sketch of an Amen fugue (probably the final movement of the Sequence)

Sub-volume 2 (Mozarts Fragment mit den Ergänzungen von Eybler und Süssmayr)

Editor: Leopold Nowak (1904–1991)
Score: XXIII, 199 pages, 1965. BA 4538-01.

Werkgruppe 2: Litaneien, Vespern (2 Bände)

Volume 1 (Litaneien)

Editors: Hellmut Federhofer (1911–2014) and Renate Federhofer-Königs (1930–2015)
Score: XXV, 381 pages, 1969. BA 4552-01.
Critical commentary: 47 pages, 1978. BA 4552-40.
  1. pp.3-22: Litaniae Lauretanae, K.109/74e
  2. pp.23-134: Litaniae de venerabili altaris sacramento, K.125
  3. pp.135-250: Litaniae Lauretanae, K.195/186d
  4. pp.251-372: Litaniae de venerabili altaris sacramento, K.243
Appendices
  1. p.375: First, deleted version of the Viaticum from the Litaniae de venerabili altaris sacramento, K.125
  2. pp.376-377: Deleted version at measure 94 of the Pignus from the Litaniae de venerabili altaris sacramento, K.125
  3. pp.378-379: Deleted version at measure 118 of the Pignus from the Litaniae de venerabili altaris sacramento, K.125
  4. pp.380-381: Deleted version at measure 132 of the Pignus from the Litaniae de venerabili altaris sacramento, K.125

Volume 2 (Vespern und Vesperpsalmen)

Editors: Karl Gustav Fellerer (1902–1984) and Felix Schroeder (1908–1976)
Score: XX, 181 pages, 1959. BA 4514-01.
Critical commentary: 47 pages, 1962. BA 4514-40.
Appendices
  • p.181: Magnificat, K.321a (fragment)

Werkgruppe 3: Kleinere Kirchenwerke (1 Band)

Editor: Hellmut Federhofer (1911–2014)
Score: XXIV, 280 pages, 1963. BA 4533-01.
Critical commentary: 108 pages, 1964. BA 4533-40.
  1. pp.3-11: Scande coeli limina, K.34
  2. pp.12-24: Veni Sancte Spiritus, K.47
  3. pp.25-42: Benedictus sit Deus, K.117/66a
  4. pp.43-61: Te Deum in C major, K.141/66b
  5. pp.62-68: Ergo interest, K.143/73a
  6. pp.69-72: Miserere in A minor, K.85/73s
  7. p.73: Quaerite primum regnum Dei, K.86/73v
  8. pp.74-103: Regina coeli in C major, K.108/74d
  9. pp.104-119: Inter natos mulierum, K.72/74f
  10. pp.120-156: Regina coeli in B-flat major, K.127
  11. pp.157-176: Exsultate, jubilate, K.165/158a
  12. pp.177-181: Sub tuum praesidium, K.198/Anh.C 3.08
  13. pp.182-198: Misericordias Domini, K.222/205a
  14. pp.199-222: Venite populi, K.260/248a
  15. pp.223-233: Alma Dei creatoris, K.277/272a
  16. pp.234-242: Sancta Maria, mater Dei, K.273
  17. pp.243-260: Regina coeli in C major, K.276/321b
  18. pp.261-262: Ave verum corpus, K.618
Appendices
  1. pp.264-267: Autograph facsimiles and transcriptions of Quaerite primum regnum Dei, K.86/73v
    1. p.264: Autograph by Mozart (facsimile)
    2. p.265: Autograph by Padre Martini (facsimile)
    3. p.266: Copy by Mozart (Bologna) of Padre Martini's autograph (facsimile)
    4. p.267: Transcription of Padre Martini's version
  2. p.268: Original version (from measure 36) of Venite populi, K.260/248a
Nachtrag
  1. pp.270-275: Tantum ergo in B-flat major, K.142/Anh.C 3.04
  2. pp.276-280: Tantum ergo in D major, K.197/Anh.C 3.05

Werkgruppe 4: Oratorien, geistliche Singspiele und Kantaten (4 Bände)

Volume 1 (Die Schuldigkeit des Ersten Gebots)

Editor: Franz Giegling (1921–2007)
Score: XVII, 153 pages, 1958. BA 4513-01.
Critical commentary: 32 pages, 1958. BA 4513-40.
  • pp.3-153: Die Schuldigkeit des ersten Gebotes, K.35

Volume 2 (Betulia liberata)

Editor: Luigi Ferdinando Tagliavini (1929–2017)
Score: XV, 228 pages, 1960. BA 4521-01.
Critical commentary: 32 pages, 1963. BA 4521-40.
  • pp.5-228: La Betulia liberata, K.118/74c

Volume 3 (Davide penitente)

Editor: Monika Holl
Score: XXVIII, 134 pages, 1987. BA 4603-01.
Critical commentary: 96 pages, 1994. BA 4603-40.
  • pp.3-134: Davidde penitente, K.469

Volume 4 (Kantaten)

Editor: Franz Giegling (1921–2007)
Score: XII, 109 pages, 1957. BA 4507-01.
Critical commentary: 30 pages, 1957. BA 4507-40.
Appendices
  • p.95: Cancelled version of measures 68 to 77 of the Duetto from the Grabmusik, K.42/35a
  • p.95: Deleted version of measures 128 to 134 from Die ihr des unermeßlichen Weltalls Schöpfer ehrt, K.619, which was then sketched (measures 135a onward)
  • pp.96-109: Dir, Seele des Weltalls, K.429/468a

Serie II. Bühnenwerke (Stage Works)

Werkgruppe 5: Opern und Singspiele (20 Bände)

Volume 1 (Apollo und Hyacinth)

Editor: Alfred Orel (1889–1967)
Critical commentary editors: Rudolph Angermüller (1940–2021), Dietrich Berke (1938–2010), Wolfgang Plath (1930–1995) and Wolfgang Rehm (1929–2017)
Score: XXVI, 102 pages, 1959. BA 4516-01.
Critical commentary: 22 pages, 1975. BA 4516-40.

Volume 2 (La finta semplice)

Editors: Rudolph Angermüller (1940–2021) and Wolfgang Rehm (1929–2017)
Critical commentary editor: Wolfgang Rehm (1929–2017)
Score: XXXV, 431 pages, 1983. BA 4594-01.
Critical commentary: 224 pages, 2004. BA 4594-40.
  • pp.5-400: La finta semplice, K.51/46a
Appendices
  1. p.403: Original ending of no.2
  2. pp.403-410: Original version of no.5
  3. p.411: Original ending of no.8
  4. p.412: Original ending of no.11
  5. p.413: Original ending of no.16
  6. p.413: Original ending of no.17
  7. p.414: Original ending of no.22
  8. pp.414-420: Original version of no.23
  9. pp.420-431: Original version of no.25

Volume 3 (Bastien und Bastienne)

Editor: Rudolph Angermüller (1940–2021)
Score: XIX, 94 pages, 1974. BA 4570-01.
Critical commentary: 20 pages, 1975. BA 4570-40.
Appendices
  1. p.89: Sketch of the final measures of no.7
  2. p.90: Piano reduction by Leopold Mozart of no.11
  3. p.91: Additional stanzas in the libretto
  4. p.92: Prose for recitatives by Friedrich Wilhelm Weiskern
  5. pp.93-94: Versified dialogue by Johann Andreas Schachtner

Volume 4 (Mitridate, re di Ponto)

Editor: Luigi Ferdinando Tagliavini (1929–2017)
Score: XXV, 345 pages, 1966. BA 4541-01.
Critical commentary: 196 pages, 1978. BA 4541-40.
  • pp.5-260: Mitridate, rè di Ponto, K.87/74a
Appendices
  • pp.263-345: Older versions, drafts, fragments and variants of individual pieces
    1. pp.263-273: Aria no.1: Older version from the Paris autograph
    2. pp.274-278: Cavata no.8: Four drafts from the Paris autograph
      1. pp.274-275: Incomplete draft in F major
      2. pp.276-277: Draft in B-flat major
      3. p.277: Draft for an incomplete voice part in a different version (F major)
      4. p.278: Draft for an incomplete voice part in a different version (G major)
    3. pp.278-289: Aria no.9: Older version from the Paris autograph
    4. pp.290-291: Accompanied recitative "Respira, alfin" (act 1, scene 13): two fragmentary drafts from the Paris autograph
      1. p.290: [Two-measure fragment]
      2. pp.290-291: [Twenty-four-measure fragment]
    5. pp.291-297: Aria no.13: Older (incomplete) version from the Paris autograph
    6. pp.298-304: Aria no.13: Variant passed down in manuscripts (without solo horn)
    7. pp.305-308: Aria no.14: Older (fragmentary) version from the Paris autograph
    8. pp.309-319: Aria no.16: Older version from the Paris autograph
    9. pp.320-336: Duetto no.18: Older version from the Paris autograph
    10. pp.337-342: Aria no.20: Older version from the Paris autograph
    11. pp.343-345: Beginning (orchestral) of an aria of Sifare from the Paris autograph

Volume 5 (Ascanio in Alba)

Editor: Luigi Ferdinando Tagliavini (1929–2017)
Score: XX, 268 pages, 1956. BA 4504-01.
Critical commentary: 100 pages, 1959. BA 4504-40.
  • pp.5-266: Ascanio in Alba, K.111
Appendices
  • pp.267-268: Sketches for a Ballo in eight parts

Volume 6 (Il sogno di Scipione)

Editor: Josef-Horst Lederer (b. 1944)
Score: XIX, 260 pages, 1977. BA 4577-01.
Critical commentary: 32 pages, 1979. BA 4577-40.
  • pp.5-260: Il sogno di Scipione, K.126

Volume 7 (Lucio Silla)

Editor: Kathleen Kuzmick Hansell (b. 1941)
Critical commentary editors: Kathleen Kuzmick Hansell (b. 1941) and Martina Hochreiter
Score: LVII, 484 pages, 1986. BA 4590-01.
Critical commentary: 175 pages, 2007. BA 4590-40.
  • pp.5-468: Lucio Silla, K.135
Appendices
  • pp.471-484: Version of no.14 with embellished vocal line

Volume 8 (La finta giardinera)

Editors: Rudolph Angermüller (1940–2021) and Dietrich Berke (1938–2010)
Critical commentary editor: Dietrich Berke (1938–2010)
Score: XXVI, 594 pages, 1978. BA 4578-01.
Critical commentary: 202 pages, 2004. BA 4578-40.
  • pp.5-571: La finta giardiniera, K.196
Appendices
  • pp.575-594: Four alterations made by Mozart for the 1780 singspiel version in Augsburg
    1. pp.575-580: In act 2, scene 12 (no.19, measures 1 to 46)
    2. pp.581-583: In act 2, scene 15 (no.21, measures 76 to 104)
    3. pp.584-586: In act 2, scene 15 (no.22, measures 109 to 143)
    4. pp.587-594: In act 3, scene 7 (no.27, measures 1 to 60)

Volume 9 (Il re pastore)

Editors: Pierluigi Petrobelli (1932–2012) and Wolfgang Rehm (1929–2017)
Score: XXVI, 309 pages, 1985. BA 4599-01.
Critical commentary: 79 pages, 1999. BA 4599-40.
  • pp.5-309: Il rè pastore, K.208

Volume 10 (Zaide [das Serail])

Editor: Friedrich-Heinrich Neumann (1924–1959)
Critical commentary editors: Friedrich-Heinrich Neumann (1924–1959) and Gerhard Croll (1927–2019)
Score: XIII, 151 pages, 1957. BA 4510-01.
Critical commentary: 92 pages, 1963. BA 4510-40.
  • pp.5-150: Zaide, K.344/336b

Volume 11 (Idomeneo)

Editor: Daniel Heartz (1928–2019)
Critical commentary editor: Bruce Alan Brown (b. 1955)
Score: XXXIX, 626 pages, 1972. BA 4562-01.
Critical commentary: 266 pages, 2005. BA 4562-40.
  • pp.5-531: Idomeneo, K.366
Appendices
  1. pp.535-622: Deleted passages for the Munich première in 1781
    1. pp.535-536: In act 1, scene 9 (page 96, from measure 23)
    2. p.537: In act 1, scene 9 (page 108, = measures 3 to 5)
    3. pp.537-539: In act 1, scene 10 (page 108, = measures 53 to 57)
    4. pp.539-542: In act 2, scene 1 (no.10a, = measures 1 to 19)
    5. pp.542-545: In act 2, scene 2 (page 214, from measure 13)
    6. pp.546-547: In act 2, scene 3/4a/4b (page 249, = measures 1 to 9)
    7. pp.548-560: In act 3, scene 9 (no.27a)
    8. pp.561-565: In act 3, scene 10 (no.27, from measure 114)
    9. pp.566-567: In act 3, scene 10 (no.28c)
    10. p.568: In act 3, scene 10 (no.28d)
    11. pp.569-604: In act 3, scene 10 (no.29, from measure 5)
    12. pp.605-620: In act 3, final scene (no.30a)
    13. pp.621-622: After act 3, final scene (no.32)
  2. pp.623: Other version of measures 51 to 54 of no.30
  3. pp.623-626: Vocal sketch/draft for no.30a

Volume 12 (Die Entführung aus dem Serail)

Editor: Gerhard Croll (1927–2019)
Critical commentary editor: Faye Ferguson (b. 1946)
Score: XLIII, 446 pages, 1982. BA 4591-01.
Critical commentary: 158 pages, 2002. BA 4591-40.
  • pp.5-430: Die Entführung aus dem Serail, K.384
Appendices
  1. p.433: Shortened version of no.17 (= measures 79 to 104)
  2. pp.434-441: Sketches and drafts
    1. pp.434-435: Sketch from measure 176 of no.2 (facsimile and transcription)
    2. pp.436-441: Welch ängstliches Beben, K.389/384A
  3. pp.442-446: Original arrangements
    1. pp.442-445: Piano reduction (fragment) of no.11
    2. p.446: Piano reduction (fragment) of no.12

Volume 13 (L'oca del Cairo)

Editor: Friedrich-Heinrich Neumann (1924–1959)
Critical commentary editor: Andreas Holschneider (1931–2019)
Score: XVI, 93 pages, 1960. BA 4520-01.
Critical commentary: 106 pages, 1998. BA 4520-40.
  • pp.3-75: L'oca del Cairo, K.422
Appendices
  1. pp.79-86: Duetto
  2. pp.87-93: Sketches
    1. p.87: Sketch of Arie no.2 (facsimile and transcription)
    2. pp.88-89: Sketch of Arie no.3 (facsimile and transcription)
    3. pp.88-89: Sketch of an unperformed aria of Biondello
    4. pp.90-91: Sketch of Quartet no.5 (facsimile and transcription)
    5. pp.92-93: Sketch of Finale no.6 (facsimile and transcription)
Nachtrag
Editor: Andreas Holschneider (1931–2019)
Score: 24 pages, 1966.
  • pp.3-24: Aria e Terzetto: "Siano pronte"

Volume 14 (Lo sposo deluso)

Editor: Gerhard Allroggen (b. 1936)
Critical commentary editor: Holger Mario Stüwe (b. 1977)
Score: XXV, 132 pages, 1988. BA 4607-01.
Critical commentary: 47 pages, 2005. BA 4607-40.
  • pp.3-106: Lo sposo deluso, K.430
Appendices
  1. pp.108-112: Sketches
    1. pp.108-109: [Sketch] of no.1 (facsimile and transcription)
    2. pp.110-111: [Sketch] of no.2 (facsimile and transcription)
    3. p.112: [Sketch] of no.4 (facsimile and transcription)
  2. pp.113-132: Libretto

Volume 15 (Der Schauspieldirektor)

Editor: Gerhard Croll (1927–2019)
Critical commentary editor: Elisabeth Föhrenbach (b. 1970)
Score: XV, 88 pages, 1958. BA 4512-01.
Critical commentary: 34 pages, 2001. BA 4512-40.
  • pp.3-84: Der Schauspieldirektor, K.486
Appendices
  • pp.85-88: Autograph sketch of Arietta no.1 [facsimile and transcription]

Volume 16 (Le nozze di Figaro)

Editor: Ludwig Finscher (1930–2020)
Critical commentary editor: Ulrich Leisinger (b. 1964)
Score: XXX, 641 pages, 1973. BA 4565-01.
Critical commentary: 418 pages, 2007. BA 4565-40.
Appendices
  1. pp.597-617: Substitute numbers for the 1789 Vienna performance
    1. pp.597-601: Un moto di gioia mi sento, K.579
    2. pp.602-617: Al desio, di chi t'adora, K.577
  2. pp.618-627: Original arrangements
    1. pp.618-624: Piano reduction (with violin) of no.6
    2. pp.624-627: Piano reduction of no.13a (K.579)
  3. pp.628-641: Sketches, drafts and fragments
    1. p.628: Detailed sketch of the overture
    2. p.628: Draft of the ending of no.3
    3. pp.629-630: Two fragments of a draft of no.6
    4. p.631: Draft of the beginning of a substitute for no.15
    5. pp.632-633: Sketch (from measure 803) of no.16 (facsimile and transcription)
    6. p.634: Sketch of the melody of no.18
    7. p.634: Sketch of the melody of no.20
    8. pp.635-637: Draft of no.21 (with end of preceding recitative)
    9. p.637: Sketch of no.23
    10. p.638: Sketch of the melody of an earlier version of no.28
    11. pp.638-641: Draft of the same earlier version of no.28
    12. p.641: Sketch of the melody of the final version of no.28

Volume 17 (Il dissoluto puntio ossia il Don Giovanni)

Editors: Wolfgang Plath (1930–1995) and Wolfgang Rehm (1929–2017)
Critical commentary editor: Wolfgang Rehm (1929–2017)
Score: XXVII, 527 pages, 1968. BA 4550-01.
Critical commentary: 250 pages, 2003. BA 4550-40.
Appendices
  1. pp.489-526: Additions and alterations in the "Vienna version"
    1. pp.489-493: In act 1, scene 14 (no.10a = K6.540a)
    2. pp.493-494: In act 2, scene 9
    3. pp.495-508: In act 2, scene 10a (no.21a = K6.540b)
    4. p.509: In act 2, scene 10b
    5. pp.510-511: In act 2, scene 10c
    6. pp.511-523: In act 2, scene 10d (no.21b = K6.540c)
    7. p.524: In act 2, scene 11 (= measure 15 to 27)
    8. pp.525-526: In act 2, final scene: transition for deleted measures 689 to 749
  2. p.527: Sketch of the ball scene from act 1, scene 20 (no.13, facsimile and transcription)

Volume 18 (Così fan tutte ossia La scuola degli amanti)

Editors: Faye Ferguson (b. 1946) and Wolfgang Rehm (1929–2017)
Critical commentary editors: Henning Bey (b. 1964) and Faye Ferguson (b. 1946)
Score: XLII, 637 pages, 1991. BA 4606-01.
Critical commentary: 177 pages, 2003. BA 4606-40.
Appendices
  1. pp.603-623: Rivolgete a lui lo sguardo, K.584
  2. pp.624-625: Two fragments of a draft of an aria of Guglielmo in act 2, scene 8 (no.26)
  3. pp.626-630: Different versions of recitatives
    1. p.626: Autograph ending of the recitative in act 2, scene 10
    2. pp.626-630: Autograph ending of the recitative in act 2, scene 11-12
  4. pp.631-633: Alternate version of measures 173 to 207 of no.31
  5. pp.634-637: Sketches of no.31
    1. pp.634-635: [Sketch] of measures 173 to 204 (facsimile and transcription)
    2. pp.636-637: [Sketch] of measures 545 to 574 (facsimile and transcription)

Volume 19 (Die Zauberflöte)

Editors: Gernot Gruber (b. 1939) and Alfred Orel (1889–1967)
Critical commentary editor: Rudolf Faber (b. 1958)
Score: XXVII, 379 pages, 1970. BA 4553-01.
Critical commentary: 175 pages, 2006. BA 4553-40.
Appendices
  1. p.371: Deleted cadenza in the autograph of the Three Ladies in no.1 (measures 204 to 207)
  2. pp.372-379: Sketches and drafts
    1. pp.372-373: [Drafts] of the overture
      1. pp.372-373: Fragment = K.Anh.102/620a
      2. p.373: Sketch (facsimile and transcription)
    2. pp.374-376: [Sketches] of no.8
      1. pp.374-375: Sketch of measures 9 to 38 (facsimile and transcription)
      2. pp.374-375: Sketch of measures 39 to 85 (facsimile and transcription)
      3. p.376: Sketch of measures 518 to 577
    3. p.376: Different first draft of no.9
    4. p.377: Sketch of measures 18 to 21 of no.11
    5. pp.377-379: [Sketches] of no.21
      1. p.377: [Sketches] of the armored scene
        1. p.377: Different cantus-firmus sketch
        2. p.377: Cantus-firmus sketch
        3. p.377: Contrapuntal cantus-firmus study (fragment)
      2. p.378: Sketch of measures 362 to 364
      3. p.378: Fragment of a draft of measures 736 to 738
      4. p.379: Draft of measures 744 to 758

Volume 20 (La clemenza di Tito)

Editor: Franz Giegling (1921–2007)
Score: XX, 339 pages, 1970. BA 4554-01.
Critical commentary: 229 pages, 1994. BA 4554-40.
  • pp.5-318: La clemenza di Tito, K.621
Appendices
  1. pp.321-331: Sketches and drafts
    1. pp.321-324: [Sketches and drafts] of no.1
      1. pp.321-323: Different draft
      2. p.324: Sketch of measures 46 to 74
    2. pp.325-326: Different draft of no.3
    3. p.327: [Sketches] of no.10
      1. p.327: Sketch of measures 1 to 9
      2. p.327: Sketch of measures 33 to 44
    4. pp.328-330: [Sketches] of no.14
      1. pp.328-329: Sketch from measure 36 (facsimile and transcription)
      2. pp.328-329: Sketch from measure 88 (facsimile and transcription)
      3. p.330: Sketch from measure 88
    5. p.330: Sketch of measures 28 to 34 of no.15
    6. p.331: Different draft of no.23
  2. pp.332-339: First German translation (facsimile reproduction of the first edition of the score, Leipzig 1809)

Werkgruppe 6: Musik zu Schauspielen, Pantomimen und Balletten (2 Bände)

Volume 1 (Chöre und Zwischenaktmusiken zu Thamos, König in Ägypten)

Editor: Harald Heckmann (1924–2023)
Score: XIV, 233 pages, 1956. BA 4505-01.
Critical commentary: 35 pages, 1958. BA 4505-40.
  • pp.3-163: Thamos, König in Ägypten, K.345/336a
Appendices
  • pp.166-201: [First version of] no.1 (no.1a)
  • pp.202-225: [First version of] no.6 (no.6a)
  • pp.226-231: [First version of] no.7 (no.7a)
  • pp.232-233: Earlier versions of the texts of the choruses 1, 6 and 7

Volume 2 (Musik zu Pantomimen und Balletten)

Editor: Harald Heckmann (1924–2023)
Score: XIX, 127 pages, 1963. BA 4535-01.
Critical commentary: 32 pages, 1970. BA 4535-40.
Appendices
  1. pp.105-111: Sketches for a ballet (facsimile and transcription), K.299c
    1. pp.105-108: Sketch sheet in Berlin
    2. pp.109-111: Sketch sheet in Paris
  2. pp.112-113: La chasse, K.Anh.103/299d
  3. pp.114-119: Mozart's subsequent changes in the autograph of Idomeneo, ballet music, K.367
    1. pp.114-115: [Changes made] in no.1
      1. p.114: Deleted passage at measure 129 (an original draft from measure 123?)
      2. p.115: Deleted passage at measure 147 (the first end version of no.1 and the beginning of a discontinued original version of no.2)
    2. p.116: [Changes made] in no.2: deleted passage at measure 65
    3. pp.116-119: [Changes made] in no.5
      1. pp.116-117: Fragment of the second (later) version from measure 38
      2. pp.118-119: Deleted passage at measure 71
  4. pp.120-127: Musik zu einer Pantomime, K.446/416d

Werkgruppe 7: Arien, Szenen, Ensembles und Chöre mit Orchester (4 Bände)

Volume 1

Editor: Stefan Kunze (1933–1992)
Critical commentary editor: Konrad Küster (b. 1959)
Score: XXVII, 193 pages, 1967. BA 4548-01.
Critical commentary: 153 pages, 2002. BA 4548-40.
  1. pp.3-12: Va, dal furor portata, K.21/19c
  2. pp.13-16: Conservati fedele, K.23
  3. pp.17-22: Per pietà, bell'idol mio, K.78/73b
  4. pp.23-32: O temerario Arbace, K.79/73d
  5. pp.33-46: Or che il dover, K.36/33i
  6. pp.47-58: A Berenice, K.70/61c
  7. pp.59-64: Cara, se le mie pene, K.646
  8. pp.65-82: Fra cento affanni, K.88/73c
  9. pp.83-102: Misero me, K.77/73e
  10. pp.103-114: Se ardire, e speranza, K.82/73o
  11. pp.115-124: Se tutti i mali miei, K.83/73p
  12. pp.125-130: Non curo l'affetto, K.74b
  13. pp.131-138: Si mostra la sorte, K.209
  14. pp.139-146: Con ossequio, con rispetto, K.210
  15. pp.147-160: Voi avete un cor fedele, K.217
Appendices
  1. pp.163-190: [Alternate versions]
    1. pp.163-172: Revised version by Leopold Mozart of Va, dal furor portata, K.21/19c
    2. pp.173-176: Possibly later revised version of Conservati fedele, K.23
    3. pp.177-190: First version of Se tutti i mali miei, K.83/73p
  2. pp.191-193: Ridente la calma, K.152/210a

Volume 2

Editor: Stefan Kunze (1933–1992)
Critical commentary editor: Konrad Küster (b. 1959)
Score: XXVI, 183 pages, 1968. BA 4551-01.
Critical commentary: 153 pages, 2002. BA 4548-40.
  1. pp.3-14: Ombra felice, K.255
  2. pp.15-22: Clarice cara mia sposa, K.256
  3. pp.23-40: Ah, lo previdi, K.272
  4. pp.41-58: Alcandro, lo confesso, K.294
  5. pp.59-76: Se al labbro mio non credi, K.295
  6. pp.77-84: Basta, vincesti, K.486a/295a
  7. pp.85-106: Popoli di Tessaglia, K.316/300b
  8. pp.107-124: Ma che vi fece, K.368
  9. pp.125-134: Misera, dove son!, K.369
  10. pp.135-147: A questo seno deh vieni, K.374
Appendices
  1. pp.151-181: [Reconstructions]
    1. pp.151-166: Reconstruction of a later version of the aria of Alcandro, lo confesso, K.294
    2. pp.167-181: Restoration of the original version of Se al labbro mio non credi, K.295
  2. pp.182-183: [Sketches]
    1. p.182: Sketch of Arie no.17 (facsimile and transcription)
    2. p.183: Sketch of Arie no.19 (facsimile and transcription)

Volume 3

Editor: Stefan Kunze (1933–1992)
Critical commentary editor: Konrad Küster (b. 1959)
Score: XXVIII, 215 pages, 1971. BA 4559-01.
Critical commentary: 150 pages, 2003. BA 4559-40.
  1. pp.3-10: Nehmt meinen Dank, K.383
  2. pp.11-24: Mia speranza adorata, K.416
  3. pp.25-36: Vorrei spiegarvi, o Dio, K.418
  4. pp.37-50: No, no, che non sei capace, K.419
  5. pp.51-66: Per pietà, non ricercate, K.420
  6. pp.67-80: Così dunque tradisci, K.432/421a
  7. pp.81-100: Misero! o sogno, K.431/425b
  8. pp.101-142: Dite almeno, in che mancai, K.479
  9. pp.143-174: Mandina amabile, K.480
  10. pp.175-200: Ch'io mi scordi di te?, K.505
Appendices
  1. pp.203-213: [Piano reductions]
    1. pp.203-209: Der Liebe himmlisches Gefühl, K.119/382h
    2. pp.210-213: Ah, spiegarti, o Dio, K.178/417e
  2. pp.214-215: [Melody sketches]
    1. p.214: Melody sketch of Arie No.28, K.418
    2. p.215: Melody sketch of Arie No.29, K.419
    3. p.215: Two melody sketches of Arie No.30, K.420

Volume 4

Editor: Stefan Kunze (1933–1992)
Critical commentary editor: Konrad Küster (b. 1959)
Score: XXI, 181 pages, 1972. BA 4560-01.
Critical commentary: 150 pages, 2003. BA 4559-40.
  1. pp.3-18: Alcandro, lo confesso, K.512
  2. pp.19-36: Mentre ti lascio, K.513
  3. pp.37-56: Bella mia fiamma, K.528
  4. pp.57-78: Ah se in ciel, K.538
  5. pp.79-82: Ein deutsches Kriegslied, K.539
  6. pp.83-90: Un bacio di mano, K.541
  7. pp.91-104: Alma grande e nobil core, K.578
  8. pp.105-114: Chi sà, chi sà, qual sia, K.582
  9. pp.115-122: Vado, ma dove?, K.583
  10. pp.123-138: Per questa bella mano, K.612
  11. pp.139-142: Io ti lascio, o cara, addio, K.Anh.245/621a
Appendices
  1. pp.145-149: Fragments
    1. pp.145-148: Ah, più tremar non voglio, K.71
    2. p.149: Un dente guasto e gelato, K.209a
  2. pp.150-175: Drafts
    1. pp.150-151: In te spero, o sposo, K.440/383h
    2. pp.152-153: Warnung, K.433/416c
    3. pp.154-159: Del gran regno delle amazoni, K.434/480b
      1. pp.160-161: Sketch of the draft, K.434[/480b] (facsimile and transcription)
    4. pp.162-167: Müsst' ich auch durch tausend Drachen, K.435/416b
    5. pp.168-175: Schon lacht der holde Frühling, K.580
  3. pp.176-181: Alternative version of Arie No.46, K.Anh.245/621a in G major for soprano

Serie III. Lieder, mehrstimmige Gesänge, Kanons (Lieder, Part Songs, Canons)

Werkgruppe 8: Lieder (1 Band)

Editor: Ernst August Ballin (1899–1988)
Score: XX, 82 pages, 1963. BA 4534-01.
Critical commentary: 190 pages, 1964. BA 4534-40.
  1. pp.2-3: An die Freude, K.53/47e
  2. p.4: Wie unglücklich bin ich nit, K.147/125g
  3. pp.4-5: Lobegesang auf die feierliche Johannisloge, K.148/125h
  4. pp.6-7: Oiseaux, si tous les ans, K.307/284d
  5. pp.8-11: Dans un bois solitaire, K.308/295b
  6. pp.12-13: Die Zufriedenheit, K.349/367a (two versions)
  7. p.14: Komm, liebe Zither komm, K.351/367b
  8. p.15: Verdankt sei es dem Glanz, K.392/340a
  9. p.16: An die Einsamkeit, K.391/340b
  10. p.17: An die Hoffnung, K.390/340c
  11. pp.18-19: Lied zur Gesellenreise, K.468
  12. pp.20-21: Der Zauberer, K.472
  13. pp.22-23: Die Zufriedenheit, K.473
  14. pp.24-25: Die betrogene Welt, K.474
  15. pp.26-27: Das Veilchen, K.476
  16. pp.28-29: Lied der Freiheit, K.506
  17. pp.30-31: 2 Kirchenlieder, K.343/336c
  18. pp.32-33: Die Alte, K.517
  19. pp.34-35: Die Verschweigung, K.518
  20. pp.36-39: Das Lied der Trennung, K.519
  21. pp.40-41: Als Luise die Briefe, K.520
  22. pp.42-45: Abendempfindung, K.523
  23. pp.46-49: An Chloe, K.524
  24. pp.50-51: Des kleinen Friedrichs Geburtstag, K.529
  25. pp.52-53: Das Traumbild, K.530
  26. pp.54-55: Die kleine Spinnerin, K.531
  27. pp.56-57: Beim Auszug in das Feld, K.552
  28. p.58: Sehnsucht nach dem Frühling, K.596
  29. p.59: Im Frühlingsanfang, K.597
  30. pp.60-61: Das Kinderspiel, K.598
Appendices
  1. pp.65-67: Ridente la calma, K.152/210a
  2. pp.68-71: Ah, spiegarti, o Dio, K.178/417e
  3. p.72: Einsam bin ich, meine Liebe, K.Anh.26/475a (fragment)
  4. pp.72-76: Gibraltar, K.Anh.25/386d (sketch)
  5. p.77: 2 Kirchenlieder, K.343/336c (version from an 1805 early printing)
  6. p.78: Two Masonic Poems
  7. pp.79-81: Rewritten and extra verses by Daniel Jäger of certain lieder (Breitkopf und Härtel complete edition, 1799)
  8. p.82: German translations of the French songs K.307/284d and K.308/295d by "Mr Hélisberg" and the Italian aria K.152/210a by Daniel Jäger, commonly used after 1799 (Breitkopf und Härtel, 1799)

Werkgruppe 9: Mehrstimmige Gesänge (1 Band)

Editor: Carl-Gabriel Stellan Mörner (1915–1977)
Critical commentary editor: Holger Mario Stüwe (b. 1977)
Score: XX, 66 pages, 1971. BA 4557-01.
Critical commentary: 85 pages, 2007. BA 4557-40.
  1. pp.2-3: God is Our Refuge, K.20
  2. pp.7-18: Das Bandel, K.441
  3. pp.20-23: Two Masonic Songs
    1. pp.20-21: Zerfliesset heut', geliebte Brüder, K.483
    2. pp.22-23: Ihr unsre neuen Leiter, K.484
  4. pp.26-47: Six Nocturnes (Canzonettas)
    1. pp.26-28: Due pupille amabili, K.439
    2. pp.29-30: Se lontan ben mio, tu sei, K.438
    3. pp.31-34: Ecco quel fiero istante, K.436
    4. pp.35-41: Mi lagnerò tacendo, K.437
    5. pp.42-43: Luci care, luci belle, K.346/439a
    6. pp.44-47: Più non si trovano, K.549
Appendices
  1. p.51: Ach, was müssen wir erfahren, K.Anh.24a/43a (fragment)
  2. pp.52-59: Das Bandel, K.441 (draft and fragment)
    1. pp.52-57: Autograph draft
    2. pp.58-59: Autograph score fragment
  3. pp.60-61: Drafts of the Nocturnes K.438 and 436
    1. p.60: Autograph draft of K.438 (voice parts, measures 1 to 7)
    2. pp.60-61: Autograph draft of K.436 (voice parts)
  4. pp.62-63: Grazie agl'inganni tuoi, K.532
  5. pp.64-65: Caro mio Druck und Schluck, K.Anh.5/571a

Werkgruppe 10: Kanons (1 Band)

Editor: Albert Dunning (1936–2005)
Critical commentary editor: Holger Mario Stüwe (b. 1977)
Score: XXII, 112 pages, 1974. BA 4566-01.
Critical commentary: 102 pages, 2007. BA 4557-40.
Texted Canons and an Instrumental Canon
  1. pp.3-10: Kyrie in G major, K.89/73k
  2. pp.11-16: Canon for 6 Voices in B-flat major, K.231/382c
  3. pp.17-19: Canon for 3 Voices in B-flat major, K.233/382d
  4. pp.20-23: Canon for 3 Voices in G major, K.234/382e
  5. pp.24-26: Canon for 12 Voices in G major, K.348/382g
  6. pp.27-31: Canon for 4 Voices in G major, K.232/509a
  7. pp.32-33: Canon for 4 Voices in C major, K.553
  8. pp.34-35: Canon for 4 Voices in F major, K.554
  9. pp.36-37: Canon for 4 Voices in A minor, K.555
  10. pp.38-39: Canon for 4 Voices in G major, K.556
  11. pp.40-42: Canon for 4 Voices in F minor, K.557
  12. pp.43-46: Canon for 4 Voices in B-flat major, K.558
  13. pp.47-48: Canon for 3 Voices in F major, K.559
  14. pp.49-61: Canon for 4 Voices in F major, K.560
  15. pp.62-64: Canon for 4 Voices in A major, K.561
  16. pp.65-67: Canon for 3 Voices in A major, K.562
  17. p.68: Canon for 4 Voices in C major, K.Anh.191/562c
Untexted Canons und Study Canons
  1. pp.71-72: Canon for 5 Voices in A major, K.73i
  2. pp.73-79: 4 Puzzle Canons, K.73r
  3. pp.80-82: Canon for 3 Voices in C minor, K.229/382a
  4. p.83: Canon for 2 Voices in C minor, K.230/382b
  5. pp.84-85: Canon for 6 Voices in D major, K.347/382f
  6. pp.86-87: Canon for 3 Voices in F major, K.507
  7. p.88: Canon for 3 Voices in F major, K.508
  8. p.89: Canons for 2 or 3 Voices, K.508a (nos.1-2)
  9. pp.90-95: Canons for 2 or 3 Voices, K.508a (nos.3-8) and eight other interval canons
  10. p.96: Double Canon for 4 Voices, K.228/515b
  11. p.97: Canon for 4 Voices in F major, K.deest
  12. p.98: Canon for 4 Voices in B-flat major, K.562a
Appendices
  1. pp.101-107: Sketches of complete canons
    1. p.101: [Sketch] of no.1, K.89/73k
    2. pp.102-103: [Sketches] of no.7, K.553
    3. p.103: [Sketches] of no.11, K.557
    4. pp.104-105: [Sketches] of no.12, K.558
    5. p.105: [Sketch] of no.13, K.559
    6. p.106: [Sketch] of no.15, K.561
    7. p.106: [Sketch] of no.17, K.Anh.191/562c
    8. p.107: [Sketch] of no.25, K.508a no.1
    9. p.107: [Sketch] of no.27, K.228/515b
  2. pp.108-112: Other sketches
    1. p.108: K.deest
    2. p.108: K.deest
    3. p.109: K.deest
    4. p.109: K.deest
    5. pp.109-110: K6.508A
    6. p.110: K.deest
    7. p.110: Two Canons at the interval of a 2nd, K.deest
    8. p.111: Canonic Study, K6.626b/31
    9. p.111: K.deest
    10. p.112: K.deest
    11. p.112: K.deest

Serie IV. Orchesterwerke (Orchestral Works)

Werkgruppe 11: Sinfonien (10 Bände)

Volume 1

Editor: Gerhard Allroggen (b. 1936)
Critical commentary editors: Gerhard Allroggen (b. 1936) and Faye Ferguson (b. 1946)
Score: XXIII, 204 pages, 1984. BA 4593-01.
Critical commentary: 70 pages, 1999. BA 4593-40.
Supplement: 16 pages, 1984.
Appendices
  1. p.189: For the Symphony in E-flat major, K.16: Deleted measures from the first movement
  2. pp.189-204: Symphony in G major, K.Anh.221/45a (first version)
Supplement

Volume 2

Editor: Gerhard Allroggen (b. 1936)
Critical commentary editors: Gerhard Allroggen (b. 1936) and Faye Ferguson (b. 1946)
Score: XXIV, 199 pages, 1985. BA 4597-01.
Critical commentary: 41 pages, 1999. BA 4597-40.
Appendices
  • p.199: Alternate minuet, deleted in the autograph, from the Symphony in A major, K.114

Volume 3

Editor: Wilhelm Fischer (1886–1962)
Score: XIV, 140 pages, 1956. BA 4502-01.
Critical commentary: 23 pages, 1957. BA 4502-40.

Volume 4

Editor: Hermann Beck (1929–1980)
Score: XVIII, 129 pages, 1960. BA 4522-01.
Critical commentary: 52 pages, 1963. BA 4522-40.

Volume 5

Editor: Hermann Beck (1929–1980)
Score: XIV, 154 pages, 1957. BA 4508-01.
Critical commentary: 79 pages, 1958. BA 4508-40.
Appendices
  1. pp.106-127: First movement of the Symphony in D major, K.297/300a in the version of the first edition
  2. pp.128-132: Second movement of the Symphony in D major, K.297/300a in the version of the first edition
  3. pp.133-138: Sketches of the Symphony in D major, K.297/300a, deleted in the autograph
  4. pp.139-154: Symphony No.52 in C major, K.102/213c

Volume 6

Editors: Christoph-Hellmut Mahling (1932–2012) and Friedrich Schnapp (1900–1983)
Critical commentary editor: Henning Bey (b. 1964)
Score: XIX, 167 pages, 1970. BA 4558-01.
Critical commentary: 47 pages, 2004. BA 4558-40.
Appendices
  • p.167: Alternate minuet fragment, deleted in the autograph, from the Symphony in C major, K.338

Volume 7

Editor: Günter Haußwald (1908–1974)
Score: XVII, 131 pages, 1959. BA 4518-01.
Critical commentary: 97 pages, 1971. BA 4518-40.

Volume 8

Editors: Friedrich Schnapp (1900–1983) and László Somfai (b. 1934)
Critical commentary editor: Henning Bey (b. 1964)
Score: XVIII, 125 pages, 1971. BA 4561-01.
Critical commentary: 61 pages, 2003. BA 4561-40.
Appendices
  1. pp.122-123: Berlin sketch sheet of the first movement of the Symphony in D major, K.504 (facsimile and transcription)
  2. pp.124-125: Salzburg sketch sheet of the first movement of the Symphony in D major, K.504 (facsimile and transcription)

Volume 9

Editor: Howard Chandler Robbins Landon (1928–2009)
Score: XVIII, 268 pages, 1957. BA 4509-01.
Critical commentary: 71 pages, 1963. BA 4509-40.
Appendices
  1. p.267: Autograph variant of measures 29 to 32 of the second movement of the Symphony in G minor, K.550
  2. p.268: Autograph variant of measures 100 to 103 of the second movement of the Symphony in G minor, K.550

Volume 10

Editor: Wolfgang Plath (1930–1995)
Critical commentary editor: Faye Ferguson (b. 1946)
Score: XV, 56 pages, 1978. BA 4586-01.
Critical commentary: 26 pages, 1999. BA 4586-40.

Werkgruppe 12: Kassationen, Serenaden und Divertimenti für Orchester (6 Bände)

Volume 1

Editors: Günter Haußwald (1908–1974) and Wolfgang Plath (1930–1995)
Critical commentary editors: Ernst Hintermaier (b. 1944) and Wolfgang Plath (1930–1995)
Score: XXV, 117 pages, 1970. BA 4555-01.
Critical commentary: 67 pages, 1988. BA 4555-40.
  1. pp.25-44: Cassation in G major, K.63
  2. pp.45-62: Cassation in B-flat major, K.99/63a
  3. pp.63-94: Cassation in D major, K.100/62a
Appendices
  • pp.97-117: Autograph draft score for Galimathias musicum, K.32

Volume 2

Editor: Günter Haußwald (1908–1974)
Critical commentary editor: Ernst Hintermaier (b. 1944)
Score: XXI, 119 pages, 1961. BA 4523-01.
Critical commentary: 35 pages, 1988. BA 4523-40.
  • pp.1-11: Divertimento in E-flat major, K.113 (first version)
  • pp.12-28: Divertimento in E-flat major, K.113 (second version)
  • pp.29-69: Divertimento in D major, K.131
  • pp.70-75: March in D major, K.189/167b
  • pp.76-119: Serenade in D major, K.185/167a

Volume 3

Editor: Günter Haußwald (1908–1974)
Critical commentary editor: Ernst Hintermaier (b. 1944)
Score: XVIII, 135 pages, 1962. BA 4531-01.
Critical commentary: 35 pages, 1988. BA 4531-40.

Volume 4

Editor: Walter Senn (1904–1981)
Score: XVIII, 142 pages, 1977. BA 4580-01.
Critical commentary: 8 pages, 1978. BA 4580-40.
  • pp.3-7: March in D major, K.249
  • pp.8-142: Serenade in D major, K.250/248b

Volume 5

Editor: Walter Senn (1904–1981)
Score: XXII, 166 pages, 1981. BA 4588-01.
Critical commentary: 28 pages, 1981. BA 4588-40.
Appendices

Volume 6

Editors: Karl Heinz Füssl (1924–1992) and Ernst Fritz Schmid (1904–1960)
Score: XIX, 66 pages, 1964. BA 4544-01.
Critical commentary: 20 pages, 1970. BA 4544-40.
Appendices
  1. pp.65-66: Fragment of a divertimento movement (?) in D major, K3.Anh.223c = K6.Anh.A 50
  2. p.66: Fragmentary draft of a slow movement in C major, K.Anh.69/525a

Werkgruppe 13: Tänze und Märsche

Abteilung 1: Tänze (2 Bände)

Volume 1

Editor: Rudolf Elvers (1924–2011)
Critical commentary editor: Andrea Lindmayr-Brandl (b. 1960)
Score: XX, 111 pages, 1961. BA 4517-01.
Critical commentary: 121 pages, 1996. BA 4517-40.
Appendices
  1. pp.78-79: Orchestra versions
    1. p.78: Additions, variants and drafts to K.103/61d
      1. p.78: Trio of Minuet no.12 in a different version
      2. p.78: First version of measures 9 to 16 of the Trio of Minuet no.13
      3. p.78: Draft of a minuet
    2. p.79: Sketch of a country dance "le mottet"? K6.626b/44
    3. p.79: Trios of Minuet nos.1 and 2 of K.176 in altered versions
  2. pp.80-111: Piano versions
    1. pp.80-91: Twelve minuets from K.103/61d in the final order
    2. p.92: 2 Minuets, K.61g (no.2)
    3. p.93: Minuet in D major, K.94/73h
    4. pp.94-101: 11 minuets from K.176
    5. pp.102-104: 4 Country Dances, K.269b
    6. pp.105-111: 8 Minuets, K.315a/315g

Volume 2

Editor: Marius Flothuis (1914–2001)
Score: XXVII, 252 pages, 1988. BA 4596-01.
Critical commentary: 134 pages, 1995. BA 4596-40.
  • pp.3-5: 3 Minuets, K.363
  • pp.5-12: 6 Minuets, K.461/448a
  • pp.12-18: 6 Country Dances, K.462/448b
  • pp.19-22: 2 Minuets, K.463/448c
  • pp.23-42: 6 German Dances, K.509
  • p.43: Country Dance in D major, K.534
  • pp.44-47: Country Dance in C major, K.535
  • pp.48-54: 6 German Dances, K.536
  • pp.54-70: 6 German Dances, K.567
  • pp.71-90: 12 Minuets, K.568
  • pp.91-106: 6 German Dances, K.571
  • pp.107-125: 12 Minuets, K.585
  • pp.126-147: 12 German Dances, K.586
  • pp.148-152: Country Dance in C major, K.587
  • pp.153-162: 6 Minuets, K.599
  • pp.162-169: 4 Minuets, K.601
  • pp.170-173: 2 Minuets, K.604
  • pp.174-185: 6 German Dances, K.600
  • pp.185-191: 4 German Dances, K.602
  • pp.192-199: 3 German Dances, K.605
  • pp.200-202: 2 Country Dances, K.603
  • pp.203-209: 5 Country Dances, K.609
  • pp.209-210: Country Dance in G major, K.610
Appendices
  1. p.212: Fragments and sketches of complete dances
    1. p.212: Autograph fragment of the end and trio of K.536 no.6
    2. p.212: Autograph sketch of the trio of K.568 no.9
  2. pp.213-218: Fragments
    1. p.213: First half of a minuet trio mentioned in K.532
    2. pp.213-214: Country Dance in B-flat major, K.Anh.107/535b
    3. p.214: Second part of a dance, K.deest
    4. p.214: Country Dance in D major, K.565a
    5. pp.215-216: Country Dance in E-flat major, K.607/605a
    6. pp.217-218: 6 Ländlerische Tänze, K.606
  3. pp.219-227: Piano versions
    1. pp.219-225: 6 German Dances, K.509
    2. pp.226-227: Country Dance in D major, K.534 (two versions)
  4. pp.228-252: 24 country dances in a contemporary manuscript
Abteilung 2: Märsche (1 Band)
Editor: Wolfgang Plath (1930–1995)
Critical commentary editor: Faye Ferguson (b. 1946)
Score: XVII, 85 pages, 1978. BA 4581-01.
Critical commentary: 20 pages, 1999. BA 4581-40.
  1. pp.3-6: March in D major, K.62
  2. pp.7-12: March in D major, K.189/167b
  3. pp.13-16: March in D major, K.237/189c
  4. pp.17-21: March in D major, K.215/213b
  5. pp.23-28: March in C major, K.214
  6. pp.35-47: 2 Marches, K.335/320a
  7. pp.49-56: 3 Marches, K.408 (no.1, K6.383e)
  8. pp.57-64: 3 Marches, K.408 (no.2, K6.385a)
  9. pp.65-70: 3 Marches, K.408 (no.3, K6.383F)

Appendices

  1. pp.73-85: Marches for 5 to 7 string and wind instruments
    1. pp.73-76: March in D major, K.290/167AB
    2. pp.77-81: March in F major, K.248
    3. pp.82-85: March in D major, K.445/320c
  2. p.85: Beginning of a march in D major, K.544

Serie V. Konzerte (Concertos)

Werkgruppe 14: Konzerte für ein oder mehrere Streich-, Blas- und Zupfinstrumente und Orchester (6 Bände)

Volume 1 (Violinkonzerte und Einzelsätze)

Editor: Christoph-Hellmut Mahling (1932–2012)
Critical commentary editor: Henning Bey (b. 1964)
Score: XXI, 307 pages, 1983. BA 4582-01.
Critical commentary: 63 pages, 2005. BA 4582-40.
  1. pp.1-264: Concertos for Violin and Orchestra
    1. pp.3-54: Violin Concerto No.1 in B-flat major, K.207
    2. pp.55-94: Violin Concerto No.2 in D major, K.211
    3. pp.95-150: Violin Concerto No.3 in G major, K.216
    4. pp.151-204: Violin Concerto No.4 in D major, K.218
    5. pp.205-264: Violin Concerto No.5 in A major, K.219
  2. pp.265-304: Individual Movements for Violin and Orchestra
    1. pp.267-274: Adagio in E major, K.261
    2. pp.275-292: Rondo in B-flat major, K.269/261a
    3. pp.293-304: Rondo in C major, K.373
Appendices
  1. p.306: Original ending of the second movement of K.218
  2. pp.306-307: Deleted section of the last movement of K.218

Volume 2 (Concertone, Sinfonia concertante)

Editor: Christoph-Hellmut Mahling (1932–2012)
Critical commentary editor: Henning Bey (b. 1964)
Score: XIX, 161 pages, 1975. BA 4569-01.
Critical commentary: 38 pages, 2006. BA 4569-40.
Appendices
  1. pp.133-135: Drafts and sketches of K.364/320d
    1. p.133: Fragmentary draft of the end of the first movement (measures 349 to 357)
    2. pp.134-135: Two sketches of the cadenza in the second movement (facsimile and transcription)
  2. pp.136-161: Fragments
    1. pp.136-152: Concerto for Violin and Piano in D major, K.Anh.56/315f
    2. pp.153-161: Sinfonia concertante in A major, K.Anh.104/320e

Volume 3 (Konzerte für Flöte, für Oboe und für Fagott)

Editor: Franz Giegling (1921–2007)
Score: XV, 174 pages, 1981. BA 4589-01.
Critical commentary: 48 pages, 1986. BA 4589-40.
Appendices
  1. pp.167-173: Oboe Concerto in F major, K.293/416f
  2. p.174: Melody sketch of the first movement of the Oboe Concerto in C major, K.314/285d (facsimile and transcription)

Volume 4 (Klarinettenkonzert)

Editor: Franz Giegling (1921–2007)
Score: XI, 176 pages, 1977. BA 4576-01.
Critical commentary: 31 pages, 1982. BA 4576-40.
  1. pp.3-82: Reconstructed version for basset clarinet
  2. pp.83-162: Traditional version for clarinet
Appendices

Volume 5 (Hornkonzerte)

Editor: Franz Giegling (1921–2007)
Score: XXIII, 175 pages, 1987. BA 4602-01.
Critical commentary: 75 pages, 1988. BA 4602-40.
Appendices
  1. pp.103-104: Deleted measures from K.412/386b, first movement
    1. p.103: At measure 84
    2. p.103: At measure 120
    3. p.104: At measure 128
  2. pp.105-134: Fragments
    1. pp.105-110: Horn Concerto in E-flat major, K.370b
    2. pp.111-120: Rondo in E-flat major, K.371
    3. pp.121-126: Horn Concerto in E major, K.494a
    4. pp.127-134: Horn Concerto in D major, K.412/386b (second movement, draft)
  3. pp.135-148: Horn Concerto in E-flat major, K.495 (first movement, shortened version of 1802 first edition)
  4. pp.149-170: Horn Concerto in D major, K.412/386b (Süssmayr's completion)
  5. pp.171-175: Facsimile of the Leningrad manuscript of the Rondo in D major, K.514

Volume 6 (Konzert für Flöte und Harfe)

Editor: Franz Giegling (1921–2007)
Score: XII, 78 pages, 1983. BA 4598-01.
Critical commentary: 8 pages, 1983. BA 4598-40.

Werkgruppe 15: Konzerte für ein oder mehrere Klaviere und Orchester mit Kadenzen (8 Bände)

Volume 1

Editor: Marius Flothuis (1914–2001)
Score: XV, 283 pages, 1972. BA 4563-01.
Critical commentary: 113 pages, 1991. BA 4563-40.

Volume 2

Editor: Christoph Wolff (b. 1940)
Score: XX, 263 pages, 1976. BA 4571-01.
Critical commentary: 47 pages, 1989. BA 4571-40.
Appendices
  • p.263: Older version of the cadenza in the third movement of the Concerto in E-flat major, K.365/316a

Volume 3

Editor: Christoph Wolff (b. 1940)
Score: XIX, 201 pages, 1976. BA 4575-01.
Critical commentary: 71 pages, 1991. BA 4575-40.
Appendices
  • p.201: Sketch of the first movement of the Concerto in A major, K.417/385p

Volume 4

Editor: Marius Flothuis (1914–2001)
Score: XIX, 267 pages, 1975. BA 4572-01.
Critical commentary: 84 pages, 1991. BA 4572-40.
Appendices
  • p.267: Sketch of the third movement of K.450 (facsimile and transcription)

Volume 5

Editors: Eva Badura-Skoda (1929–2021) and Paul Badura-Skoda (1927–2019)
Score: XXIII, 243 pages, 1965. BA 4542-01.
Critical commentary: 73 pages, 1971. BA 4542-40.
Appendices
  1. pp.237-238: Two cadenzas of doubtful authenticity to the Concerto in G major, K.453
    1. pp.237-238: 36 Cadenzas, K.624/626a (no.23, K6: no.49)
    2. p.238: 36 Cadenzas, K.624/626a (no.25, K6: no.51)
  2. p.239: 36 Cadenzas, K.624/626a (no.26, K6: no.53)
  3. pp.240-243: Cadenzas to the Concerto in B-flat major, K.456, after the newly-found copy in the Glinka-Museam, Moscow
    1. pp.240-241: 36 Cadenzas, K.624/626a (K6: no.52)
    2. p.242: 36 Cadenzas, K.624/626a (K6: no.55)
    3. pp.242-243: 36 Cadenzas, K.624/626a (K6: no.56)

Volume 6

Editors: Hans Engel (1894–1970) and Horst Heussner (1926–2003)
Critical commentary editor: Horst Heussner (1926–2003)
Score: XXII, 269 pages, 1961. BA 4528-01.
Critical commentary: 95 pages, 1986. BA 4528-40.
Appendices
  • p.269: Unexecuted draft of the third movement of the Concerto in D minor, K.466

Volume 7

Editor: Hermann Beck (1929–1980)
Score: XVI, 257 pages, 1959. BA 4519-01.
Critical commentary: 111 pages, 1964. BA 4519-40.
Appendices
  1. p.255: Sketches of the [first movement of the] Piano Concerto in A major, K.488 (deleted in the autograph)
    1. p.255: Between measures 113 and 114
    2. p.255: Between measures 125 and 126
  2. pp.256-257: Sketches of the Piano Concerto in C major, K.503
    1. p.256: Original continuation, deleted in the autograph, after measure 95
    2. pp.256-257: Drafts on a sketch sheet

Volume 8

Editor: Wolfgang Rehm (1929–2017)
Score: XXXVI, 199 pages, 1960. BA 4524-01.
Critical commentary: 106 pages, 1998. BA 4524-40.
Appendices
  1. pp.173-187: Rondo in A major, K.386
  2. pp.188-198: Fragments
    1. p.188: Piano Concerto in C major, K.Anh.65/452c
    2. pp.189-190: Piano Concerto in C major, K.Anh.59/459a
    3. p.191: Piano Concerto in D major, K.Anh.58/488a
    4. p.192: Rondo in A major, K.Anh.63/488b
    5. p.193: Rondo in A major, K.Anh.64/488c
    6. p.194: Rondo in A major, K.488d
    7. p.195: Piano Concerto in E-flat major, K.Anh.62/491a
    8. p.196: Piano Concerto in C major, K.Anh.60/502a
    9. p.197: Piano Concerto in D major, K.Anh.57/537a
    10. p.198: Piano Concerto in D minor, K.Anh.61/537b
  3. p.199: Sketches
    1. p.199: Sketch of the slow movement of the Piano Concerto in D major, K.537
    2. p.199: Sketch of an unknown piano concerto on a sketch sheet

Serie VI. Kirchensonaten (Church Sonatas)

Werkgruppe 16: Sonaten für Orgel und Orchester (1 Band)

Editor: Minōs Dounias (1900–1962)
Score: XIV, 72 pages, 1957. BA 4511-01.
Critical commentary: 32 pages, 1958. BA 4511-40.
Appendices

Serie VII. Ensemblemusik für größere Solobesetzungen (Music for Large Ensembles of Solo Instruments)

Werkgruppe 17: Divertimenti und Serenaden für Blasinstrumente (2 Bände)

Volume 1

Editor: Franz Giegling (1921–2007)
Score: XXII, 113 pages, 1984. BA 4595-01.
Critical commentary: 54 pages, 1987. BA 4595-40.
Appendices
  1. p.111: Deleted first version of the Minuet-Trio from K.186/159b
  2. p.111: Beginning of the Minuet from K.188/159d in a separate transcript
  3. p.112: Minuet from K.188/159d: Deleted first version from measure 12
  4. p.112: Deleted Minuet-Trio from K.166/159d
  5. p.113: Last movement from K.240: deleted [passage] at measure 66

Volume 2

Editors: Daniel N. Leeson (1932–2018) and Neal Zaslaw (b. 1939)
Critical commentary editor: Dietrich Berke (1938–2010)
Score: XXI, 242 pages, 1979. BA 4579-01.
Critical commentary: 81 pages, 2002. BA 4579-40.
Appendices
  1. pp.233-234: Andante in E-flat major, K.384B
  2. p.234: March in B-flat major, K.384b
  3. p.235: Allegro in B-flat major, K.Anh.96/384c
  4. pp.236-237: Allegro assai in B-flat major, K.Anh.95/484b
  5. p.237: Adagio in F major, K.Anh.93/484c
  6. p.238: Allegro in C major, K.484e
  7. pp.238-241: Adagio in F major, K.Anh.94/580a
  8. p.241: Serenade in C minor, K.deest
  9. p.242: Melodie Fragment in B-flat major, K.deest (facsimile and transcription)

Werkgruppe 18: Divertimenti für 5–7 Streich- und Blasinstrumente (1 Band)

Editor: Albert Dunning (1936–2005)
Critical commentary editor: Holger Mario Stüwe (b. 1977)
Score: XXV, 266 pages, 1976. BA 4574-01.
Critical commentary: 121 pages, 2004. BA 4574-40.
  1. pp.3-22: March in D major, K.290/167AB and Divertimento in D major, K.205/167A
  2. pp.23-66: March in F major, K.248 and Divertimento in F major, K.247
  3. pp.67-102: Divertimento in D major, K.251
  4. pp.103-154: Divertimento in B-flat major, K.287/271H
  5. pp.155-222: March in D major, K.445/320c and Divertimento in D major, K.334/320b
  6. pp.223-254: Ein musikalischer Spaß, K.522
Appendices
  1. pp.257-260: Divertimento in D major, K.246b/320B
  2. pp.260-265: Divertimento in F major, K.288/246c
  3. p.266: Divertimento in F major, K.Anh.108/522a

Serie VIII. Kammermusik (Chamber Music)

Werkgruppe 19: Streichquintette und Quintette mit Bläsern

Abteilung 1: Streichquintette (1 Band)
Editors: Ernst Hess (1912–1968) and Ernst Fritz Schmid (1904–1960)
Critical commentary editor: Manfred Hermann Schmid (1947–2021)
Score: XX, 198 pages, 1967. BA 4549-01.
Critical commentary: 115 pages, 2003. BA 4549-40.
  1. pp.3-26: String Quintet No.1 in B-flat major, K.174
  2. pp.27-62: String Quintet No.3 in C major, K.515
  3. pp.63-90: String Quintet No.4 in G minor, K.516
  4. pp.91-111: String Quintet No.2 in C minor, K.406/516b
  5. pp.113-142: String Quintet No.5 in D major, K.593
  6. pp.143-172: String Quintet No.6 in E-flat major, K.614
Appendices
  1. pp.175-183: To the Quintet in B-flat major, K.174
    1. p.175: First, rejected version of the Minuet-Trio
    2. pp.176-183: First, rejected version of the final movement
  2. pp.183-184: To the Quintet in C major, K.515: Deleted first draft from measure 212 of the fourth movement
  3. p.184: To the Quintet in G minor, K.516
    1. p.184: Piano reduction (fragment) of the third movement
    2. p.184: Sketch of the fourth movement, measures 38b to 46
    3. p.184: Sketch of an allegedly original version of the fourth movement
  4. p.185: To the Quintet in D major, K.593: First, rejected version of measures 14b to 28 of the Trio
  5. pp.185-198: Other quintet fragments
    1. pp.185-189: String Quintet in B-flat major, K.Anh.80/514a
    2. p.190: String Quintet in F major, K.Anh.87/515a
    3. pp.190-194: String Quintet in A minor, K.Anh.79/515c
    4. p.194: String Quintet in G minor, K.Anh.86/516a
    5. p.195: String Quintet in D major, K.Anh.83/592b
    6. pp.196-197: String Quintet in E-flat major, K.Anh.81/613a
    7. p.198: String Quintet in E-flat major, K.Anh.82/613b
Abteilung 2: Quintette mit Bläsern (1 Band)
Editor: Ernst Fritz Schmid (1904–1960)
Critical commentary editor: Manfred Hermann Schmid (1947–2021)
Score: XVIII, 52 pages, 1958. BA 4515-01.
Critical commentary: 115 pages, 2007. BA 4515-40.
Appendices
  1. pp.41-43: Clarinet Quintet in B-flat major, K.Anh.91/516c
  2. p.44: Andante Rondo in E-flat major, K6.516d
  3. pp.45-49: Clarinet Quintet in F major, K.Anh.90/580b
  4. pp.50-52: Clarinet Quintet in A major, K.Anh.88/581a

Werkgruppe 20: Streichquartette und Quartette mit einem Blasinstrument

Abteilung 1: Streichquartette (3 Bände)

Volume 1

Editors: Karl Heinz Füssl (1924–1992), Wolfgang Plath (1930–1995) and Wolfgang Rehm (1929–2017)
Critical commentary editor: Wolf-Dieter Seiffert (b. 1959)
Score: XX, 202 pages, 1966. BA 4546-01.
Critical commentary: 110 pages, 1989. BA 4546-40.
  1. pp.3-16: String Quartet No.1 in G major, K.80/73f
  2. pp.17-30: String Quartet No.2 in D major, K.155/134a
  3. pp.31-40: String Quartet No.3 in G major, K.156/134b
  4. pp.41-56: String Quartet No.4 in C major, K.157
  5. pp.57-68: String Quartet No.5 in F major, K.158
  6. pp.69-84: String Quartet No.6 in B-flat major, K.159
  7. pp.85-98: String Quartet No.7 in E-flat major, K.160/159a
  8. pp.99-112: String Quartet No.8 in F major, K.168
  9. pp.113-128: String Quartet No.9 in A major, K.169
  10. pp.129-144: String Quartet No.10 in C major, K.170
  11. pp.145-158: String Quartet No.11 in E-flat major, K.171
  12. pp.159-174: String Quartet No.12 in B-flat major, K.172
  13. pp.175-192: String Quartet No.13 in D minor, K.173
Appendices
  1. pp.195-201: First versions
    1. p.195: First, deleted version of the Trio from the Quartet in G major, K.80/73f
    2. pp.196-197: First, deleted version of the second movement of the Quartet in G major, K.156/134b
    3. pp.198-201: First version of the last movement (fugue) of the Quartet in D minor, K.173
  2. p.202: Minuet in F major, K.168a

Volume 2

Editor: Ludwig Finscher (1930–2020)
Critical commentary editors: Ludwig Finscher (1930–2020) and Wolf-Dieter Seiffert (b. 1959)
Score: XVII, 181 pages, 1962. BA 4530-01.
Critical commentary: 167 pages, 1993. BA 4530-40.
Appendices
  1. p.181: Fragment of an older transcript of the Minuet from the Quartet in B-flat major, K.458
  2. p.181: Draft of an unexecuted version of the finale of the Quartet in B-flat major, K.458

Volume 3

Editor: Ludwig Finscher (1930–2020)
Score: XX, 150 pages, 1961. BA 4526-01.
Critical commentary: 92 pages, 1964. BA 4526-40.
Appendices
  1. p.131: [Drafts]
    1. p.131: Draft of the finale of the Quartet in D major, K.575
    2. p.131: Draft of the finale of the Quartet in B-flat major, K.589
  2. pp.132-149: [Fragments]
    1. p.132: String Quartet in C major, K.Anh.77/405a
    2. p.133: String Quartet in D minor, K.Anh.76/417c
    3. p.134: String Quartet in G minor, K.Anh.H 12,17
    4. p.135: String Quartet in C minor, K.Anh.H 14,13–14
    5. pp.136-137: String Quartet in E minor, K.417d
    6. p.138: String Quartet in B-flat major, K.Anh.75/458a
    7. p.138: String Quartet in B-flat major, K.Anh.71/458b
    8. pp.139-146: String Quartet in A major, K.Anh.72/464a
    9. pp.147-148: String Quartet in G minor, K.Anh.74/587a
    10. pp.148-149: String Quartet in B-flat major, K.Anh.68/589a
    11. p.149: String Quartet in F major, K.Anh.73/589b
  3. p.150: [Autograph sketch of measures 149 to 158 of the first movement of the Flute Quartet in C major, K.Anh.171/285b]
Abteilung 2: Quartette mit einem Blasinstrument (1 Band)
Editor: Jaroslav Pohanka (1924–1964)
Critical commentary editor: Wolf-Dieter Seiffert (b. 1959)
Score: XVIII, 86 pages, 1962. BA 4532-01.
Critical commentary: 47 pages, 1989. BA 4532-40.
Appendices
  1. pp.84-85: First draft of measures 57 to 94 of the third movement of the Flute Quartet in D major, K.285
  2. p.86: Autograph sketch of measures 149 to 158 of the first movement of the Flute Quartet in C major, K.Anh.171/285b

Werkgruppe 21: Duos und Trios für Streicher und Bläser (1 Band)

Editors: Dietrich Berke (1938–2010) and Marius Flothuis (1914–2001)
Score: XXVI, 174 pages, 1975. BA 4567-01.
Critical commentary: 106 pages, 1999. BA 4567-40.
  1. pp.2-58: Duos for Strings and Winds
    1. pp.3-4: Violin Sonata in C major, K.46d
    2. pp.5-6: Violin Sonata in F major, K.46e
    3. pp.7-14: Sonata for Bassoon and Cello in B-flat major, K.292/196c
    4. pp.15-32: Duo for Violin and Viola, K.423
    5. pp.33-48: Duo for Violin and Viola, K.424
    6. pp.49-58: 12 Horn Duos, K.487/496a
  2. pp.59-164: Trios for Strings and Winds
    1. pp.61-66: Trio in B-flat major, K.266/271f
    2. pp.67-119: 5 Divertimentos, K.Anh.229/439b
    3. p.120: Adagio in F major, K.410/484d
    4. pp.121-164: Divertimento in E-flat major, K.563
Appendices
  1. pp.167-169: Different final movement to "Divertimento II", K.Anh.228/439b
  2. pp.170-173: String Trio in G major, K.Anh.66/562e
  3. p.174: Draft of a trio movement in C major, mentioned in K.266/271f

Werkgruppe 22: Quintette, Quartette und Trios mit Klavier und mit Glasharmonika

Abteilung 1: Quartette und Quintette mit Klavier und mit Glasharmonika (1 Band)
Editor: Hellmut Federhofer (1911–2014)
Score: XIV, 168 pages, 1957. BA 4506-01.
Critical commentary: 92 pages, 1958. BA 4506-40.
Appendices
  • p.166: Piano Quartet in G minor, K.478, first movement, measures 243 to 246: original version
  • p.166: Original draft of the last movement of K.493, K.Anh.53/493a
  • p.167: Final draft of the last movement of K.493
  • p.167: Variant of the end of the last movement of the Quintet in E-flat major, K.452
  • p.168: Fantasia in C major, K.Anh.92/616a
Abteilung 2: Klaviertrios (1 Band)
Editors: Wolfgang Plath (1930–1995) and Wolfgang Rehm (1929–2017)
Critical commentary editors: Henning Bey (b. 1964) and Daniel Brandenburg (b. 1961)
Score: XX, 272 pages, 1966. BA 4545-01.
Critical commentary: 115 pages, 2001. BA 4545-40.
  1. pp.2-11: Violin Sonata in B-flat major, K.10
  2. pp.12-17: Violin Sonata in G major, K.11
  3. pp.18-25: Violin Sonata in A major, K.12
  4. pp.26-35: Violin Sonata in F major, K.13
  5. pp.36-47: Violin Sonata in C major, K.14
  6. pp.48-55: Violin Sonata in B-flat major, K.15
  7. pp.56-77: Divertimento in B-flat major, K.254
  8. pp.78-103: Piano Trio in G major, K.496
  9. pp.104-128: Trio in E-flat major, K.498
  10. pp.129-159: Piano Trio in B-flat major, K.502
  11. pp.160-187: Piano Trio in E major, K.542
  12. pp.188-211: Piano Trio in C major, K.548
  13. pp.212-232: Piano Trio in G major, K.564
Appendices
  1. pp.235-267: Piano Trio in D minor, K.442 (fragments, completed by Maximilian Stadler)
  2. pp.268-270: First, uncontinued version of the third movement of the Piano Trio in E major, K.542
  3. p.271: Piano Trio in G major, K.Anh.52/495a
  4. p.272: Piano Trio in B-flat major, K.Anh.51/501a

Werkgruppe 23: Sonaten und Variationen für Klavier und Violine (2 Bände)

Volume 1

Editor: Eduard Reeser (1908–2002)
Score: XIX, 179 pages, 1964. BA 4539-01.
Enclosed part: 63 pages, 1964.
Critical commentary: 131 pages, 1977. BA 4539-40.
  1. pp.2-11: Violin Sonata in C major, K.6
  2. pp.12-19: Violin Sonata in D major, K.7
  3. pp.20-25: Violin Sonata in B-flat major, K.8
  4. pp.26-33: Violin Sonata in G major, K.9
  5. pp.34-39: Violin Sonata in E-flat major, K.26
  6. pp.40-44: Violin Sonata in G major, K.27
  7. pp.45-49: Violin Sonata in C major, K.28
  8. pp.50-53: Violin Sonata in D major, K.29
  9. pp.54-58: Violin Sonata in F major, K.30
  10. pp.59-65: Violin Sonata in B-flat major, K.31
  11. pp.66-77: Violin Sonata in G major, K.301/293a
  12. pp.78-87: Violin Sonata in E-flat major, K.302/293b
  13. pp.88-97: Violin Sonata in C major, K.303/293c
  14. pp.98-106: Violin Sonata in E minor, K.304/300c
  15. pp.107-117: Violin Sonata in A major, K.305/293d
  16. pp.118-138: Violin Sonata in D major, K.306/300l
  17. pp.139-153: Violin Sonata in C major, K.296
  18. pp.154-170: Violin Sonata in B-flat major, K.378/317d
Appendices
  1. pp.173-176: Fragment of a first, uncontinued version of the first movement of the Violin Sonata in D major, K.306/300l
  2. pp.177-179: Fragment of a first, uncontinued version of the finale of the Violin Sonata in D major, K.306/300l

Volume 2

Editor: Eduard Reeser (1908–2002)
Score: XXIII, 186 pages, 1965. BA 4540-01.
Enclosed part: 55 pages, 1965.
Critical commentary: 131 pages, 1977. BA 4539-40.
  1. pp.3-15: Violin Sonata in G major, K.379/373a
  2. pp.16-31: Violin Sonata in F major, K.376/374d
  3. pp.32-47: Violin Sonata in F major, K.377/374e
  4. pp.48-63: Violin Sonata in E-flat major, K.380/374f
  5. pp.64-81: Violin Sonata in B-flat major, K.454
  6. pp.82-99: Violin Sonata in E-flat major, K.481
  7. pp.100-121: Violin Sonata in A major, K.526
  8. pp.122-134: Violin Sonata in F major, K.547
  9. pp.136-143: 12 Variations on 'La bergère Célimène', K.359/374a
  10. pp.144-150: 6 Variations on 'Hélas, j'ai perdu mon amant', K.360/374b
Appendices
  1. pp.152-153: Violin Sonata in C major, K.404/385d
  2. pp.154-179: Three sonata fragments, completed by Maximilian Stadler
    1. pp.154-163: Allegro in B-flat major, K.372
    2. pp.164-172: Violin Sonata in C major, K.403/385c
    3. pp.173-179: Violin Sonata in A major, K.402/385e
  3. pp.180-185: Other fragments
    1. pp.180-181: Violin Sonata in A major, K.Anh.48/385E
    2. pp.181-183: Fantasia in C minor, K.396/385f
    3. p.184: Violin Sonata in A major, K.Anh.50/526a
    4. pp.184-185: Violin Sonata in G major, K.Anh.47/546a
  4. p.186: Drafts and deletions
    1. p.186: First, deleted transcript of the theme of the second movement of the Violin Sonata in F major, K.377/374e
    2. p.186: Deleted measures between measure 44 and 45 of the third movement of the Violin Sonata in A major, K.526

Serie IX. Klaviermusik (Keyboard Music)

Werkgruppe 24: Werke für zwei Klaviere und für Klavier zu vier Händen

Abteilung 1: Werke für zwei Klaviere (1 Band)
Editor: Ernst Fritz Schmid (1904–1960)
Score: IX, 51 pages, 1955. BA 4501-01.
Critical commentary: 48 pages, 1957. BA 4503-40.
Nachtrag
Editor: Gerhard Croll (1927–2019)
Score: 16 pages, 1964.
Abteilung 2: Werke für Klavier zu vier Händen (1 Band)
Editor: Wolfgang Rehm (1929–2017)
Score: X, 153 pages, 1955. BA 4503-01.
Critical commentary: 132 pages, 1957. BA 4503-40.

Werkgruppe 25: Klaviersonaten (2 Bände)

Volume 1

Editors: Wolfgang Plath (1930–1995) and Wolfgang Rehm (1929–2017)
Critical commentary editor: Wolfgang Rehm (1929–2017)
Score: XXV, 142 pages, 1986. BA 4600-01.
Critical commentary: 207 pages, 1998. BA 4600-40.
  1. pp.2-13: Piano Sonata No.1 in C major, K.279/189d
  2. pp.14-25: Piano Sonata No.2 in F major, K.280/189e
  3. pp.26-39: Piano Sonata No.3 in B-flat major, K.281/189f
  4. pp.40-47: Piano Sonata No.4 in E-flat major, K.282/189g
  5. pp.48-59: Piano Sonata No.5 in G major, K.283/189h
  6. pp.60-83: Piano Sonata No.6 in D major, K.284/205b
  7. pp.84-103: Piano Sonata No.7 in C major, K.309/284b
  8. pp.104-121: Piano Sonata No.9 in D major, K.311/284c
  9. pp.122-137: Piano Sonata No.8 in A minor, K.310/300d
Appendices
  • pp.140-142: First, uncontinued version of the first movement of the Piano Sonata in D major, K.284/205b

Volume 2

Editors: Wolfgang Plath (1930–1995) and Wolfgang Rehm (1929–2017)
Critical commentary editor: Wolfgang Rehm (1929–2017)
Score: XXXII, 188 pages, 1986. BA 4601-01.
Critical commentary: 207 pages, 1998. BA 4600-40.
  1. pp.2-13: Piano Sonata No.10 in C major, K.330/300h
  2. pp.14-27: Piano Sonata No.11 in A major, K.331/300i
  3. pp.28-47: Piano Sonata No.12 in F major, K.332/300k
  4. pp.48-69: Piano Sonata No.13 in B-flat major, K.333/315c
  5. pp.70-97: [Fantasia and Sonata in C minor, K.475/457]
    1. pp.70-79: Fantasia in C minor, K.475
    2. pp.80-97: Piano Sonata No.14 in C minor, K.457
  6. pp.98-121: Piano Sonata No.15 in F major, K.533/494
  7. pp.122-131: Piano Sonata No.16 in C major, K.545
  8. pp.132-147: Piano Sonata No.17 in B-flat major, K.570
  9. pp.148-163: Piano Sonata No.18 in D major, K.576
Appendices
  1. pp.166-172: Rondo in F major, K.494
  2. pp.173-188: Fragments
    1. p.173: Sonatensatz in C major, K.656
    2. pp.174-180: Allegro in B-flat major, K.400/372a
    3. p.181: Piano Sonata in B-flat major, K.Anh.31/569a
    4. p.181: Piano Sonata in F major, K.Anh.29/590a
    5. p.182: Piano Sonata in F major, K.Anh.30/590b
    6. pp.182-183: Piano Sonata in F major, K.Anh.37/590c
    7. pp.184-188: Allegro in G minor, K.312/590d

Werkgruppe 26: Variationen für Klavier (1 Band)

Editor: Kurt von Fischer (1913–2003)
Score: XX, 160 pages, 1961. BA 4525-01.
Critical commentary: 166 pages, 1962. BA 4525-40.
Appendices

Werkgruppe 27: Klavierstücke (2 Bände)

Volume 1 (Die Notenbücher)

Editor: Wolfgang Plath (1930–1995)
Critical commentary editor: Wolfgang Rehm (1929–2017)
Score: XXXVI, 175 pages, 1982. BA 4583-01.
Critical commentary: 223 pages, 2000. BA 4583-40.
  1. pp.2-96: Notenbuch für Maria Anna (Nannerl) Mozart
    1. p.3: Menuett in C major
    2. p.3: Menuett in F major
    3. p.4: Menuett in C major
    4. pp.4-5: Menuett in G major
    5. p.5: Menuett in F major
    6. p.6: Menuett in F major
    7. pp.6-7: Menuett in D major
    8. p.7: Menuett in F major
    9. p.8: Menuett in A major
    10. pp.8-9: Menuett in D major
    11. pp.9-11: Menuett in F major
    12. p.11: Menuett in A major
    13. p.12: Menuett in A major
    14. pp.12-13: Menuett in E major
    15. p.13: Menuett in E major
    16. p.14: Menuett in C major
    17. pp.14-15: Menuett in F major by Leopold Mozart
    18. pp.16-17: Menuett in B-flat major
    19. p.17: Menuett in F major
    20. pp.18-20: Allegro in C major, K.9a/5a
    21. pp.21-22: Menuett in C major
    22. p.23: Marsch in F major
    23. pp.24-25: Marsch in F major
    24. pp.26-27: Violin Sonata in B-flat major, K.8 (keyboard version of first movement)
  • Einselstücke aus dem ursprünglichen Bestand des Notenbuches
  • II. Londoner Skizzenbuch

Appendices (Band 1)

  • I. Trio des Menuett I (=3. Satz) aus der Serenata in D von Leopold Mozart
  • II. Zwei Klavierstücke unbestimmter Zugehörigkeit, erwähnt bei KV Anh.20a (KV6:626b/25)

Band 2: Einzelstücke für Klavier (Orgel, Orgelwalze, Glasharmonika) (Wolfgang Plath, 1982, BA 4584, 187 pages)

  • I: Einzelstücke für Klavier
  • II. Einzelstücke für Orgel, Orgelwalze und Glasharmonika
  • III. Klavierfassungen von Tänzen und Märschen

Appendices (Band 2)

  • Diversa, Fugenfragmente

Serie X. Supplement

Werkgruppe 28: Bearbeitungen, Ergänzungen und Übertragungen Fremder Werke

Abteilung 1: Bearbeitungen von Werken Georg Friedrich Händels (4 Bände)

  • Band 1: Acis und Galatea, KV 566
  • Band 2: Der Messias, KV 572
  • Band 3: Das Alexander-Fest, KV 591
  • Band 4: Ode auf St. Caecilia, KV 592

Abteilung 2: Bearbeitungen von Werken Verschiedener Komponisten Klavierkonzerte und Kadenzen (1 Band)

  • Konzert in F KV 37 ("No.1")
  • Konzert in B KV 39 ("No.2")
  • Konzert in D KV 40 ("No.3")
  • Konzert in G KV 41 ("No.4")
  • 3 Piano Concertos after Piano Sonatas by Johann Christian Bach, KV 107 (21b) (after J.C.Bach's Op.5 Nos.2–4)
  • Kadenz zu einem Klavierkonzert in D unbekannter Herkunft (KV deest IX/27/2: 2, Modulierendes Präludium. KV 626a I)
  • Anhang: Cadenzas to some piano concertos by Johann Samuel Schroeter (KV 626a F, G, H, N, O, KV deest)

Abteilung 3–5: Sonstige Bearbeitungen, Ergänzungen, Übertragungen (3 Bände)

  • Band 1: Sakramentslitanei in D von Leopold Mozart
  • Band 1a: Lauretanische Litanei in Es von Leopold Mozart

Band 2: Bearbeitungen und Ergänzungen von Werken verschiedener Komponisten

  • "Freundinnen Jesu" - "Ich folge dir, verklärter Held" (C.P.E.Bach) KV3 Anh. 109g/19 (626b/19, 537d)
  • Nun, liebes Weibchen KV 625
  • Cara, sarò fedele (J.Haydn) KV zu 506a
  • Cara, la dolce fiamma (J.C.Bach) KV 293e (1)
  • Ballo gavotte (C.W.Gluck) KV 626b/28
  • Sinfonie in G (J.M.Haydn) KV 444 (425a; Anh.A 53)
  • Konzert in e für Violine und Orchester (G.B.Viotti) KV 470a
  • Fünf Fugen (J.S.Bach) KV 405
    • nach Fuga in c BWV 871
    • nach Fuga in Es BWV 876
    • nach Fuga in E BWV 878
    • nach Fuga in dis BWV 877
    • nach Fuga in D BWV 874
  • Fuge (Fragment) (J.S.Bach) KV deest
  • Fuge in F (Fragment) (G.F.Händel) KV deest
  • Andantino in Es (C.W.Glück) KV 236 (588b)
  • Adagio in F für Klavier (unbekannte Herkunft) KV Anh. 206a (Anh.A 65)
  • Anhang 1: Missa in C (George von Reutter d.J.) KV deest
  • Anhang 2: "Triumph! Triumph!" (C.P.E.Bach) KV deest
  • Anhang 3: "Gott fähret auf mit Jauchzen" (C.P.E.Bach) KV deest

Band 3: Übertragungen von Werken verschiedener Komponisten

  • Kyrie (George von Reutter d.J.) KV Anh. 17 (91; 186i)
  • Pignus in d (Johann Michael Haydn) KV Anh. 239 (Anh. 109 IV; Anh. A 11)
  • Pignus in g (Johann Michael Haydn) KV Anh. 240 (Anh. 109 V; Anh. A 12)
  • Stabat Mater (Eugenio di Ligniville) KV Anh. 238 (Anh. 109 II; Anh. A 17)
  • Tres sunt (Johann Michael Haydn) KV Anh. 109 VI (Anh. A 13)
  • Ave Maria (Johann Michael Haydn) KV3 Anh. 109VI Nr. 14 (KV6 Anh. A 14) KV Anh. 109 VI/14 (Anh. A 14)
  • De profundis (Georg von Reutter d. J.) KV 93 (KV6 Anh. A 22) KV 93 (Anh. A 22)
  • Memento Domine David (Georg von Reutter d. J.)
  • Cibavit eos – Sicut erat (Johann Stadlmayr) KV 44 (73u)
  • Sinfonie in Es (Karl Friedrich Abel) KV 18 (Anh. 109 I; Anh. A 51)
  • Finale einer Sinfonie in D (Johann Michael Haydn) KV 291 (Anh. 109 XI; Anh. A 52)
  • Fuge in C sopra Ut Re Mi Fa Sol La (Johann Jakob Froberger) KV Anh. 292 (Anh. 109 VII; Anh. A 60)
  • Fuge in d (Georg Friedrich Händel) KV deest.
  • Anhang: In te Domine speravi (unbekannte Herkunft) KV Anh. 23 (166h)
  • Anhang: Miserere (unbekannte Herkunft) KV Zu 73u Miserere.
  • Anhang: Langsame Einleitung (Wolfgang Amadeus Mozart zugeschrieben) KV Zu 291 (Anh. 109 XI; Anh. A 52)
  • Anhang: Sicut erat (Johann Stadlmayr) KV [kein KV]

Werkgruppe 29: Werke Zweifelhafter Echtheit (3 Bände)

Werkgruppe 30: Theorie- und Kompositionsstudien, Skizzen, Fragmente (4 Bände)

Werkgruppe 31: Nachträge (4 Bände)

Werkgruppe 32: Mozart und seine Welt in zeitgenössischen Bildern (1 Band)

Werkgruppe 33: Dokumentation der Autographen Überlieferung

Abteilung 1: Eigenhändiges Werkverzeichnis (1 Band)
Abteilung 2: Wasserzeichen-Katalog (1 Band)

Werkgruppe 34: Mozart. Die Dokumente seines Lebens (1 Band)

Werkgruppe 35

Abteilung 1: Addenda und Corrigenda (1 Band)
Abteilung 2: Indices (1 Band)

Sources/References

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