Les Troyens, H 133 (Berlioz, Hector)

Movements/SectionsMov'ts/Sec's	5 acts
Composition Year	1856–58, with additions 1859–60, 1863 and 1864 (Marche troyenne)
Genre Categories	Grand operas; Theatrical Works; Operas; For voices, mixed chorus, orchestra; Scores featuring the voice; Scores featuring mixed chorus; Scores featuring the orchestra; For voices and chorus with orchestra; French language; For orchestra (arr); Scores featuring the orchestra (arr); For piano 4 hands (arr); Scores featuring the piano (arr); Scores featuring the piano 4 hands (arr); For 2 players (arr)

1 Performances
- 1.1 Recordings
- 1.2 Naxos
2 Sheet Music
3 General Information
4 Navigation etc.

Performances

Recordings

Marche Troyenne, H 133B (EU)
*#415913 - 12.09MB - 5:16 - 0.0/10 2 4 6 8 10 (-) - V/64/V - 540×⇩ - MP3 - Rgagnaux

MP3 file (audio)
Rgagnaux (2016/3/19)

Performer Pages	Philharmonia Orchestra (orchestra)
Publisher Info.	Parlophone PMC 1022, 1953. Schattdorf: Gagnaux Collection
Performers	Wilhelm Schüchter
Copyright	Public Domain - Non-PD US [tag/del]
Misc. Notes	Recorded 26 november 1953, EMI Studio No. 1, Abbey Road, London
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Marche troyenne, H 133B (EU)
*#415915 - 11.62MB - 5:04 - 0.0/10 2 4 6 8 10 (-) - V/64/V - 272×⇩ - MP3 - Rgagnaux

MP3 file (audio)
Rgagnaux (2016/3/19)

Performer Pages	Hermann Scherchen (conductor)
Publisher Info.	Ducretet Thomson 470 C 097, 1953. Schattdorf: Gagnaux Collection
Performers	Orchestre de la Société des Concerts du Conservatoire de Paris
Copyright	Public Domain - Non-PD US [tag/del]
Misc. Notes	Recorded 2-3, 5-9 May 1952 in Paris, Maison de La Mutualité.
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Naxos

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Sheet Music

Full Scores

Complete, H 133 A

Part I
*#412274 - 102.37MB, 487 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 267×⇩ - 2138

PDF scanned by F-Pn
2138 (2016/2/21)

Part II
*#412275 - 97.56MB, 424 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 114×⇩ - 2138

PDF scanned by F-Pn
2138 (2016/2/21)

Publisher. Info.	Holograph manuscript, 1856-63.
Copyright	Public Domain [tag/del/mrg]
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Act I (EU)
*#108953 - 13.80MB, 196 pp. - 0.0/10 2 4 6 8 10 (-) - C*/65*/V* - 7737×⇩ - Madcapellan

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Madcapellan (2011/7/13)

⇒ 4 more: Act II • Act III • Act IV • Act V

Act II (EU)
*#108954 - 6.52MB, 92 pp. - 0.0/10 2 4 6 8 10 (-) - C*/65*/V* - 3382×⇩ - Madcapellan

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Madcapellan (2011/7/13)

Act III (EU)
*#108955 - 10.32MB, 148 pp. - 0.0/10 2 4 6 8 10 (-) - C*/65*/V* - 3230×⇩ - Madcapellan

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Madcapellan (2011/7/13)

Act IV (EU)
*#108956 - 10.06MB, 148 pp. - 0.0/10 2 4 6 8 10 (-) - C*/65*/V* - 4580×⇩ - Madcapellan

PDF scanned by Madcapellan
Madcapellan (2011/7/13)

Act V (EU)
*#108957 - 10.63MB, 161 pp. - 0.0/10 2 4 6 8 10 (-) - C*/65*/V* - 4066×⇩ - Madcapellan

PDF scanned by Madcapellan
Madcapellan (2011/7/13)

Editor	Hugh Macdonald (1940*)
Publisher. Info.	New Edition of the Complete Works, Vol.2a–b Kassel: Bärenreiter-Verlag, 1969. Plate BA 5442/I–II. URTEXT EDITION This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin. In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material). You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States. More information can be found here. Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright	Public Domain - See notes on copyright status for urtext editions [tag/del/mrg]
Misc. Notes	600 dpi
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Part I. La prise de Troie

Complete Score
*#64920 - 13.01MB, 264 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 2609×⇩ - Daphnis

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Daphnis (2010/5/24)

Editor	First edition
Publisher. Info.	Paris: Choudens, n.d.[1899]. Plate A.C. 11,222.
Reprinted	New York: Edwin F. Kalmus, n.d.(ca.1970). Catalog 515.
Copyright	Public Domain [tag/del]
Misc. Notes	Bookmarked by Act. Note: The original Act I is here split into “Acts I and II”; the two tableaux of Act II now comprise “Act III”. To accomodate the break in the middle of Act I, the last four bars of page 80 are altered into a final cadence, and the following Hymne troyenne has a new introduction grafted onto the front finishing at figure A on page 82. The Hymne troyenne and Combat de ceste (pp.81–105) are an interpolation of previously typeset score by Choudens ca.1885; the majority of the typesetting appears to be the work of Breitkopf und Härtel.
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Part II. Les Troyens à Carthage

Complete Score
*#64989 - 14.56MB, 319 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 1780×⇩ - Daphnis

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Daphnis (2010/5/25)

Editor	First edition
Publisher. Info.	Paris: Choudens, n.d.(1885). Plate A.C. 6030.
Reprinted	New York: E.F. Kalmus, n.d.(ca.1970). Catalog 516.
Copyright	Public Domain [tag/del]
Misc. Notes	Contains many cuts and interpolations from Acts III–V of Les Troyens, too numerous to mention here; please refer to the discussion page. Note: Act III is renamed as “Act I”; only the second tableau of Act IV is included as “Act II”; the first tableau of Act V comprises “Act III”, and the remainder of the Act becomes “Act IV”.
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Prélude à Les Troyens à Carthage (from Act III)

Complete Score
*#11359 - 0.59MB, 13 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V* - 1096×⇩ - Daphnis

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Daphnis (2007/8/5)

Editor	Charles Malherbe (1853-1911) Felix Weingartner (1863-1942)
Publisher. Info.	Hector Berlioz Werke, Serie II, Band 5 Leipzig: Breitkopf und Härtel, 1900–07. Plate H.B. 14.
Reprinted	Mineola: Dover Publications, 1995.
Copyright	Public Domain [tag/del]
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Complete Score (EU)
*#109393 - 0.60MB, 10 pp. - 0.0/10 2 4 6 8 10 (-) - C*/66/V* - 1442×⇩ - Madcapellan

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Madcapellan (2011/7/16)

Editor	Hugh Macdonald (b. 1940*)
Publisher. Info.	New Edition of the Complete Works, Vol.2c Kassel: Bärenreiter-Verlag, 1970. Plate BA 5442. URTEXT EDITION This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin. In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material). You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States. More information can be found here. Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright	Public Domain - Non-PD US [tag/del]
Misc. Notes	600 dpi
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Overture

Complete Score
*#700232 - 1.11MB, 10 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 53×⇩ - M.kowalski49

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M.kowalski49 (2021/5/15)

Editor	Charles Malherbe (1853-1911) Felix Weingartner (1863-1942)
Publisher. Info.	Hector Berlioz Werke, Serie II, Band 6 Leipzig: Breitkopf und Härtel, 1900–07. Plate H.B. 22.
Reprinted	New York: E.F. Kalmus, n.d.(1933–70). Catalog A3167.
Copyright	Public Domain [tag/del]
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Marche troyenne, H 133 B

Complete Score
*#58511 - 9.73MB, 32 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V* - 1546×⇩ - Daphnis

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Daphnis (2010/3/8)

Editor	Charles Malherbe (1853-1911) Felix Weingartner (1863-1942)
Publisher. Info.	Hector Berlioz Werke, Serie II, Band 6 Leipzig: Breitkopf und Härtel, 1900–07. Plate H.B. 22.
Copyright	Public Domain [tag/del]
Misc. Notes	Concert arrangement of music from H 133 A, Act I
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Complete Score (EU)
*#109394 - 1.80MB, 30 pp. - 0.0/10 2 4 6 8 10 (-) - C*/66/V* - 1158×⇩ - Madcapellan

PDF scanned by Madcapellan
Madcapellan (2011/7/16)

Editor	Hugh Macdonald (b. 1940*)
Publisher. Info.	New Edition of the Complete Works, Vol.2c Kassel: Bärenreiter-Verlag, 1970. Plate BA 5442. URTEXT EDITION This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin. In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material). You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States. More information can be found here. Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright	Public Domain - Non-PD US [tag/del]
Misc. Notes	600 dpi
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Chasse royale et Orage, Symphonie descriptive (concert version)

Complete Score
*#698195 - 2.78MB, 33 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 83×⇩ - Carolus

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Carolus (2021/5/6)

Publisher. Info.	Paris: Choudens, n.d.(ca.1886). Plate A.C. 6084.
Reprinted	New York: E.F. Kalmus, n.d.(1933–70). Catalog A1309
Copyright	Public Domain [tag/del]
Misc. Notes	Parts were issued in 1866 but the score lagged 2 decades behind.
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Complete Score (EU)
*#109392 - 2.19MB, 34 pp. - 0.0/10 2 4 6 8 10 (-) - C*/66/V* - 2671×⇩ - Madcapellan

PDF scanned by Madcapellan
Madcapellan (2011/7/16)

Editor	Hugh Macdonald (b. 1940*)
Publisher. Info.	New Edition of the Complete Works, Vol.2c Kassel: Bärenreiter-Verlag, 1970. Plate BA 5442. URTEXT EDITION This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin. In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material). You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States. More information can be found here. Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright	Public Domain - Non-PD US [tag/del]
Misc. Notes	Berlioz’s 1863 re-orchestration for the smaller Théâtre-Lyrique forces: original Choudens parts also available. 600 dpi
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Original Act V Finale

Complete Score (EU)
*#109395 - 2.41MB, 40 pp. - 0.0/10 2 4 6 8 10 (-) - C*/66/V* - 1464×⇩ - Madcapellan

PDF scanned by Madcapellan
Madcapellan (2011/7/16)

Editor	Hugh Macdonald (b. 1940*)
Publisher. Info.	New Edition of the Complete Works, Vol.2c Kassel: Bärenreiter-Verlag, 1970. Plate BA 5442. URTEXT EDITION This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin. In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material). You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States. More information can be found here. Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright	Public Domain - Non-PD US [tag/del]
Misc. Notes	600 dpi
Purchase	Javascript is required for this feature.