Movements/SectionsMov'ts/Sec's | 3 (2) sections |
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Composition Year | 1849, revised 1851 |
Genre Categories | Secular cantatas; Cantatas; For mixed chorus, orchestra; |
Contents |
Complete Score
*#515590 - 3.59MB, 48 pp. - -) (- V/V/V - 77×⇩ - Music Addict
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Music Addict (2018/3/15)
1. Méditation religieuse, H 56B
*#255953 - 0.68MB, 6 pp. - -) (- V/V/V - 779×⇩ - Emblyadell
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Emblyadell (2012/10/25)
2. La mort d’Ophélie, ballade, H 92B
*#255954 - 1.42MB, 10 pp. - -) (- V/V/V - 739×⇩ - Emblyadell
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Emblyadell (2012/10/25)
3. Marche funèbre pour la dernière scène d’Hamlet, H 103
*#255955 - 1.66MB, 10 pp. - -) (- V/V/V - 578×⇩ - Emblyadell
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Emblyadell (2012/10/25)
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Complete Score
*#515591 - 10.82MB, 36 pp. - -) (- V/V/V - 59×⇩ - Music Addict
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Music Addict (2018/3/15)
1. Méditation religieuse, H 56B
*#26470 - 2.06MB, 6 pp. - -) (- V/V/V - 2156×⇩ - Philip Legge
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Philip Legge (2009/1/9)
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Complete Score (EU)
*#731016 - 2.86MB, 50 pp. - -) (- C*/N*/V* - 186×⇩ - Madcapellan
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Madcapellan (2021/9/12)
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Work Title | Tristia |
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Alternative. Title | |
Name Aliases | Tristia (Berlioz) |
Authorities | Wikipedia |
Composer | Berlioz, Hector |
Opus/Catalogue NumberOp./Cat. No. | Op.18 ; H 119 |
I-Catalogue NumberI-Cat. No. | IHB 64 |
Key | see below |
Movements/SectionsMov'ts/Sec's | 3 (originally 2) sections:
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Year/Date of CompositionY/D of Comp. | 1849, revised 1851 |
First Publication. | 1849 (H 119A), 1852 - Paris: Richault (H 119B, full score, parts) |
Librettist | 1. Anne-Louise Swanton-Belloc (1796-1881) 2. Ernest Legouvé (1807–1903) |
Language | French |
Dedication | à Prince Eugen von Sayn-Wittgenstein (1825–1886) |
Average DurationAvg. Duration | 16 minutes |
Composer Time PeriodComp. Period | Romantic |
Piece Style | Romantic |
Instrumentation | mixed chorus (SATB), orchestra |
InstrDetail | |
External Links | Wikipedia article On-line score (Scorch format) of No.3 |
Extra Information | This work is an 1852 compilation by the composer of three works first composed between 1831 and 1848. For additional details including a publication history, see here. |