Lyric Pieces, Op.54 (Grieg, Edvard)

Incipit	$\relative c'' { \tempo "Andante espresivo" \key g \minor \time 6/8 \partial 8 d8^\markup { \hspace#-10.5 \raise#5 \fontsize #2 "Shepherd’s boy" } _\markup { \dynamic p \italic "cantabile" } \shape #'((0 . 0)(0 . 0.5)(-0.3 . 0.5)(-0.3 . -1.5))( cis4 bes8 \grace { a16 bes } a4 g8 \| d4.~-> d4) d'8\< \shape #'((0 . -1.5)(0 . 0.5)(-0.3 . 0.5)(-0.3 . -2))( \| ees\> d\! cis bes[ \grace { a16 bes } a8 g] \| d4.->~ d4) }$ $<< \relative c'' { \tempo "Allegretto marcato" \key c \major \time 6/8 \partial 4 c8\p^\markup { \hspace#-8 \raise#5 \fontsize #2 "Norwegian March" } \shape #'((0 . 0)(0 . 0)(-0.3 . 0)(-0.3 . -1.5))( d \| e c e~ e[ \grace { d16 e } d8 b] \| d4-.) \once \override Tie.staff-position = #5 \textLengthOn d8->~-" " \shape #'((0 . -1)(0 . -0.5)(-0.3 . 0)(-0.3 . -2.5))( d c a \| c a c b g b \| a4-.) } \\ \relative c' { s8 s \| f4. g \| e f \| d c \| b } >>$ $\relative c' { \tempo "Allegro moderato" \key d \minor \time 2/4 \set Timing.beamExceptions = #'() \set Timing.beatStructure = #'(2) \partial 8 d32\pp^\markup { \hspace#-9.5 \raise#5 \fontsize #2 "March of the dwarfs" }( e f g \| a8-.) <d, f d'>-. q-. <d f cis'>-. \| q-. <d f c'>-. q-. <d f b>-. \| q-. <d f bes>-. q-. <d f a>-. \| <b e gis>-. q4-- }$ $\new GrandStaff << \new Staff << \tempo "Andante" \time 9/8 \key c \major \relative c { c4.~\p^\markup { \hspace#-8 \raise#2.5 \fontsize #2 "Nocturne" } c8 r r r4 r8 \|\noBreak \slashedGrace { a''8( } a'4.->)( e2.) \| c,,4.~ c8 r r r4 r8 \|\noBreak \slashedGrace { a''8( } \slurDashed a'8.--)( a16-- gis8-- e2.~ \| \override TupletBracket.bracket-visibility = ##t \tuplet 2/3 4. { e8) \once\hideNotes e} } >> \new Staff << \relative c' { \override Rest.staff-position = 0 r8 <c e> q~ q q q~ q q q~ \| \repeat unfold 3 { q q q~ q q q~ q q q~ \| } } \\ \relative c { f4.\rest b( bes \|\noBreak a aes g) \|\noBreak d4.\rest b'( bes \|\noBreak a aes g) \|\noBreak } >> >>$ $<< \relative c'' { \tempo "Prestissimo leggero" \key e \minor \time 3/4 \override TupletBracket.bracket-visibility = ##t \repeat unfold 2 { r4 \tuplet 3/2 4 { e8( g c b g e) } \| } r4 \tuplet 3/2 4 { b8( dis g fis dis b) } \| b4\rest \tuplet 3/2 4 { e,8( g c b g e) } \| } \\ \relative c' { e4^\markup { \hspace#-10 \raise#9 \fontsize #2 "Scherzo" } -\markup { \dynamic pp \italic "ma il basso marcato" } fis8 g a b \| c4->( b8 g e4-.) \| g->( fis8 dis b4-.) \| c->( b8 g e4-.) \| } >>$ $\relative c'' { \tempo "Andante" \key c \major \time 2/4 r8^\markup { \hspace#-8.5 \raise#3.5 \fontsize #2 "Bell ringing" } <c g'>4_\markup { \dynamic pp \italic sempre} <g d'>8~ \| q <d a'>4. \| r8 \slashedGrace { e'8^( } <c g'>4--) \slashedGrace { b8^( } <g d'>8~--) \| q \slashedGrace { f^( } <d a'>4.--) \| }$
Movements/SectionsMov'ts/Sec's	6 pieces
Genre Categories	Pieces; For piano; Scores featuring the piano; For 1 player; For orchestra (arr); Scores featuring the orchestra (arr); For harp (arr); Scores featuring the harp (arr); For 1 player (arr); For wind band (arr); For orchestra without strings (arr); Scores featuring wind band (arr); For violin, piano (arr); For 2 players (arr); Scores featuring the violin (arr); Scores featuring the piano (arr); For 2 pianos (arr); For organ (arr); Scores featuring the organ (arr)

Incipit

$\relative c'' { \tempo "Andante espresivo" \key g \minor \time 6/8 \partial 8 d8^\markup { \hspace#-10.5 \raise#5 \fontsize #2 "Shepherd’s boy" } _\markup { \dynamic p \italic "cantabile" } \shape #'((0 . 0)(0 . 0.5)(-0.3 . 0.5)(-0.3 . -1.5))( cis4 bes8 \grace { a16 bes } a4 g8 | d4.~-> d4) d'8\< \shape #'((0 . -1.5)(0 . 0.5)(-0.3 . 0.5)(-0.3 . -2))( | ees\> d\! cis bes[ \grace { a16 bes } a8 g] | d4.->~ d4) }$

$<< \relative c'' { \tempo "Allegretto marcato" \key c \major \time 6/8 \partial 4 c8\p^\markup { \hspace#-8 \raise#5 \fontsize #2 "Norwegian March" } \shape #'((0 . 0)(0 . 0)(-0.3 . 0)(-0.3 . -1.5))( d | e c e~ e[ \grace { d16 e } d8 b] | d4-.) \once \override Tie.staff-position = #5 \textLengthOn d8->~-" " \shape #'((0 . -1)(0 . -0.5)(-0.3 . 0)(-0.3 . -2.5))( d c a | c a c b g b | a4-.) } \\ \relative c' { s8 s | f4. g | e f | d c | b } >>$

$\relative c' { \tempo "Allegro moderato" \key d \minor \time 2/4 \set Timing.beamExceptions = #'() \set Timing.beatStructure = #'(2) \partial 8 d32\pp^\markup { \hspace#-9.5 \raise#5 \fontsize #2 "March of the dwarfs" }( e f g | a8-.) <d, f d'>-. q-. <d f cis'>-. | q-. <d f c'>-. q-. <d f b>-. | q-. <d f bes>-. q-. <d f a>-. | <b e gis>-. q4-- }$

$\new GrandStaff << \new Staff << \tempo "Andante" \time 9/8 \key c \major \relative c { c4.~\p^\markup { \hspace#-8 \raise#2.5 \fontsize #2 "Nocturne" } c8 r r r4 r8 |\noBreak \slashedGrace { a''8( } a'4.->)( e2.) | c,,4.~ c8 r r r4 r8 |\noBreak \slashedGrace { a''8( } \slurDashed a'8.--)( a16-- gis8-- e2.~ | \override TupletBracket.bracket-visibility = ##t \tuplet 2/3 4. { e8) \once\hideNotes e} } >> \new Staff << \relative c' { \override Rest.staff-position = 0 r8 <c e> q~ q q q~ q q q~ | \repeat unfold 3 { q q q~ q q q~ q q q~ | } } \\ \relative c { f4.\rest b( bes |\noBreak a aes g) |\noBreak d4.\rest b'( bes |\noBreak a aes g) |\noBreak } >> >>$

$<< \relative c'' { \tempo "Prestissimo leggero" \key e \minor \time 3/4 \override TupletBracket.bracket-visibility = ##t \repeat unfold 2 { r4 \tuplet 3/2 4 { e8( g c b g e) } | } r4 \tuplet 3/2 4 { b8( dis g fis dis b) } | b4\rest \tuplet 3/2 4 { e,8( g c b g e) } | } \\ \relative c' { e4^\markup { \hspace#-10 \raise#9 \fontsize #2 "Scherzo" } -\markup { \dynamic pp \italic "ma il basso marcato" } fis8 g a b | c4->( b8 g e4-.) | g->( fis8 dis b4-.) | c->( b8 g e4-.) | } >>$

$\relative c'' { \tempo "Andante" \key c \major \time 2/4 r8^\markup { \hspace#-8.5 \raise#3.5 \fontsize #2 "Bell ringing" } <c g'>4_\markup { \dynamic pp \italic sempre} <g d'>8~ | q <d a'>4. | r8 \slashedGrace { e'8^( } <c g'>4--) \slashedGrace { b8^( } <g d'>8~--) | q \slashedGrace { f^( } <d a'>4.--) | }$

Movements/SectionsMov'ts/Sec's

6 pieces

Genre Categories

Pieces; For piano; Scores featuring the piano; For 1 player; For orchestra (arr); Scores featuring the orchestra (arr); For harp (arr); Scores featuring the harp (arr); For 1 player (arr); For wind band (arr); For orchestra without strings (arr); Scores featuring wind band (arr); For violin, piano (arr); For 2 players (arr); Scores featuring the violin (arr); Scores featuring the piano (arr); For 2 pianos (arr); For organ (arr); Scores featuring the organ (arr)

Performances

Naxos

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Sheet Music

Scores

Complete

Complete Score
*#810548 - 3.29MB, 21 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 220×⇩ - Feduol

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Feduol (2022/9/13)

Publisher. Info.	Holograph manuscript, n.d.
Copyright	Public Domain [tag/del]
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Complete Score
*#810552 - 3.39MB, 21 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 69×⇩ - Feduol

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Feduol (2022/9/13)

Publisher. Info.	Holograph manuscript, n.d.
Copyright	Public Domain [tag/del]
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Complete Score (Preview)
*#32347 - 4.24MB, 24 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 20343×⇩ - piupianissimo

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piupianissimo (2009/6/7)

Complete Score (1200dpi) (Preview)
*#32348 - 7.29MB, 24 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 11868×⇩ - piupianissimo

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piupianissimo (2009/6/7)

Editor	Adolf Ruthardt (1849-1934)
Publisher. Info.	Leipzig: C.F. Peters, n.d.(ca.1891). Plate 7637.
Copyright	Public Domain [tag/del/mrg]
Misc. Notes	Scanned at 1200dpi, cleaned with 4-point algorithm, additional manual cleaning, downsizing to 600dpi (I uploaded the 1200dpi version as well), original page and bordersize
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Complete Score
*#00183 - 1.43MB, 22 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 22293×⇩ - Feldmahler

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Feldmahler (2006/2/18)

Editor	Hermann Kretzschmar (1848–1924)
Publisher. Info.	Klavierwerke, Band I: Lyrische Stücke Leipzig: C.F. Peters, No. 3100, n.d.[1902]. Plate 8800.
Copyright	Public Domain [tag/del]
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Complete Score (scan) (EU) (Preview)
*#211940 - 3.27MB, 22 pp. - 0.0/10 2 4 6 8 10 (-) - C*/73*/V* - 33400×⇩ - piupianissimo

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piupianissimo (2012/4/29)

Editor	Dag Schjelderup-Ebbe (1926–2013)
Publisher. Info.	Samlede verker, Band 1 (pp.66-87) Frankfurt: C.F. Peters, 1977. Plate 31071. URTEXT EDITION This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material). You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired. More information can be found here. Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright	Public Domain - See notes on copyright status for urtext editions [tag/del]
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Selections

2. Gangar
*#810549 - 0.44MB, 3 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 88×⇩ - Feduol

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Feduol (2022/9/13)

4. Notturno
*#810550 - 0.62MB, 4 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 343×⇩ - Feduol

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Feduol (2022/9/13)

5. Scherzo
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Feduol (2022/9/13)

Publisher. Info.	Holograph manuscript, 1891 (June/July).
Copyright	Public Domain [tag/del/mrg]
Misc. Notes	This file is part of the Submission Project.
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Arrangements and Transcriptions

Selections

For Orchestra (Composer)

1. Gjætergut
*#89029 - 1.54MB, 7 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 3024×⇩ - Lisztrachmanino...

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Lisztrachmanino... (2011/1/1)

⇒ 4 more: 2. Gangar • 3. Trolltog • 4. Notturno • 6. Klokkeklang

2. Gangar
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Lisztrachmanino... (2011/1/1)

3. Trolltog
*#89031 - 3.84MB, 19 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 2794×⇩ - Lisztrachmanino...

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Lisztrachmanino... (2011/1/1)

4. Notturno
*#89033 - 3.11MB, 15 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 2196×⇩ - Lisztrachmanino...

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Lisztrachmanino... (2011/1/1)

6. Klokkeklang (EU)
*#89034 - 2.26MB, 11 pp. - 0.0/10 2 4 6 8 10 (-) - V/48/V - 1701×⇩ - Lisztrachmanino...

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Lisztrachmanino... (2011/1/1)

Publisher. Info.	Holograph manuscript, 1891.
Copyright	Public Domain - Non-PD US [tag/del/mrg]
Misc. Notes	High Quality
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2. Gangar
*#810553 - 3.28MB, 18 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 33×⇩ - Feduol

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Feduol (2022/9/13)

4. Notturno
*#810554 - 2.88MB, 15 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 46×⇩ - Feduol

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Feduol (2022/9/13)

3. Trolltog
*#810555 - 3.81MB, 21 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 47×⇩ - Feduol

PDF scanned by N-Bo
Feduol (2022/9/13)

Publisher. Info.	Holograph manuscript, n.d.
Copyright	Public Domain [tag/del/mrg]
Misc. Notes	This file is part of the Submission Project.
Purchase	Javascript is required for this feature.