Lyric Pieces, Op.68 (Grieg, Edvard)

Incipit	$\relative c' { \tempo "Allegro vivace e marcato" \key c \major \time 2/2 \numericTimeSignature <e g>2->\f^\markup { \hspace#-8 \raise#4.5 \fontsize #2 "Sailor’s Song" } <e a>-> \| <c e g>2.-> < c f c'>4-. \| <c f b>-. <c f a>-. <g c g'>-. <<{f'8 e}\\{<a, c>4}>> \| <g b d>-. <g a c>-. <g b d>2-> \| }$ $<< \relative c'' { \tempo "Allegretto grazioso e leggerissimo" \key g \major \time 3/4 \grace { g16^\markup { \hspace#-9 \raise#4 \fontsize #2 "Grandmother’s Minuet" }_( a} g8\pp_.) fis_. g4-. <g b>-. \| <d fis a>4_. 2_- \| \grace { g16_( a} g8_.) fis_. g4-. <g b>-. \| <d fis d'>2. \| } \\ \relative c' { s4 e8-. d cis4-. \| s s s \| s e8-. d-. cis4-. \| s s s \| } >>$ $<< \relative c' { \tempo "Poco Andante e molto espressivo" \key d \major \time 2/4 \override Rest.staff-position = 0 r4^\markup { \hspace#-11 \raise#6 \fontsize #2 "At your feet" } d\p_( \| cis2) \| r8 d^\< cis d \| a'4\>( g) \| r\! <g_~ b>( \| <g bes>2) \| r8 b! ais b \| fis'4( e) } \\ \relative c' { s2 * 2 \| s8 s s d~ \| d2 \| s2 * 2 \| s8 g4.\< \| <g b>2\> <>\!\| } >>$ $\relative c'' { \tempo "Andante espressivo" \key e \minor \time 2/4 \numericTimeSignature \stemUp b4->\p^\markup { \hspace#-10 \raise#4 \fontsize #2 "Evening in the mountains" } ( a8 g \| e4 b) \| b'->( \grace { a16 b } a8 g \| e dis b4) \| b'->( ais8 fis) \| b4->( \grace { c16 b } ais8 fis) \| }$ $<< \relative c'' { \tempo "Allegretto tranquillamente" \key e \major \time 4/4 \numericTimeSignature b8^\markup { \hspace#-13 \raise#5.5 \fontsize #2 "At the cradle" }( _\markup { \dynamic p \italic "cantando" } cis dis e dis4 b8 dis \| cis4 cis b2) \| b8( cis dis e dis4 \grace { cis16 dis } cis8 b \| cis2 b) \| } \\ \relative c'' { gis4 a gis e \| fis dis e fis \| gis a gis e \| fis dis e fis \| } >>$ $<< \relative c' { \tempo "Tempo di Valse tranquillo" \key g \minor \time 3/4 \numericTimeSignature \once \override NoteColumn.force-hshift = #1 bes'2^\markup { \hspace#-13 \raise#4.5 \fontsize #2 "Valse mélancolique" }( a4-\shape #'((0 . 0)(0 . 0)(-1 . 0)(-1 . 0))~) \| a bes8 c bes a \| \once \override NoteColumn.force-hshift = #1 bes2( a4-\shape #'((0 . 0)(0 . 0)(-1 . 0)(-1 . 0))~) \| a bes8 c bes a \| \tieNeutral <d, fis bes d>2 4~ \| 4 4. 8 \| \once \override NoteColumn.force-hshift = #1 bes'2( a4-\shape #'((0 . 0)(0 . 0)(-1 . 0)(-1 . 0))^~) \| a } \\ \relative c'' { \repeat unfold 2 { <d,_~ fis-\shape #'((1 . 0)(1 . 0)(0 . 0)(0 . 0))_~ d'^~>2. \| \once \override TieColumn.positioning-done = ##t q4 s s \| } s2. * 2 \| <d_~ f!-\shape #'((1 . 0)(1 . 0)(0 . 0)(0 . 0))_~ d'^~>2. \| \once \override TieColumn.positioning-done = ##t q4 } >>$
Movements/SectionsMov'ts/Sec's	6 pieces
Genre Categories	Pieces; For piano; Scores featuring the piano; For 1 player; For orchestra (arr); Scores featuring the orchestra (arr); For strings (arr); Scores featuring string ensemble (arr); For harp (arr); Scores featuring the harp (arr); For 1 player (arr); For 2 oboes, English horn, bassoon (arr); Scores featuring the oboe (arr); Scores featuring the English horn (arr); Scores featuring the bassoon (arr); For 4 players (arr); For violin, piano (arr); For 2 players (arr); Scores featuring the violin (arr); Scores featuring the piano (arr); For flute, oboe, clarinet, bassoon (arr); Scores featuring the flute (arr); Scores featuring the clarinet (arr)

Incipit

$\relative c' { \tempo "Allegro vivace e marcato" \key c \major \time 2/2 \numericTimeSignature <e g>2->\f^\markup { \hspace#-8 \raise#4.5 \fontsize #2 "Sailor’s Song" } <e a>-> | <c e g>2.-> < c f c'>4-. | <c f b>-. <c f a>-. <g c g'>-. <<{f'8 e}\\{<a, c>4}>> | <g b d>-. <g a c>-. <g b d>2-> | }$

$<< \relative c'' { \tempo "Allegretto grazioso e leggerissimo" \key g \major \time 3/4 \grace { g16^\markup { \hspace#-9 \raise#4 \fontsize #2 "Grandmother’s Minuet" }_( a} g8\pp_.) fis_. g4-. <g b>-. | <d fis a>4_. 2_- | \grace { g16_( a} g8_.) fis_. g4-. <g b>-. | <d fis d'>2. | } \\ \relative c' { s4 e8-. d cis4-. | s s s | s e8-. d-. cis4-. | s s s | } >>$

$<< \relative c' { \tempo "Poco Andante e molto espressivo" \key d \major \time 2/4 \override Rest.staff-position = 0 r4^\markup { \hspace#-11 \raise#6 \fontsize #2 "At your feet" } d\p_( | cis2) | r8 d^\< cis d | a'4\>( g) | r\! <g_~ b>( | <g bes>2) | r8 b! ais b | fis'4( e) } \\ \relative c' { s2 * 2 | s8 s s d~ | d2 | s2 * 2 | s8 g4.\< | <g b>2\> <>\!| } >>$

$\relative c'' { \tempo "Andante espressivo" \key e \minor \time 2/4 \numericTimeSignature \stemUp b4->\p^\markup { \hspace#-10 \raise#4 \fontsize #2 "Evening in the mountains" } ( a8 g | e4 b) | b'->( \grace { a16 b } a8 g | e dis b4) | b'->( ais8 fis) | b4->( \grace { c16 b } ais8 fis) | }$

$<< \relative c'' { \tempo "Allegretto tranquillamente" \key e \major \time 4/4 \numericTimeSignature b8^\markup { \hspace#-13 \raise#5.5 \fontsize #2 "At the cradle" }( _\markup { \dynamic p \italic "cantando" } cis dis e dis4 b8 dis | cis4 cis b2) | b8( cis dis e dis4 \grace { cis16 dis } cis8 b | cis2 b) | } \\ \relative c'' { gis4 a gis e | fis dis e fis | gis a gis e | fis dis e fis | } >>$

$<< \relative c' { \tempo "Tempo di Valse tranquillo" \key g \minor \time 3/4 \numericTimeSignature \once \override NoteColumn.force-hshift = #1 bes'2^\markup { \hspace#-13 \raise#4.5 \fontsize #2 "Valse mélancolique" }( a4-\shape #'((0 . 0)(0 . 0)(-1 . 0)(-1 . 0))~) | a bes8 c bes a | \once \override NoteColumn.force-hshift = #1 bes2( a4-\shape #'((0 . 0)(0 . 0)(-1 . 0)(-1 . 0))~) | a bes8 c bes a | \tieNeutral <d, fis bes d>2 4~ | 4 4. 8 | \once \override NoteColumn.force-hshift = #1 bes'2( a4-\shape #'((0 . 0)(0 . 0)(-1 . 0)(-1 . 0))^~) | a } \\ \relative c'' { \repeat unfold 2 { <d,_~ fis-\shape #'((1 . 0)(1 . 0)(0 . 0)(0 . 0))_~ d'^~>2. | \once \override TieColumn.positioning-done = ##t q4 s s | } s2. * 2 | <d_~ f!-\shape #'((1 . 0)(1 . 0)(0 . 0)(0 . 0))_~ d'^~>2. | \once \override TieColumn.positioning-done = ##t q4 } >>$

Movements/SectionsMov'ts/Sec's

6 pieces

Genre Categories

Performances

Naxos

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Synthesized/MIDI

Matrosernes Opsang (No.1)

For Strings (Tavares)

Synthesized Recording
*#360455 - 0.01MB - 1:59 - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 265×⇩ - MID - Lucliti

MID file (audio/video)
Lucliti (2015/1/10)

Publisher Info.	Luciano Tavares
Performers	MIDI
Copyright	Creative Commons Attribution-NoDerivs 3.0 [tag/del]
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Sheet Music

Scores

Complete

Complete Score (Preview)
*#181210 - 3.74MB, 23 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 4903×⇩ - piupianissimo

PDF scanned by piupianissimo
piupianissimo (2012/2/24)

Editor	Adolf Ruthardt (1849-1934)
Publisher. Info.	Leipzig: C.F. Peters, n.d.(ca.1899). Plate 8567.
Copyright	Public Domain [tag/del]
Misc. Notes	scan: score scanned at 600dpi (High Quality Scanning)
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Complete Score
*#00187 - 1.07MB, 20 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 8723×⇩ - Feldmahler

PDF scanned by Unknown
Feldmahler (2006/2/18)

Editor	Hermann Kretzschmar (1848–1924)
Publisher. Info.	Klavierwerke, Band I: Lyrische Stücke Leipzig: C.F. Peters, No. 3100, n.d.[1902]. Plate 8800.
Copyright	Public Domain [tag/del]
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Complete Score (EU) (Preview)
*#211953 - 2.48MB, 20 pp. - 0.0/10 2 4 6 8 10 (-) - C*/73*/V* - 8598×⇩ - piupianissimo

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piupianissimo (2012/4/29)

Editor	Dag Schjelderup-Ebbe (1926–2013)
Publisher. Info.	Samlede verker, Band 1 (pp.172-219) Frankfurt: C.F. Peters, 1977. Plate 31071. URTEXT EDITION This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material). You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired. More information can be found here. Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright	Public Domain - See notes on copyright status for urtext editions [tag/del]
Misc. Notes	scan: score scanned at 600dpi (High Quality Scanning)
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Selections

1. Matrosernes Opsang (CA)
*#925942 - 0.49MB, 2 pp. - 0.0/10 2 4 6 8 10 (-) - V/42/29 - Feduol

PDF scanned by archive.org
Feduol (2024/8/5)

2. Bestemors menuett (CA)
*#925695 - 0.44MB, 2 pp. - 0.0/10 2 4 6 8 10 (-) - V/42/29 - Feduol

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Feduol (2024/8/4)

Editor	Russell E. Lanning (1916–1958)
Publisher. Info.	Music by the Masters. Nos.14, 32 New York: Musicord Publications, 1946. Plate EL 2543.
Copyright	Public Domain - Non-PD US, Non-PD EU [tag/del/mrg]
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3. For dine Føtter
*#280948 - 0.42MB, 6 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 332×⇩ - Yoder

PDF scanned by US-R
Yoder (2013/5/13)

Publisher. Info.	New York: G. Schirmer, 1901. Plate 16255.
Copyright	Public Domain [tag/del]
Misc. Notes	This file is part of the Sibley Mirroring Project.
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Arrangements and Transcriptions

Selections (Nos.4 and 5)

For Orchestra (Composer)

Complete Score
*#810613 - 1.61MB, 10 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 32×⇩ - Feduol

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Feduol (2022/9/14)

Publisher. Info.	Holograph manuscript, n.d.
Copyright	Public Domain [tag/del]
Misc. Notes	This file is part of the Submission Project.
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Complete Score
*#36380 - 1.57MB, 9 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 1954×⇩ - KGill

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KGill (2009/8/4)

Color Cover
*#36379 - 4.25MB, 1 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 327×⇩ - KGill

PDF scanned by US-R
KGill (2009/8/4)

Publisher. Info.	Leipzig: C.F. Peters, n.d.(ca.1885). Plate 8620.
Copyright	Public Domain [tag/del/mrg]
Misc. Notes	This file is part of the Sibley Mirroring Project.
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