Prithee Ben't So Sad and Serious, Z.269 (Purcell, Henry)

First Publication	Earliest publication around 1700, as part of Book 1 of The Catch Club or Merry Companions (Walsh, John)
Genre Categories	Catches; For 3 voices, continuo; For voices with continuo; Scores featuring the voice; Scores with basso continuo; English language

Sheet Music

Complete Score
*#817871 - 0.19MB, 1 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 11×⇩ - Feduol

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Editor	William Barclay Squire (1855-1927) John Alexander Fuller-Maitland (1856-1936)
Publisher. Info.	The Works of Henry Purcell, Vol.XXII (pp.11) London: Novello, Ewer & Co., 1922. Plate 14731.
Copyright	Public Domain [tag/del]
Misc. Notes	This file is part of the Submission Project.
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Complete Score
*#910325 - 0.11MB, 1 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 0×⇩ - Imperial Music ...

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Editor	John Walsh (d. 1736)
Publisher. Info.	London: No.297-298, ca. 1700.
Copyright	Public Domain [tag/del]
Misc. Notes	As part of Book 1 of The Catch Club or Merry Companions (Walsh, John)
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Complete Score
*#910326 - 0.06MB, 1 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 0×⇩ - Imperial Music ...

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Editor	Henry Playford (1657-1709)
Publisher. Info.	London: William Pearson for Henry Playford, 1707.
Copyright	Public Domain [tag/del]
Misc. Notes	As part of the 5th Edition of Book 1 and the 4th Edition of Book 2 of The Pleasant Musical Companion (Various)
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Editor	Metcalfe, Joseph Powell & Rimbault, Edward Francis
Publisher. Info.	London: Cramer, Wood & Co., n.d.
Copyright	Public Domain [tag/del]
Misc. Notes	As part of The Rounds, Catches and Canons of England (Rimbault, Edward Francis), registered as an alteration since it was transposed to G Minor and the thoroughbass line was omitted
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Work Title	Prithee Ben't So Sad and Serious
Alternative. Title
Composer	Purcell, Henry
Opus/Catalogue NumberOp./Cat. No.	Z.269
I-Catalogue NumberI-Cat. No.	IHP 246
Key	A minor
First Publication.	Earliest publication around 1700, as part of Book 1 of The Catch Club or Merry Companions (Walsh, John)
Language	English
Composer Time PeriodComp. Period	Baroque
Piece Style	Baroque
Instrumentation	3 voices, continuo