This work is likely not in the public domain in the US (due to first publication with the required notice after 1924, plus renewal or "restoration" under the GATT/TRIPS amendments), nor in the EU and those countries where the copyright term is life+70 years. However, it is public domain in Canada (where IMSLP is hosted) and in other countries (China, Japan, S. Korea) where the copyright term is life+50 years.
|Composition Year||1914 (April)|
|Genre Categories||; ; ;; ; ;|
|Work Title||Symphony No.3|
|Opus/Catalogue NumberOp./Cat. No.||Op.15|
|I-Catalogue NumberI-Cat. No.||INM 58|
|Year/Date of CompositionY/D of Comp.||1914 (April)|
|First Publication.||1927 ?|
|Copyright Information||This work is claimed to be under copyright in the USA due to|
"restoration" via the GATT/TRIPS amendment (Section 104).
|Average DurationAvg. Duration||45 minutes|
|Composer Time PeriodComp. Period||Early 20th century|
|Piece Style||Early 20th century|
Wikipedia article (German)
... Hrm. Does Gulinskaja or anyone else mention when this symphony was premiered?
(answering myself sort of: "this last-named young composer's [Myaskovsky] third symphony has been brought forward by Siloti, and has been received with profound respect if not exactly with enthusiasm." - from M. Montagu-Nathan's "Music in Russia" column, February 1 1917 Musical Times, page 71 (Myaskovsky's 2nd piano sonata had just been mentioned. So, premiered by 1917. Seem to recall a mention of a performance closer to 1915, as Ikonnikov, I think, mentions Myaskovsky hearing of a performance while he was still on the war front (this relating to the genesis of either symphony 4 or 5, I think.) -- actually, this may refer to symphony 2, according to Skans' notes to the same?)
Premiered 2-14-1915 by Emil Cooper in Moscow, acc Tassie. I assume that's Julian-date so converting?
(Quoting Per Skans (2001): "one of the few cases of a composer dedicating a work to a critic!") (of course, since a number of composers were also critics, and since Asafiev was also a composer...)
|Symphonies by Nikolay Myaskovsky|