Trial by Jury (Sullivan, Arthur)

Movements/SectionsMov'ts/Sec's 1 act (14 numbers)
Composition Year 1875
Genre Categories Savoy operas; Theatrical Works; Operas; Operettas; For voices, mixed chorus, orchestra; Scores featuring the voice; Scores featuring mixed chorus; Scores featuring the orchestra; For voices and chorus with orchestra; English language; For violin, piano (arr); For 2 players (arr); Scores featuring the violin (arr); Scores featuring the piano (arr)
Related Works Pieces based on 'Trial by Jury'

Contents

Performances

Recordings

 Complete Score
#759478 - 44.14MB - 36:38 -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 605×⇩ - MP3 - Dbmiller

MP3 file (audio)
Dbmiller (2022/1/23)

Performer Pages Really Authentic Gilbert and Sullivan Performance Trust (company)
Dunedin Symphony Orchestra (orchestra)
John Drummond (stage director/associate conductor)
Michael Andrewes (conductor/musical director)
Sydney Manowitz (concertmaster)
Dave Solomon (The Learned Judge)
Sophie Uriaro (The Plaintiff)
Matt Wilson (The Defendant)
John Kiernan-Sear (Counsel for the Plaintiff)
Bruce McMillan (Usher)
Karl Power (Foreman of the Jury)
Publisher Info. Really Authentic Gilbert and Sullivan Performance Trust, 2012.
Copyright
Creative Commons Attribution-ShareAlike 4.0 [tag/del]
Misc. Notes Recorded live, 2012. This is audio from a videotaped performance.
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 Complete Recording
#759475 - 49.55MB - 38:29 -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 86×⇩ - MP3 - Dbmiller

MP3 file (audio)
Dbmiller (2022/1/22)

Performer Pages Really Authentic Gilbert and Sullivan Performance Trust (company)
Dunedin Symphony Orchestra (orchestra)
Geoff Smith (stage director)
Michael Andrewes (conductor/musical director)
Dave Solomon (The Learned Judge)
Fiona Paton (The Plaintiff)
Alasdair Laws (The Defendant)
John Kiernan-Sear (Counsel for the Plaintiff)
Matt Landreth (Usher)
Vincent Wong (Foreman of the Jury)
Kate Hesson (First Bridesmaid)
Publisher Info. Really Authentic Gilbert and Sullivan Performance Trust, 2008.
Copyright
Creative Commons Attribution-ShareAlike 4.0 [tag/del]
Misc. Notes Recorded live, 2002. This is audio from a videotaped performance.
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 Hark, the hour of ten is sounding
#751163 - 5.28MB - 3:58 -  0.0/10 2 4 6 8 10 (-) - V/67/35 - 5×⇩ - MP3 - Dbmiller

MP3 file (audio)
Dbmiller (2021/12/17)

⇒ 7 more: When first my old, old love I knew — All hail, great Judge • When I, good friends, was called to the Bar — Swear thou the Jury • Where is the Plaintiff? — Oh, never, never, never • May it please you, my Lud — That she is reeling is plain to see • Oh, gentlemen, listen, I pray — That seems a reasonable proposition • A nice dilemma we have here • I love him — Oh, joy unbounded

 When first my old, old love I knew — All hail, great Judge
#751164 - 7.33MB - 5:31 -  0.0/10 2 4 6 8 10 (-) - V/67/35 - 6×⇩ - MP3 - Dbmiller

MP3 file (audio)
Dbmiller (2021/12/17)

 When I, good friends, was called to the Bar — Swear thou the Jury
#751165 - 5.44MB - 4:12 -  0.0/10 2 4 6 8 10 (-) - V/67/35 - 3×⇩ - MP3 - Dbmiller

MP3 file (audio)
Dbmiller (2021/12/17)

 Where is the Plaintiff? — Oh, never, never, never
#751166 - 6.64MB - 4:59 -  0.0/10 2 4 6 8 10 (-) - V/67/35 - 3×⇩ - MP3 - Dbmiller

MP3 file (audio)
Dbmiller (2021/12/17)

 May it please you, my Lud — That she is reeling is plain to see
#751167 - 5.41MB - 4:03 -  0.0/10 2 4 6 8 10 (-) - V/67/35 - 5×⇩ - MP3 - Dbmiller

MP3 file (audio)
Dbmiller (2021/12/17)

 Oh, gentlemen, listen, I pray — That seems a reasonable proposition
#751168 - 3.68MB - 2:47 -  0.0/10 2 4 6 8 10 (-) - V/67/35 - 2×⇩ - MP3 - Dbmiller

MP3 file (audio)
Dbmiller (2021/12/17)

 A nice dilemma we have here
#751169 - 3.90MB - 2:55 -  0.0/10 2 4 6 8 10 (-) - V/67/35 - 3×⇩ - MP3 - Dbmiller

MP3 file (audio)
Dbmiller (2021/12/17)

 I love him — Oh, joy unbounded
#751170 - 6.24MB - 4:40 -  0.0/10 2 4 6 8 10 (-) - V/67/35 - 3×⇩ - MP3 - Dbmiller

MP3 file (audio)
Dbmiller (2021/12/17)

Performer Pages D'Oyly Carte Opera Company (soloists and chorus)
Orchestra of the Royal Opera House (orchestra)
Isidore Godfrey (conductor)
John Reed (The Learned Judge)
Ann Hood (The Plaintiff)
Thomas Round (The Defendant)
Kenneth Sandford (Counsel for the Plaintiff)
Donald Adams (Usher)
Anthony Raffell (Foreman of the Jury)
Publisher Info. Decca/London, 1964.
Copyright
Public Domain - Non-PD US, Non-PD EU [tag/del]
Misc. Notes Recorded August 1963. Recording on archive.org. Publication information: discogs.com (release), discog.com (master).
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 Hark, the hour of ten is sounding (EU)
#752696 - 1.78MB - 1:18 -  0.0/10 2 4 6 8 10 (-) - V/67/V - 34×⇩ - MP3 - Dbmiller

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Dbmiller (2021/12/22)

⇒ 17 more: Now, Jurymen, hear my advice • Is this the Court of the Exchequer? • When first my old, old love I knew • Silence in Court — All hail, great Judge • When I, good friends, was called to the bar • Swear thou the Jury • Where is the Plaintiff? • Comes the broken flower • Oh, never, never, never • May it please you, my Lud • That she is reeling is plain to see • Oh, gentlemen, listen, I pray • That seems a reasonable proposition • A nice dilemma we have here • I love him • The question, gentlemen, is one of liquor • Oh, joy unbounded

 Now, Jurymen, hear my advice (EU)
#752697 - 2.23MB - 1:41 -  0.0/10 2 4 6 8 10 (-) - V/67/V - 19×⇩ - MP3 - Dbmiller

MP3 file (audio)
Dbmiller (2021/12/22)

 Is this the Court of the Exchequer? (EU)
#752698 - 1.34MB - 1:00 -  0.0/10 2 4 6 8 10 (-) - V/67/V - 14×⇩ - MP3 - Dbmiller

MP3 file (audio)
Dbmiller (2021/12/22)

 When first my old, old love I knew (EU)
#752699 - 3.68MB - 2:48 -  0.0/10 2 4 6 8 10 (-) - V/67/V - 20×⇩ - MP3 - Dbmiller

MP3 file (audio)
Dbmiller (2021/12/22)

 Silence in Court — All hail, great Judge (EU)
#752700 - 3.46MB - 2:35 -  0.0/10 2 4 6 8 10 (-) - V/67/V - 15×⇩ - MP3 - Dbmiller

MP3 file (audio)
Dbmiller (2021/12/22)

 When I, good friends, was called to the bar (EU)
#752701 - 4.52MB - 3:24 -  0.0/10 2 4 6 8 10 (-) - V/67/V - 25×⇩ - MP3 - Dbmiller

MP3 file (audio)
Dbmiller (2021/12/22)

 Swear thou the Jury (EU)
#752702 - 1.81MB - 1:25 -  0.0/10 2 4 6 8 10 (-) - V/67/V - 16×⇩ - MP3 - Dbmiller

MP3 file (audio)
Dbmiller (2021/12/22)

 Where is the Plaintiff? (EU)
#752703 - 1.17MB - 0:54 -  0.0/10 2 4 6 8 10 (-) - V/67/V - 17×⇩ - MP3 - Dbmiller

MP3 file (audio)
Dbmiller (2021/12/22)

 Comes the broken flower (EU)
#752704 - 3.72MB - 2:46 -  0.0/10 2 4 6 8 10 (-) - V/67/V - 14×⇩ - MP3 - Dbmiller

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Dbmiller (2021/12/22)

 Oh, never, never, never (EU)
#752705 - 1.65MB - 1:12 -  0.0/10 2 4 6 8 10 (-) - V/67/V - 16×⇩ - MP3 - Dbmiller

MP3 file (audio)
Dbmiller (2021/12/22)

 May it please you, my Lud (EU)
#752706 - 3.96MB - 3:02 -  0.0/10 2 4 6 8 10 (-) - V/67/V - 17×⇩ - MP3 - Dbmiller

MP3 file (audio)
Dbmiller (2021/12/22)

 That she is reeling is plain to see (EU)
#752707 - 1.09MB - 0:48 -  0.0/10 2 4 6 8 10 (-) - V/67/V - 15×⇩ - MP3 - Dbmiller

MP3 file (audio)
Dbmiller (2021/12/22)

 Oh, gentlemen, listen, I pray (EU)
#752708 - 2.48MB - 1:54 -  0.0/10 2 4 6 8 10 (-) - V/67/V - 18×⇩ - MP3 - Dbmiller

MP3 file (audio)
Dbmiller (2021/12/22)

 That seems a reasonable proposition (EU)
#752709 - 1.37MB - 1:02 -  0.0/10 2 4 6 8 10 (-) - V/67/V - 15×⇩ - MP3 - Dbmiller

MP3 file (audio)
Dbmiller (2021/12/22)

 A nice dilemma we have here (EU)
#752710 - 3.46MB - 2:34 -  0.0/10 2 4 6 8 10 (-) - V/67/V - 15×⇩ - MP3 - Dbmiller

MP3 file (audio)
Dbmiller (2021/12/22)

 I love him (EU)
#752711 - 1.92MB - 1:25 -  0.0/10 2 4 6 8 10 (-) - V/67/V - 18×⇩ - MP3 - Dbmiller

MP3 file (audio)
Dbmiller (2021/12/22)

 The question, gentlemen, is one of liquor (EU)
#752712 - 1.61MB - 1:13 -  0.0/10 2 4 6 8 10 (-) - V/67/V - 12×⇩ - MP3 - Dbmiller

MP3 file (audio)
Dbmiller (2021/12/22)

 Oh, joy unbounded (EU)
#752713 - 2.45MB - 1:50 -  0.0/10 2 4 6 8 10 (-) - V/67/V - 16×⇩ - MP3 - Dbmiller

MP3 file (audio)
Dbmiller (2021/12/22)

Performer Pages Glyndebourne Festival Chorus (chorus)
Pro Arte Orchestra (orchestra)
Malcolm Sargent (conductor)
George Baker (The Learned Judge)
Elsie Morison (The Plaintiff)
Richard Lewis (The Defendant)
John Cameron (Counsel for the Plaintiff)
Owen Brannigan (Usher)
Bernard Turgeon (Foreman of the Jury)
Publisher Info. HMV, September 1961.
Reissue Remastered and reissued on CD: EMI, 1989.
Copyright
Public Domain - Non-PD US [tag/del]
Misc. Notes Recorded December 29–30, 1960
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 Part 1 (EU)
#726372 - 22.45MB - 17:08 -  0.0/10 2 4 6 8 10 (-) - V/60/V - 70×⇩ - MP3 - Mozartjr

MP3 file (audio)
Mozartjr (2021/8/24)

 Part 2 (EU)
#726373 - 20.32MB - 15:26 -  0.0/10 2 4 6 8 10 (-) - V/60/V - 25×⇩ - MP3 - Mozartjr

MP3 file (audio)
Mozartjr (2021/8/24)

Performer Pages D'Oyly Carte Opera Company (soloists and chorus)
Isidore Godfrey (conductor)
Richard Watson (The Learned Judge)
Muriel Harding (The Plaintiff)
Leonard Osborn (The Defendant)
Leslie Rands (Counsel for the Plaintiff)
L. Radley Flynn (Usher)
Donald Harris (Foreman of the Jury)
Publisher Info. London Records, 1949.
Performers The New Promenade Orchestra (orchestra)
Copyright
Public Domain - Non-PD US [tag/del]
Misc. Notes Source: archive.org. Publication information: discogs.com (master), discogs.com (release). Alternate source: archive.org
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 Hark, the hour of ten is sounding (EU)
#751144 - 1.41MB - 1:22 -  0.0/10 2 4 6 8 10 (-) - V/29/V - 21×⇩ - MP3 - Dbmiller

MP3 file (audio)
Dbmiller (2021/12/17)

⇒ 17 more: Now, Jurymen, hear my advice • When first my old, old love I knew • Oh, I was like that when a lad • All hail, great Judge • When I, good friends, was called to the Bar • Swear thou the Jury • Where is the Plaintiff? • Comes the broken flower • Oh, never, never, never • May it please you, my Lud • That she is reeling is plain to see • Oh, gentlemen, listen, I pray • That seems a reasonable proposition • A nice dilemma we have here • I love him • The question, gentlemen, is one of liquor • Oh, joy unbounded

 Now, Jurymen, hear my advice (EU)
#751145 - 2.58MB - 2:31 -  0.0/10 2 4 6 8 10 (-) - V/29/V - 17×⇩ - MP3 - Dbmiller

MP3 file (audio)
Dbmiller (2021/12/17)

 When first my old, old love I knew (EU)
#751146 - 1.73MB - 1:40 -  0.0/10 2 4 6 8 10 (-) - V/29/V - 17×⇩ - MP3 - Dbmiller

MP3 file (audio)
Dbmiller (2021/12/17)

 Oh, I was like that when a lad (EU)
#751147 - 0.93MB - 1:01 -  0.0/10 2 4 6 8 10 (-) - V/29/V - 11×⇩ - MP3 - Dbmiller

MP3 file (audio)
Dbmiller (2021/12/17)

 All hail, great Judge (EU)
#751148 - 2.77MB - 2:42 -  0.0/10 2 4 6 8 10 (-) - V/29/V - 13×⇩ - MP3 - Dbmiller

MP3 file (audio)
Dbmiller (2021/12/17)

 When I, good friends, was called to the Bar (EU)
#751149 - 3.12MB - 3:01 -  0.0/10 2 4 6 8 10 (-) - V/29/V - 17×⇩ - MP3 - Dbmiller

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Dbmiller (2021/12/17)

 Swear thou the Jury (EU)
#751150 - 1.28MB - 1:17 -  0.0/10 2 4 6 8 10 (-) - V/29/V - 14×⇩ - MP3 - Dbmiller

MP3 file (audio)
Dbmiller (2021/12/17)

 Where is the Plaintiff? (EU)
#751151 - 0.82MB - 0:50 -  0.0/10 2 4 6 8 10 (-) - V/29/V - 15×⇩ - MP3 - Dbmiller

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Dbmiller (2021/12/17)

 Comes the broken flower (EU)
#751152 - 2.36MB - 2:19 -  0.0/10 2 4 6 8 10 (-) - V/29/V - 13×⇩ - MP3 - Dbmiller

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Dbmiller (2021/12/17)

 Oh, never, never, never (EU)
#751153 - 1.25MB - 1:13 -  0.0/10 2 4 6 8 10 (-) - V/29/V - 19×⇩ - MP3 - Dbmiller

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Dbmiller (2021/12/17)

 May it please you, my Lud (EU)
#751154 - 2.69MB - 2:37 -  0.0/10 2 4 6 8 10 (-) - V/29/V - 14×⇩ - MP3 - Dbmiller

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Dbmiller (2021/12/17)

 That she is reeling is plain to see (EU)
#751155 - 0.94MB - 0:55 -  0.0/10 2 4 6 8 10 (-) - V/29/V - 19×⇩ - MP3 - Dbmiller

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Dbmiller (2021/12/17)

 Oh, gentlemen, listen, I pray (EU)
#751156 - 1.53MB - 1:40 -  0.0/10 2 4 6 8 10 (-) - V/29/V - 12×⇩ - MP3 - Dbmiller

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Dbmiller (2021/12/17)

 That seems a reasonable proposition (EU)
#751157 - 0.94MB - 0:55 -  0.0/10 2 4 6 8 10 (-) - V/29/V - 16×⇩ - MP3 - Dbmiller

MP3 file (audio)
Dbmiller (2021/12/17)

 A nice dilemma we have here (EU)
#751158 - 2.56MB - 2:28 -  0.0/10 2 4 6 8 10 (-) - V/29/V - 18×⇩ - MP3 - Dbmiller

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Dbmiller (2021/12/17)

 I love him (EU)
#751159 - 1.35MB - 1:18 -  0.0/10 2 4 6 8 10 (-) - V/29/V - 18×⇩ - MP3 - Dbmiller

MP3 file (audio)
Dbmiller (2021/12/17)

 The question, gentlemen, is one of liquor (EU)
#751160 - 1.28MB - 1:14 -  0.0/10 2 4 6 8 10 (-) - V/29/V - 18×⇩ - MP3 - Dbmiller

MP3 file (audio)
Dbmiller (2021/12/17)

 Oh, joy unbounded (EU)
#751161 - 1.82MB - 1:47 -  0.0/10 2 4 6 8 10 (-) - V/29/V - 16×⇩ - MP3 - Dbmiller

MP3 file (audio)
Dbmiller (2021/12/17)

Performer Pages D'Oyly Carte Opera Company (soloists and chorus)
Harry Norris (conductor)
Leo Sheffield (The Learned Judge)
Winifred Lawson (The Plaintiff)
Derek Oldham (The Defendant)
Arthur Hosking (Counsel for the Plaintiff)
George Baker (Usher)
T. Penry Hughes (Foreman of the Jury)
Publisher Info. HMV, 1928.
Copyright
Public Domain - Non-PD US [tag/del]
Misc. Notes Recorded September 20 and 29, 1927, London. Recording on archive.org.
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Sheet Music

Full Scores

 Complete Score
#608577 - 152.49MB, 179 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 122×⇩ - Carolus

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Carolus (2020/2/6)

Publisher. Info. Holograph manuscript, n.d.[1875].
Copyright
Public Domain [tag/del]
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 Complete Score (EU)
#895687 - 24.28MB, 124 pp. -  0.0/10 2 4 6 8 10 (-) - C*/N*/V* - 578×⇩ - Dbmiller

PDF scanned by Dbmiller
Dbmiller (2024/1/21)

Editor John Bauser (b. 1949)
Publisher. Info. Miami: Edwin F. Kalmus, 1981.
Copyright
Public Domain - See notes on copyright status for urtext editions [tag/del]
Misc. Notes Music copied from an old conductor's score, with the differences found in the Kalmus-reprinted Schumer parts put in brackets. Editor's preface excluded.
Non-Original Edition 

This is a simple re-engraving made from existing sources. Any material added to the original sources, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

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 Complete Score (EU)
#841500 - 8.94MB, 148 pp. -  0.0/10 2 4 6 8 10 (-) - C*/N*/V* - 804×⇩ - Dbmiller

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Dbmiller (2023/2/23)

Editor Steven Ledbetter
Publisher. Info. New York/Williamstown, Mass.: Broude Brothers, 1994.
Copyright
Public Domain - See notes on copyright status for urtext editions [tag/del]
Misc. Notes
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

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 Complete Score
#1042341 - 2.87MB, 204 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 14×⇩ - Dbmiller

PDF typeset by editor
Dbmiller (2026/6/20)

Editor Marc Shepherd
Publisher. Info. Riverdale: Oakapple Press, 2026.
Copyright
Creative Commons Attribution-ShareAlike 4.0 [tag/del]
Misc. Notes Fourth draft, June 2026.
URTEXT EDITION 
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Parts

 Flute 1
#813766 - 0.81MB, 13 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 115×⇩ - Sallen112

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⇒ 17 more: Flute 2/Piccolo • Oboe • Clarinet 1 (A/B♭) • Clarinet 2 (A/B♭) • Bassoon • Horn 1 (F) • Horn 2 (F) • Cornet 1 (A/B♭) • Cornet 2 (A/B♭) • Trombone 1 • Trombone 2 • Timpani/Triangle/Bass Drum/Cymbals • Violins I • Violins II • Violas • Cellos • Basses

 Flute 2/Piccolo
#813767 - 0.59MB, 9 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 89×⇩ - Sallen112

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 Oboe
#813768 - 0.73MB, 12 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 83×⇩ - Sallen112

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 Clarinet 1 (A/B♭)
#813769 - 0.80MB, 13 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 98×⇩ - Sallen112

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 Clarinet 2 (A/B♭)
#813770 - 0.72MB, 12 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 82×⇩ - Sallen112

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 Bassoon
#813778 - 0.72MB, 12 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 86×⇩ - Sallen112

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 Horn 1 (F)
#813779 - 0.56MB, 9 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 89×⇩ - Sallen112

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 Horn 2 (F)
#813780 - 0.55MB, 9 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 85×⇩ - Sallen112

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 Cornet 1 (A/B♭)
#813781 - 0.39MB, 7 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 88×⇩ - Sallen112

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 Cornet 2 (A/B♭)
#813782 - 0.34MB, 6 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 81×⇩ - Sallen112

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 Trombone 1
#813783 - 0.36MB, 6 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 79×⇩ - Sallen112

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 Trombone 2
#813795 - 0.34MB, 6 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 82×⇩ - Sallen112

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 Timpani/Triangle/Bass Drum/Cymbals
#813796 - 0.34MB, 6 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 90×⇩ - Sallen112

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 Violins I
#813797 - 1.27MB, 18 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 111×⇩ - Sallen112

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 Violins II
#813798 - 1.22MB, 17 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 92×⇩ - Sallen112

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 Violas
#813799 - 0.89MB, 14 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 86×⇩ - Sallen112

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Sallen112 (2022/10/2)

 Cellos
#813800 - 0.94MB, 15 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 93×⇩ - Sallen112

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Sallen112 (2022/10/2)

 Basses
#813807 - 0.94MB, 15 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 84×⇩ - Sallen112

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Sallen112 (2022/10/2)

Copyist Harry G. Schumer (1893–1971)
Publisher. Info. Manuscript, n.d.
Reprinted Miami: Edwin F. Kalmus, n.d.(1971-87). Catalog A5339.
Copyright
Public Domain [tag/del/mrg]
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 Flute 1/2 (Piccolo)
#1042343 - 0.54MB, 43 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 2×⇩ - Dbmiller

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⇒ 35 more: Flute 1 • Flute 2 • Flute Solo (Piccolo) (alternative) • Oboe • Clarinet 1/2 (A/B♭) • Clarinet 1/2 (B♭, transposed) • Clarinet 1 (A/B♭) • Clarinet 1 (B♭, transposed) • Clarinet 2 (A/B♭) • Clarinet 2 (B♭, transposed) • Bassoon • Horn 1/2 (B♭, C, D♭, D, E♭, E, F, G) • Horn 1/2 (F, transposed) • Horn 1 (B♭, C, D♭, D, E♭, E, F, G) • Horn 1 (F, transposed) • Horn 2 (B♭, C, D♭, D, E♭, E, F, G) • Horn 2 (F, transposed) • Cornet 1/2 (A/B♭) • Cornet 1/2 (B♭, transposed) • Cornet 1 (A/B♭) • Cornet 1 (B♭, transposed) • Cornet 2 (A/B♭) • Cornet 2 (B♭, transposed) • Cornet Solo (alternative) (A/B♭) • Cornet Solo (alternative) (B♭, transposed) • Trombone 1/2 • Trombone 1 • Trombone 2 • Percussion • Violins I • Violins II • Violas • Cellos • Basses • Editor's Notes

 Flute 1
#1042344 - 0.41MB, 29 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 2×⇩ - Dbmiller

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 Flute 2
#1042345 - 0.35MB, 27 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 2×⇩ - Dbmiller

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 Flute Solo (Piccolo) (alternative)
#1042346 - 0.42MB, 29 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 3×⇩ - Dbmiller

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 Oboe
#1042347 - 0.33MB, 27 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 4×⇩ - Dbmiller

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 Clarinet 1/2 (A/B♭)
#1042348 - 0.49MB, 42 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 3×⇩ - Dbmiller

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 Clarinet 1/2 (B♭, transposed)
#1042349 - 0.50MB, 42 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 3×⇩ - Dbmiller

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 Clarinet 1 (A/B♭)
#1042350 - 0.37MB, 29 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 3×⇩ - Dbmiller

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 Clarinet 1 (B♭, transposed)
#1042351 - 0.37MB, 29 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 3×⇩ - Dbmiller

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 Clarinet 2 (A/B♭)
#1042352 - 0.35MB, 29 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 4×⇩ - Dbmiller

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 Clarinet 2 (B♭, transposed)
#1042353 - 0.35MB, 29 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 3×⇩ - Dbmiller

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 Bassoon
#1042354 - 0.33MB, 31 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 2×⇩ - Dbmiller

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 Horn 1/2 (B♭, C, D♭, D, E♭, E, F, G)
#1042355 - 0.36MB, 35 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 3×⇩ - Dbmiller

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 Horn 1/2 (F, transposed)
#1042356 - 0.36MB, 35 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 2×⇩ - Dbmiller

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 Horn 1 (B♭, C, D♭, D, E♭, E, F, G)
#1042357 - 0.28MB, 27 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 2×⇩ - Dbmiller

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 Horn 1 (F, transposed)
#1042358 - 0.29MB, 27 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 2×⇩ - Dbmiller

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 Horn 2 (B♭, C, D♭, D, E♭, E, F, G)
#1042359 - 0.29MB, 27 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 2×⇩ - Dbmiller

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 Horn 2 (F, transposed)
#1042360 - 0.29MB, 27 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 2×⇩ - Dbmiller

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 Cornet 1/2 (A/B♭)
#1042361 - 0.30MB, 25 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 2×⇩ - Dbmiller

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 Cornet 1/2 (B♭, transposed)
#1042362 - 0.31MB, 25 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 2×⇩ - Dbmiller

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 Cornet 1 (A/B♭)
#1042371 - 0.26MB, 21 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 3×⇩ - Dbmiller

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 Cornet 1 (B♭, transposed)
#1042372 - 0.26MB, 21 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 2×⇩ - Dbmiller

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 Cornet 2 (A/B♭)
#1042373 - 0.26MB, 21 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 2×⇩ - Dbmiller

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 Cornet 2 (B♭, transposed)
#1042374 - 0.26MB, 21 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 2×⇩ - Dbmiller

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 Cornet Solo (alternative) (A/B♭)
#1042375 - 0.26MB, 21 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 2×⇩ - Dbmiller

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 Cornet Solo (alternative) (B♭, transposed)
#1042376 - 0.26MB, 21 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 2×⇩ - Dbmiller

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 Trombone 1/2
#1042377 - 0.29MB, 25 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 5×⇩ - Dbmiller

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 Trombone 1
#1042378 - 0.25MB, 18 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 3×⇩ - Dbmiller

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 Trombone 2
#1042379 - 0.25MB, 18 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 2×⇩ - Dbmiller

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 Percussion
#1042380 - 0.27MB, 21 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 2×⇩ - Dbmiller

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 Violins I
#1042381 - 0.49MB, 43 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 6×⇩ - Dbmiller

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 Violins II
#1042382 - 0.46MB, 43 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 2×⇩ - Dbmiller

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 Violas
#1042383 - 0.38MB, 41 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 4×⇩ - Dbmiller

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 Cellos
#1042384 - 0.36MB, 39 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 3×⇩ - Dbmiller

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 Basses
#1042385 - 0.35MB, 39 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 3×⇩ - Dbmiller

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 Editor's Notes
#1042386 - 0.05MB, 1 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 7×⇩ - Dbmiller

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Dbmiller (2026/6/20)

Editor Marc Shepherd
Publisher. Info. Riverdale : Oakapple Press, 2026.
Copyright
Creative Commons Attribution-ShareAlike 4.0 [tag/del/mrg]
Misc. Notes Fourth draft, June 2026. Editor's notes cover alternative versions of parts.
URTEXT EDITION 
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Vocal Scores

 Complete Score
#218617 - 4.91MB, 58 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 3031×⇩ - Massenetique

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Massenetique (2012/5/13)

Publisher. Info. London: Chappell & Co., n.d.(ca.1900). Plate 17453.
Copyright
Public Domain [tag/del]
Misc. Notes This file is part of the Sibley Mirroring Project.
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 Complete Score
#331362 - 5.84MB, 87 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 1746×⇩ - Afp0815

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Afp0815 (2014/6/27)

 Inserts (dialogue)
#331363 - 0.42MB, 12 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 1234×⇩ - Afp0815

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Afp0815 (2014/6/27)

 Color Cover
#331364 - 2.84MB, 3 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 1152×⇩ - Afp0815

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Afp0815 (2014/6/27)

Publisher. Info. Philadelphia: Theodore Presser, n.d.(ca.1900). Plate T. by J.-77.
Copyright
Public Domain [tag/del/mrg]
Misc. Notes This file is part of the Sibley Mirroring Project.
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 Complete Score
#787139 - 13.09MB, 75 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 118×⇩ - Dbmiller

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Dbmiller (2022/6/6)

Publisher. Info. London: Chappell, n.d.(ca.1920). Plate 17453.
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 Complete Score
#84493 - 4.17MB, 89 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 2781×⇩ - El2382

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El2382 (2010/11/11)

Editor Bryceson Treharne (1879–1948)
Language English
Publisher. Info. New York: G. Schirmer, (1941). Plate 39209.
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Public Domain [tag/del]
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 Complete Score
#928296 - 2.92MB, 75 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 197×⇩ - Colinjagger

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Colinjagger (2024/8/19)

Editor Colin Jagger (b. 1967)
Publisher. Info. Colin Jagger, 2024.
Copyright
Creative Commons Attribution-ShareAlike 4.0 [tag/del]
Misc. Notes This completely new edition has been produced by Colin Jagger from Sullivan's autograph manuscript and the first edition of the vocal score. It includes all the music and stage directions, and is part of a complete set of performance materials including both the original 1875 scoring and the slightly revised 1884 scoring. Also included is a reduced orchestration for a minimum of ten players. All materials are fully cross-referenced and designed to be clear, practical, with good page-turns, etc. Colin Jagger has previously edited The Yeomen of the Guard for Oxford University Press.
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 Complete Score
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Editor Marc Shepherd
Publisher. Info. Riverdale: Oakapple Press, 2026.
Copyright
Creative Commons Attribution-ShareAlike 4.0 [tag/del]
Misc. Notes Fourth draft, June 2026.
URTEXT EDITION 
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Arrangements and Transcriptions

Selections

For Violin and Piano

 Complete Score
#245621 - 1.30MB, 6 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 452×⇩ - Schalltrichter

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Schalltrichter (2012/8/7)

Arranger Unknown
Editor John Philip Sousa (1854–1932)?
Publisher. Info. Philadelphia: W.F. Shaw, 1879.
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Other

 Sketches
#1001383 - 15.49MB, 5 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 4×⇩ - Dbmiller

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Dbmiller (2025/11/15)

Publisher. Info. Holograph manuscript, 1875.
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Public Domain [tag/del]
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Free Recordings

Complete Performance
Internet Archive. Digital transfer by F. Reeder.
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General Information

Work Title Trial by Jury
Alternative. Title
Name Translations Juicio por jurado; 陪審團的審判; Суд присяжных; Суђења уз пороту
Authorities WorldCat; Wikipedia; VIAF: 186103843; LCCN: no97067218; GND: 300406266; BNF: 155058991
Composer Sullivan, Arthur
Internal Reference NumberInternal Ref. No. IAS 76
Movements/SectionsMov'ts/Sec's 1 act (14 numbers)
  1. Hark, the hour of ten is sounding (Chorus), Now, Jurymen, hear my advice (Usher)
    1a. Is this the Court of the Exchequer? (Defendant)
  2. When first my old, old love I knew (Defendant and Chorus), Silence in Court! (Usher)
  3. All hail great Judge! (Chorus and Judge)
  4. When I, good friends, was call'd to the Bar (Judge and Chorus)
  5. Swear thou the Jury (Counsel, Usher),
    Oh will you swear by yonder skies (Usher and Chorus)
  6. Where is the Plaintiff? (Counsel, Usher),
    Comes the broken flower (Chorus of Bridesmaids and Plaintiff)
  7. Oh, never, never, never, since I joined the human race (Judge, Foreman, Chorus)
  8. May it please you, my lud! (Counsel for Plaintiff and Chorus)
  9. That she is reeling is plain to see! (Judge, Foreman, Plaintiff, Counsel, and Chorus)
  10. Oh, gentlemen, listen, I pray (Defendant and Chorus of Bridesmaids)
  11. That seems a reasonable proposition (Judge, Counsel, and Chorus)
  12. A nice dilemma we have here (Ensemble)
  13. I love him, I love him, with fervour unceasing (Plaintiff, Defendant and Chorus),
    The question, gentlemen, is one of liquor (Judge and Ensemble)
  14. Oh, joy unbounded, with wealth surrounded (Ensemble)
Year/Date of CompositionY/D of Comp. 1875
First Performance. 1875-03-25 — London, Royalty Theatre: Arthur Sullivan* (conductor)
First Publication. 1875 - London: Metzler
Librettist William Schwenck Gilbert (1836–1911)
Language English
Average DurationAvg. Duration 40 minutes
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation voices, mixed chorus (SATB), orchestra
InstrDetail
Cast
The Learned Judge (comic baritone)
The Plaintiff (soprano)
The Defendant (tenor)
Counsel for the Plaintiff (lyric baritone)
Usher (bass-baritone)
Foreman of the Jury (bass)
Associate (silent)
First Bridesmaid

Chorus

Bridesmaids, Gentlemen of the Jury, Barristers, Attorneys and Public

Orchestra

2 flutes (2nd also piccolo), oboe, 2 clarinets, bassoon
2 horns, 2 cornets, 2 trombones
timpani, triangle, bass drum, cymbals, strings
Related Works Pieces based on 'Trial by Jury'
Discography Gilbert & Sullivan Discography
External Links Wikipedia article; Gilbert & Sullivan Archive
Extra Information *Sullivan normally conducted only on the opening night.

Navigation etc.

W. S. Gilbert and Arthur Sullivan's Joint Operas
Other Operas and Operettas
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