Carmen (Bizet, Georges)

Contents

Performances

Recordings

Complete

MP3 file (audio)
Vangi (2019/8/21)

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Vangi (2019/8/21)

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Vangi (2019/8/21)

MP3 file (audio)
Vangi (2019/8/21)

Performer Pages Orchestre national de France (chorus, orchestra)
Thomas Beecham (conductor)
Publisher Info. Parlaphone, 1960.
Performers Victoria de Los Angeles, Nicolai Gedda, Janine Micheau, Ernest Blanc (voices)
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Selections

MP3 file (audio)
Rgagnaux (2017/5/16)

Performer Pages Walter Goehr (conductor)
Publisher Info. Musical Masterpiece Society/Concert Hall, 195?
Performers Netherlands Philharmonic Orchestra
Reissue Schattdorf: Gagnaux Collection
Copyright
Misc. Notes Recorded 195?, Hilversum
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TN-PMLP15769-Bizet Carmen Extraits NPO Goehr MMS 2009-1707.jpg

MP3 file (audio)
Vangi (2018/7/23)

Performer Pages Albert Wolff (Conductor)
Opéra-Comique (Company)
Suzanne Juyol (Carmen)
Libero de Luca (Don José)
Janine Micheau (Micaëla)
Julien Giovannetti (Escamillo)
Marcel Enot (Moralès)
Denise Boursin (Frasquita)
Jacqueline Cauchard (Mercédès)
Jean Vieuille (Le Dancaïre)
Serge Rallier (Le Remendado)
Henri Médus (Zuniga)
Pierre Germain (Lillas Pastia)
Publisher Info. Disque Decca, 1958. LX 5137
Performers Suzanne Juyol, Libero de Luca, Janine Micheau, Julien Giovannetti (voices)
Opéra Comique de Paris (chorus, orchestra), Albert Wolff (conductor)
Copyright
Misc. Notes Collection personnelle. Version masterisée. Chanté en français malgré l'édition d’origine allemande.

Contenu d'après la pochette:
Vorspiel I. Akt
Habañera (Ja, die Liebe hat bunte Flügel)
Duett I. Akt (Ich seh’ die Mutter dort)
Arie der Micaëla (Ich sprach, daßen am Wall von Sevilla
Blumenarie (Hier an dem Herzen treu geboren)
Auftritt des Escamillo (Torerolied)
Euren Toast kann ich wohl erwidern
Finale IV. Akt

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Pochette LX 5137.jpg

Chanson du toréador (Act II, No.14)

FLAC file (audio)
Lekro (2016/2/2)

MP3 file (audio)
Lekro (2016/2/2)

Publisher Info. Johnny Campen
Performers Johnny Campen (baritone?), unknown pianist
Copyright
Misc. Notes Source: soundcloud.
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La fleur que tu m'avais jetée (Act II, No.17)

MP3 file (audio)
Alain.jacques (2013/4/16)

Performer Pages Jacques Pottier (tenor)
Publisher Info. Alain M. Jacques
Copyright
Misc. Notes rec. 2010
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MP3 file (audio)
Alain.jacques (2013/10/15)

Performer Pages Jacques Pottier (tenor)
Publisher Info. Alain M. Jacques
Copyright
Misc. Notes A public recording by O.R.T.F. (Office de la Radio et Télévision Française) in 1962
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Naxos

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Accompaniments

MP3 file (audio)
Free Pianist (2021/5/29)

MP3 file (audio)
Free Pianist (2016/11/7)

Performer Pages Héctor Valls (Piano)
Publisher Info. Héctor Valls
Copyright
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Synthesized/MIDI

Habanera: L'amour est un oiseau rebelle (Act I, No.5)

For Voice, Mixed Chorus and 2 Pianos (Machella)

MID file (audio/video)
Reccmo (2012/4/3)

Publisher Info. Maurizio Machella
Performers Synthesized MIDI
Copyright
Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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Entr'acte (Act II)

For Organ (Gouin)

MID file (audio/video)
Keanur (2013/6/15)

Publisher Info. Montréal: Les Éditions Outremontaises, 2013
Performers MIDI file by Pierre Gouin
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Sheet Music

Full Scores

Complete

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Carolus (2022/9/26)

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Carolus (2022/9/26)

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Carolus (2022/9/26)

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Carolus (2022/9/26)

Publisher. Info. Holograph manuscript, 1875.
Copyright
Misc. Notes Bibliothèque nationale de France, Musique (F-Pn): MS-436
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Hobbypianist (2008/8/5)

Editor First edition (reprint)
Publisher. Info. Paris: Choudens Pére et Fils, n.d.[1877]. Plate A.C. 3795.
Reprinted Budapest: Könemann, 1994. Plate K 1005.
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Carolus (2012/11/13)

Publisher. Info. Leipzig: C.F. Peters, No.3200, n.d.[1905]. Plate 9028.
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Misc. Notes This file is part of the Sibley Mirroring Project.
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Alaric (2009/4/14)

Publisher. Info. Leipzig: C.F. Peters, No.3200, n.d.(ca.1920). Plate 9028.
Reprinted Boca Raton: Edwin F. Kalmus, n.d.(1987-2018). Catalog A4590.
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Prélude

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Philhar (2013/11/23)

Editor Philhar
Publisher. Info. Le Concert - 2013
Copyright
Misc. Notes This edition of the prelude includes only the first 119 measures. It is designed to be played alone (as "encore" for example).
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Habanera: L'amour est un oiseau rebelle (Act I, No.4)

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Feduol (2024/1/1)

Editor John Rutter (b. 1945)
Publisher. Info. Oxford Choral Classics: Opera Choruses, No.3
London: Oxford University Press, 1995.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

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Copyright
Misc. Notes This file does not include the editor's translation of the original text.
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Les voici ! (March of the Toreadors) (Act IV, No.25)

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Feduol (2024/1/1)

Editor John Rutter (b. 1945)
Publisher. Info. Oxford Choral Classics: Opera Choruses, No.4
London: Oxford University Press, 1995.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

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Copyright
Misc. Notes This file does not include the editor's translation of the original text.
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Parts

Complete

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M.kowalski49 (2015/9/30)

Publisher. Info. Paris: Choudens, n.d. Plate A.C. 3276.
Reprinted New York: E.F. Kalmus, n.d.(1933–70). Catalog A4590.
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m.kowalski4 (2011/6/25)

Publisher. Info. Paris: Choudens, n.d. Plate A.C. 3276.
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Misc. Notes page 49 was omitted because it was blank to comp for even page turns
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m.kowalski49 (2011/10/8)

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m.kowalski49 (2011/10/8)

Publisher. Info. Paris: Choudens, n.d. Plate A.C. 3276.
Reprinted New York: E.F. Kalmus, n.d.(1933–70). Catalog A4590.
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Selections

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Cellofan (2015/5/15)

Editor Orfeo Mandozzi
Publisher. Info. Vienna: Orfeo Mandozzi 15.5.2015
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Prélude

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JacopoTore (2020/4/30)

13 more: Flute 1 • Clarinet 1 • Clarinet 2 • Horn 3 • Horn 4 • Trumpet 1 • Trumpet 2 • Trombone 2 • Violins I • Violins II • Violas • Cellos • Basses

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JacopoTore (2020/4/30)

Publisher. Info. Leipzig: Breitkopf und Härtel, n.d. Plate Orch. B. 1770/71.
Copyright
Misc. Notes Wrongly labelled as "Nr. 5 Les Toréadors (Einleitung zum I. Akt)".
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Philhar (2013/11/23)

12 more: Oboes 1, 2 • Clarinets 1, 2 (A) • Bassoons 1, 2 • Horns 1, 2 (in A) 3, 4 (E) • Trumpets 1, 2 (A) • Trombones 1, 2, 3 • Timpani, Triangle, Cymbals, Bass drum • Violins I • Violins II • Violas • Cellos • Basses

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Philhar (2013/11/23)

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Philhar (2013/11/23)

Editor Philhar
Publisher. Info. Le Concert - 2013
Copyright
Misc. Notes This edition of the prelude includes only the first 119 measures. It is designed to be played alone (as "encore" for example).
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Habanera: L'amour est un oiseau rebelle (Act I, No.4)

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Feduol (2024/1/1)

12 more: Oboe 1, 2 • Clarinet 1, 2 (A) • Bassoon 1, 2 • Horn 1, 2, 3, 4 (F) • Trumpet 1, 2 (B♭) • Timpani • Percussion • Violins I • Violins II • Violas • Cellos • Basses

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Feduol (2024/1/1)

Editor John Rutter (b. 1945)
Publisher. Info. Oxford Choral Classics: Opera Choruses, No.3
London: Oxford University Press, 1995.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

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Entr'acte (Act II)

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Marco Piovesan (2018/4/2)

Editor Marco Piovesan
Publisher. Info. Marco Piovesan, 2018.
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Misc. Notes Famous solo transposed for A clarinet.
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La fleur que tu m'avais jetée (Act II, No.17)

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Ilynov (2016/9/29)

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Ilynov (2016/9/29)

Editor ilynov
Publisher. Info. ilynov
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Misc. Notes Transposed 1/2 tone lower (C-major).
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Entr'acte (Act III)

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Elendar (2016/2/10)

Publisher. Info. Manuscript, n.d.
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Misc. Notes Titles in Russian.
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Les voici ! (March of the Toreadors) (Act IV, No.25)

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Feduol (2024/1/1)

13 more: Oboe 1, 2 • Clarinet 1, 2 (A) • Bassoon 1, 2 • Horn 1, 2, 3, 4 (A) • Trumpet 1, 2 (C) • Trombone 1, 2, 3 • Timpani • Percussion • Violins I • Violins II • Violas • Cellos • Basses

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Feduol (2024/1/1)

Editor John Rutter (b. 1945)
Publisher. Info. Oxford Choral Classics: Opera Choruses, No.4
London: Oxford University Press, 1995.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

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Vocal Scores

Complete

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Afp0815 (2012/5/25)

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Massenetique (2011/7/12)

Editor First edition
Publisher. Info. Paris: Choudens Père et Fils, n.d.[1875]. Plate A.C. 3082.
Copyright
Misc. Notes This edition constitutes the opera as it was presented at the premiere, without Guiraud's recitatives and including the Scène et pantomime (No.2), which was dropped after the 30th performance. Missing pages 129-130.
This file is part of the Sibley Mirroring Project. Publication noted in the Bibliographie de la France 2e série, 64e année, Nº 16, 17 Avril 1875, p.218, r.1429.
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Dbmiller (2007/5/27)

Editor Ernest Guiraud (1837-1892)
Language French / English
Translator Theodore Baker (1851–1934), English text
Publisher. Info. New York: G. Schirmer, 1895. Plate 12117.
Copyright
Misc. Notes Original spoken dialogue replaced with recitatives by Ernest Guiraud.
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Dbmiller (2011/4/6)

Arranger Gustav Friedrich Kogel (1849-1921), piano reduction
Editor Rudolf Schwartz (1859-1935), introduction
Language German
Translator Julius Hopp (1819–1885), German text
Publisher. Info. Leipzig: Edition Peters, n.d.[1903]. Plate 8750.
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Habanera: L'amour est un oiseau rebelle (Act I, No.5)

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Jurabe (2023/4/25)

Publisher. Info. Paris: Choudens, n.d. Plate A.G. 3108.
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Misc. Notes Old edition from the uploader's family archives
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Massenetique (2011/7/23)

Language French
Publisher. Info. Paris: Choudens, n.d.(ca.1875). Plate A.C. 3109.
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Kdkeller (2007/9/16)

Language English / French / Italian
Translator George Cooper (1840–1927), English text
Publisher. Info. New York: The University Society, 1910. Plate 1-699-5 to 5-699-5.
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Près des remparts de Séville (Act I, No.10)

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Emblyadell (2014/4/21)

Editor Meyer Lutz (1822-1903)
Language German
Publisher. Info. Mainz: Schott, n.d.
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Misc. Notes This file is part of the Sibley Mirroring Project.
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Chanson du Toréador (Act II, No.14)

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Feduol (2021/9/17)

Editor Frank Henri Klickmann (1885-1966)
Publisher. Info. New York: Jack Mills Inc., 1925.
Copyright
Misc. Notes This file is part of the Submission Project.
This item, which is in the public domain in its country of origin, is likewise in the public domain in countries which apply the rule of the shorter term. All EU countries apply the rule of the shorter term in general.
Note that in some cases this rule may be overridden by a treaty with the source country (especially the United States) and/or may not apply to works which fell into the public domain in their source country due to a failure to renew copyright or comply with other formalities.
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La fleur que tu m'avais jetée (Act II, No.17)

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Alceste Pinarello (2017/9/24)

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Alceste Pinarello (2017/9/24)

Editor Alceste Pinarello
Publisher. Info. Alceste Pinarello
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Misc. Notes Source: first edition (Choudens Père et Fils)
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Arrangements and Transcriptions

Complete

For Voices, Mixed Chorus and Small Orchestra (James)

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CAOSManchester (2018/12/22)

4 more: Act I • Act II • Act III • Act IV

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CAOSManchester (2018/12/22)

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CAOSManchester (2018/12/22)

Arranger Daniel Llewelyn James (b. 1981)
Publisher. Info. Daniel Llewelyn James, 2018.
Copyright
Misc. Notes Orchestral parts reduced for 12-piece ensemble (string quintet + wind quintet + piano + percussion). This arrangement is based on the spoken-dialogue version of the opera and does not include Guiraud's recitatives.
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For Piano 4 hands (Vilbac)

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Morel (2021/9/18)

Arranger Renaud de Vilbac (1829-1884)
Publisher. Info. Paris: Choudens, n.d.[1880]. Plate A.C. 4825.
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For Piano (Choudens)

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Carolus (2022/9/26)

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Ottaviano (2008/8/16)

Arranger Antony Choudens (1849-1902)
Editor First edition (+ later printing)
Publisher. Info. Paris: Choudens Pére et fils, n.d.[1875]. Plate A.C. 3169.
Copyright
Misc. Notes Bibliothèque nationale de France, Musique (F-Pn): VM5-876
File #20955 is missing pages 91-92, with a duplicate of page 93
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For Piano (Ruthardt)

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Timtin (2012/2/24)

Arranger Adolf Ruthardt (1849-1934)
Publisher. Info. Leipzig: Edition Peters, n.d.(ca.1900). Plate 8799.
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Misc. Notes Cover and index not currently included.
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For Piano (Wöss)

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Mattheson78 (2009/6/27)

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Mattheson78 (2009/6/27)

Arranger Josef Venantius Wöss (1863–1943)
Publisher. Info. Vienna: Universal Edition, n.d.(ca.1902). Plate U.E. 955.
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Misc. Notes This file is part of the Sibley Mirroring Project.
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Selections

For Orchestra (Bizet, Guiraud)
See: Carmen Suite No.1 and Carmen Suite No.2
For Strings (McAlister)

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Carolus (2008/11/8)

Arranger Clark McAlister (b. 1946)
Engraver Ephraim Hammett Jones
Publisher. Info. Boca Raton: LudwigMasters Publications, 2007. Plate M 8014.
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1. Les Dragons d'Alcala; 2. Habanera; 3. Seguidilla; 4. Les Toreadors
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For Clarinet (Romani)

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For 2 Pianos 8 Hands (Parlow)

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Arranger Edmund Parlow
Publisher. Info. Philadelphia: Theodore Presser, 1907. Plate 6781-20.
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Prélude to Act I

For Theatre Orchestra (Woodhouse)

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Arranger Charles Woodhouse (1879-1939)
Publisher. Info. London: Boosey & Hawkes, No.HSS 10, 1931. Plate 6965.
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Misc. Notes See next for balance of parts.
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Arranger Charles Woodhouse (1879-1939)
Editor Jane Clifton (b. 1957)
Publisher. Info. London: Boosey & Hawkes, No.HSS 10, 1931. Plate 6965.
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For Flute, 2 Violins and Cello (Kowalewski)

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Arranger Jakub Kowalewski
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For 4 Clarinets (Monje)

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Arranger David Silva Monje
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For Piano 4 hands (Kleinmichel)

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Arranger Richard Kleinmichel (1846-1901)
Publisher. Info. Leipzig: C.F. Peters, n.d.(ca.1900?). Plate 8634.
Reprinted Edition Peters, 1950.
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Misc. Notes pp.54-59 of an album, possibly from his Ouvertüren-Album: Sammlung der beliebtesten Ouvertüren.
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Habanera: L'amour est un oiseau rebelle (Act I, No.5)

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Arranger Jan Van Duffel
Publisher. Info. Viersel: Jan Van Duffel, 2011.
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For Voice, Mixed Chorus and 2 Pianos (Machella)

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Editor Maurizio Machella
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For Mezzo-Soprano and Guitar (Mourey)

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For Violin and Piano (RSB)

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For Guitar (Santisteban)

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Arranger G. C. Santisteban (1866-1919)
Publisher. Info. San Francisco: G. C. Santisteban, 1897.
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Misc. Notes from Vahdah Olcott-Bickford Collection
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For Piano (Lazarus)

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Arranger Gustav Lazarus (1861-1920)
Publisher. Info. Leipzig: Anton J. Benjamin, n.d.(ca.1915). Plate A.J.B. 4952.
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For Piano

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Jujimufu (2006/12/26)

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Séguedille (Act I, No.10)

For Violin and Piano (Singer)

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Arranger Otto Singer II (1863-1931)
Publisher. Info. Leipzig: C.F. Kahnt Nachfolger, 1906. Plate 4622.
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Chanson bohème (Act II, No.12)

For Flute, Oboe, Clarinet, Bassoon and Horn (Kriegler)

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Chanson du Toréador (Act II, No.14)

For Theater Orchestra (Hildreth)

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Arranger Richard E. Hildreth (1867-1941)
Publisher. Info. Boston: Walter Jacobs, 1912. Plate 2625-18.
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For Piano (Maylath)

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Arranger Henry Maylath (1827-1883)
Publisher. Info. New York: William A. Pond & Co., 1878. Plate 9678.
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Entr'acte (Act II)

For 3 or 4 Accordions, Bass Accordion and Timpani ad lib. (De Bra)

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For Flute, Oboe, Clarinet, Bassoon and Horn (Bradford)

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For Violin, Piano and Harmonium (Karg-Elert)

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Arranger Sigfrid Karg-Elert (1877-1933)
Publisher. Info. Drei Instrumentalstücke von Georges Bizet
Leipzig: Gebrüder Hug & Co., n.d.[1907]. Plate G.H. 4214.
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For Organ (Gouin)

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Arranger Pierre Gouin - Contact
Publisher. Info. Montréal: Les Éditions Outremontaises, 2010
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For Piano (Maylath)

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Arranger Henry Maylath (1827-1883)
Publisher. Info. Boston: Oliver Ditson & Co., 1879. Plate 46968.
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Librettos

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Yoder (2013/6/18)

Language French
Publisher. Info. Paris: C. Lévy, 1885.
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Language German / English
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Language Italian
Translator Achille de Lauzières (1800-1875)
Publisher. Info. Milan: Edoardo Sonzogno Editore, 1908.
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Publisher. Info. Milan: Casa Musicale Sonzogno, 1955.
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General Information

Work Title Carmen
Alternative. Title Opéra-comique en quatre actes
Name Translations 卡门; 卡門; כרמן; 카르멘; Karmena; カルメン; Кармен; كارمن; Karmeno; Կարմեն; Karmen; Carmena; การ์เมน; کارمن; Κάρμεν; കാർമെൻ; კარმენი (ოპერა); Кармэн; கார்மென்; «Кармен» (опера); Кармен (Дуурь)
Name Aliases L'amour est enfant de bohême; Gypsy Song; Carmen de Bizet; Escamillo; カルメン幻想曲; カルメン組曲; カルメン (オペラ); Опера Кармен; คาร์เมน; Òpera Carmen; أوبرا كارمن; Carmen (opera)
Authorities WorldCat; Wikipedia; VIAF: 295658854; LCCN: n81120420; GND: 300020724; SUDOC: 031145701; BNF: 12241834c; NKC: aun2008480825
Composer Bizet, Georges
Opus/Catalogue NumberOp./Cat. No. GB 9 ; WD 31
I-Catalogue NumberI-Cat. No. IGB 16
Movements/SectionsMov'ts/Sec's 4 acts
Prélude
Act I
1. Sur la place chacun passe
2. Avec la garde montante
3. La cloche a sonné
4. Habanera: L'amour est un oiseau rebelle
5. Carmen, sur tes pas
6. Parle-moi de ma mère
7. Que se passe-t-il donc là-bas?
8a. Mon officier, c'était une querelle
8b. Tra-la-la... Coupe-moi, brûle-moi
9. Près des remparts de Séville
10. Voici l'ordre, partez
Entr'acte
Act II
11. Les tringles des sistres tintaient
12. Vivat, vivat le Toréro!
13. Votre toast, je peux vous le rendre
14. Nous avons en tête une affaire
15. Halte-là, qui va là?
16. Je vais danser en votre honneur
17. Holà, Carmen, holà
Entr'acte
Act III
18. Écoute, écoute, compagnon
19. Mêlons, coupons
20. Quant au douanier
21a. C'est des contrebandiers
21b. Je dis, que rien ne m'épouvante
22. Je suis Escamillo
23. Holà, holà José!
Entr'acte
Act IV
24. A deux cuartos
25. Les voici !
26. C'est toi ? C'est moi !
Year/Date of CompositionY/D of Comp. 1873-74
First Performance. 1875/03/03
Paris: Opéra-Comique (Favart)
First Publication. 1875 – Paris: Choudens
Librettist Henri Meilhac (1831-1897) and Ludovic Halévy (1834-1908)
after Carmen, a novella by Prosper Mérimée (1803-1870)
Language French
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation voices, chorus, orchestra
InstrDetail
Cast
Carmen (mezzo-soprano)
Don José (tenor)
Micaëla (soprano)
Escamillo (baritone)
Moralès (baritone)
Zuniga (bass)
Andrès (tenor)
Le Dancaïre (baritone)
Le Remendado (tenor)
Frasquita (soprano)
Mercédès (mezzo)
Un bohémien (bass)
Une marchande d'oranges (alto)

Mixed Chorus (SATB)

Officiers, Dragons, Cigarières, Bohémiennes,
Bohémiens, Marchands Ambulants

Pit-Orchestra

2 flutes (2nd also piccolo), 2 oboes, 2 clarinets, 2 bassoons
4 horns, 2 cornets, 3 trombones
timpani, triangle, bass drum, cymbals, snare drum
harp, strings

Off-stage Instruments

2 cornets, 2 trombones (from pit)
Related Works Pieces based on Bizet's 'Carmen'
Carmen Suite No.1
Carmen Suite No.2
El arreglito by Sebastián Yradier (basis of the Habanera)
External Links Bizet catalogue
Wikipedia article
Opera Guide
Aria-database.com
Scores at Sheet Music Plus