Italienisches Konzert, BWV 971 (Bach, Johann Sebastian)

Contents

Performances

Recordings

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Schissel (2014/4/24)

Performer Pages John Gibbons (harpsichord)
Publisher Info. Boston: Isabella Stewart Gardner Museum
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Rshill (2023/7/4)

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Rshill (2023/7/4)

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Rshill (2023/7/4)

Performer Pages Robert Hill (harpsichord, fortepiano, clavichord, lute-harpsichord, piano)
Publisher Info. Robert Hill, 2005.
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Lucas-coelho (2021/7/21)

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Lucas-coelho (2021/7/21)

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Lucas-coelho (2021/7/21)

Performer Pages Wanda Landowska (harpsichord)
Publisher Info. Angel Records, 1960. COLH 71.
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Misc. Notes Source: Internet Archive
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TN-PMLP2954-01.01. Italian Concerto In F Major, Allegro-5614.png

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Vangi (2018/4/6)

Performer Pages Françoise Baudlot (harpsichord)
Publisher Info. Club National du Disque, 1957. CND 1001.
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Misc. Notes Téléchargement
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For Piano

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Gabrielhero (2018/5/3)

Performer Pages Gabriel Antonio Hernandez Romero (Piano)
Publisher Info. Gabriel Antonio Hernandez Romero ℗, 2018.
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Misc. Notes Canada Montreal Recording ℗ 2018
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Lumineux (2014/12/13)

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Lumineux (2014/12/13)

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Lumineux (2014/12/13)

Performer Pages Peter Bradley-Fulgoni (piano)
Publisher Info. Peter Bradley-Fulgoni
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Misc. Notes Recorded 2012, St. Paul's Hall, Huddersfield University. Peter Hill (sound engineer)
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Vangi (2018/4/15)

Performer Pages György Sebők (piano)
Publisher Info. Erato, 1963. Ste 50117.
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Misc. Notes Téléchargement
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For Harp

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Carolus (2010/10/29)

Publisher Info. Boston: Isabella Stewart Gardner Museum
Performers Catrin Finch, harp
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Naxos

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Synthesized/MIDI

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Darrell Jacobi (2012/3/3)

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Darrell Jacobi (2012/3/3)

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Darrell Jacobi (2012/3/3)

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Performers Darrell Jacobi
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Allegro (No.1)

For 4 Recorders (Fonseca)

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Reccmo (2012/5/7)

Publisher Info. Eduardo Fonseca
Performers Synthesized MIDI
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Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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Sheet Music

Scores

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Sallen112 (2023/6/19)

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Sallen112 (2023/6/19)

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Irishmaestro (2010/7/14)

Editor First edition
Engraver Balthasar Schmid
Johann Gotthilf Ziegler (1688-1747)
Publisher. Info. Clavier-Übung II (No.1)
Nuremberg: Christoph Weigel, n.d.[1735].
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Fynnjamin (2013/11/6)

Copyist Johann Christoph Oley (1738–1789), copyist
Publisher. Info. Manuscript, n.d.
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Kryalot (2006/3/17)

Editor Carl Ferdinand Becker (1804-1877)
Publisher. Info. Bach-Gesellschaft Ausgabe, Band 3 (pp.139-153)
Leipzig: Breitkopf und Härtel, 1853. Plate B.W. III.
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Pianoman121 (2019/4/26)

Editor Albert Schweitzer (1875-1965)
Publisher. Info. Klassiker der Tonkunst, Bd.1
Wien: Universal Edition, 1912. Plate U.E. 3920.
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Misc. Notes This file is part of the Sibley Mirroring Project.
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Worov (2010/4/17)

Editor Mortimer Wilson (1876-1932)
Publisher. Info. New York: The University Society, 1918. Plate 1118.
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Misc. Notes Collection (pp.437-454)
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Sallen112 (2017/9/9)

Editor Edwin Fischer (1886-1960)
Publisher. Info. Copenhagen: Wilhelm Hansen, No.3992, 1955. Plate 27248.
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Misc. Notes 600 dpi. Page size is 8.37 x 11.87 inches.
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Worov (2010/4/19)

Editor Leonid Roizman (1916-1989)
Publisher. Info. Moscow: Muzyka, 1966.
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Sallen112 (2023/6/19)

Editor Walter Emery (1909-1974)
Publisher. Info. Neue Bach-Ausgabe, Serie V, Band 2 (pp.3-19)
Kassel: Bärenreiter Verlag, 1977. Plate BA 5048.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

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Misc. Notes 600 dpi. Page size is 10.00 x 12.688 inches.
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Chairat (2016/1/29)

Editor Walter Emery (1909-1974)
Publisher. Info. Kassel: Bärenreiter-Verlag, 1977. Plate BA 5194.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

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Ottaviano (2010/4/17)

Publisher. Info. Moscow: Muzgiz, n.d.(ca.1985).
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Sahuhtala (2024/5/27)

Editor Tamás Zászkaliczky (b. 1943)
Publisher. Info. Clavier-Übung II (No.1)
Budapest: Könemann Music, 1996. Plate K 169.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

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Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
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Misc. Notes 600 dpi. Page size A4 (210 × 297mm). Urtext edition.
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Selections

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RSB (2011/2/24)

Editor RSB
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Morel (2020/5/10)

Editor Jane Mortier
Publisher. Info. Album Musica, No.96
Paris: Pierre Lafitte, 1910.
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RazorThunder (2014/3/10)

Editor Davon Mallin Halim
Publisher. Info. Davon Mallin Halim
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Misc. Notes Please tell for any mistakes, first upload.
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Arrangements and Transcriptions

Complete

For Oboe, Strings and Continuo (Schneider)

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TAS (2011/4/22)

5 more: Oboe solo • Violins I • Violins II • Violas • Cellos/Basses

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TAS (2011/5/15)

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TAS (2011/5/15)

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TAS (2011/5/15)

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TAS (2011/5/15)

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TAS (2011/5/15)

Arranger Thomas A. Schneider (b. 1953)
Publisher. Info. Thomas A. Schneider
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Misc. Notes 'Concerto for Oboe and String Orchestra'
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For 2 Oboes, 2 Clarinets, Bassoon, Contrabassoon or 2 Bassoons and 2 Horns (Clarke)

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JohnFClarke (2022/6/16)

8 more: Oboe 2 • Clarinet 1 (B♭) • Clarinet 2 (B♭) • Bassoon (1) • Contrabassoon • Bassoon 2 (alt. to Contrabassoon) • Horn 1 (F) • Horn 2 (F)

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JohnFClarke (2022/6/16)

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JohnFClarke (2022/6/16)

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JohnFClarke (2022/6/16)

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JohnFClarke (2022/6/16)

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JohnFClarke (2022/6/16)

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JohnFClarke (2022/6/16)

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JohnFClarke (2022/6/16)

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JohnFClarke (2022/6/16)

Arranger John Clarke (b. 1951)
Publisher. Info. John Clarke
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For Flute and Piano (Schwedler)

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Afp0815 (2012/5/17)

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Afp0815 (2012/5/17)

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Afp0815 (2012/5/17)

Arranger Maximilian Schwedler (1853-1940)
Publisher. Info. Leipzig: Wilhelm Zimmermann, n.d.(ca.1923). Plate Z. 11108.
Reprinted Frankfurt: Wilhelm Zimmermann, n.d.(after 1953). Plate Z. 11108.
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For 2 Pianos 6 Hands (Siloti)

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Peter (2007/7/31)

Arranger Alexander Siloti (1863-1945)
Publisher. Info. New York: Carl Fischer, 1930. Plate 25806.
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Misc. Notes This file is from the MIT archive project.
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Allegro (No.1)

For 4 Recorders (Fonseca)

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Reccmo (2012/5/7)

5 more: Descant Recorder • Treble Recorder • Tenor Recorder • Bass Recorder • Engraving files (Encore)

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Reccmo (2012/5/7)

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Reccmo (2012/5/7)

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Reccmo (2012/5/7)

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Reccmo (2012/5/7)

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Reccmo (2012/5/7)

Arranger Eduardo Fonseca
Publisher. Info. Eduardo Fonseca
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Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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Andante (No.2)

For Violin or Cello and Piano or Strings (Maas)

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Generoso (2007/9/8)

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Schalltrichter (2013/2/6)

Arranger Louis Maas (1852-1889)
Publisher. Info. New York: G. Schirmer, 1882. Plate 2872, 2871a.
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For Violin and Organ (Kretzschmar)

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Schalltrichter (2012/7/20)

Arranger Hermann Kretzschmar (1848-1924)
Publisher. Info. Leipzig: Forberg, n.d. Plate 1869.
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Misc. Notes Otto or Robert Forberg?
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Alex'Not (2019/10/4)

Arranger Hermann Kretzschmar (1848-1924)
Editor Alain Brunet (b. 1967)
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Misc. Notes fac-simile "moderne" : gravure identique à l'original
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For Cello and Piano (Fitzenhagen)

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Schalltrichter (2018/8/22)

Arranger Wilhelm Fitzenhagen (1848-1890)
Publisher. Info. Moscow: P. Jurgenson, n.d.[1889]. Plate 14177.
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Misc. Notes First published by Luckhart in 1877
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For Cello and Piano (Mandozzi)

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Cellofan (2016/2/7)

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Arranger Orfeo Mandozzi (b. 1968)
Publisher. Info. Winterthur: Orfeo Mandozzi 7.2.2016
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For Organ (Brunet)

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Alex'Not (2023/9/12)

Arranger Alain Brunet (b. 1967)
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Free Recordings

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General Information

Work Title Italienisches Konzert ; Concerto nach Italiænischen Gusto
Alternative. Title Italian Concerto ; Concerto in the Italian Style
Name Translations Concerto Italiano; Italiensk konsert, BWV 971; イタリア協奏曲; Koncert włoski; Concerto italien; Italian Concerto; Италијански концерт; Concert italià; Concerto italiano; Concierto italiano, BWV 971; Concertul italian; Italienisches Konzert; 義大利協奏曲; 이탈리아 협주곡; Итальянский концерт
Name Aliases Concerto nach Italienischem Gusto; Concerto in the Italian Style, BWV 971; 意大利協奏曲
Authorities WorldCat; Wikipedia; VIAF: 183832488; LCCN: n81082731; GND: 300006659; BNF: 139100021
Composer Bach, Johann Sebastian
Opus/Catalogue NumberOp./Cat. No. BWV 971 ; BC L 7 ; Op.2
I-Catalogue NumberI-Cat. No. IJB 331
Key F major
Movements/SectionsMov'ts/Sec's 3 movements:
I. [without tempo designation]
II. Andante
III. Presto
Year/Date of CompositionY/D of Comp. 1733-35
First Publication. 1735 in Clavier-Übung II (No.1)
Composer Time PeriodComp. Period Baroque
Piece Style Baroque
Instrumentation harpsichord
Manuscript Sources Bach Digital (source list)
External Links Wikipedia article

Navigation etc.

Keyboard Works by Johann Sebastian Bach
French Overture, BWV 831
Italian Concerto, BWV 971