2 Légendes, S.175 (Liszt, Franz)

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Performances

Recordings

Performer Pages Cecile Licad (piano)
Publisher Info. Boston: Isabella Stewart Gardner Museum
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St François d'Assise: La prédication aux oiseaux (No.1)

Performer Pages Luis Kolodin (Piano)
Publisher Info. Luis Kolodin, 2021.
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St François de Paule: Marchant sur les flots (No.2)

Performer Pages György Cziffra (piano)
Publisher Info. Philips, 1963. 6500 250.
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Misc. Notes Audio digital d'après microsillon - Collection personnelle - Extrait de l’album “Cziffra interprète Liszt”
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Cziffra interprète Liszt (Philips 6500 250, 1963).jpg
Performer Pages Bernard Ringeissen (piano)
Publisher Info. Recorded June 6, 1962, at Escola Parque Brasília.
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Misc. Notes Source: Instituto Piano Brasileiro
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Naxos

Sheet Music

Scores

Complete

Editor First edition
Publisher. Info. Paris: Heugel & Cie., n.d.(ca.1866). Plate H.4612.(1)-(2).
Copyright
Misc. Notes From the Ruth Dana Collection of Liszt Editions. Is this a direct reprint (with new plates but otherwise the same) of the Rózsavölgyi edition? Not sure what you mean by first edition otherwise.
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Editor Emil von Sauer (1862–1942)
Publisher. Info. Klavierwerke, Band 5:
Original Kompositionen für Klavier zu zwei Händen
(pp.136-64)
Leipzig: Edition Peters, No.3601a, n.d.[1913-17]. Plate 9880.
Copyright
Misc. Notes scan: score scanned at 600dpi
filter: score filtered with 2-point algorithm explained in High Quality Scanning. I provide the original scanned version and the filtered, because the filter does some changes (smoothening, sharpening borders) and some portions of the scan get lost sometimes (when they are too small e.g.) - so you can choose your favorite. You may ask me for a manually cleaned version.
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Editor Imre Mező (1932–)
Imre Sulyok (1912–2008)
Publisher. Info. Neue Liszt-Ausgabe, Serie 1, Band 10 (pp.xx, 2-26)
Budapest: Editio Musica, 1980. Plate Z.8459.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright
Misc. Notes scan: score scanned at 600dpi
filter: score filtered with 2-point algorithm explained in High Quality Scanning. I provide the original scanned version and the filtered, because the filter does some changes (smoothening, sharpening borders) and some portions of the scan get lost sometimes (when they are too small e.g.) - so you can choose your favorite. You may ask me for a manually cleaned version.
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St François d'Assise: La prédication aux oiseaux (No. 1)

Editor Moriz Rosenthal (1862–1946)
Publisher. Info. Berlin: Ullstein, 1927. Plate T. A. Nr. 314.
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Editor José Vianna da Motta (1868–1948)
Publisher. Info. Musikalische Werke. Serie II, Band 9 (pp.61-78)
Leipzig: Breitkopf & Härtel, 1927. Plate F.L. 69.
Copyright
Misc. Notes Originally scanned at about 160pi, converted to 600dpi monochrome.
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Editor Ignaz Friedman
Publisher. Info. Vienna: Universal Edition, n.d. Plate 5875. 5984. 5939.
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St François de Paule: Marchant sur les flots (No. 2)

Editor José Vianna da Motta (1868–1948)
Publisher. Info. Musikalische Werke. Serie II, Band 9 (pp.79-96)
Leipzig: Breitkopf & Härtel, 1927. Plate F.L. 70.
Copyright
Misc. Notes Originally scanned at about 160pi, converted to 600dpi monochrome.
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St François de Paule: Marchant sur les flots (No. 2) - Facilitated Version (S.175/2bis)

Editor Imre Mező (b. 1932)
Imre Sulyok (1912–2008)
Publisher. Info. Neue Liszt-Ausgabe, Serie 1, Band 10 (pp.150-59)
Budapest: Editio Musica, 1980. Plate Z.8459.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright
Misc. Notes scan: score scanned at 600dpi
filter: score filtered with 2-point algorithm explained in High Quality Scanning. I provide the original scanned version and the filtered, because the filter does some changes (smoothening, sharpening borders) and some portions of the scan get lost sometimes (when they are too small e.g.) - so you can choose your favorite. You may ask me for a manually cleaned version.
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Arrangements and Transcriptions

St François d'Assise: La prédication aux oiseaux (No.1)

For Orchestra (Mottl)
Arranger Felix Mottl (1856–1911)
Engraver Leipzig: C.G. Röder.
Publisher. Info. Budapest: Rozsavölgyi & Co., n.d.[1890]. Plate 1987.
Copyright
Misc. Notes Original images: ca.300dpi color jpg files.
Editing: converted to black and white, re-sampled to 600dpi, de-skewed, and set uniform margins. This file is based on high-resolution images obtained from the source using a method explained on this page. Blank pages inserted into parts file to facilitate duplex printing
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14 more: Flute 1, 2 • Oboe 1, 2 • Clarinet 1, 2 (A) • Bassoon 1, 2 • Horn 1, 2, 3/4 (E, E, F) • Trumpet 1/2 (F) • Trombone 1, 2, 3, Tuba • Timpani • Harp 1/2 • Violins I • Violins II • Violas • Cellos • Basses

Arranger Felix Mottl (1856–1911)
Engraver Leipzig: C.G. Röder.
Publisher. Info. Budapest: Rozsavölgyi & Co., n.d.[1890]. Plate 1987.
Reprinted New York: E.F. Kalmus, n.d.(1933–70). Catalog A6310.
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For Organ (Saint-Saëns)
Arranger Camille Saint-Saëns (1835–1921)
Editor Gyula Pfeiffer
Publisher. Info. Gyula Pfeiffer, 2016
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St François de Paule: Marchant sur les flots (No.2)

For Orchestra

PDF typeset by editor
Eze (2016/3/17)

9 more: Oboe 1, 2, English Horn • Clarinet 1, 2 • Bassoon 1, 2 • Horn 1, 2 • Trumpet 1, 2 • Trombone 1, 2, 3, Tuba • Timpani • Percussion • Strings

PDF typeset by editor
Eze (2016/3/17)

PDF typeset by editor
Eze (2016/3/17)

PDF typeset by editor
Eze (2016/3/17)

PDF typeset by editor
Eze (2016/3/17)

PDF typeset by editor
Eze (2016/3/17)

PDF typeset by editor
Eze (2016/3/17)

PDF typeset by editor
Eze (2016/3/17)

PDF typeset by editor
Eze (2016/3/17)

PDF typeset by editor
Eze (2016/3/17)

Arranger Composer
Editor Ezequiel Diz, after Friedrich Schnapp (1900–1983)
Publisher. Info. Ezequiel Diz OSPR
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Braille Scores

BRF typeset by editor
Feduol (2024/2/6)

Editor Emil von Sauer (1862–1942)
Hu Haipeng (b. 1984)
Publisher. Info. Hu Haipeng, 2022.
Copyright
Misc. Notes Braille score in bar-over-bar format, 40 cells per line.
See here for additional information on Braille scores.
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General Information

Work Title 2 Légendes
Alternative. Title 2 Legends
Name Translations Zwei Legenden; Deux légendes; Leggende; Két legenda (Liszt); 伝説 (リスト); Dos leyendas (Liszt)
Authorities WorldCat; Wikipedia; VIAF: 183909517; GND: 300093977; BNF: 139895381
Composer Liszt, Franz
Opus/Catalogue NumberOp./Cat. No. S.175 ; LW.A219
I-Catalogue NumberI-Cat. No. IFL 220
Movements/SectionsMov'ts/Sec's 2 pieces:
  1. St François d'Assise: La prédication aux oiseaux
  2. St François de Paule: Marchant sur les flots
Year/Date of CompositionY/D of Comp. 1862–63
First Performance. 1865-08-29 in Budapest
First Publication. 1865 (No.1), 1866 (No.2)
Dedication Cosima von Bülow (1837–1930)
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation piano
Related Works No.2 reworked for Male voices and Organ as An den heiligen Franziskus von Paula, S.28
External Links Wikipedia article