Carmen (Bizet, Georges)

Contents

Performances

Recordings

Complete

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Vangi (2019/8/21)

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Vangi (2019/8/21)

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Vangi (2019/8/21)

MP3 file (audio)
Vangi (2019/8/21)

Performer Pages Orchestre national de France (chorus, orchestra)
Thomas Beecham (conductor)
Publisher Info. Parlaphone, 1960.
Performers Victoria de Los Angeles, Nicolai Gedda, Janine Micheau, Ernest Blanc (voices)
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Selections

MP3 file (audio)
Rgagnaux (2017/5/16)

Performer Pages Walter Goehr (conductor)
Publisher Info. Musical Masterpiece Society/Concert Hall, 195?
Performers Netherlands Philharmonic Orchestra
Reissue Schattdorf: Gagnaux Collection
Copyright
Misc. Notes Recorded 195?, Hilversum
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TN-PMLP15769-Bizet Carmen Extraits NPO Goehr MMS 2009-1707.jpg

MP3 file (audio)
Vangi (2018/7/23)

Performer Pages Albert Wolff (Conductor)
Opéra-Comique (Company)
Suzanne Juyol (Carmen)
Libero de Luca (Don José)
Janine Micheau (Micaëla)
Julien Giovannetti (Escamillo)
Marcel Enot (Moralès)
Denise Boursin (Frasquita)
Jacqueline Cauchard (Mercédès)
Jean Vieuille (Le Dancaïre)
Serge Rallier (Le Remendado)
Henri Médus (Zuniga)
Pierre Germain (Lillas Pastia)
Publisher Info. Disque Decca, 1958. LX 5137
Performers Suzanne Juyol, Libero de Luca, Janine Micheau, Julien Giovannetti (voices)
Opéra Comique de Paris (chorus, orchestra), Albert Wolff (conductor)
Copyright
Misc. Notes Collection personnelle. Version masterisée. Chanté en français malgré l'édition d’origine allemande.

Contenu d'après la pochette:
Vorspiel I. Akt
Habañera (Ja, die Liebe hat bunte Flügel)
Duett I. Akt (Ich seh’ die Mutter dort)
Arie der Micaëla (Ich sprach, daßen am Wall von Sevilla
Blumenarie (Hier an dem Herzen treu geboren)
Auftritt des Escamillo (Torerolied)
Euren Toast kann ich wohl erwidern
Finale IV. Akt

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Pochette LX 5137.jpg

Chanson du toréador (Act II, No.14)

FLAC file (audio)
Lekro (2016/2/2)

MP3 file (audio)
Lekro (2016/2/2)

Publisher Info. Johnny Campen
Performers Johnny Campen (baritone?), unknown pianist
Copyright
Misc. Notes Source: soundcloud.
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La fleur que tu m'avais jetée (Act II, No.17)

MP3 file (audio)
Alain.jacques (2013/4/16)

Performer Pages Jacques Pottier (tenor)
Publisher Info. Alain M. Jacques
Copyright
Misc. Notes rec. 2010
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MP3 file (audio)
Alain.jacques (2013/10/15)

Performer Pages Jacques Pottier (tenor)
Publisher Info. Alain M. Jacques
Copyright
Misc. Notes A public recording by O.R.T.F. (Office de la Radio et Télévision Française) in 1962
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Naxos

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Accompaniments

MP3 file (audio)
Free Pianist (2021/5/29)

MP3 file (audio)
Free Pianist (2016/11/7)

Performer Pages Héctor Valls (Piano)
Publisher Info. Héctor Valls
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Synthesized/MIDI

Habanera: L'amour est un oiseau rebelle (Act I, No.5)

For Voice, Mixed Chorus and 2 Pianos (Machella)

MID file (audio/video)
Reccmo (2012/4/3)

Publisher Info. Maurizio Machella
Performers Synthesized MIDI
Copyright
Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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Entr'acte (Act II)

For Organ (Gouin)

MID file (audio/video)
Keanur (2013/6/15)

Publisher Info. Montréal: Les Éditions Outremontaises, 2013
Performers MIDI file by Pierre Gouin
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Sheet Music

Full Scores

Complete

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Carolus (2022/9/26)

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Carolus (2022/9/26)

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Carolus (2022/9/26)

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Carolus (2022/9/26)

Publisher. Info. Holograph manuscript, 1875.
Copyright
Misc. Notes Bibliothèque nationale de France, Musique (F-Pn): MS-436
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Hobbypianist (2008/8/5)

Editor First edition (reprint)
Publisher. Info. Paris: Choudens Pére et Fils, n.d.[1877]. Plate A.C. 3795.
Reprinted Budapest: Könemann, 1994. Plate K 1005.
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Carolus (2012/11/13)

Publisher. Info. Leipzig: C.F. Peters, No.3200, n.d.[1905]. Plate 9028.
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Misc. Notes This file is part of the Sibley Mirroring Project.
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Alaric (2009/4/14)

Publisher. Info. Leipzig: C.F. Peters, No.3200, n.d.(ca.1920). Plate 9028.
Reprinted Boca Raton: Edwin F. Kalmus, n.d.(1987-2018). Catalog A4590.
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Prélude

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Philhar (2013/11/23)

Editor Philhar
Publisher. Info. Le Concert - 2013
Copyright
Misc. Notes This edition of the prelude includes only the first 119 measures. It is designed to be played alone (as "encore" for example).
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Habanera: L'amour est un oiseau rebelle (Act I, No.4)

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Feduol (2024/1/1)

Editor John Rutter (b. 1945)
Publisher. Info. Oxford Choral Classics: Opera Choruses, No.3
London: Oxford University Press, 1995.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

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Copyright
Misc. Notes This file does not include the editor's translation of the original text.
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Les voici ! (March of the Toreadors) (Act IV, No.25)

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Feduol (2024/1/1)

Editor John Rutter (b. 1945)
Publisher. Info. Oxford Choral Classics: Opera Choruses, No.4
London: Oxford University Press, 1995.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

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Misc. Notes This file does not include the editor's translation of the original text.
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Parts

Complete

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19 more: Oboe 1/2 • Clarinet 1/2 • Bassoon 1/2 • Horn 1/2 • Horn 3/4 • Cornet 1/2 • Trombone 1/2 • Trombone 3 • Timpani/Triangle • Bass Drum/Cymbals • Snare Drum/Tambourine/Tambourin de Provence • Harp • Onstage Cornet 1/2 • Onstage Trombone 1/2 • Onstage Trombone 3 • Violins I • Violins II • Violas • Cellos/Basses

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M.kowalski49 (2015/9/30)

Publisher. Info. Paris: Choudens, n.d. Plate A.C. 3276.
Reprinted New York: E.F. Kalmus, n.d.(1933-70). Catalog A4590.
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m.kowalski4 (2011/6/25)

Publisher. Info. Paris: Choudens, n.d. Plate A.C. 3276.
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Misc. Notes page 49 was omitted because it was blank to comp for even page turns
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m.kowalski49 (2011/10/8)

Publisher. Info. Paris: Choudens, n.d. Plate A.C. 3276.
Reprinted New York: E.F. Kalmus, n.d.(1933-70). Catalog A4590.
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Selections

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Cellofan (2015/5/15)

Editor Orfeo Mandozzi
Publisher. Info. Vienna: Orfeo Mandozzi 15.5.2015
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Prélude

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JacopoTore (2020/4/30)

13 more: Flute 1 • Clarinet 1 • Clarinet 2 • Horn 3 • Horn 4 • Trumpet 1 • Trumpet 2 • Trombone 2 • Violins I • Violins II • Violas • Cellos • Basses

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JacopoTore (2020/4/30)

Publisher. Info. Leipzig: Breitkopf und Härtel, n.d. Plate Orch. B. 1770/71.
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Misc. Notes Wrongly labelled as "Nr. 5 Les Toréadors (Einleitung zum I. Akt)".
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Philhar (2013/11/23)

12 more: Oboes 1, 2 • Clarinets 1, 2 (A) • Bassoons 1, 2 • Horns 1, 2 (in A) 3, 4 (E) • Trumpets 1, 2 (A) • Trombones 1, 2, 3 • Timpani, Triangle, Cymbals, Bass drum • Violins I • Violins II • Violas • Cellos • Basses

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Philhar (2013/11/23)

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Philhar (2013/11/23)

Editor Philhar
Publisher. Info. Le Concert - 2013
Copyright
Misc. Notes This edition of the prelude includes only the first 119 measures. It is designed to be played alone (as "encore" for example).
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Habanera: L'amour est un oiseau rebelle (Act I, No.4)

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Feduol (2024/1/1)

12 more: Oboe 1, 2 • Clarinet 1, 2 (A) • Bassoon 1, 2 • Horn 1, 2, 3, 4 (F) • Trumpet 1, 2 (B♭) • Timpani • Percussion • Violins I • Violins II • Violas • Cellos • Basses

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Feduol (2024/1/1)

Editor John Rutter (b. 1945)
Publisher. Info. Oxford Choral Classics: Opera Choruses, No.3
London: Oxford University Press, 1995.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

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Entr'acte (Act II)

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Marco Piovesan (2018/4/2)

Editor Marco Piovesan
Publisher. Info. Marco Piovesan, 2018.
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Misc. Notes Famous solo transposed for A clarinet.
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La fleur que tu m'avais jetée (Act II, No.17)

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Ilynov (2016/9/29)

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Ilynov (2016/9/29)

Editor ilynov
Publisher. Info. ilynov
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Misc. Notes Transposed 1/2 tone lower (C-major).
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Entr'acte (Act III)

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Elendar (2016/2/10)

Publisher. Info. Manuscript, n.d.
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Misc. Notes Titles in Russian.
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Les voici ! (March of the Toreadors) (Act IV, No.25)

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Feduol (2024/1/1)

13 more: Oboe 1, 2 • Clarinet 1, 2 (A) • Bassoon 1, 2 • Horn 1, 2, 3, 4 (A) • Trumpet 1, 2 (C) • Trombone 1, 2, 3 • Timpani • Percussion • Violins I • Violins II • Violas • Cellos • Basses

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Feduol (2024/1/1)

Editor John Rutter (b. 1945)
Publisher. Info. Oxford Choral Classics: Opera Choruses, No.4
London: Oxford University Press, 1995.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

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Vocal Scores

Complete

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Afp0815 (2012/5/25)

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Massenetique (2011/7/12)

Editor First edition
Publisher. Info. Paris: Choudens Père et Fils, n.d.[1875]. Plate A.C. 3082.
Copyright
Misc. Notes This edition constitutes the opera as it was presented at the premiere, without Guiraud's recitatives and including the Scène et pantomime (No.2), which was dropped after the 30th performance. Missing pages 129-130.
This file is part of the Sibley Mirroring Project. Publication noted in the Bibliographie de la France 2e série, 64e année, Nº 16, 17 Avril 1875, p.218, r.1429.
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Dbmiller (2007/5/27)

Editor Ernest Guiraud (1837-1892)
Language French / English
Translator Theodore Baker (1851–1934), English text
Publisher. Info. New York: G. Schirmer, 1895. Plate 12117.
Copyright
Misc. Notes Original spoken dialogue replaced with recitatives by Ernest Guiraud.
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Dbmiller (2011/4/6)

Arranger Gustav Friedrich Kogel (1849-1921), piano reduction
Editor Rudolf Schwartz (1859-1935), introduction
Language German
Translator Julius Hopp (1819–1885), German text
Publisher. Info. Leipzig: Edition Peters, n.d.[1903]. Plate 8750.
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Habanera: L'amour est un oiseau rebelle (Act I, No.5)

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Jurabe (2023/4/25)

Publisher. Info. Paris: Choudens, n.d. Plate A.G. 3108.
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Misc. Notes Old edition from the uploader's family archives
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Massenetique (2011/7/23)

Language French
Publisher. Info. Paris: Choudens, n.d.(ca.1875). Plate A.C. 3109.
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Kdkeller (2007/9/16)

Language English / French / Italian
Translator George Cooper (1840–1927), English text
Publisher. Info. New York: The University Society, 1910. Plate 1-699-5 to 5-699-5.
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Près des remparts de Séville (Act I, No.10)

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Emblyadell (2014/4/21)

Editor Meyer Lutz (1822-1903)
Language German
Publisher. Info. Mainz: Schott, n.d.
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Misc. Notes This file is part of the Sibley Mirroring Project.
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Chanson du Toréador (Act II, No.14)

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Feduol (2021/9/17)

Editor Frank Henri Klickmann (1885-1966)
Publisher. Info. New York: Jack Mills Inc., 1925.
Copyright
Misc. Notes This file is part of the Submission Project.
This item, which is in the public domain in its country of origin, is likewise in the public domain in countries which apply the rule of the shorter term. All EU countries apply the rule of the shorter term in general.
Note that in some cases this rule may be overridden by a treaty with the source country (especially the United States) and/or may not apply to works which fell into the public domain in their source country due to a failure to renew copyright or comply with other formalities.
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La fleur que tu m'avais jetée (Act II, No.17)

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Alceste Pinarello (2017/9/24)

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Alceste Pinarello (2017/9/24)

Editor Alceste Pinarello
Publisher. Info. Alceste Pinarello
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Misc. Notes Source: first edition (Choudens Père et Fils)
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Arrangements and Transcriptions

Complete

For Voices, Mixed Chorus and Small Orchestra (James)

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4 more: Act I • Act II • Act III • Act IV

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