Dum complerentur (Victoria, Tomás Luis de)

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Movements/SectionsMov'ts/Sec's 2 parts
First Publication 1572 in Motecta (No.16)
Genre Categories Motets; For 5 voices; For unaccompanied voices; Scores featuring the voice; Latin language
Related Works Used as the model for the composer’s own mass setting, published 1576.

Contents

Performances

Sheet Music

Scores

 Complete Score
#413469 - 3.21MB, 8 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 38×⇩ - PML

PDF scanned by PL-LZu
PML (2016/2/29)

Editor Felipe Pedrell (1841–1922)
Publisher. Info. Opera Omnia, Vol.1 (pp.59–66)
Leipzig: Breitkopf und Härtel, 1902. Plate V.W.I.
Copyright
Public Domain [tag/del]
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 Complete Score
#411372 - 0.16MB, 6 pp. -  0.0/10 2 4 6 8 10 (-) - !N*/!N*/!N* - 302×⇩ - PML

PDF typeset by Nancho Alvarez
PML (2016/2/13)

Editor Nancho Alvarez
Publisher. Info. Nancho Alvarez
Copyright
Creative Commons Attribution-NonCommercial-ShareAlike 4.0 [tag/del]
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 Complete Score
#496228 - 0.40MB, 37 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 149×⇩ - Vangi

PDF typeset by editor
Vangi (2017/10/11)

Editor Daniel Van Gilst (b. 1942)
Publisher. Info. Daniel Van Gilst, 2017.
Copyright
Creative Commons Zero 1.0 [tag/del]
Misc. Notes Layout optimized for digital tablets - Source : Motecta... Venetiis, apud filios Antonii Gardani, 1572
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General Information

Work Title Dum complerentur
Alternative. Title In Festo Pentecostes
Composer Victoria, Tomás Luis de
I-Catalogue NumberI-Cat. No. ITV 159
Movements/SectionsMov'ts/Sec's 2 parts:
  1. [Prima pars.] Dum complerentur dies Pentecostes
  2. Secunda pars. Dum ergo essent
First Publication. 1572 in Motecta (No.16)
Language Latin
Composer Time PeriodComp. Period Renaissance
Piece Style Renaissance
Instrumentation 5 voices (SSATB) (high clefs: G2, G2, C2, C3, C4)
Related Works Used as the model for the composer’s own mass setting, published 1576.

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