6 English Suites, BWV 806-811 (Bach, Johann Sebastian)

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Carolus (2017/9/30)

Copyist Johann Friedrich Agricola (1720–1774)*
Johann Philipp Kirnberger (1721–1783)
Anonymous scribe
Publisher. Info. Manuscript, n.d.(ca.1740-59).
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Misc. Notes *The attribution to Agricola is not confirmed.
Staatsbibliothek zu Berlin (D-B), Amalien-Bibliothek: Am.B 489
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Irishmaestro (2013/12/18)

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Irishmaestro (2013/12/18)

Copyist Johann Christian Bach (1743–1814), known as 'Hallescher Clavier-Bach'
Publisher. Info. Manuscript, n.d.(ca.1760-89).
Copyright
Misc. Notes The Leipzig University Library, Biblioteca Albertina (D-LEu): N.I. 10338, Faszikel 1
From a larger collection of 19 keyboard works. Likely based on Am.B 489
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piupianissimo (2010/5/7)

Editor Carl Czerny (1791-1857)
Friedrich Conrad Griepenkerl (1782-1849)
Publisher. Info. Compositions pour le Pianoforte, Liv.8
Leipzig: C.F. Peters, n.d.[1843]. Plate 2783.
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Misc. Notes Originally scanned at 300dpi grayscale, converted to 600dpi monochrome.
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Peter (2007/5/28)

Editor Wilhelm Rust (1822-1892)
Publisher. Info. Bach-Gesellschaft Ausgabe, Band 13.2 (pp.1-86)
Leipzig: Breitkopf und Härtel, 1865. Plate B.W. XIII(2).
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Misc. Notes See below for corrected edition
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Sallen112 (2024/9/6)

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Sallen112 (2024/9/6)

Editor Hans Bischoff (1852-1889)
Translator Alexander Lipsky (1900–1985), preface and footnotes
Publisher. Info. Leipzig: Steingräber, n.d.(ca.1880).
Reprinted New York: Edwin F. Kalmus, 1945.
Copyright
Misc. Notes 600 dpi. Page size is 10 x 13 inches. English translation by Alexander Lipsky (1900-1985) in preface and footnotes removed in first file. Name also removed from title and cover pages as well.
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Feldmahler (2006/11/15)

Editor Ernst Naumann (1832-1910)
Publisher. Info. Bach-Gesellschaft Ausgabe, Band 45.1 (pp.1-86)
Leipzig: Breitkopf und Härtel, 1895. Plate B.W. XLV(1).
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Misc. Notes Corrected version of the edition in Band 13.2
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Worov (2010/4/15)

Editor Carl Czerny (1791-1857)
Publisher. Info. Leipzig: C.F. Peters, n.d. Plate 8036.
Copyright
Misc. Notes Second Part of the Allemande in Suite No. 3 (BWV 808) is missing
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JacopoTore (2018/10/3)

Editor Bruno Mugellini (1871-1912)
Publisher. Info. Milan: Ricordi, n.d.(ca.1900). Plate E.R. 2374.
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Misc. Notes Reprint 1996
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Jacopo Tore (2016/1/10)

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Jacopo Tore (2019/8/14)

Editor Alfredo Casella (1883-1947)
Publisher. Info. Milano: Edizioni Curci, 1947. Plate E. 4246 C.
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Sallen112 (2017/9/30)

Publisher. Info. Tokyo: Zen-On Music, n.d.(ca.1960).
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Misc. Notes 600 dpi. Page size is 9 x 12 inches.
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Worov (2010/4/29)

Publisher. Info. Moscow: Muzyka, n.d.(ca.1970).
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Fugalicious (2018/7/23)

7 more: Front Matter (Nos.4-6) • 1. Suite in A major • 2. Suite in A minor • 3. Suite in G minor • 4. Suite in F major • 5. Suite in E minor • 6. Suite in D minor

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Fugalicious (2018/7/28)

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Fugalicious (2018/7/23)

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Fugalicious (2018/7/23)

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Fugalicious (2018/7/23)

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Fugalicious (2018/7/28)

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Fugalicious (2018/7/28)

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Fugalicious (2018/7/28)

Editor Rudolf Steglich (1886-1976)
Publisher. Info. Munich: G. Henle Verlag, 1971. Plates HN 1102-1103.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

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Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
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Misc. Notes Scanned at 600 dpi. Page size is 31 cm × 23.5 cm.
Link (Nos.1-3), (Nos.4-6) to this edition on Henle's website (accessed 28 July 2018), where Henle has put links to the preface (including an explanation of ornamentation) and the critical commentary. Because the editor's preface is dated 1971, the uploader believes the 2008 copyright date on the first page is bogus.
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Sallen112 (2024/1/2)

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Sallen112 (2024/1/2)

Editor Alfred Dürr (1918-2011)
Publisher. Info. Neue Bach-Ausgabe, Serie V, Band 7 (pp.1-128)
Kassel: Bärenreiter Verlag, 1979. Plate BA 5052.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States.

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Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
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Misc. Notes 600 dpi. Page size is 10.00 x 12.688 inches.
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Sahuhtala (2024/6/1)

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Sahuhtala (2024/6/1)

Editor Tamás Zászkaliczky (b. 1943)
Publisher. Info. Budapest: Könemann Music, 1995. Plate K 111.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

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Misc. Notes 600 dpi. Page size A4 (210 × 297mm). Urtext edition.
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Selections (Nos.1-3)

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Carolus (2017/12/17)

Editor Carl Czerny (1791-1857)
Publisher. Info. New York: G. Schirmer, No.17, 1896.
Copyright
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Sallen112 (2024/9/6)

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Sallen112 (2024/9/6)

Editor Hans Bischoff (1852-1889)
Translator Alexander Lipsky (1900–1985), preface and footnotes
Publisher. Info. Leipzig: Steingräber, n.d.(ca.1880).
Reprinted New York: Edwin F. Kalmus, 1945.
Copyright
Misc. Notes 600 dpi. Page size is 10 x 13 inches. English translation by Alexander Lipsky (1900-1985) in preface and footnotes removed in first file. Name also removed from title and cover pages as well.
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Other

For 3 Pianos (Orefice)

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Jehandulac (2022/9/7)

Arranger Giovanni Pietro Orefice (b. 1967)
Publisher. Info. Giovanni Pietro Orefice, 2022.
Copyright
Misc. Notes Multiple voices CANONS unveiled in each piece of the English Suites, only the begin of each piece is reported to show the time delays between the voices and to save paper. Use the original setting keyboard scores as your part!
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General Information

Work Title 6 English Suites
Alternative. Title Six Suittes avec leurs Préludes pour le Clavecin
Name Translations Suites anglaises; English Suites; Engelse suites BWV 806 - BWV 811; Englische Suiten; Suites angleses; Suite inglesi; Suites inglesas; イギリス組曲 (バッハ); Suity angielskie (BWV 806-811); Engelske suiter; Tổ khúc Anh; Suítes Inglesas; 英國組曲; Anglické suity; 영국 모음곡; İngiliz Süitleri (Bach); Английские сюиты; Αγγλικές σουίτες; Angleške suite
Name Aliases Engelse suiten BWV 806 - BWV 811; Suity angielskie; Engelske suitar; Suites inglesi; Suites inglesas, BWV 806-811
Authorities WorldCat; Wikipedia; VIAF: 175367933; LCCN: n80150146; GND: 300006209; BNF: 13909917h; NLA: 35488021; BNE: XX2362466
Composer Bach, Johann Sebastian
Opus/Catalogue NumberOp./Cat. No. BWV 806–811 ; BC L 13–18
I-Catalogue NumberI-Cat. No. IJB 119
Movements/SectionsMov'ts/Sec's 6 suites:
1. English Suite No.1 in A major, BWV 806
1a. English Suite No.1 in A major, BWV 806a
2. English Suite No.2 in A minor, BWV 807
3. English Suite No.3 in G minor, BWV 808
4. English Suite No.4 in F major, BWV 809
5. English Suite No.5 in E minor, BWV 810
6. English Suite No.6 in D minor, BWV 811
Year/Date of CompositionY/D of Comp. 1715-20
First Publication. 1805-13 - Berlin: Trautwein (ed. Forkel)
Composer Time PeriodComp. Period Baroque
Piece Style Baroque
Instrumentation keyboard (harpsichord or clavichord)
Authorities VIAF
Manuscript Sources Bach Digital (source list)
D-B, Am.B 489
D-LEu, N.I. 10338, Fas.1
External Links Wikipedia article
All Music Guide

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See Also
List of Intermediate Piano Repertoire
Keyboard Works by Johann Sebastian Bach
French Overture, BWV 831
Italian Concerto, BWV 971