The following information is given for each work, where available:
Opus | English Title | Russian Title | Key | Date | Forces | Genre | Published | Notes |
---|---|---|---|---|---|---|---|---|
Works with Opus Number | ||||||||
Op. | 1Piano Sonata No.1 | Соната для фортепиано № 1 | F minor | 1907, rev. 1909 | pf | Keyboard | 1911 | |
Op. | 2 Etudes (4):
|
Этюда (4):
|
1909 | pf | Keyboard | 1912 | ||
Op. | 3 Pieces (4):
|
Пьесы (4):
|
1907–08, rev. 1911 | pf | Keyboard | 1911 | ||
Op. | 4 Pieces (4):
|
Пьесы (4):
|
1908, rev. 1910–12 | pf | Keyboard | 1913 | ||
Op. | 5Sinfonietta [1st version] | Симфониетта [1-я ред.] | A major | 1909, rev. 1914–15 | orch | Orchestral | — | 1st version of Op.48. |
Op. | 6Dreams | Сны | 1910 | orch | Orchestral | — | Symphonic picture. | |
Op. | 7 Poems (2):
|
Стихотворения (2):
|
1909–10 | fch orch | Vocal | — | ||
Op. | 8Autumnal | Осеннее | 1910, rev. 1915, 1934 | orch | Orchestral | 1960 | Symphonic sketches. | |
Op. | 9 Poems (2):
|
Стихотворения (2):
|
1910–11 | v pf | Vocal | 1917 | ||
Op. | 10Piano Concerto No.1 | Концерт для фортепиано с оркестром № 1 | D♭ major | 1911–12 | pf orch | Orchestral | 1913 | |
Op. | 11Toccata | Токката | D minor | 1912 | pf | Keyboard | 1913 | |
Op. | 12 Pieces (10):
|
Пьес (10):
|
1906–13 | pf | Keyboard | 1914 | No.1 based on No.6 of the Little Songs, series V (1906). No. 9 arranged for 4bn as Humoresque Scherzo, Op.12bis. | |
Op. | 12bisScherzo humoristique | Юмористическое скерцо | 1915 | 4bn | Chamber | 1915 | Arrangement of No.9 of 10 Pieces, Op.12. | |
Op. | 13Maddalena | Маддалена | 1911–13 | vv mch orch | Stage | 1987 | Unfinished opera in 1 act. | |
Op. | 14Piano Sonata No.2 | Соната для фортепиано № 2 | D minor | 1912 | pf | Keyboard | 1913 | |
Op. | 15Ballade | Баллада | C minor | 1912 | vc pf | Chamber | 1915 | |
Op. | 16Piano Concerto No.2 | Концерт для фортепиано с оркестром № 2 | G minor | 1912–13, rev.1923 | pf orch | Orchestral | 1925 | |
Op. | 17 Sarcasms:
|
Сарказмы:
|
1912–14 | pf | Keyboard | 1916 | ||
Op. | 18The Ugly Duckling | Гадкий утëнок | 1914 | v pf | Vocal | 1917 | Also arranged for v orch (1932). The text for this work is protected for the copyright term for librettist Nina Meshcherskaya (1889–1981) | |
Op. | 19Violin Concerto No.1 | Концерт для скрипки с оркестром № 1 | D major | 1916–17 | vn orch | Orchestral | 1921 | |
Op. | 20 Scythian Suite:
|
Скифская сюита:
|
1914–15 | orch | Orchestral | 1923 | Concert suite of 4 extracts from the ballet Ala and Lolly. | |
Op. | 21Chout (The Tale of the Buffoon) | Сказка про шута | 1915, rev. 1920 | orch | Stage | 1922 | Ballet in 6 scenes. See also the symphonic suite, Op.21bis. | |
Op. | 21bis Chout (The Tale of the Buffoon), suite from the ballet:
|
Сюита из балета Шут:
|
1920 | orch | Orchestral | 1924 | Symphonic suite from the ballet, Op.21. | |
Op. | 22 Visions fugitives:
|
Мимолётности:
|
1915–17 | pf | Keyboard | 1917 | ||
Op. | 23 Poems (5):
|
Стихотворения (5):
|
1915 | v pf | Vocal | 1917 | ||
Op. | 24The Gambler | Игрок | 1915–17, rev. 1927–28 | v ch orch | Stage | 1917 | Opera in 4 acts. See also the symphonic suite, Op.49. | |
Op. | 25Symphony No.1, "Classical Symphony" | Симфония № 1, «Классическая симфония» | D major | 1916–17 | orch | Orchestral | 1925 | |
Op. | 26Piano Concerto No.3 | Концерт для фортепиано с оркестром № 3 | C major | 1917–21 | pf orch | Orchestral | 1923 | |
Op. | 27 Poems (5):
|
Стихотворения (5):
|
1916 | v pf | Vocal | 1917 | This text of work is protected for the copyright term of librettist Anna Akhmatova (1889–1966). | |
Op. | 28Piano Sonata No.3 ("From Old Notebooks") | Соната для фортепиано № 3 (« Из старых тетрадей») | A minor | 1907, rev. 1917 | pf | Keyboard | 1918 | |
Op. | 29Piano Sonata No.4 ("From Old Notebooks") | Соната для фортепиано № 4 (« Из старых тетрадей») | C minor | 1908–17 | pf | Keyboard | 1918 | Includes material from the Symphony in E minor (1908); 2nd movement arranged for orch as Andante, Op.29bis. |
Op. | 29bisAndante | Анданте | 1934 | orch | Orchestral | Arrangement of the 2nd movement of the Piano Sonata No.4, Op.29. | ||
Op. | 30They Are Seven | Семеро их | 1917–18, rev. 1933 | ten ch orch | Vocal | 1922 | Cantata. | |
Op. | 31 Tales of an Old Grandmother:
|
Сказки старой бабушки:
|
1918 | pf | Keyboard | 1922 | ||
Op. | 32 Pieces (4):
|
Пьесы (4):
|
1918 | pf | Keyboard | 1922 | ||
Op. | 33The Love for Three Oranges (L'amour des trois oranges) | Любовь к трëм апельсинам | 1919 | vv ch orch | Stage | 1922 | Opera in 4 acts with prologue. Extracts used in Op.33bis and Op.33ter, and Cinderella (3rd suite), Op.109. The French translation is subject to the copyright term for translator Vera Janacopoulos (1896–1956). | |
Op. | 33bis The Love for Three Oranges (L'amour des trois oranges):
|
Любовь к трëм апельсинам
|
1919, rev. 1924 | orch | Orchestral | 1922 | Symphonic suite from the opera, Op.33. | |
Op. | 33ter The Love for Three Oranges (L'amour des trois oranges):
|
Любовь к трëм апельсинам
|
1922 | pf | Keyboard | 1922 | Arrangements of two extracts from the opera The Love for Three Oranges, Op.33. | |
Op. | 34Overture on Hebrew Themes | Увертюра на еврейские темы | C minor | 1919 | cl 2vn va vc pf | Chamber | 1922 | 1st version of Op.34bis. |
Op. | 34bisOverture on Hebrew Themes | Увертюра на еврейские темы | C minor | 1934 | orch | Orchestral | 1935 | 2nd version of Op.34. |
Op. | 35 Songs Without Words(5):
|
Песен без слов (5):
|
1920 | v pf | Vocal | 1922 | Arranged for vn pf as 5 Mélodies, Op.35bis. No.2 also arranged for v orch as Mélodie (1920?). No. 4 also arranged for pf as No.4 of 6 Pieces, Op.52. | |
Op. | 35bis Mélodies (5):
|
Мелодий (5):
|
1925 | vn pf | Vocal | 1925 | Arrangements of the 5 Songs Without Words, Op.35 | |
Op. | 36 5 Poems by Balmont (5):
|
Стихотворения (5):
|
1921 | v pf | Vocal | 1923 | ||
Op. | 37The Fiery Angel (L'ange de feu) | Огенный ангел | 1919–23, rev. 1926–27 | vv ch orch | Stage | 1927 | Opera in 5 acts. Music re-used in the Symphony No.3, Op.44, and the unrealized suite, Op.37bis. | |
Op. | 37bisThe Fiery Angel (L'ange de feu) | Огенный ангел | 1923 | vv orch | Vocal | — | Projected concert suite of extracts from the opera, Op.37. Incomplete. | |
Op. | 38Piano Sonata No.5 | Соната для фортепиано № 5 | C major | 1923 | pf | Keyboard | 1925 | 1st version of Op.135. |
Op. | 39Quintet | Квинтет | G minor | 1924 | ob cl vn va db | Chamber | 1927 | Arranged from the ballet Trapeze, Op.39. |
Op. | 40Symphony No.2 | Симфония № 2 | D minor | 1924–25 | orch | Orchestral | 1925 | Projected 2nd version as Op.136 unrealised. |
Op. | 41The Steel Step (Le pas d'acier) | Стальной скок | 1925–26 | orch | Stage | 1928 | Ballet in 2 acts. See also the symphonic suite, Op.41. | |
Op. | 41bis The Steel Step (Le pas d'acier):
|
Стальной скок:
|
1926 | orch | Orchestral | 1927 | Symphonic suite from the ballet, Op.41. | |
Op. | 42Overture ("American") | Увертюра | B♭ major | 1926 | fl ob 2cl bn 2tpt tbn perc cel 2hp 2pf vc 2db | Chamber | 1st version of Op.42bis. | |
Op. | 42bisOverture ("American") | Увертюра | B♭ major | 1928 | orch | Orchestral | 2nd version of Op.42. | |
Op. | 43Divertissement | Дивертисмент | 1925–29 | orch | Orchestral | 1930 | Also arranged for pf as Op.43bis (1938). | |
Op. | 44Symphony No.3 | Симфония № 3 | C minor | 1928 | orch | Orchestral | 1931 | Includes music from the opera The Fiery Angel, Op.37. |
Op. | 45 Things in Themselves (Choses en soi):
|
Вещи в себе:
|
1928 | pf | Keyboard | 1928 | ||
Op. | 46The Prodigal Son (L'enfant prodigue) | Блудный сын | 1928–29 | orch | Stage | 1929 | Ballet in 3 acts. See also the symphonic suite, Op.46bis, and Nos.1 to 3 of 6 Pieces, Op.52. | |
Op. | 46bis The Prodigal Son (L'enfant prodigue):
|
Блудный сын:
|
1929 | orch | Orchestral | 1930 | Symphonic suite from the ballet, Op.46. | |
Op. | 47Symphony No.4 | Симфония № 4 | C major | 1929–30 | orch | Orchestral | Including music from the ballet The Prodigal Son, Op.46. 1st version of Op.112. | |
Op. | 48Sinfonietta | Симфониетта | A major | 1929 | orch | Orchestral | 1931 | 2nd version of Op.5. 4th movement arranged for pf as No.6 of 6 Pieces, Op.52. |
Op. | 49 The Gambler:
|
Игрок:
|
1931 | orch | Orchestral | 1970 | Symphonic suite of 4 portraits and dénouement from the opera The Gambler, Op.24. | |
Op. | 50String Quartet No.1 | Квартет № 1 для 2 скрипок, альта и виолончели | B minor | 1930 | 2vn va vc | Chamber | 1931 | 3rd movement arranged for str as the Andante, Op.50bis, and for pf as No.5 of 6 Pieces, Op.52. |
Op. | 50bisAndante | Анданте | 1930 | str | Orchestral | — | Arrangement of the 3rd movement of the String Quartet No.1, Op.50.Also arranged for pf as No.5 of 6 Pieces, Op.52. | |
Op. | 51On the Dnieper (Sur le Borysthène), ballet in 2 scenes | На Днепре, балет в 2 картинах | 1930–31 | orch | Stage | 1932 | Ballet in 2 scenes. See also the symphonic suite , Op.51bis. | |
Op. | 51bis On the Dnieper (Sur le Borysthène):
|
На Днепре:
|
1933 | orch | Orchestral | 1930 | Symphonic suite from the ballet, Op.51. | |
Op. | 52 Pieces (6):
|
Пьес (6):
|
1930–31 | pf | Keyboard | 1931 | Nos.1, 2 and 3 arranged from the ballet The Prodigal Son, Op.46. No.4 arranged from the 5 Songs Without Words, Op.35. No.5 arranged from the String Quartet No.1, Op.50. No.6 arranged from the 4th movement of the Sinfonietta, Op.48. | |
Op. | 53Piano Concerto No.4 | Концерт для фортепиано с оркестром № 4 | B♭ major | 1931 | pflh orch | Orchestral | 1963 | |
Op. | 54 Sonatinas (2):
|
Сонатины (2):
|
1931–32 | pf | Keyboard | 1932 | ||
Op. | 55Piano Concerto No.5 | Концерт для фортепиано с оркестром № 5 | G major | 1931–32 | pf orch | Orchestral | 1933 | |
Op. | 56Sonata for 2 Violins | Соната для 2 скрипок | C major | 1932 | 2vn | Chamber | 1932 | |
Op. | 57Symphonic Song | Симфоническая песнь | 1933 | orch | Vocal | — | ||
Op. | 58Cello Concerto | Концерт для виолончели с оркестром | E minor | 1933–38 | vc orch | Orchestral | 1951 | 1st version of the Sinfonia concertante, Op.125. |
Op. | 59 Pieces (3):
|
Пьесы (3):
|
1933–34 | pf | Keyboard | 1935 | ||
Op. | 60 Lieutenant Kijé:
|
Поручник Киже:
|
1934 | orch (+ v) | Orchestral | 1935 | Symphonic suite from the film score (1933) | |
Op. | 60bis Lieutenany Kijé:
|
Поручик Киже:
|
1934 | v pf | Vocal | 1935 | Two songs taken from the film score to Lieutenant Kijé (1933) | |
Op. | 61 Egyptian Nights:
|
Евипетские ночи:
|
1938 | orch | Orchestral | 1934 | Symphonic suite from the incidental music to the play (1934). | |
Op. | 62 Pensées (Мислы):
|
Мислы
|
1933–34 | pf | Keyboard | 1935 | ||
Op. | 63Violin Concerto No.2 | Концерт для скрипки с оркестром № 2 | G minor | 1935 | vn orch | Orchestral | 1937 | |
Op. | 64Romeo and Juliet | Ромео и Джульетта | 1935–36 | orch | Stage | 1944 | Ballet in 4 acts with prologue. See also the three symphonic suites Op.64bis, Op.64ter and Op.101; and the 10 Pieces from Romeo and Juliet, Op.75. | |
Op. | 64bis Romeo and Juliet:
|
Ромео и Джульетта:
|
1936 | orch | Orchestral | 1938 | First symphonic suite of extracts from the ballet, Op.64. Nos. 1, 2, 4 and 5 were also arranged for pf in 10 Pieces from Romeo and Juliet, Op.75. | |
Op. | 64ter Romeo and Juliet:
|
Ромео и Джульетта:
|
1936 | orch | Orchestral | 1938 | Second symphonic suite of extracts from the ballet, Op.64. Nos. 1, 2, 3, 5 and 6 were also arranged for pf in 10 Pieces from Romeo and Juliet, Op.75. | |
Op. | 65 Music for Children:
|
Детская музыка:
|
1935 | pf | Keyboard | 1936 | Twelve easy pieces. Extracts arranged for orch in the suite Summer Day, Op.65bis. | |
Op. | 65bis Summer Day:
|
Летний день:
|
1941 | orch | Orchestral | 1947 | Suite for children, arranged from Nos.1, 9, 6, 5, 10, 11 and 12 of the Music for Children, Op.65. | |
Op. | 66a Choral Songs (2):
|
Массовые песни (2):
|
1935 | ch pf | Vocal | 1935 | ||
Op. | 66b Songs (4):
|
Песни (4):
|
1935 | v/ch pf | Vocal | 1939 | ||
Op. | 67Peter and the Wolf | Петя и волк, симфоническая сказка для детей | 1936 | nar orch | Orchestral | 1937 | Symphonic story for children. | |
Op. | 68 Children's Songs (3):
|
Детские песни (3):
|
1936 | v pf | Vocal | 1937 (Nos.1–2), 1946 (No.3) | The text of No.1 is subject to the copyright term for librettist Agniya Barto (1906–1981). | |
Op. | 69 Marches (4):
|
Марша (4):
|
1935–37 | ww br | Orchestral | 1937 (No.1) | ||
Op. | 70The Queen of Spades (Pique Dame) | Пиковая дама | 1936 | orch | Stage | 1963 | Music to an unrealsed film. This work may be subject to the copyright term of the director Mikhail Romm (1901–1971). | |
Op. | 70bisBoris Godunov | Борис Годунов | 1936 | orch | Stage | 1963 | Stage to the play. | |
Op. | 71Eugene Onegin | Евгений Онегин | 1936 | orch | Stage | 1963 | Stage to the play. | |
Op. | 72Russian Overture | Русская увертюра | 1936 , rev. 1937 | orch | Orchestral | 1936 | ||
Op. | 73 Romances (3):
|
Романса (3):
|
1936 | v pf | Vocal | 1937 | ||
Op. | 74Cantata for the 20th Anniversary of the October Revolution | Кантата к двадцатилетию Октября | 1936–37 | 2ch ww br perc acc orch | Vocal | — | ||
Op. | 75 Romeo and Juliet, 10 pieces for piano:
|
Ромео и Джульетта, 10 пьес для фортепиано:
|
1937 | pf | Keyboard | 1938 | Arrangements of 10 extracts from the ballet, Op.64. | |
Op. | 76 Songs of Our Times (9):
|
Песни наших дней (9):
|
1937 | 2vv ch orch | Vocal | 1939 | ||
Op. | 77Hamlet | Гамлет | 1937–38 | orch | Stage | 1963 | Stage to the play. This work may be subject to the copyright term of the director Sergey Radlov (1892–1958). See also the Gavotte, Op.77bis. | |
Op. | 77bisGavotte | Гавот | 1938 | pf | Keyboard | 1939 | Arranged from the incidental music to Hamlet, Op.77. | |
Op. | 78Alexander Nevsky | Александр Невский | 1939 | v ch orch | Vocal | 1941 | Cantata, adapted from the film score (1938). The text of this work is subject to the copyright term of the librettist Vladimir Lugovskoy (1901–1957). | |
Op. | 78bis Aleksandr Nevsky (3):
|
Александр Невский (3):
|
1938 | v pf | Vocal | 1939 | 3 songs arranged from the film score (1938). The text of this work is subject to the copyright term of the librettist Vladimir Lugovskoy (1901–1957). | |
Op. | 79 Songs (7):
|
Песен (7):
|
1939 | v pf | Vocal | 1940 | ||
Op. | 80Violin Sonata No.1 | Соната для скрипки и фортепиано № 1 | F minor | 1938–46 | vn pf | Chamber | 1947 | Violin part edited by David Oystrakh (1908–1974) |
Op. | 81Semyon Kotko | Семëн Котко | 1939 | vv ch orch | Stage | 1960 | Opera in 5 acts. The text of this work is subject to the copyright term of the librettist Valentin Katayev (1897–1987). See also the symphonic suite, Op.81bis. | |
Op. | 81bis Semyon Kotko:
|
Семëн Котко:
|
1941 | orch | Orchestral | 1947 | Symphonic suite from the opera Op.81. | |
Op. | 82Piano Sonata No.6 | Соната для фортепиано № 6 | A major | 1939–40 | pf | Keyboard | 1941 | |
Op. | 83Piano Sonata No.7 ("Stalingrad") | Соната для фортепиано № 7 | B♭ major | 1939–42 | pf | Keyboard | 1943 | |
Op. | 84Piano Sonata No.8 | Соната для фортепиано № 8 | B♭ major | 1939–44 | pf | Keyboard | 1946 | |
Op. | 85Hail to Stalin, cantata | Здравица, кантата | 1939 | ch orch | Vocal | 1941 | ||
Op. | 86Betrothal in a Monastery | Обручение в монастыре | 1940–41 | vv ch orch | Stage | 1944 | Lyrical-comic opera in 4 acts. The text of this work is subject to the copyright term of the librettist Mira Mendelson-Prokofiev (1915–1968). Extracts re-used in the suite Summer Night, Op.123. | |
Op. | 87Cinderella | Золушка | 1940–44 | orch | Stage | 1945 | Ballet in 3 acts. Extracts re-used in the symphonic suites Op.107, 108 and 109; the piano pieces Op.95, 97 and 102; the Waltz Suite, Op.110; and the Adagio, Op.97bis. | |
Op. | 88Symphonic March | Симфонический марш | B♭ major | 1941 | orch | Orchestral | — | |
Op. | 89 Choral Songs (7):
|
Массовых песен (7):
|
1941–42 | ch pf | Vocal | 1942 (Nos.3–6), 1966 (No.2) | Nos.1, 2 and 7 No.2 arranged for military band as the March, Op.89bis. | |
Op. | 89bisMarch | Марш | A♭ major | 1941? | ww br perc | Orchestral | Arrangement of No.2 of the 7 Songs, Op.79. | |
Op. | 90The Year 1941 | 1941-й год | 1941 | orch | Orchestral | 1973? | Symphonic suite. | |
Op. | 91War and Peace | Война и мир | 1941–43, rev. 1946–52 | vv ch orch | Stage | 1958 | Opera in 5 acts. The text of this work is subject to the copyright term of the librettist Mira Mendelson-Prokofiev (1915–1968). Extracts re-used in the Waltz Suite, Op.110, and No.1 of the 3 Pieces, Op.95. | |
Op. | 92String Quartet No.2 ("Kabardinian") | Квартет № 2 для 2 скрипок, альта и виолончели («на кабардинские темы») | F major | 1941 | 2vn va vc | Chamber | 1944 | |
Op. | 93Ballad of an Unknown Boy | Баллада о мальчике, оставшемся неизвестным | 1942–43 | sop ten ch orch | Vocal | — | The text of this cantata is subject to the copyright term of the librettist Pavel Antolsky (1896–1978). | |
Op. | 94Flute Sonata | Соната для флейты и фортепиано | D major | 1943 | fl pf | Chamber | 1958? | Adapted for vn pf as the Violin Sonata, Op.94 bis. |
Op. | 94bisViolin Sonata No.2 | Соната для скрипки и фортепиано № 2 | D major | 1944 | vn pf | Chamber | 1946 | Adated from the Flute Sonata, Op.94. |
Op. | 95 Cinderella, pieces from the ballet (3):
|
Золушка, пьесы из балета (3):
|
1942 | pf | Keyboard | 1943 | Arrangements of 3 pieces from the ballet, Op.87. | |
Op. | 96 Pieces (3):
|
Пьесы (3):
|
1941–42 | pf | Keyboard | 1943 | No.1 arranged from the opera War and Peace, Op.91; Nos.2 and 3 arranged from the film score to Lermontov (1941). | |
Op. | 97 Cinderella, pieces from the ballet (10):
|
Золушка, пьесы из балета (10):
|
1943 | pf | Keyboard | 1944 | Arrangements of 3 pieces from the ballet, Op.87. | |
Op. | 97bisAdagio | Адажио | 1944 | vc pf | Chamber | 1945 | Arranged from the ballet Cinderella, Op.87 | |
Op. | 98/1National Anthem of the USSR | Государственный гимн СССР | 1943 | ch | Vocal | Unfinished sketches for a competition to write a new anthem for the Soviet Union. | ||
Op. | 98/2Anthem of the RSFSR | Гимну РСФСР | 1946 | ch | Vocal | Unfinished sketches for the anthem of the Russian Soviet Federative Soviet Republic. | ||
Op. | 99March | Марш | B♭ major | 1943–44 | ww br | Orchestral | 1946 | |
Op.100 | Symphony No.5 | Симфония № 5 | B♭ major | 1944 | orch | Orchestral | 1947 | |
Op.101 | Romeo and Juliet:
|
Ромео и Джульетта:
|
1946 | orch | Orchestral | 1949 | Third symphonic suite of extracts from the ballet, Op.64. | |
Op.102 | Cinderella, pieces from the ballet (6):
|
Золушка, пьес из балета (6)
|
1944 | pf | Keyboard | 1944 | Arrangements of extracts from the ballet, Op.87. | |
Op.103 | Piano Sonata No.9 | Соната для фортепиано № 9 | C major | 1947 | pf | Chamber | 1955 | |
Op.104 | Russian Folksongs (12):
|
Русские народные песни (12):
|
1944 | v pf | Vocal | 1945 | ||
Op.105 | Ode to the End of the War | Ода на окончание войны | 1945 | orch | Orchestral | 1969 | ||
Op.106 | Duets (2):
|
Дуэта (2):
|
1945 | ten bar pf | Vocal | 1946 | Arrangements of Russian folksongs. | |
Op.107 | Cinderella, 1st suite:
|
Золушка, 1-я сюита:
|
1946 | orch | Orchestral | 1949 | First symphonic suite of extracts from the ballet, Op.87. | |
Op.108 | Cinderella, 2nd suite:
|
Золушка, 2-я сюита:
|
1946 | orch | Orchestral | 1977? | Second symphonic suite of extracts from the ballet, Op.87. | |
Op.109 | Cinderella, 3rd suite:
|
Золушка, 3-я сюита:
|
1946 | orch | Orchestral | 1954 | Third symphonic suite of extracts from the ballet, Cinderella, Op.87 (Nos.1–2 and 4–8), and from the opera The Love for Three Oranges, Op.33 (No.3). | |
Op.110 | Waltz Suite:
|
Вальсы сюита:
|
1946 | orch | Orchestral | 1947 | Extracted from the ballet Cinderella, Op.87 (Nos.2, 4 and 6); the opera War and Peace, Op.91 (Nos.1 and 5); and the music to the film Lermontov (1941) (No.3). | |
Op.111 | Symphony No.6 | Симфония № 6 | E♭ minor | 1945–47 | orch | Orchestral | 1949 | |
Op.112 | Symphony No.4 | Симфония № 4 | C major | 1947 | orch | Orchestral | 1962 | 2nd version of Op.47 |
Op.113 | Thirty Years | Тридцать лет | 1947 | orch | Orchestral | 1947 | Festive poem. | |
Op.114 | Flourish, Mighty Homeland | Расцветай, могучий край | 1947 | ch orch | Vocal | 1947 | The text of this cantata is subject to the copyright term of the librettist Yevgeny Dolmatovsky (1915–1994). | |
Op.115 | Sonata for Solo Violin | Соната для скрипки соло | D major | 1947 | vn | Chamber | 1952 | |
Op.116 | Ivan the Terrible | Иван Грозный | 1942–45 | ch orch | Stage | 1963 | Music to the film. The text of this work is subject to the copyright term of the librettist Vladimir Lugovskoy (1901–1957). Adapted as an oratorio in 1961 by Abram Stasevich (1906–1971). | |
Op.117 | The Story of a Real Man | Повесть о настоящем человеке | 1947–48 | vv ch orch | Stage | 1962? | Opera in 4 acts. The text of this work is subject to the copyright term of the librettist Boris Polevoy (1908–1981), librettist | |
Op.118 | The Tale of the Stone Flower | Сказ о каменном цветке | 1948–53 | orch | Stage | 1956 | Ballet in 4 acts. Extracts used in the Wedding Suite, Op.126; the Gypsy Fantasy, Op.127; the Urals Rhapsody, Op.128; and Lady of the Copper Mountain, Op.129. | |
Op.119 | Cello Sonata | Соната для виолончели и фортепиано | C major | 1949 | vc pf | Chamber | 1951 | |
Op.120 | 2 Pushkin Waltzes (2):
|
Пушкинские вальсы (2):
|
1949 | orch | Orchestral | 1959? | ||
Op.121 | Soldiers' Marching Song | Песня солдатская походная | 1950 | ch pf | Vocal | 1960 | The text of this work is subject to the copyright term of the librettist Vladimir Lugovskoy (1901–1957). | |
Op.122 | Winter Bonfire | Зимний костер | 1949–50 | nar cch orch | Vocal | 1951 | Suite. The text of this work is subject to the copyright term of the librettist Samuil Marshak (1887–1964), | |
Op.123 | Summer Night:
|
Летняя ночь:
|
1950 | orch | Orchestral | 1965 | Symphonic suite based on music from the opera Betrothal in a Monastery, Op.86. | |
Op.124 | On Guard for Peace | На страже мира | 1950 | mez nar cch ch orch | Vocal | 1952 | The text of this oratorio is subject to the copyright term of the librettist Samuil Marshak (1887–1964), | |
Op.125 | Sinfonia concertante | Симфония-концерт | E minor | 1950–52 | vc orch | Orchestral | 1959 | Adapted from the Cello Concerto, Op.58. |
Op.126 | Wedding Suite:
|
Свадебная сюита:
|
1951 | orch | Orchestral | 1971? | Suite of 5 extracts from the ballet The Tale of the Stone Flower, Op.118. | |
Op.127 | Gypsy Fantasy | Цыганская фантазия | 1951 | orch | Orchestral | — | Using music from the ballet The Tale of the Stone Flower, Op.118. | |
Op.128 | Urals Rhapsody | Уральская рапсодия | 1951 | orch | Orchestral | Using music from the ballet The Tale of the Stone Flower, Op.118. | ||
Op.129 | Lady of the Copper Mountain | Хозяйка медной горы | 1951 | orch | Orchestral | Symphonic suite from the ballet The Tale of the Stone Flower, Op.118. Unfinished. | ||
Op.130 | The Meeting of the Volga and the Don | Встреча Волги с Доном | 1951 | orch | Orchestral | 1956 | Festive poem. | |
Op.131 | Symphony No.7 | Симфония № 7 | C♯ minor | 1951–52 | orch | Orchestral | 1953 | |
Op.132 | Concertino | Концертино | G minor | 1952 | vc orch | Orchestral | 1960 | Unfinished. Completed by Mstislav Rostropovich (1927–2007) and Dmitry Kabalevsky (1904–1987). |
Op.133 | Piano Concerto No.6 | Концерт для фортепиано с оркестром № 6 | 1952 | 2pf str | Orchestral | Unfinished. | ||
Op.134 | Cello Sonata | Соната для виолончели без сопровождения | C♯ mino | 1953? | vc | Chamber | Unfinished. Completed by Vladimir Blok (1932–1996) | |
Op.135 | Piano Sonata No.5 | Соната для фортепиано № 5 | C major | 1952–53 | pf | Keyboard | 1955 | 2nd version of Op.38. |
Op.136 | Symphony No.2 | Симфония № 2 | D minor | 1953 | orch | Orchestral | Projected new version of Op.40 in 3 movement. Unrealised. | |
Op.137 | Piano Sonata No.10 | Соната для фортепиано № 10 | C minor | 1953? | pf | Keyboard | — | One movement begun, incomplete. |
Works without Opus Number (listed alphabetically) |
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— | A Feast in Time of Plague | Пир во время чумы | 1903, rev. 1908–09 | vv ch orch | Stage | Unfinished | ||
— | Ala et Lolly | Ала и Лоллий | 1914–15 | orch | Stage | Unfinished ballet. Extracts re-used in Scythian Suite, Op.20. | ||
— | Alexander Nevsky | Александр Невский | 1938 | v ch orch | Stage | — | Music to the film. This work may be subject to the copyright term of the director Dmitry Vasilyev (1900–1984). Music re-used in the cantata, Op.78 and the 3 songs, Op.78bis. | |
— | Allegretto | Аллегретто | A minor | 1904–05 | pf | Keyboard | ||
— | Ancient, Gnarled Oaks | Маститые, ветвистые дубы | 1906–07 | v pf | Vocal | |||
— | Andante | Анданте | C minor | 1908 | pf | Keyboard | Unfinished. | |
— | Bagatelle No.1 | Багатель № 1 | C minor | 1901 | pf4h | Keyboard | ||
— | Bagatelle No.2 | Багатель № 2 | A minor | 1902 | pf | Keyboard | ||
— | Broad and Deep the River Flows | Про сома ("Широка и глубока под мостом течет река") | ? | v pf | Vocal | — | Incomplete. | |
— | Distant Seas | Далëкие моря | 1948–53 | vv ch orch | Stage | — | Unfinished lyrical-comic opera. The text of this work is subject to the copyrigt term of the librettist Vladimir Dykhovichny (1911–1963). | |
— | Dumka | Думка | 1933–53? | pf | Keyboard | |||
— | Egyptian Nights | Египетские ночи | 1934 | orch | Stage | 1963 | Stage to the play. See also the symphonic suite, Op.61. | |
— | Fantasia on Themes from Scheherazade | Фантазия на тему Шехерезады | 1923 | pf | Keyboard | Based on the symphonic suite Scheherazade, Op.35, by Nikolay Rimsky-Korsakov. Transcription of piano roll recording. | ||
— | Fugue | Фуга | 1908 | pf | Keyboard | |||
— | Humoresque | Юмореска | F minor | 1907 | pf | Keyboard | ||
— | Indian Galop | Индийский галоп | F major | 1896 | pf | Keyboard | ||
— | Intermezzo | Интермеццо | A major | 1907 | pf | Keyboard | ||
— | I'm No Longer the Same | Уж я не тот | 1903 | v pf | Vocal | |||
— | Kazkah Popular Songs (5):
|
Казахских народных напевов (5):
|
1927 | v pf | Vocal | |||
— | Khan Buzary | Хан бузары | 1942 | v ch pf | Stage | — | Unfinshed. The text of this work is subject to the copyright term of the librettist Mira Mendelson-Prokofiev (1915–1968),. | |
— | Kotovsky | Котовский | 1942 | orch | Stage | — | Music to the film. This work may be subject to the copyright term of the director Dmitry Vasilyev (1900–1984). | |
— | Lermontov | Лермонтов | 1941 | orch | Stage | 1963 | Music to the film. This work may be subject to the copyright term of the director Albert (Aleksandr) Gendlstein (1906–1981). Extracts re-used in the Waltz Suite, Op.110, and Nos.2 and 3 of the 3 Pieces, Op.96. | |
— | Lieutenant Kijé | Поручик Киже | 1933 | v orch | Stage | 1935? | Music to the film. This work may be subject to the copyright term of the director Aleksandr Faintstimmer (1906–1982). See also the symphonic suite, Op.60, and 2 Songs from Lieutenant Kijé, Op.60bis. | |
— | Little Songs (I) | Песенки (I) | 1902 | pf | Keyboard | |||
— | Little Songs (II) | Песенки (II) | 1903 | pf | Keyboard | |||
— | Little Songs (III) | Песенки (III) | 1903–04 | pf | Keyboard | |||
— | Little Songs (IV) | Песенки (IV) | 1905 | pf | Keyboard | |||
— | Little Songs (V) | Песенки (V) | 1906 | pf | Keyboard | No.6 revised as No.1 of 10 Pieces, Op.12. | ||
— | Look, the Down | Смотри, пушинки | 1903 | v pf | Keyboard | |||
— | March | Марш | C major | 1896 | pf4h | Keyboard | ||
— | March | Марш | B minor–D major | 1897 | pf | Keyboard | ||
— | March | Марш | C major | 1897 | pf4h | Keyboard | ||
— | March | Марш | C major | 1899 | pf4h | Keyboard | ||
— | March | Марш | F major | 1899 | pf4h | Keyboard | ||
— | March | Марш | 1900 | pf | Keyboard | |||
— | Mélodie | Мелодия | 1920 | v orch | Vocal | Arrangement of No.2 from the 5 Songs Without Words, Op.35. Also arranged for vn pf as No.2 of 5 Mélodies, Op.35bis | ||
— | Music for Gymnastic Exercises | Музыка для физкультурных упражнений | 1936? | ? | Stage | — | Unfinished. | |
— | On Desert Islands | На пустынных островах | 1900–02 | vv ch orch | Stage | — | Unfinished (Overture and 3 scenes of Act I only). | |
— | Oh No, Not Figner | О нет, не Фигнер | 1903 | v pf | Vocal | |||
— | Oriental Piece | Ориенталь | G minor | 1907 | pf | Keyboard | ||
— | Piano Sonata | Соната для фортепиано | B♭ minor | 1904 | pf | Chamber | ||
— | Piano Sonata | Соната для фортепиано | 1907–08? | pf | Chamber | — | Lost | |
— | Piano Sonata | Соната для фортепиано | 1908–09? | pf | Chamber | — | Lost | |
— | Piece | Пьеса | D minor | 1900 | pf4h | Keyboard | ||
— | Piece | Пьеса | 1900 | zith pf4h | Chamber | Incomplete. | ||
— | Piece | Пьеса | B♭ minor | 1907 | pf | Keyboard | ||
— | Piece | Пьеса | C minor | 1907 | pf | Keyboard | ||
— | Piece on the Theme 'Es-C-H-E' | Пьеса на тему 'Es-C-H-E' | 1908 | pf | Keyboard | |||
— | Pieces (7) | Пьес (7) | 1901 | pf | Keyboard | |||
— | Pieces (2) | Пьесы (2) | 1908 | pf | Keyboard | |||
— | Polka | Полька | G major | 1899 | pf | Keyboard | ||
— | Polka mélancolique | Меланхолическая полька | F♯ minor | 1905 | pf | Keyboard | ||
— | Prelude and Fugue | Прелюдия и фуга | D minor | 1920 | pf | Keyboard | 1923 | Arrangement of the Prelude in D minor, BuxWV 140, by Dietrich Buxtehude |
— | Rondo | Рондо | C major | 1896 | pf | Keyboard | ||
— | Schubert Waltzes | Вальсы Шуберта | 1920 | pf | Keyboard | 1923 | Arrangement of themes from various works by Franz Schubert. Also arranged for pf4h (1923) | |
— | Song Without Words | Песнь без слов | D♭ major | 1907 | pf | Vocal | ||
— | Study | Этюд | C minor | 1908 | pf | Keyboard | ||
— | Symphony | Симфония | G major | 1902 | orch | Orchestral | — | |
— | Symphony | Симфония | E minor | 1908 | orch | Orchestral | — | Music reused in the Piano Sonata No.4, Op.29. |
— | Tell Me | Скажи мне | 1903 | v pf | Vocal | |||
— | The Giant, opera in 3 acts | Великан, опера в 3 действиях | 1900 | vv ch pf | Stage | — | Vocal score only. | |
— | The Partisans in the Ukrainian Steppes | Партизаны в степях украины | 1942 | orch | Stage | 1963 | Music to the film. | |
— | Tonya | Тоня | 1942 | orch | Stage | 1963 | Music to the film. This work may be subject to the copyright term of the director Mikhail Romm (1901–1971). | |
— | Trapeze | Трапеция | 1924 | ob cl vn va db | Stage | Circus ballet in 1 act. Music re-used in the Quintet, Op.39. | ||
— | Undina | Ундина | 1904–07 | vv ch orch | Stage | — | Opera in 4 acts. | |
— | Variations on 'Chizhika' | Вариации на «Чижика» | 1904 | pf | Keyboard | |||
— | Violin Sonata | Соната для скрипки и фортепиано | C minor | 1903 | vn pf | Chamber | — | |
— | Waltz | Вальс | C major | 1896 | pf | Keyboard | ||
— | Waltz | Вальс | C major–G major | 1899 | pf | Keyboard | ||
— | Waltz | Вальс | G major | 1899 | pf | Keyboard |
This section lists works by other composers that were arranged, transcribed, edited, translated or otherwise adapted by Sergey Prokofiev. The name of the original composer and title of the original works are shown first, followed by details of Prokofiev's adaptation.