The table below gives the following informaton for works by Pyotr Tchaikovsky (where applicable):
TH | Opus | Title | Forces | Key | Date | Genre | Notes |
---|---|---|---|---|---|---|---|
1 | 3 | The Voyevoda (Воевода) | vv ch orch | 1867–68 | Stage | opera in 3 acts and 4 scene; destroyed by Tchaikovsky but reconstructed posthumously from surviving parts; vocal score arr. by Tchaikovsky; selections arr. for pf as TH 128 | |
1 | — |
|
pf | 1867 | Keyboard | arr. from Act II No.4 of TH 1; based on TH 37 | |
1 | — |
|
pf4h | 1868 | Keyboard | arr. from Act II No.4 of TH 1; based on TH 37 | |
2 | — | Undina (Ундина) | vv ch orch | 1869 | Stage | opera in 3 acts; mostly destroyed by Tchaikovsky, except for three fragments; vocal score arr. by Tchaikovsky | |
3 | — | The Oprichnik (Опричник) | vv ch orch | 1870–72, rev.1874–78 | Stage | opera in 4 acts and 5 scenes; vocal score arr. by Tchaikovsky; themes re-used in TH 137 | |
4 | 14 | Vakula the Smith (Кузнец Вакула) | vv ch orch | 1874 | Stage | comic opera in 3 acts and 8 scenes; 1st version of TH 8; vocal score arr. by Tchaikovsky, including pf4h arrs. of . Overture, Russian Dance (Act III, No.16) and Cossack Dance (Act III, No.17) | |
5 | 24 | Eugene Onegin (Yevgeny Onegin) (Евгений Онегин) | vv ch orch | 1877–78, rev.1880, 1885 | Stage | lyrical scenes in 3 acts and 7 tableaux; vocal score arr. by Tchaikovsky. | |
6 | — | The Maid of Orleans (Орлеанская дева) | vv ch orch | 1878–79, rev.1880, 1882 | Stage | opera in 4 acts and 6 scenes; vocal score arr. by Tchaikovsky with Yosif Kotek, Yury Messer and Sergey Taneyev. | |
7 | — | Mazeppa (Мазепа) | vv ch orch | 1881–83, rev.1883–85 | Stage | opera in 3 acts and 6 scenes; vocal score arr. by Tchaikovsky. | |
8 | — | Cherevichki (Черевички) | vv ch orch | 1885 | Stage | comic-fantastic opera in 4 acts and 8 scenes; 2nd version of TH 4; vocal score arr. by Tchaikovsky with Aleksandra Hubert. | |
9 | — | The Enchantress (Чародейка) | vv ch orch | 1885–87 | Stage | opera in 4 acts; vocal score arr. by Tchaikovsky. | |
10 | 68 | The Queen of Spades (Пиковая дама) | vv ch orch | 1890 | Stage | opera in 3 acts and 7 scenes; vocal score arr. by Tchaikovsky. | |
11 | 69 | Iolanta (Иоланта) | vv ch orch | 1891 | Stage | lyrical opera in 1 act. | |
12 | 20 | Swan Lake (Лебединое озеро) | orch | 1875–77 | Stage | grand ballet in 4 acts; rev. posthumously (1895) by Riccardo Drigo; extracts used in TH 219 | |
13 | 66 | The Sleeping Beauty (Спящая красавица) | orch | 1888–89 | Stage | ballet in a 3 acts and 4 scenes with prologue; extracts used in TH 234 | |
14 | 71 | The Nutcracker (Щелкунчик) | cch orch | 1891–92 | Stage | fairy ballet in 2 acts and 3 scenes; extracts used in TH 35 | |
14 | 71 | The Nutcracker (Щелкунчик) | pf | 1892 | Keyboard | Sergey Taneyev's arr. for solo piano, simplified by Tchaikovsky | |
15 | — | Boris Godunov (Борис Годунов) | orch | 1863–65? | Stage | music for the "Fountain Scene" in Aleksandr Pushkin's tragedy; lost. | |
16 | — | Dmitry the Pretender and Vasily Shuysky (Дмитрий Самозванец и Василий Шуйский) | orch | 1866–67 | Stage | 2 pieces for Aleksandr Ostrovsky's play. | |
16/1 | — |
|
orch | 1866–67 | Stage | based on TH 121 | |
16/2 | — |
|
orch | 1866–67 | Stage | rev. as TH 131/3; also arr. for pf | |
16/2 | — |
|
pf | 1867 | Keyboard | arr. of version for orch | |
17 | — | The Tangle (Путаница) | 1867 | Stage | recitatives and music to a couplet for Pavel Fyodorov's vaudeville; lost. | ||
18 | — | The Barber of Seville (Севильский циргюльник) | ten 2vn | 1872 | Stage | music for Count Almaviva's couplets in Pierre Augustin Caron de Beaumarchais' comedy. | |
19 | 12 | The Snow Maiden (Снегурочка) | mez 2ten ch orch | 1873 | Stage | incidental music to Aleksandr Ostrovsky's spring legend; vocal score arr. by Tchaikovsky. | |
20 | — | The Fairy (Фея) | 1879 | Stage | cradle song and waltz for Octave Feuillet's comedy; theme only survives. | ||
21 | — | Montenegro (Черногория) | orch | 1880 | Stage | incidental music for a tableau vivant; lost. | |
22 | — | The Voyevoda (Воевода) | orch | 1886 | Stage | melodrama for the Domovoy's monologue in Aleksandr Ostrovsky's play. | |
23 | 67a | Hamlet (Гамлет) | sop bar orch | 1891 | Stage | incidental music to William Shakespeare's tragedy; overture is abridged version of TH 53 | |
24 | 13 | Symphony No.1 («Зимние грезы») ("Winter Daydreams") | orch | G minor | 1866–68, rev. 1874 | Orchestral | |
25 | 17 | Symphony No.2 («Малороссийская») ("Little Russian") | orch | C minor | 1872, rev. 1879–80 | Orchestral | also arr. for pf4h |
25 | 17 | Symphony No.2 («Малороссийская») ("Little Russian") | pf4h | C minor | 1873, rev. 1880 | Keyboard | arr. of version for orch |
26 | 29 | Symphony No.3 («Польский») ("Polish") | orch | D major | 1875 | Orchestral | |
27 | 36 | Symphony No.4 | orch | F minor | 1877 | Orchestral | |
28 | 58 | Manfred (Манфред) | orch | B minor | 1885 | Orchestral | symphony in 4 scenes based on the dramatic poem by George Gordon Byron; also arr. for pf4h |
28 | 58 | Manfred (Манфред) | pf4h | B minor | 1885 | Keyboard | arr. of version for orch by Tchaikovsky and Aleksandra Hubert. |
29 | 64 | Symphony No.5 | orch | E minor | 1888 | Orchestral | |
30 | 74 | Symphony No.6 («Патетическая») ("Pathétique") | orch | B minor | 1893 | Orchestral | also arr. for pf4h |
30 | 74 | Symphony No.6 («Патетическая») ("Pathétique") | pf4h | B minor | 1893 | Keyboard | arr. of version for orch |
31 | 43 | Suite No.1 | orch | D minor | 1878–79 | Orchestral | also arr. for pf4h |
31 | 43 | Suite No.1 | pf4h | D minor | 1878–79 | Keyboard | arr. of version for orch |
32 | 53 | Suite No.2 ("Suite caractéristique") | orch | C major | 1883 | Orchestral | also arr. for pf4h |
32 | 53 | Suite No.2 ("Suite caractéristique") | pf4h | C major | 1883 | Keyboard | arr. of version for orch by Tchaikovsky and Aleksandra Hubert. |
33 | 55 | Suite No.3 | orch | G major | 1884 | Orchestral | also arr. for pf4h |
33 | 55 | Suite No.3 | pf4h | G major | 1884 | Keyboard | arr. of version for orch |
34 | 61 | Suite No.4 ("Mozartiana") | orch | G major | 1887 | Orchestral | arrs. of 4 pieces by Wolfgang Amadeus Mozart |
35 | 71a | The Nutcracker (Щелкунчик) | orch | 1892 | Orchestral | concert suite from TH 14 | |
36 | 76 | The Storm (Гроза) | orch | E minor | 1864 | Orchestral | overture to Aleksandr Ostrovsky's drama. |
37 | — | Characteristic Dances (Характерные танцы) | orch | 1865? | Orchestral | lost; rev. as Entr'acte and Dances of the Chambermaids (Act II, No.4) in TH 1 | |
38 | — | Overture | orch | C minor | 1865–66 | Orchestral | |
39 | — | Overture | orch | F major | 1865, rev. 1866 | Overtures | |
40 | 15 | Festival Overture on the Danish National Anthem (Торжественная увертюра на Датский гимн) | orch | D major | 1866, rev.1892 | Orchestral | also arr. for pf4h |
40 | 15 | Festival Overture on the Danish National Anthem (Торжественная увертюра на Датский гимн) | pf4h | D major | 1867 | Keyboard | arr. of version for orch |
41 | 77 | Fatum (Фатум) | orch | C minor | 1868 | Orchestral | symphonic fantasia; score destroyed by Tchaikovsky but reconstructed posthumously. |
42 | — | Romeo and Juliet (Ромео и Джульетта) | orch | B minor | 1869, rev. 1870, 1880 | Orchestral | overture-fantasia (originally "overture") to William Shakespeare's tragedy; themes used in TH 215 |
43 | — | Serenade for Nikolay Rubinstein's Name-Day | orch | A major | 1872 | Orchestral | |
44 | 18 | The Tempest (Буря) | orch | F minor | 1873 | Orchestral | fantasia after William Shakespeare's drama. |
45 | 31 | Slavonic March (Славянский марш) | orch | B♭ minor | 1876 | Orchestral | also arr. for pf |
45 | 31 | Slavonic March (Славянский марш) | pf | B♭ minor | 1876 | Keyboard | arr. of version for orch |
46 | 32 | Francesca da Rimini (Франческа да Римини) | orch | E minor | 1876 | Orchestral | fantasia after Canto V of the Inferno from the Divine Comedy by Dante Alighieri |
47 | 45 | Italian Capriccio (Итальяанское каприччио) | orch | A major | 1880 | Orchestral | based on themes from folk songs; also arr. for pf4h |
47 | 45 | Italian Capriccio (Итальяанское каприччио) | pf4h | A major | 1880 | Keyboard | arr. of version for orch |
48 | 48 | Serenade for String Orchestra | str | C major | 1880 | Orchestral | also arr. for pf4h |
48 | 48 | Serenade for String Orchestra | pf4h | C major | 1880 | Keyboard | arr. of version for orch |
49 | 49 | 1812 Overture (The Year 1812) (1812 год) | orch | E♭ major | 1880 | Orchestral | festival overture |
50 | — | Coronation March (Коронационный марш) | orch | D major | 1883 | Orchestral | also known as Festival March (Торжественный марш); also arr. for pf |
50 | — | Coronation March (Коронационный марш) | pf | D major | 1883 | Keyboard | arr. of version for orch |
51 | — | Elegy for String Orchestra | str | G major | 1884 | Orchestral | originally titled "A Grateful Greeting" («Привет благодарности») in honour of Ivan Samarin |
52 | — | Jurisprudence March (Правоведский марш) | orch | D major | 1885 | Orchestral | also known as Jurists' March or Marche solonelle |
53 | 67 | Hamlet (Гамлет) | orch | F minor | 1888 | Orchestral | overture-fantasia after William Shakespeare's tragedy; abridged version used in the overture to TH 23 |
54 | 78 | The Voyevoda (Воевода) | orch | A major | 1890–91 | Orchestral | symphonic ballad, based on Aleksandr Pushkin's adaptation of a story by Adam Mickiewicz; score destroyed by Tchaikovsky, but reconstructed posthumously; partly arr. for pf in TH 148 |
55 | 23 | Piano Concerto No.1 | pf orch | B♭ minor | 1874–75, rev. 1879, 1890? | Orchestral | also arr. for 2pf |
55 | 23 | Piano Concerto No.1 | 2pf | B♭ minor | 1874–75, rev. 1879, 1890? | Keyboard | arr. of version for pf orch |
56 | 26 | Sérénade mélancolique | vn orch | B minor | 1875 | Orchestral | also arr. for vn pf |
56 | 26 | Sérénade mélancolique | vn pf | B minor | 1875 ? | Keyboard | arr. of version for vn orch |
57 | 33 | Variations on a Rococo Theme (Вариации на тему рококо) | vc orch | A major | 1876–77 | Orchestral | first published in a heavily edited version by Wilhelm Fitzenhagen; also arr. for vc pf |
57 | 33 | Variations on a Rococo Theme (Вариации на тему рококо) | vc pf | A major | 1877 | Keyboard | arr. of version for vc orch |
58 | 34 | Valse-Scherzo (Вальс-скерцо) | vn orch | C major | 1877 | Orchestral | partly orchestrated by Yosif Kotek(?); also arr. for vn pf |
58 | 34 | Valse-Scherzo (Вальс-скерцо) | vn pf | C major | 1877 | Keyboard | arr. of version for vn orch |
59 | 35 | Violin Concerto | vn orch | D major | 1878 | Orchestral | also arr. for vn pf (1878) |
59 | 35 | Violin Concerto | vn pf | D major | 1878 | Keyboard | arr. of version for vn orch |
60 | 44 | Piano Concerto No.2 | pf orch | G major | 1879–80 | Orchestral | rev. posthumously byAlexander Siloti; also arr. for 2pf (1880). |
60 | 44 | Piano Concerto No.2 | 2pf | G major | 1880 | Keyboard | arr. of version for pf orch |
61 | 56 | Concert Fantasia | pf orch | G major | 1884 | Orchestral | also arr. for 2pf (1884). |
61 | 56 | Concert Fantasia | 2pf | G major | 1884 | Keyboard | arr. of version for pf orch |
62 | 62 | Pezzo capriccioso | vc orch | B minor | 1887 | Orchestral | also arr. for vc pf (1887). |
62 | 62 | Pezzo capriccioso | vc pf | B minor | 1887 | Keyboard | arr. of version for vc orch |
63 | 11 | Andante cantabile | vc str | B major | 1888? | Orchestral | arr. of the 2nd movt. from TH 111 |
64 | 19/4 | Nocturne (Ноктюрн) | vc orch | D minor | 1888? | Orchestral | arr. of TH 133/4 |
65 | 75 | Piano Concerto No.3 | pf orch | E♭ major | 1893 | Orchestral | based on sketches for TH 238; only 1st movt. orchestrated, but arr. 2pf with TH 241 |
65 | 75 | Piano Concerto No.3 | 2pf | E♭ major | 1893 | Keyboard | arr. of version for pf orch, 1st movt. |
66 | — | Ode to Joy (К радости) | sop alt ten ch orch | C minor–C major | 1865 | Vocal | |
67 | — | Cantata for the Opening of the Polytechnic Exhibition (Кантата на открытие Политехнической выставке) | ten ch orch | G minor–G major | 1872 | Vocal | also known as Cantata in commemoration of the Bicentenary of Peter the Great (Кантата в память двухсотой годовщины рождения Петра Великого) |
68 | — | Chorus for the Jubilee of O. A. Petrov (Хор к юбилею О. А. Петрова) | ten/sop orch | A major | 1875 | Vocal | |
69 | — | Moscow (Москва) | mez bar ch orch | A major–D major | 1883 | Vocal | coronation cantata; vocal score also arr. by Tchaikovsky. |
70 | — | At Bedtime (На сон грядущий) | ch | C minor | 1863–64? | Vocal | 1st version |
70 | — | At Bedtime (На сон грядущий) | ch orch | C minor | 1863–64? | Vocal | 2nd version |
71 | — | Chorus of Flowers and Insects (Хор цветов и насекомых) | cch ch orch | D major | 1869–70 | Vocal | originally intended for TH 207; vocal score also arr. by Tchaikovsky. |
72 | — | Nature and Love (Природа и любовь) | 2sop alt fch pf | G♭ major | 1870 | Vocal | |
73 | — | Spring (Весна) | fch | C major | 1871? | Vocal | |
74 | — | Evening (Вечер) | mch | G major | 1871? | Vocal | |
75 | 41 | Liturgy of St. John Chrysostom (Литургия святого Иоанна Златоуста) | ch (+ pf) | 1878 | Vocal | setting of 15 numbers from the Russian Orthodox Liturgy; pf part for rehearsal only | |
76 | — | Chorus for Students of the Patriotic Institute | fch | 1880 | Vocal | lost | |
77 | 52 | All-Night Vigil (Всенощное бдение) | ch (+ pf) | 1881–82 | Vocal | also known as Vesper Service; pf part for rehearsal only | |
78 | — | Sacred Pieces (Духовно-музыкальных сочинений) (9): | ch (+ pf) | 1884–85 | Vocal | pf part for rehearsal only | |
78/1 | — |
|
ch | F major | 1884–85 | Vocal | |
78/2 | — |
|
ch | D major | 1884–85 | Vocal | |
78/3 | — |
|
ch | C major | 1884–85 | Vocal | |
78/4 | — |
|
ch | C major | 1884–85 | Vocal | |
78/5 | — |
|
ch | D minor | 1884–85 | Vocal | |
78/6 | — |
|
ch | F major | 1884–85 | Vocal | |
78/7 | — |
|
ch | E♭ major | 1884–85 | Vocal | |
78/8 | — |
|
2sop alt ch | D minor | 1884–85 | Vocal | |
78/9 | — |
|
ch | G major | 1884–85 | Vocal | |
79 | — | Hymn in Honor of Saints Cyril and Methodius (Гимн в честь святых Кирилла и Мефодия) | ch (+ pf) | F major | 1885 | Vocal | arr. of a Czech folk hymn; pf part for rehearsal only |
80 | — | Jurists' Song (Правоведская песнь) | ch | B♭ major | 1885 | Vocal | in honour of the 50th year of the Imperial School of Jurisprudence; original score lost, but performing version realized by Vitaly Mishchenko and S. S. Kotomina (1973) based on surviving sketches |
81 | — | The Angel Cried Out (Ангел вопияше) | ch | G major | 1887 | Vocal | |
82 | — | The Golden Cloud Did Sleep (Ночевала тучка золотая) | ch | F minor | 1887 | Vocal | |
83 | — | Blessed is He Who Smiles (Бпажен, кто улыбается) | mch | F major | 1887 | Vocal | |
84 | — | The Nightingale (Соловушко) | ch | D major | 1889 | Vocal | |
85 | 54/ | 5Legend (Легенда) | ch | E minor | 1889 | Vocal | arr. of TH 104/5 |
86 | — | A Greeting to Anton Rubinstein (Привет А. Г. Рубинштейну) | ch | C major | 1889 | Vocal | |
87 | — | Choruses (3): | ch | 1891 | Vocal | ||
87/1 | — |
|
ch | E minor | 1891 | Vocal | |
87/2 | — |
|
mch | G minor | 1891 | Vocal | |
87/3 | — |
|
fch | E minor | 1891 | Vocal | |
88 | — | Night (Ночь) | sop alt ten bass pf | B♭ major | 1893 | Vocal | based on a theme from the Fantasia in C minor, K.475. |
89 | — | My Genius, My Angel, My Friend (Мой гений, мой ангел, мой друг) | v pf | C minor | 1855–59? | Vocal | |
90 | — | Zemfira's Song (Песнь Земфиры) | v pf | A major | 1860–65? | Vocal | |
91 | — | Mezza notte (Полночь) | v pf | G major | 1860–61? | Vocal | |
92 | — | Midnight Review (Ночной парад) | v pf | 1862–64? | Vocal | lost | |
93 | 6 | Romances (6): | v pf | 1869 | Vocal | ||
93/1 | 6/1 |
|
v pf | C♯ minor | 1869 | Vocal | |
93/2 | 6/2 |
|
v pf | E minor | 1869 | Vocal | |
93/3 | 6/3 |
|
v pf | A major | 1869 | Vocal | |
93/4 | 6/4 |
|
v pf | G♭ major | 1869 | Vocal | |
93/5 | 6/5 |
|
v pf | D major | 1869 | Vocal | |
93/6 | 6/6 |
|
v pf | D♭ major | 1869 | Vocal | |
94 | — | To Forget So Soon (Забыть так скоро) | v pf | F major | 1870? | Vocal | |
95 | 16 | Romances (6): | v pf | 1872–73 | Vocal | ||
95/1 | 16/1 |
|
v pf | A♭ minor | 1872–73 | Vocal | also arr. for pf (2 versions) |
95/1 | 16/1 |
|
pf | A♭ minor | 1873? | Keyboard | arr. of version for v pf; 1st version |
95/1 | 16/1 |
|
pf | A minor | 1873? | Keyboard | arr. of version for v pf; 2nd version |
95/2 | 16/2 |
|
v pf | A minor–A major | 1872–73 | Vocal | |
95/3 | 16/3 |
|
v pf | C minor | 1872–73 | Vocal | |
95/4 | 16/4 |
|
v pf | G major | 1872–73 | Vocal | also arr. for pf |
95/4 | 16/4 |
|
pf | G major | 1873? | Keyboard | arr. of version for v pf |
95/5 | 16/5 |
|
v pf | F♯ minor–A major | 1872–73 | Vocal | also arr. for pf |
95/5 | 16/5 |
|
pf | F♯ minor–A major | 1873? | Keyboard | arr. of version for v pf |
95/6 | 16/6 |
|
v pf | E♭ minor | 1872–73 | Vocal | |
96/1 | — | Take My Heart Away (Уноси мое сердце) | v pf | A minor | 1873 | Vocal | |
96/2 | — | Blue Eyes of Spring (Глазки весны голубые) | v pf | A major | 1873 | Vocal | |
97 | 25 | Romances (6): | v pf | 1875 | Vocal | ||
97/1 | 25/1 |
|
v pf | G minor | 1875 | Vocal | |
97/2 | 25/2 |
|
v pf | B minor | 1875 | Vocal | |
97/3 | 25/3 |
|
v pf | E♭ major | 1875 | Vocal | |
97/4 | 25/4 |
|
v pf | G minor | 1875 | Vocal | |
97/5 | 25/5 |
|
v pf | A major | 1875 | Vocal | |
97/6 | 25/6 |
|
v pf | G minor | 1875 | Vocal | |
98 | 27 | Romances and Songs (6): | v pf | 1875 | Vocal | ||
98/1 | 27/1 |
|
v pf | B♭ minor | 1875 | Vocal | |
98/2 | 27/2 |
|
v pf | C minor | 1875 | Vocal | |
98/3 | 27/3 |
|
v pf | F major | 1875 | Vocal | |
98/4 | 27/4 |
|
v pf | B♭ minor | 1875 | Vocal | |
98/5 | 27/5 |
|
v pf | E♭ minor | 1875 | Vocal | |
98/6 | 27/6 |
|
v pf | A major | 1875 | Vocal | |
99 | 28 | Romances (6): | v pf | 1875 | Vocal | ||
99/1 | 28/1 |
|
v pf | E♭ major | 1875 | Vocal | |
99/2 | 28/2 |
|
v pf | F♯ minor | 1875 | Vocal | |
99/3 | 28/3 |
|
v pf | D minor | 1875 | Vocal | |
99/4 | 28/4 |
|
v pf | D minor | 1875 | Vocal | |
99/5 | 28/5 |
|
v pf | C minor | 1875 | Vocal | |
99/6 | 28/6 |
|
v pf | F♯ minor | 1875 | Vocal | |
100/1 | — | I Should Like in a Single Word (Хотел бы в единое слово) | v pf | D minor | 1875 | Vocal | |
100/2 | — | We Have Not Far to Walk (Не долго нам гулять) | v pf | E major | 1875 | Vocal | |
101 | 38 | Romances (6): | v pf | 1878 | Vocal | ||
101/1 | 38/1 |
|
v pf | B minor | 1878 | Vocal | |
101/2 | 38/2 |
|
v pf | E♭ major | 1878 | Vocal | |
101/3 | 38/3 |
|
v pf | B minor | 1878 | Vocal | |
101/4 | 38/4 |
|
v pf | D major | 1878 | Vocal | |
101/5 | 38/5 |
|
v pf | F major | 1878 | Vocal | |
101/6 | 38/6 |
|
v pf | G major | 1878 | Vocal | |
102 | 46 | Duets (6): | 2vv pf | 1880 | Vocal | ||
102/1 | 46/1 |
|
sop mez pf | A♭ major | 1880 | Vocal | |
102/2 | 46/2 |
|
sop bar pf | A minor | 1880 | Vocal | |
102/3 | 46/3 |
|
2sop mez pf | G minor | 1880 | Vocal | |
102/4 | 46/4 |
|
sop mez pf | A major | 1880 | Vocal | |
102/5 | 46/5 |
|
sop ten pf | F major | 1880 | Vocal | |
102/6 | 46/6 |
|
sop mez pf | E major | 1880 | Vocal | also arr. for sop mez orch |
102/6 | 46/6 |
|
sop mez orch | E major | 1880 | Vocal | arr. of version for sop mez pf |
103 | 47 | Romances (7): | v pf | 1880 | Vocal | ||
103/1 | 47/1 |
|
v pf | C minor | 1880 | Vocal | |
103/2 | 47/2 |
|
v pf | E major | 1880 | Vocal | |
103/3 | 47/3 |
|
v pf | F major | 1880 | Vocal | |
103/4 | 47/4 |
|
v pf | G♭ major | 1880 | Vocal | |
103/5 | 47/5 |
|
v pf | F major | 1880 | Vocal | |
103/6 | 47/6 |
|
v pf | E major | 1880 | Vocal | also arr. for v orch |
103/6 | 47/6 |
|
v orch | 1888 | Vocal | arr. of version for v pf; lost | |
103/7 | 47/7 |
|
v pf | F♯ minor | 1880 | Vocal | also arr. for v orch |
103/7 | 47/7 |
|
v orch | F♯ minor | 1884 | Vocal | arr. of version for v pf |
104 | 54 | Songs for Children (16): | v pf | 1881–83 | Vocal | see also TH 221 | |
104/ | /154 | /1
|
v pf | A minor | 1883 | Vocal | |
104/ | /254 | /2
|
v pf | G major | 1883 | Vocal | |
104/ | /354 | /3
|
v pf | G major | 1883 | Vocal | |
104/ | /454 | /4
|
v pf | G major | 1883 | Vocal | |
104/ | /554 | /5
|
v pf | E minor | 1883 | Vocal | also arr. for ch (as TH 85) and for v orch |
104/ | /554 | /5
|
v orch | E minor | 1883 | Vocal | arr.of version for v pf |
104/ | /654 | /6
|
v pf | C major | 1883 | Vocal | |
104/ | /754 | /7
|
v pf | C minor | 1883 | Vocal | |
104/ | /854 | /8
|
v pf | G major | 1883 | Vocal | |
104/ | /954 | /8
|
v pf | F major | 1883 | Vocal | |
104/10 | 54/10 |
|
v pf | F major | 1883 | Vocal | |
104/11 | 54/11 |
|
v pf | F major | 1883 | Vocal | |
104/12 | 54/12 |
|
v pf | D major | 1883 | Vocal | |
104/13 | 54/13 |
|
v pf | A major | 1883 | Vocal | |
104/14 | 54/14 |
|
v pf | F♯ minor | 1883 | Vocal | |
104/15 | 54/15 |
|
v pf | G major | 1883 | Vocal | |
104/16 | 54/16 |
|
v pf | A major | 1881 | Vocal | |
105 | 57 | Romances (6): | v pf | 1884 | Vocal | ||
105/1 | 57/1 |
|
v pf | E major | 1884 | Vocal | |
105/2 | 57/2 |
|
v pf | F minor | 1884 | Vocal | |
105/3 | 57/3 |
|
v pf | D minor | 1884 | Vocal | |
105/4 | 57/4 |
|
v pf | F major | 1884 | Vocal | |
105/5 | 57/5 |
|
v pf | F minor | 1884 | Vocal | |
105/6 | 57/6 |
|
v pf | G major | 1884 | Vocal | |
106 | 60 | Romances (12): | v pf | 1886 | Vocal | ||
106/ | 160/ | /1
|
v pf | A♭ major | 1886 | Vocal | |
106/ | 260/ | /2
|
v pf | E major | 1886 | Vocal | |
106/ | 360/ | /3
|
v pf | E♭ major | 1886 | Vocal | |
106/ | 460/ | /4
|
v pf | C minor | 1886 | Vocal | |
106/ | 560/ | /5
|
v pf | F major | 1886 | Vocal | |
106/ | 660/ | /6
|
v pf | G minor | 1886 | Vocal | |
106/ | 760/ | /7
|
v pf | A minor | 1886 | Vocal | |
106/ | 860/ | /8
|
v pf | F major | 1886 | Vocal | |
106/ | 960/ | /9
|
v pf | G minor | 1886 | Vocal | |
106/10 | 60/10 |
|
v pf | F major | 1886 | Vocal | |
106/11 | 60/11 |
|
v pf | G minor | 1886 | Vocal | |
106/12 | 60/12 |
|
v pf | F major | 1886 | Vocal | |
107 | 63 | Romances (6): | v pf | 1887 | Vocal | see also TH 225 | |
107/1 | 63/1 |
|
v pf | B♭ major | 1887 | Vocal | |
107/2 | 63/2 |
|
v pf | F major | 1887 | Vocal | |
107/3 | 63/3 |
|
v pf | C major | 1887 | Vocal | |
107/4 | 63/4 |
|
v pf | E♭ major | 1887 | Vocal | |
107/5 | 63/5 |
|
v pf | E major | 1887 | Vocal | |
107/6 | 63/6 |
|
v pf | G major | 1887 | Vocal | |
108 | 65 | French Songs (6): | v pf | 1888 | Vocal | see also TH 229 | |
108/1 | 65/1 |
|
v pf | D major | 1888 | Vocal | |
108/2 | 65/2 |
|
v pf | E minor | 1888 | Vocal | |
108/3 | 65/3 |
|
v pf | B♭ major | 1888 | Vocal | |
108/4 | 65/4 |
|
v pf | D minor | 1888 | Vocal | |
108/5 | 65/5 |
|
v pf | G major | 1888 | Vocal | |
108/6 | 65/6 |
|
v pf | G major | 1888 | Vocal | |
109 | 73 | Romances (6): | v pf | 1893 | Vocal | ||
109/1 | 73/1 |
|
v pf | E minor–C♯ minor | 1893 | Vocal | |
109/2 | 73/2 |
|
v pf | F minor | 1893 | Vocal | |
109/3 | 73/3 |
|
v pf | A♭ major | 1893 | Vocal | |
109/4 | 73/4 |
|
v pf | E major | 1893 | Vocal | |
109/5 | 73/5 |
|
v pf | A♭ major | 1893 | Vocal | |
109/6 | 73/6 |
|
v pf | A minor | 1893 | Vocal | |
110 | — | String Quartet | 2vn va vc | B♭ major | 1865 | Chamber | |
111 | 11 | String Quartet No.1 | 2vn va vc | D major | 1871 | Chamber | 2nd movt. arr. for cello and strings as TH 63 |
112 | 22 | String Quartet No.2 | 2vn va vc | F major | 1873–74 | Chamber | |
113 | 30 | String Quartet No.3 | 2vn va vc | E♭ minor | 1876 | Chamber | 3rd movt. arr. for violin and piano as TH 114 |
114 | 30 | Andante funebre (Andante funebre) | vn pf | E♭ minor | 1876 | Chamber | arr. of the 3rd movt. from TH 114 |
115 | 10/2 | Humoresque (Юмореска) | vn pf | G major | 1876 | Chamber | arr. of TH 132/2 |
116 | 42 | Souvenir d'un lieu cher (Воспоминание о дорогом месте) | vn pf | 1878 | Chamber | ||
116/1 | 42/1 |
|
vn pf | D minor | 1878 | Chamber | |
116/2 | 42/2 |
|
vn pf | C minor | 1878 | Chamber | |
116/3 | 42/3 |
|
vn pf | E♭ major | 1878 | Chamber | |
117 | 50 | Piano Trio ("In memory of a great artist") («Памяти великого художника») | vn vc pf | A minor | 1881–82 | Chamber | |
118 | 70 | Souvenir de Florence (Воспоминание о Флоренции) | 2vn 2va 2vc | D minor | 1890, rev. 1891–92 | Chamber | |
119 | — | Anastasie-Valse (Анастасия-вальс) | pf | F major | 1854 | Keyboard | |
120 | — | By the River, By the Bridge (Возле речки, возле моста) | pf | 1862 | Keyboard | comic piece for piano solo based on a folk song; lost. | |
121 | — | Theme with Variations | pf | A minor | 1864? | Keyboard | |
122 | 1/2 | Impromptu (Экспромт) | pf | E♭ minor | 1863–64? | Keyboard | |
123 | 80 | Piano Sonata | pf | C♯ minor | 1865 | Keyboard | |
124 | 1/1 | Scherzo á la russe (Русское скерцо) | pf | B♭ major | 1867 | Keyboard | |
125 | 2 | Souvenir de Hapsal (Воспоминание о Гапсале) | pf | 1867 | Keyboard | ||
125/1 | 2/1 |
|
pf | E minor | 1865 | Keyboard | |
125/2 | 2/2 |
|
pf | F major | 1867 | Keyboard | partly based on TH 125/2 |
125/3 | 2/3 |
|
pf | F major | 1867 | Keyboard | |
126 | 4 | Valse-Caprice (Вальс-каприс) | pf | D major | 1868 | Keyboard | |
127 | 5 | Romance (Романс) | pf | F minor | 1868 | Keyboard | |
128 | — | Potpourri on Themes from 'The Voyevoda' (Попурри из оперы «Воеводв») | pf | 1867–68 | Keyboard | based on selections from TH 1; published under the pseudonym "H. Kramer". | |
129 | 7 | Valse-Scherzo (Вальс-скерцо) | pf | A major | 1870 | Keyboard | |
130 | 8 | Capriccio (Каприччио) | pf | G♭ major | 1870 | Keyboard | |
131 | 9 | Pieces (3): | pf | 1870 | Keyboard | ||
131/1 | 9/1 |
|
pf | D major | 1870 | Keyboard | |
131/2 | 9/2 |
|
pf | B♭ major | 1870 | Keyboard | |
131/3 | 9/3 |
|
pf | D minor | 1870 | Keyboard | 2nd version of TH 16/2. |
132 | 10 | Pieces (2): | pf | 1871–72 | Keyboard | ||
132/1 | 10/1 |
|
pf | F major | 1871–72 | Keyboard | |
132/2 | 10/2 |
|
pf | G major | 1871–72 | Keyboard | arr. for vn pf as TH 115 |
133 | 19 | Pieces (6): | pf | 1873 | Keyboard | ||
133/1 | 19/1 |
|
pf | G minor | 1873 | Keyboard | |
133/2 | 19/2 |
|
pf | D major | 1873 | Keyboard | |
133/3 | 19/3 |
|
pf | D major | 1873 | Keyboard | |
133/4 | 19/4 |
|
pf | C♯ minor | 1873 | Keyboard | arr. for vc orch as TH 64 |
133/5 | 19/5 |
|
pf | B♭ major | 1873 | Keyboard | |
133/6 | 19/6 |
|
pf | F major | 1873 | Keyboard | |
134 | 21 | Pieces on one theme (6): | pf | 1873 | Keyboard | ||
134/1 | 21/1 |
|
pf | G♯ minor | 1873 | Keyboard | |
134/2 | 21/2 |
|
pf | G♯ minor | 1873 | Keyboard | |
134/3 | 21/3 |
|
pf | C♯ minor | 1873 | Keyboard | |
134/4 | 21/4 |
|
pf | A♭ major | 1873 | Keyboard | |
134/5 | 21/5 |
|
pf | A♭ major | 1873 | Keyboard | |
134/6 | 21/6 |
|
pf | A♭ major | 1873 | Keyboard | |
135 | 37a | The Seasons (Времена года) | pf | 1875–76 | Keyboard | "12 characteristic scenes" | |
135/ | 137a/ | 1
|
pf | A major | 1875–76 | Keyboard | |
135/ | 237a/ | 2
|
pf | D major | 1875–76 | Keyboard | |
135/ | 337a/ | 3
|
pf | G minor | 1875–76 | Keyboard | |
135/ | 437a/ | 4
|
pf | B♭ mino | 1875–76 | Keyboard | |
135/ | 537a/ | 5
|
pf | G minor | 1875–76 | Keyboard | |
135/ | 637a/ | 6
|
pf | G minor | 1875–76 | Keyboard | |
135/ | 737a/ | 7
|
pf | E♭ major | 1875–76 | Keyboard | |
135/ | 837a/ | 8
|
pf | B minor | 1875–76 | Keyboard | |
135/ | 937a/ | 9
|
pf | G minor | 1875–76 | Keyboard | |
135/10 | 37a/10 |
|
pf | D minor | 1875–76 | Keyboard | |
135/11 | 37a/11 |
|
pf | E major | 1875–76 | Keyboard | |
135/12 | 37a/12 |
|
pf | A♭ major | 1875–76 | Keyboard | |
137 | — | Funeral March (Похоронный марш) | pf4h | 1877 | Keyboard | based on themes from TH 3; lost | |
138 | 40 | Pieces (12): | pf | 1878 | Keyboard | "of moderate difficulty" | |
138/ | 140/ | 1
|
pf | G major | 1878 | Keyboard | |
138/ | 240/ | 2
|
pf | G minor | 1878 | Keyboard | |
138/ | 340/ | 3
|
pf | C minor | 1878 | Keyboard | |
138/ | 440/ | 4
|
pf | C major | 1878 | Keyboard | |
138/ | 540/ | 5
|
pf | D major | 1878 | Keyboard | |
138/ | 640/ | 6
|
pf | A major | 1878 | Keyboard | |
138/ | 740/ | 7
|
pf | A minor | 1878 | Keyboard | |
138/ | 840/ | 8
|
pf | A♭ major | 1878 | Keyboard | |
138/ | 940/ | 9
|
pf | F♯ minor | 1878 | Keyboard | |
138/10 | 40/10 |
|
pf | A minor | 1878 | Keyboard | |
138/11 | 40/11 |
|
pf | D minor | 1878 | Keyboard | |
138/12 | 40/12 |
|
pf | A♭ major | 1878 | Keyboard | |
139 | 37 | Grand Sonata (Большая соната) | pf | G major | 1878 | Keyboard | |
140 | — | The Volunteer Fleet March (Добровольный флот) | pf | C major | 1878 | Keyboard | published under the pseudonym "P. Sinopov". |
141 | 39 | Children's Album (Детский альбом) | pf | 1878 | Keyboard | "24 simple pieces à la Schumann"; numbering of pieces varies in early editions. | |
141/ | /139/ | /1
|
pf | G major | 1878 | Keyboard | |
141/ | /239/ | /2
|
pf | B minor | 1878 | Keyboard | |
141/ | /339/ | /3
|
pf | D major | 1878 | Keyboard | |
141/ | /439/ | /4
|
pf | G major | 1878 | Keyboard | |
141/ | /539/ | /5
|
pf | D major | 1878 | Keyboard | |
141/ | /639/ | /6
|
pf | G minor | 1878 | Keyboard | |
141/ | /739/ | /7
|
pf | C minor | 1878 | Keyboard | |
141/ | /839/ | /8
|
pf | E♭ minor | 1878 | Keyboard | |
141/ | /939/ | /9
|
pf | B♭ major | 1878 | Keyboard | |
141/10 | 39/10 |
|
pf | D minor | 1878 | Keyboard | |
141/11 | 39/11 |
|
pf | F major | 1878 | Keyboard | |
141/12 | 39/12 |
|
pf | B♭ major | 1878 | Keyboard | |
141/13 | 39/13 |
|
pf | D major | 1878 | Keyboard | |
141/14 | 39/14 |
|
pf | B♭ major | 1878 | Keyboard | |
141/15 | 39/15 |
|
pf | D major | 1878 | Keyboard | |
141/16 | 39/16 |
|
pf | G minor | 1878 | Keyboard | |
141/17 | 39/17 |
|
pf | E♭ major | 1878 | Keyboard | |
141/18 | 39/18 |
|
pf | E♭ major | 1878 | Keyboard | |
141/19 | 39/19 |
|
pf | C major | 1878 | Keyboard | |
141/20 | 39/20 |
|
pf | E minor | 1878 | Keyboard | |
141/21 | 39/21 |
|
pf | C major | 1878 | Keyboard | |
141/22 | 39/22 |
|
pf | G major | 1878 | Keyboard | |
141/23 | 39/23 |
|
pf | G major | 1878 | Keyboard | |
141/24 | 39/24 |
|
pf | E minor | 1878 | Keyboard | |
142 | — | Nathalie-valse (Наталья-вальс) | pf | G major | 1878 | Keyboard | 1st version of TH 143/4 |
143 | 51 | Pieces (6): | pf | 1881 | Keyboard | ||
143/1 | 51/1 |
|
pf | A♭ major | 1881 | Keyboard | |
143/2 | 51/2 |
|
pf | B minor | 1881 | Keyboard | |
143/3 | 51/3 |
|
pf | E♭ major | 1881 | Keyboard | |
143/4 | 51/4 |
|
pf | A major | 1881 | Keyboard | 2nd version of TH 142 |
143/5 | 51/5 |
|
pf | F major | 1881 | Keyboard | |
143/6 | 51/6 |
|
pf | F minor | 1881 | Keyboard | |
144 | — | Impromptu-Caprice (Экспромт-каприс) | pf | G major | 1884 | Keyboard | |
145 | 59 | Dumka (Думка) | pf | C minor | 1886 | Keyboard | "Russian rustic scene" |
146 | — | Valse-Scherzo (Вальс-скерцо) | pf | A major | 1889 | Keyboard | |
147 | — | Impromptu (Экспромт) | pf | A♭ major | 1889 | Keyboard | |
148 | — | Aveu passionné (Страстное признание) | pf | E minor | 1891? | Keyboard | |
149 | — | Moment lyrique (Лирический момент) | pf | A♭ major | 1892 | Keyboard | rev. posthumously by Sergey Taneyev as Momento lirico |
150 | — | Military March (Военный марш) | pf | B♭ major | 1893 | Keyboard | |
151 | 72 | Pieces (18): | pf | 1893 | Keyboard | ||
151/ | 172/ | 1
|
pf | F minor | 1893 | Keyboard | |
151/ | 272/ | 2
|
pf | A♭ major | 1893 | Keyboard | |
151/ | 372/ | 3
|
pf | C♯ minor | 1893 | Keyboard | |
151/ | 472/ | 4
|
pf | D major | 1893 | Keyboard | |
151/ | 572/ | 5
|
pf | D major | 1893 | Keyboard | |
151/ | 672/ | 6
|
pf | B♭ major | 1893 | Keyboard | |
151/ | 772/ | 7
|
pf | E♭ major | 1893 | Keyboard | |
151/ | 872/ | 8
|
pf | B major | 1893 | Keyboard | |
151/ | 972/ | 9
|
pf | D♭ major | 1893 | Keyboard | |
151/10 | 72/10 |
|
pf | E♭ minor | 1893 | Keyboard | arr. of the 3rd movt. from TH 238 |
151/11 | 72/11 |
|
pf | E♭ major | 1893 | Keyboard | |
151/12 | 72/12 |
|
pf | E major | 1893 | Keyboard | |
151/13 | 72/13 |
|
pf | E♭ major | 1893 | Keyboard | |
151/14 | 72/14 |
|
pf | D♭ major | 1893 | Keyboard | |
151/15 | 72/15 |
|
pf | C♯ minor | 1893 | Keyboard | |
151/16 | 72/16 |
|
pf | D minor | 1893 | Keyboard | |
151/17 | 72/17 |
|
pf | E♭ major | 1893 | Keyboard | |
151/18 | 72/18 |
|
pf | C major | 1893 | Keyboard | |
152 | — | Allegretto moderato | vn va vc | D major | 1863–64? | Chamber | |
153 | — | Allegretto | 2vn va vc | E major | 1863–64? | Chamber | |
154 | — | Allegro vivace | 2vn va vc | B♭ major | 1863–64? | Chamber | |
155 | — | Andante molto | 2vn va vc | G major | 1863–64? | Chamber | |
156 | — | Adagio | 4hn | C major | 1863–64? | Chamber | |
157 | — | Andante ma non troppo | 2vn va vc db | E minor | 1863–64? | Chamber | |
158 | — | Adagio molto | hp 2vn va vc | E♭ major | 1863–64? | Chamber | |
159 | — | Allegro | 2vn va vc pf | C minor | 1863–64? | Chamber | |
160 | — | Adagio | 2fl 2ob eh 2cl bcl | F major | 1863–64? | Chamber | |
161 | — | Allegro ma non tanto | str | G major | 1863–64? | Orchestral | |
162 | — | Largo and Allegro | 2fl str | D major | 1863–64? | Orchestral | |
163 | — | Agitato and Allegro | orch | E minor | 1863–64? | Orchestral | |
164 | — | Andante ma non troppo | orch | A major | 1863–64? | Orchestral | |
165 | — | Allegro vivo | orch | C minor | 1863–64? | Orchestral | |
166 | — | The Romans in the Coliseum (Римляне в колизее) | orch | 1863–64? | Orchestral | musical picture for orchestra; lost. | |
167 | — | Menuetto capriccioso | orch | A♭ major | 1863 | Orchestral | arr. of the 3rd movt. from the Piano Sonata No.2 in A-flat major, Op.39, by Carl Maria von Weber. |
168 | — | Kreutzer Sonata | orch | E minor–A minor | 1863–64? | Orchestral | arr. of the 1st movt. from the sonata by Ludwig van Beethoven; incomplete. |
169 | — | Symphonic Studies | orch | A minor–D major | 1863–64? | Orchestral | arr. of variatons 11 and 12 from the Symphonic Etudes, Op.13, by Robert Schumann. |
170 | — | Le retour (Возвращение) | orch | C major | 1864? | Orchestral | arr. of the waltz for piano by Johann Gungl; incomplete. |
171 | — | Mariya-Dagmar (Мария-Дагмара) | orch | F major | 1866 | Orchestral | after the polka for piano by Alexandre Dubuque. |
172 | — | I Remember All (Я помню все) | pf4h | E♭ major | 1866–67? | Keyboard | arr. of Alexandre Dubuque's transcription of the romance by Elizaveta Tarnovskaya. |
173 | — | Festival March (Торжественный марш) | orch | 1867 | Orchestral | orchestration of the march for piano by Karel Kral; lost. | |
174 | — | Little-Russian Kazachok (Малороссийский казачок) | pf | C minor–C major | 1867? | Keyboard | after the symphonic fantasia Kazachok. |
175 | — | Le domino noir | vv ch pf | 1868 | Stage | Russian recitatives and chorus for the opera Le domino noir. | |
176 | — | Russian Folk Songs (50) | pf4h | 1868–69 | Keyboard | ||
177 | — | Ivan the Terrible (Иван Грозный) | pf4h | D major | 1869 | Keyboard | arr. of the musical picture Ivan the Terrible, Op.79, by Anton Rubinstein. |
178 | — | O, del mio dolce ardor | v orch | F major | 1870 | Vocal | arr. of the aria from Act I of the opera Paride ed Elena, Wq.39; misattributed to Alessandro Stradella in Tchaikovsky's arrangement. |
179 | — | Le faccio un inchino | sop 2mez orch | G major | 1870? | Vocal | arr. of the trio from Act I of the opera Il matrimonio segreto by Domenico Cimarosa |
180 | — | Don Quixote (Дон кихот) | pf4h | C major | 1871 | Keyboard | arr. of the musical picture Don Quixote, Op.87, by Anton Rubinstein |
181 | — | Perpetuum mobile | pf | C major | 1871? | Keyboard | arr. of the finale from the Piano Sonata No.1 in C major |
182 | — | Children's Songs on Russian and Ukrainian Tunes (Детские песнии на русские и малороссийские напевы) | v pf | 1872–77 | Vocal | collected and arr. by Mariya Mamontova, ed. by Tchaikovsky | |
183 | — | Russian Folk Songs (65) | v pf | 1872 | Vocal | collected and arr. by Vasily Prokunin, ed. by Tchaikovsky. | |
184 | — | Ballade vom Haideknaben | orch | D major | 1874 | Orchestral | arr. of No.1 of the 2 Balladen, Op.122 |
185 | — | Gott Erhalte Franz den Kaiser | orch | G major | 1874? | Orchestral | after the Austrian National Anthem by Joseph Haydn |
186 | — | Der König von Thüle | v orch | F minor | 1874 | Vocal | arr. of the ballad Es war ein König in Thule, S.278, by Franz Liszt |
187 | — | Gaudeamus Igitur (Будем веселы, друзья) | mch pf | D major | 1874 | Vocal | arr. of the student song; with Russian text. |
188 | — | The Marriage of Figaro (Свадьба Фигаро) | vv ch pf | 1876? | Stage | Russian translation and ed. of the opera Le nozze di Figaro, K.492, by Wolfgang Amadeus Mozart | |
189 | — | The Golden Cloud Did Sleep (Ночевала тучка золотая) | sop ten bar orch | G minor | 1876? | Vocal | arr. of the vocal trio by Aleksandr Dargomyzhsky |
190 | — | Complete Church Music | ch pf | 1881 | Vocal | complete sacred works by Dmytro Bortniansky, ed. and arr. by Tchaikovsky | |
191 | — | Glory (Славься) | uch orch | 1883 | Vocal | arr. of the chorus from the opera A Life for the Tsar, linked to the Russian national anthem God Save the Tsar by Aleksey Lvov; lost | |
192 | — | Overture-Fantasia | orch | D major | 1888 | Orchestral | orchestration of the Overture-Fantasia by Herman Laroche |
193 | — | Ungarische Zigeunerweisen | pf orch | 1892 | Orchestral | orchestration of the Hungarian Gypsy Melodies by Sophie Menter | |
194 | — | It's Not the Wind that Bends the Branch (То не ветер ветку клонит) | pf | F minor | 1893 | Keyboard | harmonisation of the Russian folk-song |
195 | — | The Underdog (Собака низкая) | v pf | 1876 | Vocal | musical joke | |
196 | — | The Siskin (Чижик) | v | 1876 | Vocal | album leaf | |
197 | — | The Little Rifleman (Стрелочек) | pf | 1882 | Keyboard | 2-part humorous canon on the theme of the folk song; lost. | |
198 | — | I Don't Know! (Не знаю!) | v pf | 1891 | Vocal | musical tongue-twister | |
199 | — | Polka de salon | v pf | 1893 | Vocal | musical joke | |
200 | — | No News From My Dear One (От милого нету вести) | v pf | 1893 | Vocal | musical joke | |
Unfinished or Incomplete Works ( | )|||||||
201 | — | Hyperbola (Гипербола) | 1854 | Stage | unrealized lyrical opera in 1 act | ||
202 | — | Adagio | pf | G major | 1860–64? | Keyboard | uunrealized sketches |
203 | — | Allegro | pf | F minor | 1863–64? | Keyboard | incomplete; perf. versions by Leslie Howard (1977) and Konstantin Kalinenko (1980); partly re-used in TH 125/2 |
204 | — | The Storm (Гроза) | 1864–67? | Stage | unrealized opera based on a story by Aleksandr Ostrovsky. | ||
205 | — | The Palm (Пальма) | 1867–68? | Stage | unrealized opera | ||
206 | — | Alexander of Macedon (Александр Македонский) | 1868 | Stage | unrealized opera to a libretto by Aleksandr Ostrovsky | ||
207 | — | Mandragora (Мандрагора) | 1869–70 | Stage | unrealized opera to a libretto by Sergey Rachinsky; one chorus rev. as TH 71. | ||
208 | — | Raimond Lully (Раймонд Люллий) | 1870 | Stage | unrealized opera to a libretto by Sergey Rachinsky | ||
209 | — | Cinderella (Сандрильона) | 1870 | Stage | unrealized ballet in 4 acts | ||
210 | — | Symphony | B♭ major | 1873 | Orchestral | unrealized symphony; one theme rewoeked in TH 133/5. | |
211 | — | Ephraim (Эфраим) | 1875–76? | Stage | unrealized opera to a libretto by Konstantin Shilovsky | ||
212 | — | Francesca da Rimini (Франческа да Римини) | 1876 | Stage | unrealized opera to a libretto by Konstantin Zvantsev, after a story by Dante Alighieri | ||
213 | — | Othello (Отелло) | 1876–77 | Stage | unrealized opera in 4 acts, to a libretto by Vladimir Stasov, after the tragedy by William Shakespeare | ||
214 | — | Undina (Ундина) | 1878 | Stage | unrealized opera to a libretto by Modest Tchaikovsky, based on a story by Friedrich Heinrich Karl La Motte-Fouqué | ||
215 | — | Romeo and Juliet (Ромео и Джульетта) | sop ten orch | 1878–81? | Stage | unrealized opera based on William Shakespeare's tragedy; sketches for duet scene only, based on themes from TH 42; performing version realized by Sergey Taneyev. | |
216 | — | Les caprices de Marianne (Прихоти Марианны) | 1878 | Stage | unrealized opera based on a story by Alfred de Musset. | ||
217 | — | Nessun maggior dolore | v pf | 1881–85? | Vocal | settings of part of Canto V from Dante Alighieri's Divine Comedy; fragments. | |
218 | — | Vanka the Steward (Ванька-ключник) | 1881 | Stage | unrealized opera to a libretto by Dmitry Averkiev. | ||
219 | 20a | Swan Lake (Лебединое озеро) | orch | 1882 | Orchestral | unrealized suite from TH 12, completed posthumously by others . | |
220 | — | Alyosha and the Laundress (Алëша и прачка) | v pf | 1883 | Vocal | themes for an unrealized vocal piece | |
221 | — | Children's Songs (5): | v pf | 1883 | Vocal | unrealized sketches for TH 104 | |
221/1 | — |
|
v pf | 1883 | Vocal | unrealized sketches for TH 104 | |
221/2 | — |
|
v pf | 1883 | Vocal | unrealized sketches for TH 104 | |
221/3 | — |
|
v pf | 1883 | Vocal | unrealized sketches for TH 104 | |
221/4 | — |
|
v pf | 1883 | Vocal | unrealized sketches for TH 104 | |
221/5 | — |
|
v pf | 1883 | Vocal | unrealized sketches for TH 104 | |
222 | — | Imitations of Russian Song (Подделки под русскую песнь) | v pf | 1884? | Vocal | unrealized sketches for vocal pieces | |
223 | — | The Captain's Daughter (Капитанская дочка) | 1885–88 | Stage | unrealized opera to a libretto by Modest Tchaikovsky, based on a story by Friedrich Heinrich Karl La Motte-Fouqué | ||
224 | — | Etude | pf | A minor | 1885 | Keyboard | sketch for an unrealized cycle of piano pieces. |
225 | — | Songs (2): | v pf | 1886–87 | Vocal | unrealized sketches for TH 107 | |
225/1 | — |
|
v pf | 1886–87 | Vocal | unrealized sketches for TH 107 | |
225/2 | — |
|
v pf | 1886–87 | Vocal | unrealized sketches for TH 107 | |
226 | — | Undina (Ундина) | 1886–87 | Stage | unrealized ballet to a libretto by Modest Tchaikovsky, based on a story by Friedrich Heinrich Karl La Motte-Fouqué | ||
227 | — | Song of Triumphant Love (Песнь торжествуюшей любви) | 1887 | Vocal | unrealized sketches for a vocal piece | ||
228 | — | Waltz | pf | E major | 1887 | Keyboard | unrealized sketch for a piano piece |
229 | — | Songs on French Texts (3): | v pf | 1888 | Vocal | unrealized sketches for TH 108 | |
229/1 | — |
|
v pf | G minor | 1888 | Vocal | unrealized sketches for TH 108 |
229/2 | — |
|
v pf | A major | 1888 | Vocal | unrealized sketches for TH 108 |
229/3 | — |
|
v pf | A minor | 1888 | Vocal | unrealized sketches for TH 108 |
230 | — | La bayadère (Баяадерка) | 1888 | Stage | unrealized opera in 3 acts, to a libretto by Ippolit Shpazhinsky, based on a story by Johann Wolfgang von Goethe | ||
231 | — | Sadia (Куртезанка) | 1888–91 | Stage | also known as The Courtesan' (Куртезанка); unrealized opera to a libretto by Louis Gallet and Léonce Détroyat, based on a story by Johann Wolfgang von Goethe | ||
232 | — | Suite | D minor | 1889–90? | Orchestral | unrealized sketch for Andante. | |
233 | — | Béla (Бэла) | 1889–93 | Stage | unrealized opera to a libretto by Anton Chekhov or Vladimir Namirovich-Danchenko, based on a story by Mikhail Lermontov | ||
234 | 66a | The Sleeping Beauty (Спящая красавица) | orch | 1890 | Orchestral | unrealized suite from TH 13;, completed posthumously by others. | |
235 | — | Concerto for 2 Pianos | 2pf (orch?) | 1891–92? | Orchestral | unrealized concerto | |
236 | — | Cello Sonata | vc pf | G major | 1891 | Chamber | unrealized sketch for Allegro. |
237 | — | Do Not Wake, My Friend (Не просыпайся, мой друг) | v pf | A minor | 1892–92? | Vocal | unrealized sketch. |
238 | — | Symphony | orch | E♭ major | 1892 | Orchestral | unfinished; performing version realized posthumously by Semyon Bogatyryov; sketches re-used in TH 65, TH 241 and TH 151/10. |
239 | — | Nocturne | pf | B major | 1893 | Keyboard | unrealized sketch for TH 151. |
240 | — | Etude | pf | E♭ major | 1893 | Keyboard | unrealized sketch for TH 151. |
241 | 79 | Andante and Finale | pf orch | B♭ major/E♭ major | 1893 | Orchestral | unfinished sketches for TH 75, based on 2nd and 4th movts. from TH 238; completed posthumously by Sergey Taneyev. |
242 | — | Momento lirico (Лирический момент) | pf | G major | 1893 | Keyboard | unrealized sketch |
243 | — | March | 1893 | Keyboard | on Belorussian and Ukrainian folk-tunes; unrealized sketches. | ||
244 | — | The Sad Fortunes of the Reverend Amos Barton (Печальная судьба преподобного Амоса Бартона) | 1893 | Stage | unrealized opera, based on a story by George Eliot. | ||
245 | — | Mr Gilfil's Love Story (Любовь Мистера Гильфиля) | 1893 | Stage | unrealized opera, based on a story by George Eliot. | ||
246 | — | Adam Bede (Адам Беде) | 1893 | Stage | unrealized opera, based on a story by George Eliot. | ||
247 | — | Flute Concerto | fl orch | C major | 1893 | Orchestral | unrealized sketches |
248 | — | Pieces for Violin | vn | 1893 | Chamber | unrealized project | |
249 | — | Cello Concerto | vc orch | B minor | 1893 | Orchestral | unrealized sketches; performing version based on Tchaikovsky's themes completed by Yuriy Leonovich (2006) |
250 | — | The Complicated Case (Мудреный слючай) | v pf | 1893? | Vocal | unrealized sketch for voice with piano, to words by Pyotr Shumakher | |
251 | — | Eternity in an Instant (Вечность в мгновении) | v pf | 1893? | Vocal | unrealized sketch to words by Tatyana Shchepkina-Kupernik | |
252 | — | Waltz | vc pf/(orch?) | 1893? | Chamber | unrealized sketch. | |
253 | — | Fragments | pf (?) | 1893? | Keyboard | miscellaneous sketches found with TH 252 | |
254 | — | Piano Piece | pf | A minor | 1893? | Keyboard | fragment from an unidentified piece |
255 | — | Guide to the Practical Study of Harmony (Руководство к практическому изучению гармоний) | 1871 | Writings | text book for students. | ||
256 | — | A Short Study Manual of Harmony (Краткий учебник гармоний) | 1875 | Writings | "Adapted for the study of church music in Russia"; text book for students |
This section lists works by other composers that were arranged, transcribed, edited, translated or otherwise adapted by Pyotr Tchaikovsky. The name of the original composer and title of the original works are shown first, followed by details of Tchaikovsky's adaptation.