English Suite No.2 in A minor, BWV 807 (Bach, Johann Sebastian)

Contents

Performances

Recordings

MP3 file (audio)
Gabrielhero (2018/3/28)

Performer Pages Gabriel Antonio Hernandez Romero (Piano)
Publisher Info. Gabriel Antonio Hernandez Romero ℗ 2018.
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Misc. Notes Canada Montreal Recording ℗ 2018
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Naxos

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Synthesized/MIDI

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Reccmo (2012/5/17)

7 more: 2. Allemande • 3. Courante • 4. Sarabande • 4a. Les agréments de la même Sarabande • 5. Bourrée I (alternativement) • 6. Bourrée II • 7. Gigue

MID file (audio/video)
Reccmo (2012/5/17)

MID file (audio/video)
Reccmo (2012/5/17)

MID file (audio/video)
Reccmo (2012/5/17)

MID file (audio/video)
Reccmo (2012/5/17)

MID file (audio/video)
Reccmo (2012/5/17)

MID file (audio/video)
Reccmo (2012/5/17)

MID file (audio/video)
Reccmo (2012/5/17)

Publisher Info. Luigi Cataldi
Performers Synthesized MIDI
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Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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Sheet Music

Scores

PDF scanned by Unknown
Feldmahler (2006/11/15)

Editor Ernst Naumann (1832-1910)
Publisher. Info. Bach-Gesellschaft Ausgabe, Band 45.1 (pp.16-29)
Leipzig: Breitkopf und Härtel, 1895. Plate B.W. XLV(1).
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Misc. Notes Corrected version of the edition in Band 13.2
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PDF scanned by US-R
Pianoman121 (2019/4/25)

Editor Albert Schweitzer (1875-1965)
Publisher. Info. Klassiker der Tonkunst, Bd.1
Wien: Universal Edition, 1912. Plate U.E. 3920.
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Misc. Notes This file is part of the Sibley Mirroring Project. Missing gigue
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PDF scanned by Guifré
Guifré (2010/3/11)

Editor Carl Czerny (1791-1857)
Publisher. Info. Leipzig: C.F. Peters, n.d. Plate 8036.
Reprinted Bach, Suites Inglesas - Edición Ibérica.
Barcelona: Boileau, n.d.(ca.1950). Plate 99. - later printing (ca.1980).
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Misc. Notes Scanned at 600 dpi monochrome.
With fingerings.
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Reccmo (2012/5/17)

ZIP typeset by editor
Reccmo (2012/5/17)

Editor Luigi Cataldi
Publisher. Info. Luigi Cataldi
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Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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Fugalicious (2018/7/23)

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Fugalicious (2018/7/23)

Editor Rudolf Steglich (1886-1976)
Publisher. Info. Munich: G. Henle Verlag, 1971. Plate HN 1102.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

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Misc. Notes Scanned at 600 dpi. Page size is 31 cm × 23.5 cm.
Link to this edition on Henle's website, where Henle has put links to the preface (including an explanation of ornamentation) and the critical commentary.
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PDF scanned by Sallen112
Sallen112 (2024/1/2)

Editor Alfred Dürr (1918-2011)
Publisher. Info. Neue Bach-Ausgabe, Serie V, Band 7 (pp.20-37)
Kassel: Bärenreiter Verlag, 1979. Plate BA 5052.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States.

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Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
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Misc. Notes 600 dpi. Page size is 10.00 x 12.688 inches.
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Sahuhtala (2024/6/1)

Editor Tamás Zászkaliczky (b. 1943)
Publisher. Info. Budapest: Könemann Music, 1995. Plate K 111.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

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Misc. Notes 600 dpi. Page size A4 (210 × 297mm). Urtext edition.
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Selections (Nos.4-4a)

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Cellofan (2019/10/20)

Editor Orfeo Mandozzi
Publisher. Info. Winterthur: Orfeo Mandozzi 20.10.2019
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Misc. Notes Agréments extracted onto separate clef
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Arrangements and Transcriptions

Complete

For 2 Oboes, 2 Clarinets, Bassoon, Contrabassoon and 2 Horns (Clarke)

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JohnFClarke (2019/2/25)

8 more: Oboe 1 • Oboe 2 • Clarinet 1 (B♭) • Clarinet 2 (B♭) • Bassoon • Contrabassoon • Horn 1 (F) • Horn 2 (F)

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JohnFClarke (2019/2/25)

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JohnFClarke (2019/2/25)

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JohnFClarke (2019/2/25)

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JohnFClarke (2019/2/25)

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JohnFClarke (2019/2/25)

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JohnFClarke (2019/2/25)

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JohnFClarke (2019/2/25)

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JohnFClarke (2019/2/25)

Arranger John Clarke (b. 1951)
Publisher. Info. John Clarke
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Selections

For Organ (Best)

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Keanur (2017/9/11)

Arranger William Thomas Best (1826-1897)
Publisher. Info. Arrangements from the Scores of the Great Masters, Vol.4 (pp.1013-17)
London: Novello, Ewer & Co., n.d. Plate 2229.
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Bourrées I, II (Nos.5-6)

For Orchestra (Reger)
See: Suite in G minor (No.4)
For 4 Saxophones (Larocque)

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Larocque (2012/11/1)

4 more: Soprano Saxophone (B♭) • Alto Saxophone (E♭) • Tenor Saxophone (B♭) • Baritone Saxophone (E♭)

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Larocque (2012/11/1)

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Larocque (2012/11/1)

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Larocque (2012/11/1)

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Larocque (2012/11/1)

Arranger Jacques Larocque
Publisher. Info. Saint-Maurice, QC: Productions du Moliantegok, 2012. Moli 242096.
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Misc. Notes Those files are part of Moliantegok Catalogue for saxophone
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Prélude (No.1)

For 4 Saxophones (Larocque)

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Larocque (2012/10/8)

4 more: Soprano Saxophone (B♭) • Alto Saxophone (E♭) • Tenor Saxophone (B♭) • Baritone Saxophone (E♭)

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Larocque (2012/10/8)

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Larocque (2012/10/8)

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Larocque (2012/10/8)

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Larocque (2012/10/8)

Arranger Jacques Larocque
Publisher. Info. Saint-Maurice, QC: Productions du Moliantegok, 2012. Moli 242095
Copyright
Misc. Notes Those files are part of Moliantegok Catalogue for saxophone
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For Soprano Recorder, Alto Recorder and Bass Recorder (Watanabe)

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Hiro watanabe (2024/1/25)

Arranger Hiro Watanabe (b. 1960)
Publisher. Info. Hiro Watanabe, 2024.
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Sarabande (No.4)

For Flute and Piano (Kamioka)

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Powell7300 (2024/3/3)

Arranger Hideo Kamioka (b. 1958)
Publisher. Info. Hideo Kamioka, 2024.
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For Violin and Piano (Wilhelmj)

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Afp0815 (2010/4/28)

Arranger August Wilhelmj (1845-1908)
Publisher. Info. 3 Sarabanden
Berlin: Schlesinger'sche Buch- & Musikhandlung, n.d.[1885]. Plate S. 7685.
Copyright
Misc. Notes No.3 of 3 Sarabanden [BWV 809, IV; BWV 1004, III; BWV 807, IV]
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For Cello and Piano (Mandozzi)

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Cellofan (2019/10/20)

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Cellofan (2019/10/20)

Arranger Orfeo Mandozzi
Publisher. Info. Winterthur: Orfeo Mandozzi 20.10.2019
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General Information

Work Title English Suite No.2 in A minor
Alternative. Title
Composer Bach, Johann Sebastian
Opus/Catalogue NumberOp./Cat. No. BWV 807 ; BC L 14
I-Catalogue NumberI-Cat. No. IJB 114
Key A minor
Movements/SectionsMov'ts/Sec's 8 movements:
1. Prélude
2. Allemande
3. Courante
4. Sarabande
4a. Les agréments de la même Sarabande
5. Bourrée I (alternativement)
6. Bourrée II
7. Gigue
Year/Date of CompositionY/D of Comp. 1715-20
First Publication. 1805-13 in 6 English Suites (No.2)
Composer Time PeriodComp. Period Baroque
Piece Style Baroque
Instrumentation keyboard (harpsichord or clavichord)
Manuscript Sources Bach Digital (source list)
External Links Wikipedia article (6 English Suites)
All Music Guide

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See Also
List of Intermediate Piano Repertoire
Keyboard Works by Johann Sebastian Bach
French Overture, BWV 831
Italian Concerto, BWV 971