Performances
Sheet Music
Volumes
Series I. Symphonies
⇒ 10 more: I/3. Sinfonien 1761-1763 • I/4. Sinfonien 1764-1765 • I/6. Sinfonien 1767-1772 • I/7. Sinfonien 1773-1774 • I/8. Sinfonien 1775-1776 • I/12. Pariser Sinfonien 1. Folge • I/13. Pariser Sinfonien 2. Folge • I/16. Londoner Sinfonien 2. Folge • I/17. Londoner Sinfonien 3. Folge • I/18. Londoner Sinfonien 4. Folge
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München: G. Henle Verlag, 1955-99. URTEXT EDITION
This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.
In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).
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Series II. Concertante
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München: G. Henle Verlag, 1955-99. URTEXT EDITION
This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.
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Series III. Concertos for String and Wind Instruments
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München: G. Henle Verlag, 1955-99. URTEXT EDITION
This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.
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Series IV: The Seven Last Words of Christ (Version for Orchestra)
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München: G. Henle Verlag, 1955-99. URTEXT EDITION
This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.
In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).
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Series VII: Notturni with Organ Flute-cimbals
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München: G. Henle Verlag, 1955-99. URTEXT EDITION
This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.
In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).
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Series VIII: Polyphonic Divertimenti
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München: G. Henle Verlag, 1955-99. URTEXT EDITION
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In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).
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Series XI: String Trios
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München: G. Henle Verlag, 1955-99. URTEXT EDITION
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In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).
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Series XII: String Quartets
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München: G. Henle Verlag, 1955-99. URTEXT EDITION
This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.
In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).
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Series XV: Works for Keyboard Instrument and Orchestra
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München: G. Henle Verlag, 1955-99. URTEXT EDITION
This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.
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Series XVI: Concertini and Divertimenti for Keyboard Instrument with accompaniment
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München: G. Henle Verlag, 1955-99. URTEXT EDITION
This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.
In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).
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Series XVII: Piano Trios
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München: G. Henle Verlag, 1955-99. URTEXT EDITION
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Series XVIII: Piano Sonatas
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München: G. Henle Verlag, 1955-99. URTEXT EDITION
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Series XXII: Church Music
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München: G. Henle Verlag, 1955-99. URTEXT EDITION
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Series XXIII: Masses
⇒ 5 more: XXIII/1b. Messen Nr. 3-4 • XXIII/2. Messen Nr. 5-8 • XXIII/3. Messen Nr. 9-10 • XXIII/4. Messe Nr. 11 • XXIII/5. Messe Nr. 12
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München: G. Henle Verlag, 1955-99. URTEXT EDITION
This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.
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Series XXIV: Singspiele in German
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München: G. Henle Verlag, 1955-99. URTEXT EDITION
This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.
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Series XXV: Italian Operas
⇒ 10 more: XXV/3. Lo Speziale • XXV/4. Le Pescatrici • XXV/5. L'Infedeltà Delusa • XXV/6. L'Incontro Improvviso • XXV/7. Il Mondo della Luna • XXV/8. La Vera Constanza • XXV/10. La Fedeltà Premiata • XXV/11. Orlando Paladino • XXV/12. Armida • XXV/13. L'Anima del Filosofo
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München: G. Henle Verlag, 1955-99. URTEXT EDITION
This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.
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Series XXVIII: Oratorios
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München: G. Henle Verlag, 1955-99. URTEXT EDITION
This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.
In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).
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Series XXIX: Songs with accompaniment of a Piano
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München: G. Henle Verlag, 1955-99. URTEXT EDITION
This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.
In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).
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Series XXX: Songs for several voices
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München: G. Henle Verlag, 1955-99. URTEXT EDITION
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General Information
| Work Title
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Joseph Haydn Werke
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| Alternative. Title
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Aufgabe der Gesamtausgabe
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| Composer
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Haydn, Joseph
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| Internal Reference NumberInternal Ref. No.
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None [force assignment]
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| Movements/SectionsMov'ts/Sec's
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33 series, 112 volumes
- Series I: Symphonies (18 volumes)
- Series II: Concertante (1 volume)
- Series III: Concertos for String and Wind Instruments (4 volumes)
- Series IV: The Seven Last Words of Christ (Version for Orchestra) (1 volume)
- Series V: Dances and Marches (1 volume)
- Series VI: Concerti with Organ Flute-cimbals (1 volume)
- Series VII: Notturni with Organ Flute-cimbals (1 volume)
- Series VIII: Polyphonic Divertimenti (2 volumes)
- Series IX: Trios for Wind and String Instruments (2 volumes)
- Series X: String Duos (1 volume)
- Series XI: String Trios (2 volumes)
- Series XII: String Quartets (6 volumes)
- Series XIII: Works with Barytone (1 volume)
- Series XIV: Barytone Trios (5 volumes)
- Series XV: Works for Keyboard Instrument and Orchestra (2 volumes)
- Series XVI: Concertini and Divertimenti for Keyboard Instrument with accompaniment (1 volume)
- Series XVII: Piano Trios (3 volumes)
- Series XVIII: Piano Sonatas (3 volumes)
- Series XIX/XX: Piano Pieces for Piano 2-hands / Works for Piano 4-hands (1 volume)
- Series XXI: Pieces for a musical clock (1 volume)
- Series XXII: Church Music (3 volumes)
- Series XXIII: Masses (5 volumes)
- Series XXIV: Singspiele in German (3 volumes)
- Series XXV: Italian Operas (14 volumes)
- Series XXVI: Arias, Scenes and Ensembles with Orchestra (4 volumes)
- Series XXVII: Cantatas, Choruses and Incidental Music (3 volumes)
- Series XXVIII: Oratorios (4 volumes)
- Series XXIX: Songs with accompaniment of a Piano (2 volumes)
- Series XXX: Songs for several voices (1 volume)
- Series XXXI: Canons (1 volume)
- Series XXXII: Arrangements of Folk Songs (5 volumes)
- Series XXXIII: Supplement
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| First Publication.
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1958-2022 (currently) - Munich: G. Henle Verlag
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| Composer Time PeriodComp. Period
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Classical
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| Piece Style
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Classical
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| External Links
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Haydn Complete Edition in Henle Website
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JOSEPH HAYDN
WERKE
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HERAUSGEGEBEN VOM JOSEPH HAYDN INSTITUT KÖLN
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Introduction
As early as around 1800, still during Joseph Haydn’s lifetime, "complete editions" of parts of his oeuvre existed. For instance, Breitkopf und Härtel in Leipzig published works for keyboard in twelve volumes of the Oeuvres complettes de Haydn; Haydn’s student Ignaz Pleyel issued a Collection complette of all string quartettes in Paris. However, the first scholarly complete edition was not begun until 1907, but it stalled in 1933 after only eleven volumes (Joseph Haydns Werke). A second attempt, undertaken by the Haydn Society (Boston and Vienna), produced just four volumes in 1950/51.
In 1958, the first volume of the complete edition published by the Joseph Haydn Institute finally appeared. Today, all of Haydn’s works are available in 112 volumes across 32 series (with a final supplementary volume, Series XXXIII, currently in progress). Within each series, the works are arranged chronologically wherever possible.The critical commentaries accompanying each volume were published as separate booklets until 1979; from 1980 onward, they have been integrated into the volumes themselves.
The edition is published by G. Henle Verlag in Munich. Practical editions based on the complete edition’s musical text are available for individual works or volumes. Study scores, performance materials, and piano reductions are published by Henle as well as by Bärenreiter in Kassel; orchestral and stage materials for hire are distributed by Alkor-Edition Kassel.
Work is currently still underway on a thematic catalog and an edition of Haydn’s letters.
Publisher
Editors
Template
{{JHW|Reihe|Volume|Year|Plate number|Page-range (optional)}}
Contents
- Note: In the Band header, the "/" means separate publishing years. The "-" means published over these years in a row.
Reihe I: Sinfonien
Band 1. Sinfonien um 1757–1760/61 (1998)
- Editors: Sonja Gerlach (b. 1936) und Ullrich Scheideler (b. 1964)
- Score: 311 (XIV+297) pages, 1998. HN 5002.
- 1. Sinfonie D-dur, Hob. I:1
- 2. Sinfonie C-dur, Hob. I:37
- 3. Sinfonie G-dur, Hob. I:18
- 4. Sinfonie C-dur, Hob. I:2
- 5. Sinfonie D-dur, Hob. I:4
- 6. Sinfonie G-dur, Hob. I:27
- 7. Sinfonie D-dur, Hob. I:10
- 8. Sinfonie C-dur, Hob. I:20
- 9. Sinfonie F-dur, Hob. I:17
- 10. Sinfonie D-dur, Hob. I:19
- 11. Sinfonie B-dur, Hob. I:107
- 12. Sinfonie C-dur, Hob. I:25
- 13. Sinfonie Es-dur, Hob. I:11
- 14. Sinfonie A-dur, Hob. I:5
- 15. Sinfonie C-dur, Hob. I:32
Band 2. Sinfonien um 1761–1765 (2012)
- Editors: Ullrich Scheideler (b. 1964)
- Score: 239 (XIV+225) pages, 2012. HN 5012.
- 1. Sinfonie D-dur, Hob. I:15
- 2. Sinfonie G-dur, Hob. I:3
- 3. Sinfonie Es-dur, Hob. I:36
- 4. Sinfonie C-dur, Hob. I:33
- 5. Sinfonie B-dur, Hob. I:108
- 6. Sinfonie A-dur, Hob. I:14
- 7. Sinfonie B-dur, Hob. I:16
- 8. Sinfonie D-dur, Hob. I:34
- 9. Sinfonie D-dur, Hob. I:72
- 10. Sinfonie g-moll, Hob. I:39
Band 3. Sinfonien 1761–1763 (1990)
- Editors: Jürgen Braun (b. 1961) und Sonja Gerlach (b. 1936)
- Score: 234 (XI+223) pages, 1990. HN 5022.
Band 4. Sinfonien 1764 und 1765 (1964)
- Editors: Horst Walter (1931–2016)
- Score: 149 (VIII+141) pages, 1964. HN 5032.
- Critical commentary: 55 pages, 1964. HN 5033.(Horst Walter (1931–2016))
Band 5a. Sinfonien um 1766–1769 (2008)
- Editors: Andreas Friesenhagen (b. 1965) und Christin Heitmann (b. 1967)
- Score: 222 (XVI+206) pages, 2008. HN 5042.
Band 5b. Sinfonien um 1770–1774 (2013)
- Editors: Andreas Friesenhagen (b. 1965) und Ulrich Wilker in Verbindung mit Stephen C. Fisher und Clemens Harasim (b. 1974)
- Score: 284 (XIV+270) pages, 2013. HN 5045.
- Trio zum Menuet der Sinfonie in B', Hob. I:51
Band 6. Sinfonien 1767–1772 (1966/1969)
- Editors: Carl-Gabriel Stellan Mörner (1915–1977)
- Score: 163 (X+153) pages, 1966. HN 5052.
- Critical commentary: 49 pages, 1969. HN 5053.(Carl-Gabriel Stellan Mörner (1915–1977))
Band 7. Sinfonien 1773 und 1774 (1966/1967)
- Editors: Wolfgang Stockmeier (1931–2015)
- Score: 160 (VIII+152) pages, 1966. HN 5062.
- Critical commentary: 36 pages, 1967. HN 5063.(Wolfgang Stockmeier (1931–2015))
Band 8. Sinfonien um 1775/76 (1970)
- Editors: Wolfgang Stockmeier (1931–2015) in Verbindung mit Sonja Gerlach (b. 1936)
- Score: 255 (VIII+247) pages, 1970. HN 5072.
- Critical commentary: 59 pages, 1970. HN 5073.(Wolfgang Stockmeier (1931–2015) in Verbindung mit Sonja Gerlach (b. 1936))
- Kurzfassung von Hob. I:68
Band 9. Sinfonien um 1777–1779 (2002)
- Editors: Stephen C. Fisher in Verbindung mit Sonja Gerlach (b. 1936)
- Score: 298 (XVIII+280) pages, 2002. HN 5081.
- Overture Hob.Ia:7 (erste Niederschrift der Takte 1–29)
Band 10. Sinfonien um 1780/81 (2016)
- Editors: Heide Volckmar-Waschk in Verbindung mit Stephen C. Fisher
- Score: 175 (XIV+161) pages, 2016. HN 5092.
- Ursprüngliche Fassung der Takte 155–160 von Hob. Ia:4 (mit gestrichenen Takten)
Band 11. Sinfonien 1782–1784 (2003)
- Editors: Sonja Gerlach (b. 1936) und Sterling E. Murray
- Score: 314 (XIV+300) pages, 2003. HN 5102.
Band 12. Pariser Sinfonien, 1. Folge (1971/1979)
- Editors: Hiroshi Nakano
- Score: 139 (VIII+131) pages, 1971. HN 5112.
- Critical commentary: 28 pages, 1979. HN 5113.(Hiroshi Nakano)
Band 13. Pariser Sinfonien, 2. Folge (1999)
- Editors: Sonja Gerlach (b. 1936) und Klaus Lippe (b. 1966)
- Score: 212 (XIII+199) pages, 1999. HN 5122.
-
Band 14. Sinfonien 1787–1789 (2010)
- Editors: Andreas Friesenhagen (b. 1965)
- Score: 289 (XVII+272) pages, 2010. HN 5132.
Band 15. Londoner Sinfonien, 1. Folge (2005)
- Editors: Robert von Zahn (b. 1959) und Gernot Gruber (b. 1939)
- Score: 191 (XV+176) pages, 2005. HN 5142.
- Skizze zu Sinfonie Nr. 96, 2. Satz
Band 16. Londoner Sinfonien, 2. Folge (1997)
- Editors: Robert von Zahn (b. 1959)
- Score: 222 (XIII+209) pages, 1997. HN 5152.
Band 17. Londoner Sinfonien, 3. Folge (1966/1972)
- Editors: Horst Walter (1931–2016)
- Score: 243 (X+233) pages, 1966. HN 5162.
- Critical commentary: 60 pages, 1972. HN 5163.(Horst Walter (1931–2016))
- Bearbeitung des 2. Satzes von I:100 für Blasorchester
Band 18. Londoner Sinfonien, 4. Folge (1963/2016)
- Editors: Hubert Unverricht (1927–2017)
- Score: 235 (VIII+227) pages, 1963. HN 5172.
- Critical commentary: 95 pages, 2016. HN 5173.(Ulrich Wilker)
Reihe II: Concertante (1982)
- Editors: Sonja Gerlach (b. 1936)
- Score: 87 (XII+75) pages, 1982. HN 5182.
Reihe III: Konzerte für Streich- und Blasinstrumente
Band 1. Konzerte für Violine und Orchester (1969)
- Editors: Heinz Lohmann (1934–2001) und Günter Thomas (b. 1932)
- Score: 107 (VIII+99) pages, 1969. HN 5192.
- Critical commentary: 24 pages, 1969. HN 5193.(Heinz Lohmann (1934–2001) und Günter Thomas (b. 1932))
Band 2. Konzerte für Violoncello und Orchester (1981)
- Editors: Sonja Gerlach (b. 1936)
- Score: 140 (X+130) pages, 1981. HN 5202.
Band 3. Konzerte für ein Blasinstrument und Orchester (1985)
- Editors: Makoto Ohmiya in Verbindung mit Sonja Gerlach (b. 1936)
- Score: 87 (XI+76) pages, 1985. HN 5205.
Reihe IV: Die Sieben letzten Worte, Orchesterfassung (1959/1963)
- Editors: Hubert Unverricht (1927–2017)
- Score: 94 (X+84) pages, 1959. HN 5212.
- Critical commentary: 44 pages, 1963. HN 5213.(Hubert Unverricht (1927–2017))
Reihe V: Tänze und Märsche (1995)
- Editors: Günter Thomas (b. 1932)
- Score: 290 (XXXI+259) pages, 1995. HN 5222.
-
- Tänze – II. Arrangements für Klavier
-
- Tänze – III. Skizzen
- Tänze – IV. Anhang
-
- Märsche – I. Für Harmoniemusik
-
- Märsche – II. Arrangement für Orchester
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- Märsche – III. Arrangements für Klavier
-
Reihe VI: Concerti mit Orgelleiern (1976)
- Editors: Makoto Ohmiya
- Score: 184 (X+174) pages, 1976. HN 5232.
- Critical commentary: 21 pages, 1976. HN 5233.(Makoto Ohmiya)
-
-
Reihe VII: Notturni mit Orgelleiern (1971-1972)
- Editors: Makoto Ohmiya
- Score: 207 (X+197) pages, 1971. HN 5242.
- Critical commentary: 44 pages, 1972. HN 5243.(Makoto Ohmiya)
-
-
- 1. Entwurf zu Nr. 4 (Hob. II:31)
- 2. Skizze zu Nr. 7 (Hob. II:28)
Reihe VIII: Mehrstimmige Divertimenti
Band 1. Divertimenti zu fünf und mehr Stimmen für Streich- und Blasinstrumente (1994)
- Editors: Sonja Gerlach (b. 1936)
- Score: 255 (XV+240) pages, 1994. HN 5245.
- 1. Divertimento in G a 5 für zwei Violinen, zwei Violen und Basso, Hob. II:2
- 2. Divertimento in G a 9 für zwei Oboen, zwei Hörner, zwei Violinen, zwei Violen und Basso, Hob. II:9
- 3. Divertimento in F a 9 für zwei Oboen, zwei Hörner, zwei Violinen, zwei Violen und Basso, Hob. II:20
- 4. Divertimento in G a 9 für zwei Oboen, zwei Hörner, zwei Violinen, zwei Violen und Basso, Hob. II:G1
- 5. Divertimento in C a 9 für zwei Klarinetten, zwei Hörner, zwei Violinen, zwei Violen und Basso, Hob. II:17
- 6. Divertimento in Es a 6 für zwei Hörner, zwei Violinen, Viola und Basso, Hob. II:21
- 7. Divertimento in D a 6 für zwei Hörner, zwei Violinen, Viola und Basso, Hob. II:22
- 8. Divertimento in D a 7 für zwei Flöten, zwei Hörner, zwei Violinen und Basso, Hob. II:8
- 9. Divertimento in G a 6 für Flöte, Oboe, zwei Violinen, Violoncello und Basso, Hob. II:1
- 10. Divertimento in C a 6 für Flöte, Oboe, zwei Violinen, Violoncello und Basso, Hob. II:11 („Der Geburtstag“)
Band 2. Divertimenti für Blasinstrumente / Sechs „Scherzandi“ (Sinfonien) / Fragment in Es (1991)
- Editors: Sonja Gerlach (b. 1936) und Horst Walter (1931–2016) in Verbindung mit Makoto Ohmiya
- Score: 155 (XV+140) pages, 1991. HN 5252.
- Divertimenti für Blasinstrumente
- 1. Divertimento in C für zwei Klarinetten und zwei Hörner, Hob. II:14
- 2. Divertimento in G für zwei Oboen, zwei Hörner und zwei Fagotte, Hob. II:3
- 3. Divertimento in C für zwei Oboen, zwei Hörner und zwei Fagotte, Hob. II:7
- 4. Divertimento in F für zwei Oboen, zwei Hörner und zwei Fagotte, Hob. II:15
- 5. Divertimento in F für zwei Oboen, zwei Hörner und zwei Fagotte, Hob. II:23
- 6. Divertimento in D, Hob. II:D18 (Echtheit zweifelhaft)
- 7. Divertimento in B, Hob. II:B3 (II:C12/II:G9, Echtheit zweifelhaft)
- 8. Divertimento in F für zwei Waldhörner, zwei Englischhörner, zwei Violinen und zwei Fagotte, Hob. II:16
- Sechs „Scherzandi“ (Sinfonien)
-
Reihe IX: Trios für Blas- und Streichinstrumente (2004)
- Editors: Andreas Friesenhagen (b. 1965)
- Score: 109 (XIII+96) pages, 2004. HN 5262.
- 1. Divertimento in Es, Hob. IV:5
- 2. Divertimento in D, Hob. IV:6
- 3. Divertimento in G, Hob. IV:7
- 4. Divertimento in C, Hob. IV:8
- 5. Divertimento in G, Hob. IV:9
- 6. Divertimento in A, Hob. IV:10
- 7. Divertimento in D, Hob. IV:11
- 8. Trio 1 in C, Hob. IV:1
- 9. Trio 2 in G, Hob. IV:3
- 10. Triosatz in G, Hob. IV:4
- 11. Andante in G, Hob. IV:2
-
Reihe X: Streichduos (2004)
- Editors: Andreas Friesenhagen (b. 1965) und Ulrich Mazurowicz
- Score: 75 (XI+64) pages, 2004. HN 5272.
-
Reihe XI: Streichtrios
Band 1. Streichtrios, 1. Folge (1986)
- Editors: Bruce C. MacIntyre und Barry S. Brook (1918–1997)
- Score: 221 (XI+210) pages, 1986. HN 5282.
- 1. Divertimento (2 Violinen und Violoncello) E-dur, Hob. V:1
- 2. Divertimento (2 Violinen und Violoncello) F-dur, Hob. V:2
- 3. Divertimento (2 Violinen und Violoncello) h-moll, Hob. V:3
- 4. Divertimento (2 Violinen und Violoncello) Es-dur, Hob. V:4
- 5. Divertimento (2 Violinen und Violoncello) Es-dur, Hob. V:6
- 6. Divertimento (2 Violinen und Violoncello) A-dur, Hob. V:7
- 7. Divertimento (Violine, Viola und Violoncello) B-dur, Hob. V:8
- 8. Divertimento (2 Violinen und Violoncello) F-dur, Hob. V:10
- 9. Divertimento (2 Violinen und Violoncello) Es-dur, Hob. V:11
- 10. Divertimento (2 Violinen und Violoncello) E-dur, Hob. V:12
- 11. Divertimento (2 Violinen und Violoncello) B-dur, Hob. V:13
- 12. Divertimento (2 Violinen und Violoncello) D-dur, Hob. V:15
- 13. Divertimento (2 Violinen und Violoncello) C-dur, Hob. V:16
- 14. Divertimento (2 Violinen und Violoncello) Es-dur, Hob. V:17
- 15. Divertimento (2 Violinen und Violoncello) B-dur, Hob. V:18
- 16. Divertimento (2 Violinen und Violoncello) E-dur, Hob. V:19
- 17. Divertimento (2 Violinen und Violoncello) G-dur, Hob. V:20
- 18. Divertimento (2 Violinen und Violoncello) D-dur, Hob. V:21
Band 2. Streichtrios, 2. Folge (Joseph Haydn zugeschrieben) (1996)
- Editors: Bruce C. MacIntyre und Barry S. Brook (1918–1997)
- Score: 96 (XIII+83) pages, 1996. HN 5285.
Reihe XII: Streichquartette
Band 1. Frühe Streichquartette (1973)
- Editors: Georg Feder (1927–2006) in Verbindung mit Gottfried Greiner
- Score: 112 (XII+100) pages, 1973. HN 5292.
- Critical commentary: 68 pages, 1973. HN 5293.(Georg Feder (1927–2006) in Verbindung mit Gottfried Greiner)
- 1. Streichquartett B-dur op. 1,1, Hob. III:1
- 2. Streichquartett Es-dur op. 1,2, Hob. III:2
- 3. Streichquartett D-dur op. 1,3, Hob. III:3
- 4. Streichquartett G-dur op. 1,4, Hob. III:4
- 5. Streichquartett Es-dur op. 1,0, Hob. II:6
- 6. Streichquartett C-dur op. 1,6, Hob. III:6
- 7. Streichquartett A-dur op. 2,1, Hob. III:7
- 8. Streichquartett E-dur op. 2,2, Hob. III:8
- 9. Streichquartett F-dur op. 2,4, Hob. III:10
- 10. Streichquartett B-dur op. 2,6, Hob. III:12
Band 2. Streichquartette „Opus 9“ und „Opus 17“ (1963/2012)
- Editors: Georg Feder (1927–2006)
- Score: 158 (VIII+150) pages, 1963. HN 5302.
- Critical commentary: 120 pages, 2012. HN 5303.(Heide Volckmar-Waschk mit Vorarbeiten von Georg Feder (1927–2006))
- Sechs Streichquartette op. 9
- 1. Streichquartett d-moll op. 9,4, Hob. III:22
- 2. Streichquartett C-dur op. 9,1, Hob. III:19
- 3. Streichquartett G-dur op. 9,3, Hob. III:21
- 4. Streichquartett Es-dur op. 9,2, Hob. III:20
- 5. Streichquartett B-dur op. 9,5, Hob. III:23
- 6. Streichquartett A-dur op. 9,6, Hob. III:24
- Sechs Streichquartette op. 17
- 7. Streichquartett F-dur op. 17,2, Hob. III:26
- 8. Streichquartett E-dur op. 17,1, Hob. III:25
- 9. Streichquartett c-moll op. 17,4, Hob. III:28
- 10. Streichquartett D-dur op. 17,6, Hob. III:30
- 11. Streichquartett Es-dur op. 17,3, Hob. III:27
- 12. Streichquartett G-dur op. 17,5, Hob. III:29
Band 3. Streichquartette „Opus 20“ und „Opus 33“ (1974)
- Editors: Georg Feder (1927–2006) und Sonja Gerlach (b. 1936)
- Score: 201 (XI+190) pages, 1974. HN 5312.
- Critical commentary: 68 pages, 1974. HN 5313.(Georg Feder (1927–2006) und Sonja Gerlach (b. 1936))
- Sechs Streichquartette op. 20
-
- Sechs Streichquartette op. 33
-
- 1. Quartett in G (op. 33 Nr. 5) – Bearbeitung des Schlußsatzes für Klavier
- 2. Quartett in g (op. 20 Nr. 3) – Skizze zum 3. Satz
Band 4. Streichquartette „Opus 42“, „Opus 50“ und „Opus 54/55“ (2009)
- Editors: James Webster
- Score: 317 (XXII+295) pages, 2009. HN 5322.
-
- Sechs Streichquartette op. 50
-
- Sechs Streichquartette op. 54/55
-
Band 5. Streichquartette „Opus 64“ und „Opus 71/74“ (1978/1991)
- Editors: Georg Feder (1927–2006) und Isidor Saslav (1938–2013) in Verbindung mit Warren Kirkendale (1932–2023)
- Score: 235 (XIII+222) pages, 1978. HN 5332.
- Critical commentary: 103 pages, 1991. HN 5333.(Georg Feder (1927–2006) und Isidor Saslav (1938–2013) in Verbindung mit Warren Kirkendale (1932–2023))
- Sechs Streichquartette op. 64
-
- Sechs Streichquartette op. 71
-
- 1. Quartett in B (op. 71 Nr. 1) – Varianten zum 1. Satz
- 2. Quartett in D (op. 64 Nr. 5) – Skizze zum 1. Satz
- 3. Quartett in F (op. 74 Nr. 2) – Skizze zum 4. Satz
- 4. Quartett in D (op. 71 Nr. 2) – Skizze zum 3. Satz und Skizze zu einem nicht identifizierten Stück
- 5. Quartett in g (op. 74 Nr. 3) – Bearbeitung des 2. Satzes für Klavier
Band 6. Streichquartette „Opus 76“, „Opus 77“ und „Opus 103“ (2003)
- Editors: Horst Walter (1931–2016) mit Vorarbeiten von Lars Schmidt-Thieme
- Score: 244 (XVII+227) pages, 2003. HN 5342.
- 1. Streichquartett (Erdödy) G-dur op. 76,1, Hob. III:75
- 2. Streichquartett (Erdödy) d-moll op. 76,2, Hob. III:76
- 3. Streichquartett - Kaiserquartett (Erdödy) C-dur op. 76,3, Hob. III:77
- 4. Streichquartett (Erdödy) B-dur op. 76,4, Hob. III:78
- 5. Streichquartett (Erdödy) D-dur op. 76,5, Hob. III:79
- 6. Streichquartett (Erdödy) Es-dur op. 76,6, Hob. III:80
- 7. Streichquartett (Lobkowitz) G-dur op. 77,1, Hob. III:81
- 8. Streichquartett (Lobkowitz) F-dur op. 77,2, Hob. III:82
- 9. Streichquartett d-moll op. 103, Hob. III:83
- Anhang
- Klavierbearbeitung des 2. Satzes von Hob. III:77 und Skizzen
Reihe XIII: Werke mit Baryton
Werke mit Baryton (1969/1970)
- Editors: Sonja Gerlach (b. 1936)
- Score: 206 (IX+197) pages, 1969. HN 5352.
- Critical commentary: 47 pages, 1970. HN 5353.(Sonja Gerlach (b. 1936))
- Werke für Baryton und ein anderes Instrument
-
-
- Zwölf Cassationsstücke für zwei Barytone und Bass
-
-
- Oktette für Baryton, zwei Hörner, zwei Violinen, Viola, Violoncello und Violone
-
Reihe XIV: Barytontrios
Band 1. Barytontrios Nr. 1–24 (1980)
- Editors: Jürgen Braun (b. 1961) und Sonja Gerlach (b. 1936)
- Score: 183 (XII+171) pages, 1980. HN 5362.
- Barytontrios Hob. XI:1–17, 19–22, 24
- 1. Trio A-Dur, Hob. XI:1
- 2. Trio A-Dur, Hob. XI:2
- 3. Trio A-Dur, Hob. XI:3
- 4. Trio A-Dur, Hob. XI:4
- 5. Trio A-Dur, Hob. XI:5
- 6. Trio A-Dur, Hob. XI:6
- 7. Trio A-Dur, Hob. XI:7
- 8. Trio A-Dur, Hob. XI:8
- 9. Trio A-Dur, Hob. XI:9
- 10. Trio A-Dur, Hob. XI:10
- 11. Trio D-Dur, Hob. XI:11
- 12. Trio A-Dur, Hob. XI:12
- 13. Trio A-Dur, Hob. XI:13
- 14. Trio D-Dur, Hob. XI:14
- 15. Trio A-Dur, Hob. XI:15
- 16. Trio A-Dur, Hob. XI:16
- 17. Trio D-Dur, Hob. XI:17
- 18. Trio A-Dur, Hob. XI:19
- 19. Trio D-Dur, Hob. XI:20
- 20. Trio A-Dur, Hob. XI:21
- 21. Trio A-Dur, Hob. XI:22
- 22. Trio D-Dur, Hob. XI:24
- Anhang I: Vier Einzelsätze
-
- Anhang II: Nachtrag zu Band 5
-
Band 2. Barytontrios Nr. 25–48 (1960/1964)
- Editors: Hubert Unverricht (1927–2017)
- Score: 143 (VIII+135) pages, 1960. HN 5372.
- Critical commentary: 50 pages, 1964. HN 5373.(Hubert Unverricht (1927–2017))
- Barytontrios Hob. XI:25–48
- 1. Trio A-Dur, Hob. XI:25
- 2. Trio G-Dur, Hob. XI:26
- 3. Trio D-Dur, Hob. XI:27
- 4. Trio D-Dur, Hob. XI:28
- 5. Trio A-Dur, Hob. XI:29
- 6. Trio G-Dur, Hob. XI:30
- 7. Trio D-Dur, Hob. XI:31
- 8. Trio G-Dur, Hob. XI:32
- 9. Trio A-Dur, Hob. XI:33
- 10. Trio D-Dur, Hob. XI:34
- 11. Trio A-Dur, Hob. XI:35
- 12. Trio D-Dur, Hob. XI:36
- 13. Trio G-Dur, Hob. XI:37
- 14. Trio A-Dur, Hob. XI:38
- 15. Trio D-Dur, Hob. XI:39
- 16. Trio D-Dur, Hob. XI:40
- 17. Trio D-Dur, Hob. XI:41
- 18. Trio D-Dur, Hob. XI:42
- 19. Trio D-Dur, Hob. XI:43
- 20. Trio D-Dur, Hob. XI:44
- 21. Trio D-Dur, Hob. XI:45
- 22. Trio A-Dur, Hob. XI:46
- 23. Trio G-Dur, Hob. XI:47
- 24. Trio D-Dur, Hob. XI:48
Band 3. Barytontrios Nr. 49–72 (1958/1959)
- Editors: Hubert Unverricht (1927–2017)
- Score: 140 (VIII+132) pages, 1958. HN 5382.
- Critical commentary: 53 pages, 1959. HN 5383.(Hubert Unverricht (1927–2017))
- Barytontrios Hob. XI:49–72
- 1. Trio G-Dur, Hob. XI:49
- 2. Trio D-Dur, Hob. XI:50
- 3. Trio A-Dur, Hob. XI:51
- 4. Trio D-Dur, Hob. XI:52
- 5. Trio G-Dur, Hob. XI:53
- 6. Trio D-Dur, Hob. XI:54
- 7. Trio G-Dur, Hob. XI:55
- 8. Trio D-Dur, Hob. XI:56
- 9. Trio A-Dur, Hob. XI:57
- 10. Trio D-Dur, Hob. XI:58
- 11. Trio G-Dur, Hob. XI:59
- 12. Trio A-Dur, Hob. XI:60
- 13. Trio D-Dur, Hob. XI:61
- 14. Trio G-Dur, Hob. XI:62
- 15. Trio D-Dur, Hob. XI:63
- 16. Trio D-Dur, Hob. XI:64
- 17. Trio G-Dur, Hob. XI:65
- 18. Trio A-Dur, Hob. XI:66
- 19. Trio G-Dur, Hob. XI:67
- 20. Trio A-Dur, Hob. XI:68
- 21. Trio D-Dur, Hob. XI:69
- 22. Trio G-Dur, Hob. XI:70
- 23. Trio A-Dur, Hob. XI:71
- 24. Trio D-Dur, Hob. XI:72
Band 4. Barytontrios Nr. 73–96 (1958/1961)
- Editors: Hubert Unverricht (1927–2017)
- Score: 143 (VIII+135) pages, 1958. HN 5392.
- Critical commentary: 37 pages, 1961. HN 5393.(Hubert Unverricht (1927–2017))
- Barytontrios Hob. XI:73–96
- 1. Trio G-Dur, Hob. XI:73
- 2. Trio D-Dur, Hob. XI:74
- 3. Trio A-Dur, Hob. XI:75
- 4. Trio C-Dur, Hob. XI:76
- 5. Trio G-Dur, Hob. XI:77
- 6. Trio D-Dur, Hob. XI:78
- 7. Trio D-Dur, Hob. XI:79
- 8. Trio G-Dur, Hob. XI:80
- 9. Trio D-Dur, Hob. XI:81
- 10. Trio C-Dur, Hob. XI:82
- 11. Trio F-Dur, Hob. XI:83
- 12. Trio G-Dur, Hob. XI:84
- 13. Trio D-Dur, Hob. XI:85
- 14. Trio A-Dur, Hob. XI:86
- 15. Trio a-Moll, Hob. XI:87
- 16. Trio A-Dur, Hob. XI:88
- 17. Trio G-Dur, Hob. XI:89
- 18. Trio C-Dur, Hob. XI:90
- 19. Trio D-Dur, Hob. XI:91
- 20. Trio G-Dur, Hob. XI:92
- 21. Trio C-Dur, Hob. XI:93
- 22. Trio A-Dur, Hob. XI:94
- 23. Trio D-Dur, Hob. XI:95
- 24. Trio h-Moll, Hob. XI:96
Band 5. Barytontrios Nr. 97–126 (1968/1969)
- Editors: Michael Härting und Horst Walter (1931–2016)
- Score: 195 (VIII+187) pages, 1968. HN 5402.
- Critical commentary: 50 pages, 1969. HN 5403.(Michael Härting und Horst Walter (1931–2016))
- Barytontrios Hob. XI:97, 98, 100–103, 105–126
- 1. Trio D-Dur, Hob. XI:97
- 2. Trio D-Dur, Hob. XI:98
- 3. Trio F-Dur, Hob. XI:100
- 4. Trio C-Dur, Hob. XI:101
- 5. Trio G-Dur, Hob. XI:102
- 6. Trio A-Dur, Hob. XI:103
- 7. Trio G-Dur, Hob. XI:105
- 8. Trio D-Dur, Hob. XI:106
- 9. Trio D-Dur, Hob. XI:107
- 10. Trio A-Dur, Hob. XI:108
- 11. Trio C-Dur, Hob. XI:109
- 12. Trio C-Dur, Hob. XI:110
- 13. Trio G-Dur, Hob. XI:111
- 14. Trio D-Dur, Hob. XI:112
- 15. Trio D-Dur, Hob. XI:113
- 16. Trio D-Dur, Hob. XI:114
- 17. Trio D-Dur, Hob. XI:115
- 18. Trio G-Dur, Hob. XI:116
- 19. Trio F-Dur, Hob. XI:117
- 20. Trio D-Dur, Hob. XI:118
- 21. Trio G-Dur, Hob. XI:119
- 22. Trio D-Dur, Hob. XI:120
- 23. Trio A-Dur, Hob. XI:121
- 24. Trio A-Dur, Hob. XI:122
- 25. Trio G-Dur, Hob. XI:123
- 26. Trio G-Dur, Hob. XI:124
- 27. Trio G-Dur, Hob. XI:125
- 28. Trio C-Dur, Hob. XI:126
Reihe XV: Konzerte für Tasteninstrumente
Band 1. Konzerte für Orgel (Cembalo) und Orchester (2020)
- Editors: Armin Raab (b. 1956) und Horst Walter (1931–2016) in Verbindung mit Sonja Gerlach (b. 1936)
- Score: 256 (XIV+238) pages, 2020. HN 5411.
-
Band 2. Konzerte für Klavier (Cembalo) und Orchester (1983)
- Editors: Horst Walter (1931–2016) und Bettina Wackernagel
- Score: 214 (XIV+200) pages, 1983. HN 5422.
Reihe XVI: Concertini und Divertimenti für Klavier mit Begleitung (1987)
- Editors: Horst Walter (1931–2016) in Verbindung mit Hiroshi Nakano
- Score: 151 (XIV+137) pages, 1987. HN 5432.
-
Reihe XVII: Klaviertrios
Band 1. Klaviertrios, 1. Folge (1970/1971)
- Editors: Wolfgang Stockmeier (1931–2015)
- Score: 183 (VIII+175) pages, 1970. HN 5442.
- Critical commentary: 52 pages, 1971. HN 5443.(Wolfgang Stockmeier (1931–2015))
- 1. Trio Es-dur, Hob. XV:36
- 2. Trio C-dur, Hob. XV:C1
- 3. Trio F-dur, Hob. XV:37
- 4. Trio B-dur, Hob. XV:38
- 5. Trio E-dur, Hob. XV:34
- 6. Trio f-moll, Hob. XV:f1
- 7. Trio G-dur, Hob. XV:41
- 8. Trio F-dur, Hob. XV:40
- 9. Trio g-moll, Hob. XV:1
- 10. Trio A-dur, Hob. XV:35
- 11. Trio F-dur, Hob. XV:2
- 12. Quintett Es-dur, Hob. XIV:1 (mit zwei Hörnern)
- Anhang
-
Band 2. Klaviertrios, 2. Folge (1974/1975)
- Editors: Wolfgang Stockmeier (1931–2015)
- Score: 303 (VIII+295) pages, 1974. HN 5452.
- Critical commentary: 66 pages, 1975. HN 5453. (Wolfgang Stockmeier (1931–2015))
- 1. Trio G-dur, Hob. XV:5
- 2. Trio F-dur, Hob. XV:6
- 3. Trio D-dur, Hob. XV:7
- 4. Trio B-dur, Hob. XV:8
- 5. Trio A-dur, Hob. XV:9
- 6. Trio Es-dur, Hob. XV:10
- 7. Trio Es-dur, Hob. XV:11
- 8. Trio e-moll, Hob. XV:12
- 9. Trio c-moll, Hob. XV:13
- 10. Trio As-dur, Hob. XV:14
- 11. Trio D-dur, Hob. XV:16
- 12. Trio G-dur, Hob. XV:15
- 13. Trio F-dur, Hob. XV:17
- Anhang I
-
-
Band 3. Klaviertrios, 3. Folge (1986)
- Editors: Irmgard Becker-Glauch (1914–1990)
- Score: 391 (XII+379) pages, 1986. HN 5462.
- Drei Klaviertrios. Der Fürstin-Witwe Maria Anna Esterházy gewidmet
-
- Drei Klaviertrios. Der Fürstin Maria Josepha Hermenegild Esterházy gewidmet
-
- Drei Klaviertrios. Mrs. Rebecca Schroeter gewidmet
-
- Drei Klaviertrios. Mrs. Therese Bartolozzi gewidmet
-
- Zwei einzelne Klaviertrios
-
- Adagio in G für Klavier (Urfassung des Mittelsatzes aus Hob. XV:22)
Reihe XVIII: Klaviersonaten
Band 1. Klaviersonaten, 1. Folge (1970/2007)
- Editors: Georg Feder (1927–2006)
- Score: 196 (X+186) pages, 1970. HN 5472.
- Critical commentary: 160 pages, 2007. HN 5473.(Georg Feder (1927–2006))
-
- Neun kleine frühe Sonaten
-
- Sieben Sonaten um 1765–1772
-
- Sieben verschollene Sonaten (Hob. XVI:2a–e, g, h)
- Anhang II: Fünf Einzelsätze
-
Band 2. Klaviersonaten, 2. Folge (1970/2016)
- Editors: Georg Feder (1927–2006)
- Score: 196 (X+186) pages, 1970. HN 5482.
- Critical commentary: 95 pages, 2016. HN 5483.(Andreas Friesenhagen (b. 1965) mit Vorarbeiten von Georg Feder (1927–2006) unter Mitwirkung von Ulrich Leisinger (b. 1964))
- Sechs Sonaten für Fürst Nikolaus Esterházy
-
-
-
Band 3. Klaviersonaten, 3. Folge (1966/2016)
- Editors: Georg Feder (1927–2006)
- Score: 131 (X+121) pages, 1966. HN 5492.
- Critical commentary: 88 pages, 2016. HN 5493.(Silke Schloen mit Vorarbeiten von Georg Feder (1927–2006) unter Mitwirkung von Ulrich Leisinger (b. 1964))
-
- Drei Sonaten für Prinzessin Marie Esterházy
-
-
-
Reihe XIX/XX: Klavierstücke / Werke für Klavier zu vier Händen
Klavierstücke / Werke für Klavier zu vier Händen (2006)
- Editors: Sonja Gerlach (b. 1936)
- Score: 221 (XXIII+198) pages, 2006. HN 5502.
- 1. Capriccio in G „Acht Sauschneider müssen seyn“, Hob. XVII:1
- 2. Klaviervariationen in A, Hob. XVII:2
- 3. Klaviervariationen in Es, Hob. XVII:3
- 4. Klavierbearbeitung des 2. Satzes aus der Sinfonie, Hob. I:81
- 5. Klavierbearbeitung der Arie „Io son poverina“ aus La vera costanza
- 6. Klavierbearbeitung des 2. Satzes aus der Sinfonie, Hob. I:79
- 7. Klavierbearbeitung des 3. Satzes aus der Sinfonie, Hob. I:85
- 8. Klavierbearbeitung des 2. Satzes aus der Sinfonie, Hob. I:85
- 9. Klavierbearbeitung des zweiten Teils der Ouvertüre, Hob. Ia:15 aus La vera costanza
- 10. Adagio in F, Hob. XVII:9
- 11. Klavierbearbeitung des Schlußteils der Introduzione aus La vera costanza
- 12. Klavierbearbeitung des 2. Satzes aus der Sinfonie, Hob. I:53
- 13. Klavierbearbeitung des 4. Satzes aus dem Streichquartett, Hob. III:41 („op. 33 Nr. 5“)
- 14. Capriccio (Fantasia) in C, Hob. XVII:4
- 15. Klaviervariationen in C, Hob. XVII:5
- 16. Klaviervariationen (Sonate) f-moll, Hob. XVII:6
- 17. Adagio in G. Urfassung des langsamen Satzes aus dem Klaviertrio, Hob. XV:22
- 18. Divertimento in F „II maestro e lo scolare“ für Klavier zu vier Händen, Hob. XVIIa:1
- Anhang I: Skizzen
-
- Anhang II: Klavierbearbeitungen (Authentizität nicht gesichert)
-
- Anhang III: Werke zweifelhafter Echtheit
-
Reihe XXI: Stücke für das Laufwerk (Flötenuhrstücke)
Stücke für das Laufwerk (Flötenuhrstücke) (1984)
- Editors: Sonja Gerlach (b. 1936) und George R. Hill
- Score: 99 (XIII+86) pages, 1984. HN 5522.
- Gruppe 1: Fünf Stücke mit 16 bis 17 Tönen
-
- Gruppe 2: Sieben Stücke mit 23 bis 24 Tönen
-
- Gruppe 3: Vier Stücke mit 27 bis 30 Tönen
-
- Gruppe 4: Ein Stück und eine Skala mit 32 Tönen
-
- Anhang I-A: Sieben Stücke auf der 17tönigen Flötenuhr U von 1792
-
- Anhang I-B: Sechs Stücke auf der 25tönigen undatierten Flötenuhr T
-
- Anhang I-C: Zwei Stücke auf der 29tönigen Flötenuhr V von 1793
-
Reihe XXII: Kirchenmusik
Band 1. Stabat Mater (1993)
- Editors: Marianne Helms (b. 1936) und Fred Stoltzfus
- Score: 221 (XVI+205) pages, 1993. HN 5532.
- 1. Stabat Mater, Hob. XXbis
- 2. Anhang: U. a. die vermehrte Instrumentierung von Sigismund Neukomm
- Anhang
- 1. u. a. die vermehrte Instrumentierung von Sigismund Neukomm
Band 2. Verschiedene kirchenmusikalische Werke, 1. Folge (2017)
- Editors: Marianne Helms (b. 1936)
- Score: 280 (XLIV+236) pages, 2017. HN 5542.
- 1. Salve Regina E-dur, Hob. XXIIIb:1
- 2. [[Quatuor Responsoria de venerabili [sacramento] „Lauda Sion“, Hob. XXIIIc:4a–d (Haydn, Joseph)|Quatuor Responsoria de venerabili [sacramento] „Lauda Sion“]], Hob. XXIIIc:4a–d
- 3. Alleluia, Hob. XXIIIc:3
- 4. Offertorio in stile a cappella "Non nobis, Domine", Hob. XXIIIa:1
- 5. Salve Regina a quattro voci ma soli, Hob. XXIIIb:2
- 6. Te Deum, Hob. XXIIIc:2
- 7. Cantilena pro adventu A "Ein' Magd, ein' Dienerin", Hob. XXIIId:1
- 8. Cantilena pro adventu a due g "Mutter Gottes, mir erlaube", Hob. XXIIId:2
- 9. Cantilena pro adventu D, Hob. XXIIId:3
- 10. Sechs Psalmen Hob. Bd. II, S. 181
- Anhang
-
Band 3. Verschiedene kirchenmusikalische Werke, 2. Folge (2018)
- Editors: Andreas Friesenhagen (b. 1965) und Marianne Helms (b. 1936)
- Score: 258 (XVIII+240) pages, 2018. HN 5552.
- Verschiedene kirchenmusikalische Werke
-
-
Reihe XXIII: Messen
Band 1a. Messen Nr. 1–2 (1992)
- Editors: James Dack und Georg Feder (1927–2006)
- Score: 275 (XVI+259) pages, 1992. HN 5562.
-
Band 1b. Messen Nr. 3–4 (1999)
- Editors: James Dack und Marianne Helms (b. 1936)
- Score: 230 (XIV+216) pages, 1999. HN 5565.
Band 2. Messen Nr. 5–8 (1958)
- Editors: Howard Chandler Robbins Landon (1926–2009) in Verbindung mit Karl Heinz Füssl (1924–1992) und Christa Landon (1921–1977).
- Score: 255 (VIII+247) pages, 1958. HN 5572.
- 1. Missa in Tempore Belli, Klarinettenstimmen
- 2. Missa Sti Bernardi von Offida, Klarinettenstimmen
- 3. Missa Sti Bernardi von Offida, Skizzen
- 4. Missa Sti Joannis de Deo, Gloria in der verlängerten Fassung von Michael Haydn
Band 2. Messen Nr. 5–8 Revidierte Neuausgabe (2021)
- Editors: Andreas Friesenhagen (b. 1965)
- Score: 376 (XXIV+352) pages, 2021. HN 5575.
-
Band 3. Messen Nr. 9–10 (1965/1971)
- Editors: Günter Thomas (b. 1932)
- Score: 287 (X+277) pages, 1965. HN 5582.
- Critical commentary: 36 pages, 1971. HN 5583.(Günter Thomas (b. 1932))
Band 4. Messe Nr. 11 (1967/1969)
- Editors: Irmgard Becker-Glauch (1914–1990)
- Score: 214 (X+204) pages, 1967. HN 5592.
- Critical commentary: 35 pages, 1969. HN 5593.(Irmgard Becker-Glauch (1914–1990))
Band 5. Messe Nr. 12 (1966/1967)
- Editors: Friedrich Lippmann (1932–2019)
- Score: 230 (VIII+222) pages, 1966. HN 5602.
- Critical commentary: 31 pages, 1967. HN 5603.(Friedrich Lippmann (1932–2019))
Reihe XXIV: Deutsche Singspiele
Band 1. Philemon und Baucis oder Jupiters Reise auf die Erde (1971)
- Editors: Jürgen Braun (b. 1961)
- Score: 119 (XII+107) pages, 1971. HN 5612.
- Critical commentary: 36 pages, 1971. HN 5613.(Jürgen Braun (b. 1961))
Band 2. Textbücher verschollener Singspiele (1989)
- Editors: Günter Thomas (b. 1932)
- Score: 126 (XIX+107) pages, 1989. HN 5622.
- 1. Der neue krumme Teufel, Dido, Die betrafte Rachbegierde
- 2. Anhang: Genovefens vierter Theil
- Anhang
-
Band 3. Die Feuersbrunst (1990)
- Editors: Günter Thomas (b. 1932)
- Score: 232 (XII+220) pages, 1990. HN 5626.
- Note: Joseph Haydn zugeschrieben
- Note: Echtheit zweifelhaft
Reihe XXV: Italienische Opern
Band 1. Acide und andere Fragmente italienischer Opern um 1761 bis 1763 (1985)
- Editors: Karl Geiringer (1899–1989) und Günter Thomas (b. 1932)
- Score: 255 (XX+235) pages, 1985. HN 5632.
Band 2. La canterina (1959/1961)
- Editors: Dénes Bartha (1908–1993)
- Score: 121 (VIII+113) pages, 1959. HN 5642.
- Critical commentary: 20 pages, 1961. HN 5643.(Dénes Bartha (1908–1993))
Band 3. Lo speziale (1959/1962)
- Editors: Helmut Wirth (1912–1989)
- Score: 199 (X+189) pages, 1959. HN 5652.
- Critical commentary: 22 pages, 1962. HN 5653.(Helmut Wirth (1912–1989))
Band 4. Le pescatrici (1972)
- Editors: Dénes Bartha (1908–1993) in Verbindung mit Jenö Vécsey (1909–1966) und Mária Eckhardt (b. 1943)
- Score: 311 (XII+299) pages, 1972. HN 5662.
- Critical commentary: 32 pages, 1972. HN 5663.(Dénes Bartha (1908–1993) in Verbindung mit Irmgard Becker-Glauch (1914–1990))
-
Band 5. L’infedeltà delusa (1964/1965)
- Editors: Dénes Bartha (1908–1993) und Jenö Vécsey (1909–1966)
- Score: 379 (XII+367) pages, 1964. HN 5672.
- Critical commentary: 29 pages, 1965. HN 5673.(Dénes Bartha (1908–1993) und Jenö Vécsey (1909–1966))
Band 6I/II. L’incontro improvviso (1962 und 1963/1972)
- Editors: Helmut Wirth (1912–1989)
- Score: 189 (X+179) / 257 (VI+251) pages, 1962 und 1963 (2 Halbbände). HN 5682/HN 5685.
- Critical commentary: 35 pages, 1972. HN 5683.(Helmut Wirth (1912–1989))
Band 7I–III. Il mondo della luna (1979, 1981 und 1982)
- Editors: Günter Thomas (b. 1932)
- Score: 236 (XIV+222) / 237 (VI+231) / 211 (VII+204) pages, 1979, 1981 und 1982 (3 Teilbände). HN 5692/HN 5695/HN 5697.
Band 8. La vera costanza (1976/1978)
- Editors: Horst Walter (1931–2016)
- Score: 379 (XII+367) pages, 1976. HN 5702.
- Critical commentary: 72 pages, 1978. HN 5703.(Horst Walter (1931–2016))
Band 9. L’isola disabitata (2009)
- Editors: Christine Siegert (b. 1971) und Günter Thomas (b. 1932) in Verbindung mit Ulrich Wilker
- Score: 369 (XXII+347) pages, 2009. HN 5712.
Band 10I/II. La fedeltà premiata (1968/1970)
- Editors: Günter Thomas (b. 1932)
- Score: 280 (XIV+266) / 242 (VI+236) pages, 1968 (2 Halbbände). HN 5722/HN 5725.
- Critical commentary: 64 pages, 1970. HN 5723.(Günter Thomas (b. 1932))
Band 11I/II. Orlando paladino (1972 und 1973)
- Editors: Karl Geiringer (1899–1989)
- Score: 212 (XIV+198) / 216 (VI+210) pages, 1972 und 1973 (2 Halbbände). HN 5732/HN 5735.
- Critical commentary: 64 pages, 1973. HN 5733.(Karl Geiringer (1899–1989))
Band 12. Armida (1965/2003)
- Editors: Wilhelm Pfannkuch (1926–1988)
- Score: 327 (XII+315) pages, 1965. HN 5742.
- Critical commentary: 90 pages, 2003. HN 5743.(Silke Schloen)
-
Band 13. L’anima del filosofo ossia Orfeo ed Euridice (1974)
- Editors: Helmut Wirth (1912–1989)
- Score: 279 (XII+267) pages, 1974. HN 5752.
- Critical commentary: 44 pages, 1974. HN 5753.(Helmut Wirth (1912–1989))
Band 14. Libretti der Opern Joseph Haydns (2015)
- Editors: Silke Schloen
- Score: 239 (XVI+223) pages, 2015. HN 5762.
- Opernlibretti in Faksimile
- 1. Acide (1763)
- 2. La canterina (1767)
- 3. Lo speziale (1768)
- 4. Le pescatrici (1770)
- 5. L'infedeltà delusa (Juli 1773)
- 6. L'infedeltà delusa (September 1773)
- 7. L'incontro improvviso (1775)
- 8. Il mondo della luna (1777)
- 9. La vera costanza (1779)
- 10. L'isola disabitata (1779)
- 11. La fedeltà premiata (1780)
- 12. La fedeltà premiata (1782)
- 13. Orlando paladino (1782)
- 14. Armida (1784)
Reihe XXVI: Arien, Szenen und Ensembles mit Orchester
Band 1. Arien und Szenen mit Orchester, 1. Folge (2000)
- Editors: Robert von Zahn (b. 1959)
- Score: 236 (XX+216) pages, 2000. HN 5772.
- 1. Aria "D'una sposa meschinella", Hob. XXIVb:2
- 2. [[[Cavatina] "Quando la rosa", Hob. XXIVb:3 (Haydn, Joseph)|[Cavatina] "Quando la rosa"]], Hob. XXIVb:3
- 3. Aria "Dice benissimo chi si marita", Hob. XXIVb:5
- 4. Aria "Signor, voi sapete", Hob. XXIVb:7
- 5. Aria "Dica pure chi vuol dire", Hob. XXIVb:8
- 6. Cavatina "Sono Alcina, e sono ancora", Hob. XXIVb:9
- 7. [[[Recitativo accompagnato ed Aria] "Ah tu non senti, amico", "Qual destra omicida", Hob. XXIVb:10 (Haydn, Joseph)|[Recitativo accompagnato ed Aria] "Ah tu non senti, amico", "Qual destra omicida"]], Hob. XXIVb:10
- 8. [[[Aria] "Un cor sì tenero", Hob. XXIVb:11 (Haydn, Joseph)|[Aria] "Un cor sì tenero"]], Hob. XXIVb:11
- 9. Aria "Vada adagio, signorina", Hob. XXIVb:12
- 10. Aria "Chi vive amante, so che delira", Hob. XXIVb:13
- 11. Aria "Se tu mi sprezzi, ingrata", Hob. XXIVb:14
- 12. Aria "Infelice sventurata", Hob. XXIVb:15
- 13. Aria "Da che penso a maritarmi", Hob. XXIVb:16
- 14. Aria "La mia pace, oh Dio", Hob. XXIVb:19
- 15. Aria "Il meglio mio carattere", Hob. XXIVb:17
- 16. Aria "La moglie quando è buona", Hob. XXIVb:18
- Anhang
-
Band 2. Arien, Szenen und Ensembles mit Orchester, 2. Folge (2013)
- Editors: Julia Gehring und Christine Siegert (b. 1971) und Robert von Zahn (b. 1959)
- Score: 299 (XXVIII+271) pages, 2013. HN 5775.
- Arien, Szenen und Ensembles mit Orchester, 2. Folge
-
Band 3. Bearbeitungen von Arien und Szenen anderer Komponisten, 1. Folge (2014)
- Editors: Christine Siegert (b. 1971)
- Score: 359 (XXVIII+331) pages, 2014. HN 5777.
- Bearbeitungen von Arien und Szenen anderer Komponisten, 1. Folge
- 1. "L'idol mio fu questi un giorno" aus Dittersdorfs Il finto pazzo per amore, Hob. XXXIc:2
- 2. "Vi miro fiso" aus Dittersdorfs Arcifanfano re de' matti, Hob. XXXIc:3
- 3. "Non per parlar d’amore" aus Piccinnis L’astratto, Hob. deest
- 4. "Se provaste un pocolino" aus Anfossis La forza delle donne, Hob. XXXIc:4
- 5. "Più dell’onde" aus Gazzanigas La vendemmia, Hob. deest
- 6. "Ah crudel, poiché lo brami" aus Gazzanigas La vendemmia, Hob. XXXIc:5
- 7. "Gelosia d'amore è figlia" aus Salieris La scuola de' gelosi, Hob. XXXIc:6
- 8. "Ognun sa che molti amanti" aus Salieris La scuola de' gelosi, Hob. XXIVb:4
- 9. "Si promette facilmente" aus Anfossis La finta giardiniera, Hob. XXXIc:7
- 10. "Vorrei punirti, indegno" aus Anfossis La finta giardiniera, Hob. XXXIc:8
- 11. "Non ama la vita" aus Anfossis Isabella e Rodrigo, Hob. XXXIc:9
- 12. "Mora l'infido" – "Mi sento nel seno" aus Righinis Il convitato di pietra, Hob. XXIVb:6
- 13. "Che tortora io sono lontana dal lido" aus Piccinnis Gli stravaganti, Hob. XXXIc:10
- 14. "In Italia v'è l'usanza" aus Piccinnis Gli stravaganti, Hob. deest
- 15. "Una semplice agnelletta" aus Piccinnis Gli stravaganti, Hob. XXXIc:11
- 16. "Siam di cuor tenero" aus Piccinnis Gli stravaganti, Hob. deest
- 17. "Care selve romite" – "Dove vado sventurata" aus Piccinnis Gli stravaganti, Hob. deest
Band 4. Bearbeitungen von Arien und Ensembles anderer Komponisten, 2. Folge (2021)
- Editors: Sebastian Biesold und Christine Siegert (b. 1971)
- Score: 383 (XXVIII+355) pages, 2021. HN 5778.
- 1. Terzetto "Ah per pietà" aus Grétrys "Zemira ed Azor" (, Hob. deest)
- 2. Aria "Deh frenate i mesti accenti" aus Anfossis "Il curioso indiscreto" (, Hob. XXXIc:12)
- 3. Aria Del Sig. Anfossi "Vorrei punirti, indegno" aus Sartis "Fra i due litiganti il terzo gode" (, Hob. deest)
- 4. Aria "Dove mai s'è ritrovata" aus Anfossis "I viaggiatori felici" (, Hob. deest)
- 5. Terzetto "Non partir, m'ascolta ... oh Dio" aus Sartis "Didone abbandonata" (, Hob. deest)
- 6. Aria "Allor che mi vedranno" aus Sartis "I contrattempi" (, Hob. deest)
- 7. Duetto [con Coro] "Ah mi palesa almeno" aus Traettas "Ifigenia in Tauride" (, Hob. deest)
- 8. Aria "Per carità non s'alteri" aus Guglielmis "La quakera spiritosa" (, Hob. deest)
- 9. Aria "Frema pur quel re superbo" aus Cimarosas "Giunio Bruto" (, Hob. deest)
- 10. Aria "Se palpitar degg'io" aus Pratis "La vendetta di Nino" (, Hob. XXXIc:15)
- 11. Aria "Se voi foste un cavaliero" aus Cimarosas "I due supposti conti" (, Hob. XXXIc:13)
- 12. Aria "Quasi in tutte le ragazze" aus Anfossis "La maga Circe" (, Hob. deest)
Reihe XXVII: Kantaten, Chöre und Schauspielmusiken
Band 1. Kantaten mit Orchester für das Fürstenhaus Esterházy (2000)
- Editors: Andreas Friesenhagen (b. 1965) und Sonja Gerlach (b. 1936)
- Score: 203 (XVI+187) pages, 2000. HN 5782.
Band 2. Applausus (1969/1971)
- Editors: Heinrich Wiens in Verbindung mit Irmgard Becker-Glauch (1914–1990)
- Score: 211 (XV+196) pages, 1969. HN 5792.
- Critical commentary: 44 pages, 1971. HN 5793.(Heinrich Wiens in Verbindung mit Irmgard Becker-Glauch (1914–1990))
Band 3. Chöre, Schauspielmusik und andere Vokalwerke mit Orchester (2011)
- Editors: James Dack
- Score: 299 (XX+279) pages, 2011. HN 5802.
Reihe XXVIII: Oratorien
Band 1I/II. Il ritorno di Tobia (1963/2018)
- Editors: Ernst Fritz Schmid (1904–1960)
- Score: 299 (V+294) / 327 (XII+315) pages, 1963 (2 Halbbände). HN 5815/HN 5812.
- Critical commentary: 172 pages, 2018. HN 5813.(Friederike Mühle (b. 1987) mit Vorarbeiten von Ernst Fritz Schmid (1904–1960))
Band 2. Die Sieben letzten Worte unseres Erlösers am Kreuze (1961/2018)
- Editors: Hubert Unverricht (1927–2017)
- Score: 193 (X+183) pages, 1961. HN 5822.
- Critical commentary: 153 pages, 2018. HN 5823.(Heide Volckmar-Waschk)
Band 3I–II. Die Schöpfung (2008)
- Editors: Annette Oppermann (b. 1965)
- Score: 329 (XXVI+303) / 205 (V+200) pages, 2008 (2 Teilbände). HN 5832/HN 5835.
Band 3III. Skizzen zur Schöpfung (2010)
- Editors: Annette Oppermann (b. 1965)
- Score: 29, 29, 8, 7, 24 pages, 2010. HN 5837 (1 Teilband).
Band 4I/II. Die Jahreszeiten (2007)
- Editors: Armin Raab (b. 1956)
- Score: 280 (XXI+259) / 397 (V+393) pages, 2007 (2 Halbbände). HN 5842/HN 5845.
Reihe XXIX: Lieder und Gesänge mit Begleitung des Klaviers
Band 1. Lieder für eine Singstimme mit Begleitung des Klaviers (1960/1983)
- Editors: Paul Mies (1889–1976)
- Score: 109 (X+99) pages, 1960. HN 5852.
- Critical commentary: 101 pages, 1983. HN 5853.(Marianne Helms (b. 1936))
- 24 Deutsche Lieder Hob. XXVIa:1–12, 13–24
- 1. Das strickende Mädchen
- 2. Cupido
- 3. Der erste Kuß
- 4. Eine sehr gewöhnliche Geschichte
- 5. Die Verlassene
- 6. Der Gleichsinn
- 7. An Iris
- 8. An Thyrsis
- 9. Trost unglücklicher Liebe
- 10. Die Landlust
- 11. Liebeslied
- 12. Die zu späte Ankunft der Mutter
- 13. Jeder meint, der Gegenstand
- 14. Lachet nicht, Mädchen
- 15. O liebes Mädchen, höre mich
- 16. Gegenliebe
- 17. Geistliches Lied
- 18. Auch die sprödeste der Schönen
- 19. O fließ, ja wallend fließ in Zähren
- 20. Zufriedenheit
- 21. Das Leben ist ein Traum
- 22. Lob der Faulheit
- 23. Minna
- 24. Auf meines Vaters Grab
- Zwölf Englische Lieder XXVIa:25–30, 31–36 und 36bis
- 1. The Mermaid’s Song
- 2. Recollection
- 3. A Pastoral Song
- 4. Despair
- 5. Pleasing Pain
- 6. Fidelity
- 7. Sailor’s Song
- 8. The Wanderer
- 9. Sympathy
- 10. She Never Told Her Love
- 11. Piercing Eyes
- 12. Content / Transport of Pleasure
- 13. Der verdienstvolle Sylvius / Ich bin der Verliebteste
- Einzelne Lieder verschiedener Art XXVIa:37–39, F1, 41–46
- 1. Beim Schmerz, der dieses Herz durchwühlet
- 2. Der schlaue und dienstfertige Pudel
- 3. Trachten will ich nicht auf Erden
- 4. Abschiedslied
- 5. The Spirit’s Song
- 6. O Tuneful Voice
- 7. Gott, erhalte den Kaiser!
- 8. Als einst mit Weibes Schönheit
- 9. Ein kleines Haus
- 10. Antwort auf die Frage eines Mädchens
- 11. The Lady’s Looking-Glass
- 12. Bald wehen uns des Frühlings Lüfte
- 13. Vier Liedanfänge
-
Band 2. Verschiedene Gesänge mit Begleitung des Klaviers (1988)
- Editors: Marianne Helms (b. 1936)
- Score: 130 (XIII+117) pages, 1988. HN 5862.
- 1. Skizzen zu Liedern aus Band 1
Reihe XXX: Mehrstimmige Gesänge
Mehrstimmige Gesänge (1958)
- Editors: Paul Mies (1889–1976)
- Score: 96 (IX+87) pages, 1958. HN 5872.
- Critical commentary: 21 pages, 1958. HN 5873.(Paul Mies (1889–1976))
- 1. Der Augenblick, Hob. XXVc:1
- 2. Die Harmonie der Ehe, Hob. XXVc:2
- 3. Alles hat seine Zeit, Hob. XXVc:3
- 4. Die Beredsamkeit, Hob. XXVc:4
- 5. Der Greis, Hob. XXVc:5
- 6. An den Vetter, Hob. XXVb:1
- 7. Daphnens einziger Fehler, Hob. XXVb:2
- 8. Die Warnung, Hob. XXVc:6
- 9. Betrachtung des Todes, Hob. XXVb:3
- 10. Wider den Übermut, Hob. XXVc:7
- 11. An die Frauen, Hob. XXVb:4
- 12. Aus dem Danklied zu Gott, Hob. XXVc:8
- 13. Abendlied zu Gott, Hob. XXVc:9
Reihe XXXI: Kanons
Kanons (1959/1965)
- Editors: Otto Erich Deutsch (1883–1967)
- Score: 75 (X+65) pages, 1959. HN 5882.
- Critical commentary: 40 pages, 1965. HN 5883.(Otto Erich Deutsch (1883–1967))
- I. Die Heiligen Zehn Gebote
- 1. Du sollst an einen Gott glauben, Hob. XXVIIa:1
- 2. Du sollst den Namen Gottes nicht eitel nennen, Hob. XXVIIa:2
- 3. Du sollst Sonn- und Feiertag heiligen, Hob. XXVIIa:3
- 4. Du sollst Vater und Mutter verehren, Hob. XXVIIa:4
- 5. Du sollst nicht töten, Hob. XXVIIa:5
- 6. Du sollst nicht Unkeuschheit treiben, Hob. XXVIIa:6
- 7. Du sollst nicht stehlen, Hob. XXVIIa:7
- 8. Du sollst kein falsch Zeugnis geben, Hob. XXVIIa:8
- 9. Du sollst nicht begehren deines Nächsten Weib, Hob. XXVIIa:9
- 10. Du sollst nicht begehren deines Nächsten Gut, Hob. XXVIIa:10
- II. Die weltlichen Kanons
- 1. Hilar an Narziß / 0 stelle dich, Narziß, doch morgen bei mir ein!, Hob. XXVIIb:1
- 2. Auf einen adeligen Dummkopf / Das nenn' ich einen Edelmann, Hob. XXVIIb:2
- 3. Der Schuster bleib bei seinem Leist / Ein jeder bleib bei seinem Stand, Hob. XXVIIb:3
- 4. Herr von Gänsewitz zu seinem Kammerdiener / Befehlt doch draußen still zu schweigen, Hob. XXVIIb:4
- 5. An den Marull / Groß willst du und auch artig sein?, Hob. XXVIIb:5
- 6. Die Mutter an ihr Kind in der Wiege / Höre, Mädchen, meine Bitte!, Hob. XXVIIb:6
- 7. Der Menschenfreund / O wollte doch der Mensch, Hob. XXVIIb:7
- 8. Gottes Macht und Vorsehung / Ist Gott mein Schutz, Hob. XXVIIb:8
- 9. An Dorilis / Wie grausam, Dorilis, Hob. XXVIIb:9
- 10. Vixi / Ille potens sui laetusque deget, Hob. XXVIIb:10
- 11. Der Kobold / Du, merke dir die Lehre, Hob. XXVIIb:11
- 12. Der Fuchs und der Marder / Wer Schwache leiten will, Hob. XXVIIb:12
- 13. Abschied / Kenne Gott, die Welt und dich, Hob. XXVIIb:13
- 14. Die Hofstellungen / Es stecket Ja im linken, Hob. XXVIIb:14
- 15. Aus Nichts wird Nichts/Nichts gewonnen, nichts verloren / Nackt ward ich zur Welt geboren, Hob. XXVIIb:15
- 16. Cacatum non est pictum / Beherzigt doch das Diktum, Hob. XXVIIb:16
- 17. Tre cose / Aspettare e non venire, Hob. XXVIIb:17
- 18. Vergebliches Glück / Es ist umsonst, Hob. XXVIIb:18
- 19. Grabschrift / Hier liegt Hans Lau, Hob. XXVIIb:19
- 20. Das Reitpferd / Wie manche schliefen hier mit Ehren, Hob. XXVIIb:20
- 21. Tod und Schlaf / Tod ist ein langer Schlaf, Hob. XXVIIb:21
- 22. An einen Geizigen / Ich dich beneiden?, Hob. XXVIIb:22
- 23. Das böse Weib / Ein einzig böses Weib, Hob. XXVIIb:23
- 24. Der Verlust / Alles ging für mich verloren, Hob. XXVIIb:24
- 25. Der Freigeist / Fliehe, fliehe, wenn dein Wohl dir heilig ist, Hob. XXVIIb:25
- 26. Die Liebe der Feinde / Nie will ich dem zu schaden suchen, Hob. XXVIIb:26
- 27. Der Furchtsame / Kaum seh' ich den Donner die Himmel umziehen, Hob. XXVIIb:27
- 28. Die Gewißheit / Ob ich morgen leben werde, Hob. XXVIIb: 28
- 29. Phöbus und sein Sohn / Zwischen Gott und unsern Sinnen, Hob. XXVIIb:29
- 30. Die Tulipane / So war der Mensch zu allen Zeiten, Hob. XXVIIb:30
- 31. Das größte Gut / Ein weises Herz und guter Mut, Hob. XXVIIb:31
- 32. Der Hirsch / Jeder prüfe seine Stärke!, Hob. XXVIIb:32
- 33. Überschrift eines Weinhauses / Wein, Bad und Liebe, Hob. XXVIIb:33
- 34. Der Esel und die Dohle / Ein Narr trifft allemal, Hob. XXVIIb:34
- 35. Schalksnarren / Ein Herr, der Narren hält, Hob. XXVIIb:35
- 36. Zweierlei Feinde / Dein kleinster Feind ist der, Hob. XXVIIb:36
- 37. Der Bäcker und die Maus / Wer leichtlich zürnt, Hob. XXVIIb:37
- 38. Die Flinte und der Hase / Was hilft Gesetz, Hob. XXVIIb:38
- 39. Der Nachbar / Sehr nützlich ist uns oft ein Feind, Hob. XXVIIb:39
- 40. Liebe zur Kunst / Wer Lust zu lernen hat, Hob. XXVIIb:40
- 41. Frag und Antwort zweier Fuhrleute/Die Welt / Geh, sag mir nur, Hob. XXVIIb:41
- 42. Der Fuchs und der Adler / Je höher Stand, je mehr Gefahr, Hob. XXVIIb:42
- 43. Wunsch / Langweiliger Besuch macht Zeit und Zimmer enger, Hob. XXVIIb:43
- 44. Gott im Herzen / Gott im Herzen, Hob. XXVIIb:44
- 45. Turk was a Faithful Dog / Turk was a faithful dog, Hob. XXVIIb:45
- 46. Thy Voice O Harmony / Thy voice o Harmony, Hob. XXVIIb:46
Reihe XXXII: Volksliedbearbeitungen
Band 1. Volksliedbearbeitungen Nr. 1–100 (1961)
- Editors: Karl Geiringer (1899–1989)
- Score: 112 (XII+105) pages, 1961. HN 5892.
- Critical commentary: 32 pages, 1961. HN 5893. (Karl Geiringer (1899–1989) unter Mitarbeit von Paul Gerhard Buchloh (1922–1986)).
- Schottische Lieder für eine Singstimme mit Violine und Klavier (Generalbass) Hob. XXIa:1-100
- 1. Mary’s dream
- 2. John Anderson
- 3. I love my love in secret
- 4. Willie was a wanton wag
- 5. Saw ye my father
- 6. Todlen Hame
- 7. Fy gar rub her o'er wi' strae
- 8. Green grow the rashes
- 9. The waefu' heart
- 10. The ploughman
- 11. Barbara Allen
- 12. Had awa frae me, Donald
- 13. Will ye go to Flanders
- 14. This is no mine ain house
- 15. Braw lads of galla water
- 16. O'er bogie
- 17. I had a horse
- 18. My boy Tammy
- 19. By the stream so cool and clear
- 20. Fy, let us a' to the bridal
- 21. The shepherd Adonis
- 22. The white cockade
- 23. The lass of Livingston
- 24. John of Badenyon
- 25. The bonniest lass in a' the world
- 26. Duncan Davison
- 27. Leader Haughs and Yarrow
- 28. Up in the morning early
- 29. Fife and a' the lands about it
- 30. I'm o'er young to marry yet
- 31. My ain kind deary
- 32. Dainty Davie
- 33. Pentland hills
- 34. Duncan Gray
- 35. Maggy Lauder
- 36. How can I be sad on my wedding day
- 37. Nanny o
- 38. Woo'd and married and a'
- 39. Blue bonnets
- 40. The wawking of the fauld
- 41. John, come kiss me now
- 42. Mount your baggage
- 43. Ye gods! Was Strephon's picture blest
- 44. Sleepy bodie
- 45. The gard'ner wi' his paidle
- 46. The brisk young lad
- 47. Cumbernauld house
- 48. O can you sew cushions
- 49. Here's a health to my true love
- 50. Merry may the maid be
- 51. The mucking of Geordie's byer
- 52. Tibby Fowler
- 53. Love will find out the way
- 54. Be kind to the young thing
- 55. Cauld Kail in Aberdeen
- 56. Saw ye nae my Peggy?
- 57. The banks of Spey
- 58. The birks of Abergeldie
- 59. The Bonny Brucket lassie
- 60. The soger laddie
- 61. O, let me in this ae night
- 62. When she came ben she bobbit
- 63. Hallow ev'n
- 64. Jockey was the blythest lad
- 65. Marg'ret's ghost
- 66. The black eagle
- 67. How long and dreary is the night
- 68. Blink o'er the burn, sweet Betty
- 69. Wat ye wha I met yestreen?
- 70. My mither's ay glowran o'er me
- 71. Young Damon
- 72. Robin, quo' she
- 73. Logie of Buchan
- 74. Eppie Adair
- 75. Widow, are ye waking?
- 76. Whistle o'er the lave o't
- 77. My heart's in the Highlands
- 78. Steer her up, and had her gawin
- 79. Jamie, come try me
- 80. The Miller's daughter
- 81. Raving winds
- 82. Willy's rare
- 83. Lizae Baillie
- 84. The maid's complaint
- 85. Oh Onochrie
- 86. Maggie's tocher
- 87. I dream'd I lay
- 88. The glancing of her apron
- 89. O Bonny Lass
- 90. The flowers of Edinburgh
- 91. Jockie and Sandy
- 92. The mill, mill o!
- 93. Shepherds, I have lost my love
- 94. Bonny Kate of Edinburgh
- 95. If e'er ye do well it's a wonder
- 96. Peggy in devotion
- 97. Colonel Gardner
- 98. To daunton me
- 99. Jenny was fair
- 100. Her absence will not alter me
Band 2. Volksliedbearbeitungen Nr. 101–150 (2001)
- Editors: Andreas Friesenhagen (b. 1965)
- Score: 108 (XIII+95) pages, 2001. HN 5902.
- Volklsliedbearbeitungen - Schottische Lieder Nr. 101-125 für William Napier Hob. XXXIa:101 - 125
- 1. The bonnie gray ey’d morn
- 2. The bonnie wee thing
- 3. Roy’s wife
- 4. While hopeless
- 5. Frae the friends and land I love
- 6. The shepherds son
- 7. A cold frosty morning
- 8. O for ane and twenty Tam!
- 9. Johnie Armstrong
- 10. I do confess thou art sae fair
- 11. Now westlin winds
- 12. Green sleeves
- 13. The posie
- 14. As I cam down by yon castle wa’
- 15. Donocht Head
- 16. The ewy wi’ the crooked horn
- 17. Fair Eliza
- 18. The widow
- 19. Yon wild mossy mountains
- 20. My goddess woman
- 21. She’s fair and fause
- 22. O’er the moor amang the heather
- 23. The tears I shed
- 24. The wee wee man
- 25. Nithsdall’s welcome hame
- 26. Bid me not forget
- 27. Lady Randolph’s complaint
- 28. The shepherds wife
- 29. The weary pound o’ tow
- 30. The tither morn
- 31. Ae fond kiss
- 32. Jenny drinks nae water
- 33. The vain pursuit
- 34. What can a young lassie do
- 35. The rose bud
- 36. Dear Silvia
- 37. The slave’s lament
- 38. The death of the linnet
- 39. Donald and Flora
- 40. Lass gin ye lo’e me, tell me now
- 41. Hughie Graham
- 42. On a bank of flowers
- 43. The young Highland rover
- 44. A country lassie
- 45. Strathallan’s lament
- 46. Tho’ for sev’n years and mair
- 47. Bess and her spinning wheel
- 48. Kelly-burn braes
- 49. O’er the hills and far away
- 50. Strephon and Lydia
Band 3. Volksliedbearbeitungen Nr. 151–268 (2001)
- Editors: Marjorie Rycroft in Verbindung mit Warwick Edwards und Kirsteen McCue
- Score: 405 (XXI+384) pages, 2001. HN 5912.
- Schottische Lieder Nr. 151-268 für George Thomson
- 1. Wae’s my heart that we should sunder
- 2. The lea-rig
- 3. Galashiels
- 4. Down the burn, Davie
- 5. Ettrick banks
- 6. Thro’ the wood, laddie
- 7. The broom of Cowdenknows
- 8. I wish my Love were in a myre
- 9. William and Margaret
- 10. Saw ye my father
- 11. Auld Robin Gray
- 12. The ewie wi’ the crooked horn
- 13. Ay waking, O!
- 14. Maggie Lauder
- 15. The blathrie o’t
- 16. Barbara Allan
- 17. An thou wert mine ain thing
- 18. Logan water
- 19. Queen Mary’s lamentation
- 20. Highland Mary
- 21. Fee him, father
- 22. The lass of Patie’s mill
- 23. Tak your auld cloak about ye
- 24. Rothiemurcus rant
- 25. Scornfu’ Nansy
- 26. Bessy Bell and Mary Gray
- 27. Johnie’s grey breeks
- 28. Pinkie House
- 29. My deary an thou die
- 30. Bonny Jean
- 31. Sensibility
- 32. My mither’s ay glowrin o’er me
- 33. The birks of Invermay
- 34. Auld Rob Morris
- 35. Waly waly
- 36. She rose, and let me in
- 37. The ewe-bughts
- 38. The braes of Ballenden
- 39. John o’ Badenyon
- 40. O’er bogie
- 41. Woo’d and married and a’
- 42. What can a young lassie do
- 43. Bannocks o’ barleymeal
- 44. If a body meet a body
- 45. Tears that must ever fall
- 46. The shepherd’s wife
- 47. The wee, wee man
- 48. My Nanie, O
- 49. The brisk young lad
- 50. Mary’s dream
- 51. The weary pund o’ tow
- 52. Macpherson’s farewell
- 53. The looking glass
- 54. Polwarth on the green
- 55. Peggy, I must love thee
- 56. The death of the linnet
- 57. Young Jockey was the blythest lad
- 58. Let me in this ae night
- 59. O’er the hills and far awa
- 60. The maid that tends the goats
- 61. Fy let’s a’ to the bridal
- 62. Deil tak’ the wars
- 63. Gramachree
- 64. The mucking o’ Geordie’s byre
- 65. Willie was a wanton wag
- 66. Oran gaoil
- 67. Green grow the rashes
- 68. The Poet’s ain Jean
- 69. Oonagh
- 70. Strathallan’s lament
- 71. Fy gar rub her o’er wi’ strae
- 72. Muirland Willy
- 73. Craigieburn Wood
- 74. The auld wife ayont the fire
- 75. Cauld kail in Aberdeen
- 76. The sutor’s doughter
- 77. The last time I came o’er the muir
- 78. Rattling roaring Willy
- 79. The boatman
- 80. Whistle o’er the lave o’t
- 81. Jenny’s bawbee
- 82. The auld gudeman
- 83. My apron deary
- 84. Robin Adair
- 85. My Love she’s but a lassie yet
- 86. The birks of Abergeldie
- 87. Gil Morris
- 88. The minstrel
- 89. Kellyburn braes
- 90. Hooly and fairly
- 91. I canna come ilka day to woo
- 92. Hey tutti taiti
- 93. Killiecrankie
- 94. Highland Air. The lone vale
- 95. A Jacobite Air. Phely & Willy
- 96. Up and war them a’ Willy
- 97. The old highland laddie
- 98. The wish
- 99. Bonny wee thing
- 100. The tears of Caledonia
- 101. Up in the morning early
- 102. The flowers of Edinburgh
- 103. Morag
- 104. Roslin Castle
- 105. The soldier laddie
- 106. Langolee
- 107. The east neuk o’ Fife
- 108. Jingling Johnie
- 109. The happy trio
- 110. The bonny grey-ey’d morn
- 111. Green sleeves
- Sechs schottische Volkslieder mit Variationen
- 1. The blue bell of Scotland
- 2. [My Love she’s but a lassie yet]
- 3. [Bannocks o’ barleymeal]
- 4. [Saw ye my father]
- 5. [Maggie Lauder]
- 6. [Killiecrankie]
Band 4. Volksliedbearbeitungen Nr. 269–364 (2004)
- Editors: Marjorie Rycroft in Verbindung mit Warwick Edwards und Kirsteen McCue
- Score: 349 (XXIII+326) pages, 2004. HN 5922.
- Volksliedbearbeitungen Nr. 269-364 Schottische und walisische Lieder für George Thomson
- 1. Shelah O’Neal
- 2. Good night and joy be wi’ ye
- 3. The braes of Ballochmyle
- 4. Jenny dang the weaver
- 5. The rock and a wee pickle tow
- 6. The parson boasts of mild ale
- 7. Tullochgorum
- 8. Johny Macgill
- 9. My Love’s a winsome wee thing
- 10. When she came ben she bobbit
- 11. Rise up and bar the door
- 12. O’er the moor amang the heather
- 13. Halloween
- 14. O bonny lass, will you lie in a barrack
- 15. Tibbie Fowler
- 16. Macgregor of Ruara’s lament
- 17. Happy Dick Dawson
- 18. The white cockade
- 19. 287a. Cro Challin
- 20. 287b. Cro Challin
- 21. Over the water to Charlie
- 22. The border widow’s lament
- 23. [Captain Okain]
- 24. Savourna deligh
- 25. Lochaber
- 26. Here awa there awa
- 27. Ar hyd y nos. The live long night
- 28. 295a. The lamentation of Britain. [Cwynvan Brydain]
- 29. 295b. The lamentation of Cambria
- 30. Gorhoffedd gwyr Harlech. The march of the men of Harlech
- 31. Blodau’r drain. The blossom of the thorn
- 32. Llwyn onn. The ash grove
- 33. Mantell Siani. Jenny’s mantle
- 34. Codiad yr hedydd. The rising of the lark
- 35. Hob y deri dando. Away, my herd, under the green oak
- 36. Venture Gwen. [Mentra Gwen]
- 37. 303a. The red piper’s melody. [Digan y pibydd coch]
- 38. 303b. Digan y pibydd coch. The red piper’s melody
- 39. Nos Galan. New Year’s night
- 40. Rhyfelgyrch Cadpen Morgan. Captain Morgan’s March
- 41. Erddigan Caer y Waun. The minstrelsy of Chirk Castle
- 42. Y gadly’s. The camp-palace – or, Leader’s tent oftener called, Of a noble race was Shenkin
- 43. Twll yn ei boch. The dimpled cheek
- 44. Blodau’r grug. The flowers of the heath
- 45. Dowch i’r frwydr. Come to battle
- 46. Castell Towyn. Towyn Castle
- 47. Irish Air. Pat & Kate
- 48. Torriad y dydd. The dawn of day
- 49. Yr hen erddigan. The ancient harmony
- 50. The sweet melody of North Wales. [Mwynen Gwynedd]
- 51. Grisiel ground. Crystal ground
- 52. My Nanie, O
- 53. The willow hymn. [Yr helyg gân]
- 54. Gala water
- 55. Winifreda
- 56. Lassie wi’ the gowden hair
- 57. Sir Patrick Spence
- 58. Codiad yr haul. The rising sun
- 59. Lady Owen’s favourite. [Maldod arglwyddes Owen]
- 60. The three captains
- 61. The Cornish May song
- 62. What ails this heart of mine
- 63. Ffarwel Ffranses. Farewell, Frances
- 64. Maltraeth
- 65. Dafydd y Garreg-wen. David of the White Rock
- 66. Eryri wen. The white mountains – or, Hoar cliffs of Snowdon
- 67. Blodau Llundain. The flowers of London
- 68. Troiad y droell. The whirling of the spinning wheel
- 69. The allurement of love. [Serch hudol]
- 70. The door clapper. [Y stwffwl]
- 71. The Britons. [Y Brython]
- 72. The Marsh of Rhuddlan. [Morva Rhydlan]
- 73. Ton y ceiliog du. The note of the black cock
- 74. [Lord Balgonie’s favourite]
- 75. 340a. Johny Faw – or, The gypsie laddie
- 76. 340b. Johny Faw
- 77. Fair Helen of Kirkconnell
- 78. Y bardd yn ei awen. The inspired bard
- 79. The pursuit of Love. [Dilyn serch]
- 80. The poor pedlar. [Y maelerwr]
- 81. The blossom of the honey suckle. [Blodeu’r gwynwydd]
- 82. War song of the men of Glamorgan. [Triban gwyr Morgannwg]
- 83. Mwynen Cynwyd. The melody of Cynwyd
- 84. Reged
- 85. The bend of the horse shoe. [Plygiad y bedol]
- 86. Loth to depart. [Anhawdd ymadael]
- 87. Wyres Ned Puw. Ned Pugh’s grand daughter
- 88. Hob y deri danno. Away to the oaken grove
- 89. Ffarwel jeuengetid. Adieu to my juvenile days
- 90. Y Cymry dedwydd. The happy Cambrians
- 91. Tros y garreg. Over the stone
- 92. The flower of North Wales. [Blodeu Cwynedd]
- 93. Pant corlant yr wyn – neu, Dafydd or Garreg-las. The lambs’ fold vale – or, David of the blue stone
- 94. New Year’s gift. [Calenig]
- 95. Cerdd yr hen-wr or coed. The song of the old man of the wood
- 96. Hoffedd Hywel ab Owen Gwynedd. The delight of Prince Hoel, son of Owen Gwyned
- 97. The departure of the king. [Ymdawiad y brenhin]
- 98. Happiness lost
- 99. The shepherd’s son
- 100. Hela’r ysgyfarnog. Hunting the hare
Band 5. Volksliedbearbeitungen Nr. 365–429 (2005)
- Editors: Andreas Friesenhagen (b. 1965) und Egbert Hiller
- Score: 211 (XV+196) pages, 2005. HN 5932.
- Volksliedbearbeitungen Nr. 365-429 · Schottische Lieder für William Whyte
- 1. The birks of Invermay
- 2. The bush aboon Traquair
- 3. I’ll never leave thee
- 4. Tweedside
- 5. The braes of Yarrow
- 6. The silken snood
- 7. The lass of Lochroyan
- 8. My ain kind deary, O!
- 9. Roslin castle
- 10. The waefu’ heart
- 11. Low down in the broom
- 12. The yellow hair’d laddie
- 13. The flowers of the forest
- 14. The collier’s bonny lassie
- 15. Donald and Flora
- 16. The exile of Erin
- 17. My Nannie O
- 18. Waly waly
- 19. Lewie Gordon
- 20. Corn riggs
- 21. From thee, Eliza, I must go
- 22. The maid in Bedlam
- 23. My apron, dearie
- 24. Auld lang syne
- 25. The last time I came o’er the muir
- 26. John Anderson, my jo
- 27. The braes of Ballenden
- 28. The bonnie wee thing
- 29. She rose and loot me in
- 30. Galla water
- 31. Katherine Ogie
- 32. O’er the muir amang the heather
- 33. The maid that tends the goats
- 34. For the lack of gold
- 35. Sae merry as we ha’e been
- 36. Thou art gane awa’
- 37. The soldier’s dream
- 38. This is no mine ain house
- 39. Gilderoy
- 40. The shepherd’s son
- 41. The Palmer
- 42. The soldier’s return
- 43. The lass of Patie’s mill
- 44. Their groves o’ sweet myrtle
- 45. Wandering Willie
- 46. My jo Janet
- 47. The day returns
- 48. Robin is my only jo
- 49. An thou wert mine ain thing
- 50. O poortith cauld
- 51. Saw ye my father
- 52. Up in the morning early
- 53. The siller crown
- 54. Anna
- 55. Nancy’s to the greenwood gane
- 56. Merry may the maid be
- 57. Tak’ your auld cloak about ye
- 58. Bessy Bell and Mary Gray
- 59. Widow are ye wakin?
- 60. Lochaber
- 61. Todlin hame
- 62. Sweet Annie frae the sea-beach came
- 63. Farewell, thou fair day
- 64. Maggy Lawder
- 65. Of a’ the airts the wind can blaw
- 1. Frühe Niederschrift des Lieds „The waefu’ heart“ (JHW 374)
Reihe XXXIII: Supplement
Supplementband (in Vorbereitung)
- Editors: —
- Score: –
- Note: Der Supplementband wird u. a. die Streichquartettfassung von „Die Sieben letzten Worte unseres Erlösers am Kreuze“ enthalten und soll zum Abschluss der Gesamtausgabe erscheinen.
