Judas Maccabaeus, HWV 63 (Handel, George Frideric)

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For Voices and Orchestra (Handel)
Performer Pages Kenneth McKellar (tenor)
Orchestra of the Royal Opera House (orchestra)
Adrian Boult (conductor)
Publisher Info. Decca, 1961.
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Performer Pages Cantores Carmeli Linz (chorus)
Michael Stenov (director)
Publisher Info. Michael Stenov
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Misc. Notes Live recording from the Karmelitenkirche Linz 2013
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For Trumpet and Organ (Rondeau)

Performer Pages Michel Rondeau (trumpet)
Publisher Info. Michel Rondeau
Performers Aline Letendre (organ)
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Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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Naxos

Synthesized/MIDI

Overture

For Harpsichord (Gouin)
Publisher Info. Montréal: Les Éditions Outremontaises, 2017
Performers MIDI file by Pierre Gouin
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March (Act III, No.36)

For 2 Trumpets, Trombone and Tuba (Székelyhidi)
Publisher Info. Vilmos Székelyhidi
Performers Vilmos Székelyhidi
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Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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For Organ (and Harpsichord) (Gouin)
Publisher Info. Montréal: Les Éditions Outremontaises, 2017
Performers MIDI file by Pierre Gouin
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Sheet Music

Full Scores

Complete

Copyist Joseph Starzer (1726–1787)
Language German
Publisher. Info. Manuscript, n.d.(ca.1750-1775).
Copyright
Misc. Notes A-Wn Mus.Hs.3239/1-4
Orchestral parts apparently enlarged by Starzer with the addition of flutes, oboes, clarinets and bassoons.
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Language English
Publisher. Info. London: William Randall, successor to the late Mr. J. Walsh, n.d.[1769].
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Editor Friedrich Chrysander (1826–1901)
Language English / German
Publisher. Info. Georg Friedrich Händels Werke. Band 22
Leipzig: Deutsche Händelgesellschaft, 1865. Plate H.W. 22.
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Editor Salomon Jadassohn (1831–1902)
Language German
Publisher. Info. Leipzig: C.F. Peters, n.d.[1894]. Plate 7924.
Reprinted New York: E.F. Kalmus, n.d.(1933–70).
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Misc. Notes 600 dpi. Page size is 9.197 x 12.880 inches.
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Selections

Language Italian
Publisher. Info. Manuscript, n.d.(ca.1750-99).
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Misc. Notes RISM-A/II-000124447
This item forms part of the
Ricasoli Collection at the University of Louisville Music Library.

Contains the following numbers: 1, 3, 5, 7, 13, 15, 17, 18, 20b, 22, 24, 26, 28.
This score consists of a single bound volume. It has been broken down into 2 segments to reduce file size.
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Editor Paul-Gustav Feller
Publisher. Info. Ritter von Schleyer Verlag
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Misc. Notes Added continuo
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Parts

Complete

10 more: Oboe 1, 2 • Bassoon 1/2 • Horn 1, 2 (F, G) • Trumpet 1, 2, 3 (D) • Timpani • Violins I • Violins II • Violas • Cellos/Basses • Organ

Editor Salomon Jadassohn (1831–1902)
Publisher. Info. Leipzig: C.F. Peters, n.d.(ca.1870).
Reprinted New York: E.F. Kalmus, n.d.(1933–70).
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Misc. Notes These files are part of the Orchestra Parts Project.
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Selections

4 more: Contraltos • Tenors • Basses • Cellos

Language Italian
Publisher. Info. Manuscript, n.d.(ca.1750-99).
Copyright
Misc. Notes RISM-A/II-000124447
This item forms part of the
Ricasoli Collection at the University of Louisville Music Library.

These manuscript parts contain the following numbers: 1, 3, 5, 7, 13, 15, 17, 18, 20b, 22, 24, 26, 28.
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Vocal Scores

Complete

Arranger Johann Heinrich Clasing (1779–1829), piano reduction
Language German
Publisher. Info. Hamburg: August Cranz, 1820.
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Misc. Notes This file is part of the Submission Project.
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Arranger Wolfgang Amadeus Mozart (1756–1791)
Ludwig Hellwig (1773–1838)
Language German
Translator Johann Joachim Eschenburg (1743–1820), German text
Publisher. Info. Hamburg: August Böhme, n.d.[1820]. Plate 1.
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Misc. Notes This file is part of the Submission Project.
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Arranger John Clarke-Whitfeld (1770–1836), piano reduction
Language English
Publisher. Info. London: J. Surman, n.d.(ca.1840).
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Arranger Vincent Novello (1781–1861), piano reduction
Language English
Publisher. Info. London: Novello, n.d.
Reprinted Melville: Belwin Mills, n.d.[1985].
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Misc. Notes 600 dpi. Page size is 7 x 10.5 inches.
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Language German / English
Publisher. Info. Braunschweig: Henry Litolff, n.d. Plate 1706.
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Arranger Friedrich Chrysander (1826–1901), piano reduction
Language German
Publisher. Info. Georg Friedrich Händels Werke. Band 22
Leipzig: Deutsche Händelgesellschaft, 1865. Plate H.W. 22.
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Arranger Charles Lamoureux (1834–1899), piano reduction
Language French
Translator Victor Wilder (1835–1892), French text
Publisher. Info. Paris: Heugel, n.d.[1874]. Plate H. 4470.
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Language English / German
Publisher. Info. Leipzig: C.F. Peters, No.3643, n.d.(ca.1923). Plate 10348.
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Misc. Notes 600 dpi. Page size is 7 x 10.5 inches.
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Abridgements

Arranger Frank V. Van der Stucken (1858–1929)
Language English
Publisher. Info. New York: G. Schirmer, 1909. Plate 20750.
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Selections

Editor Ebenezer Prout (1835–1909)
Publisher. Info. Songs and Airs by George Frideric Handel, Vols. I (high voice), II (low voice)
Boston: Oliver Ditson Company, 1905. Plate ML-1106-8, 1148-7.
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Misc. Notes This file is part of the Sibley Mirroring Project.
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Arranger Samuel Wesley (1766–1837)
Language English
Publisher. Info. London: Royal Harmonic Institution, n.d. Plate 1590.
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Arrangements and Transcriptions

Selections

For Organ (Best)
For Piano (Rimbault)
Arranger Edward Francis Rimbault (1816–1876)
Publisher. Info. London: D'Almaine and Co., n.d.(ca.1850). Plate 13405.
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Overture

For Harpsichord (Gouin)
Arranger Pierre Gouin - Contact
Publisher. Info. Montréal: Les Éditions Outremontaises, 2017
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Duet: Come, ever-smiling liberty (Part I, No.13b)

For Female Chorus and Piano (Diack)
Arranger John Michael Diack (1869–1946)
Publisher. Info. The Lyric Collection of Choral Music, No.1585.
London: Paterson's Publications Ltd., 1929. Plate L.C. 1585.
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Misc. Notes From uploader's collection. Arranged for SA.
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For Cello and Piano (Roth)
Arranger Philipp Roth (1853–1898)
Publisher. Info. Leipzig: Breitkopf und Härtel, n.d.(ca.1895). Plate V.A. 1562.
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Misc. Notes This file is part of the Sibley Mirroring Project.
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Aria: How vain is man (Part II, No.24)

For Violin and Piano (Heim)
See: Palaestra, Vol.2b (No.28)

Chorus: See, the conqu'ring hero comes! (Part III, No.35)

For Female Chorus and Mixed Chorus
Editor Hermann Kleemeyer (1859–1941)
Publisher. Info. Unsere Lieder. I. Teil (pp.13-14)
Klein Ilsede: Niedersächsischer Kirchenchor-Verband, n.d.(ca.1910).
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Misc. Notes Scanned at 600dpi grayscale, converted to monochrome, not cleaned.
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For Mixed Chorus (Taupin)
See: Canticorum jubilo by Daniel Taupin.
For Mixed Chorus
Arranger Unknown
Editor Ludwig Erk (1807–1883)
Friedrich Erk (1809–1878)
Wilhelm Greef (1809–1875)
Language German
Translator Johann Joachim Eichenburg*
Publisher. Info. Chorbuch des "Sängerhain". Zweiter Band. Ausgabe B.
Essen: G. D. Baedeker, n.d.[1899].
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Misc. Notes *Tochter Zion, freue dich. This sacred contrafacture (parody) is also attributed to Friedrich Heinrich Ranke (1798-1876).
Scanned at 600dpi grayscale, converted to monochrome, not cleaned.
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For 4 Recorders (Gomez)
Arranger Alberto Gomez Gomez
Publisher. Info. Alberto Gomez Gomez
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Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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For Flute, Harp, Cello and Piano (Burrowes)
Arranger John Freckleton Burrowes (1787–1852)
Publisher. Info. London: Chappell, n.d.(ca.1830). Plate 1939.
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Misc. Notes From the International Harp Archives at Brigham Young University
(as digitally mirrored at archive.org).
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For Horn, Trumpet, Euphonium and Tuba (Messerschmidt)

4 more: Horn (F) • Trumpet (C) • Euphonium • Tuba

Arranger Hans Jorgen Messerschmidt (b. 1944)
Publisher. Info. Hans Jorgen Messerschmidt, 2013.
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For 2 Voices and Continuo
Arranger Anonymous
Publisher. Info. Manuscript, n.d.(ca.1750-1800).
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Misc. Notes From Royal College of Music Library, London (GB-Lcm): MS 1120
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For Piano 4 hands (Moszkowski)
Arranger Moritz Moszkowski (1854–1925)
Publisher. Info. The Etude Magazine (pp.176-77)
Philadelphia: Theodore Presser Co., March 1922.
Copyright
Misc. Notes “As transcribed by Moszkowski this fine old chorus gains additional eloquence and sonority, without violence to the original.”
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For Piano (Moszkowski)
Arranger Moritz Moszkowski (1854–1925)
Publisher. Info. The Etude Magazine, June 1919.
Philadelphia: Theodore Presser Co., n.d.
Copyright
Misc. Notes “This splendid old chorus See the Conquering Hero Comes from Handel’s well-known oratorio.[sic] M. Moszkowski has made a sonorous and effective piano piece of this number. Grade 4.”
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March (Act III, No.36)

For 2 Trumpets, Trombone and Tuba (Székelyhidi)
Arranger Vilmos Székelyhidi
Publisher. Info. Vilmos Székelyhidi
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Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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For Trumpet and Organ (Rondeau)
Arranger Michel Rondeau
Publisher. Info. Michel Rondeau
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Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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For Keyboard (Gouin)
Arranger Pierre Gouin - Contact
Publisher. Info. Montréal: Les Éditions Outremontaises, 2017
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For Keyboard
Arranger Anonymous
Publisher. Info. Manuscript, n.d.(ca.1700s).
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Misc. Notes Royal College of Music Library, London (GB-Lcm): MS 822/27
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Chorus: Halleluja, Amen (Act III, No.41/42)

For Orchestra (Stenov)

10 more: Horn (F) • Trumpet 1/2/3 (C) • Trumpet 1/2/3 (A/C) • Trombone • Timpani • Violins I • Violins II • Violas • Cellos/Basses • Continuo (Organ)

Arranger Michael Stenov
Publisher. Info. Michael Stenov
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For Male Chorus and Piano (Davison)
Arranger Archibald Thompson Davison (1883–1961)
Publisher. Info. The Concord Series: Harvard University Glee Club Collection of Part Songs for Men's Voices, No.38
Boston: E.C. Schirmer Music Co., 1923. Plate E.C.S. No.38.
Copyright
Misc. Notes This file is part of the Indianapolis Maennerchor Archive.
This item, which is in the public domain in its country of origin, is likewise in the public domain in countries which apply the rule of the shorter term. All EU countries apply the rule of the shorter term in general.
Note that in some cases this rule may be overridden by a treaty with the source country (especially the United States) and/or may not apply to works which fell into the public domain in their source country due to a failure to renew copyright or comply with other formalities.
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Librettos

Language German
Publisher. Info. Alzey: R. Pfund, n.d.(ca.1906?).
Copyright
Misc. Notes 600 dpi. 5.55 x 9.02 inches. From a performance on 1906-05-20 in the Kirche zu Alzey.
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General Information

Work Title Judas Maccabaeus
Alternative. Title
Name Translations Judas Maccabeus; ユダス・マカベウス; Juda Machabeusz; יהודה המכבי (הנדל); Juda Makabejský (Händel); [3 more...]Júdás Makkabeus; یهودای مکابی (هندل); 猶大·馬加比(HWV 63)
Authorities WorldCat; Wikipedia; VIAF: 174965030; LCCN: n82159318; GND: 300064837; BNF: 13913109f
Composer Handel, George Frideric
Opus/Catalogue NumberOp./Cat. No. HWV 63
Internal Reference NumberInternal Ref. No. IGH 228
Movements/SectionsMov'ts/Sec's 3 acts:
  • Act I
1. Overture
2. Chorus: Mourn, ye afflicted children
3. Duet: From this dread scene (Israelitish Man, Israelitish Woman)
4. Chorus: For Sion lamentation make
5. Recitative: Not vain is all this storm of grief (Simon)
6. Aria: Pious orgies, pious airs (Simon)
7. Chorus: O Father, whose almighty pow'r
8. Recitative: I feel the Deity within (Simon)
9. Aria and Chorus: Arm, arm, ye brave (Simon)
10. Recitative: 'Tis well, my friends! (Judas Maccabaeus)
11. Aria and Chorus
a. Aria: Call forth thy pow'rs, my soul (Judas Maccabaeus)
b. Chorus: Lead on, lead on!
12. Recitative: To Heav'n's almighty King we kneel (Israelitish woman)
13. Air and Duet
a. Air: O liberty, thou choicest treasure (Israelitish woman)
b. Duet: Come ever-smiling liberty (Israelitish Woman, Israelitish Man)
14. Recitative: My zealous father, now at rest (Judas Maccabaeus)
15. Trio and Chorus: Disdainful of danger
(Priest, Judas Maccabaeus, Simon; Israelitish Woman)
16. Recitative: Haste ye, my brethren (Simon)
17. Chorus: Hear us, O Lord
  • Act II
18. Chorus: Fall'n is the foe
19. Duet and Chorus: Sion now her head shall raise (Israelitish Woman and Man)
20. Recitative: Oh, let eternal honours (Israelitish Woman)
21. Aria: From mighty kings he took the spoil (Israelitish Woman)
22. Chorus: Hail, Judea, happy land
23. Recitative: Thanks to my brethren! (Judas Maccabaeus)
24. Aria: How vain is man (Judas Maccabaeus)
25. Recitative: Oh Judas, oh my brethren (Israelitish Messenger)
26. Aria and Chorus: Ah! wretched, wretched Israel (Israelitish Woman)
27. Recitative: My arms! (Judas Maccabaeus)
28. Aria and Chorus: Sound an alarm! (Judas Maccabaeus)
29. Recitative: Enough! To Heav'n we leave the rest! (Simon)
30. Chorus: We never will bow down
  • Act III
31. Aria: Father of Heav'n (Priest)
32. Recitative: Oh grant it, Heav'n (Israelitish Woman)
33. Aria: So shall the lute and harp awake (Israelitish Woman)
34. Recitative: From Capharsalama on eagle wings I fly (Israelitish Messenger)
35. Chorus: See, the conqu'ring hero comes!
36. March
37. Chorus: Sing unto God
38. Recitative: Sweet flow the strains (Judas Maccabaeus)
39. Aria: No unhallowed desire (Judas Maccabaeus)
40. Duet: Oh lovely peace (Israelitish Woman, Israelitish Man)
41. Aria and Chorus
a. Aria: Rejoice, oh Judah! (Simon)
b. Chorus: Hallelujah, Amen!
Year/Date of CompositionY/D of Comp. 1746 (8/9 July to 11 August)
First Performance. 1747-04-01 in London, Covent Garden.
Soli, Chorus and Orchestra, George Frideric Handel (conductor)
Librettist Thomas Morell (1703–1784)
after the 1st book of "Maccabees" from the Apocrypha and a few details from Josephus' "Antiquitates Judaicae". This work represents Morell's first collaboration with Handel.
Language English (+ translations)
Composer Time PeriodComp. Period Baroque
Piece Style Baroque
Instrumentation voices, mixed chorus (SATB), orchestra
InstrDetail [more...]
Roles
Judas Maccabaeus (tenor)
Simon, his Brother (bass)
Israelite Woman (soprano)
Israelite Man (mezzo-soprano)
Eupolemus, the Jewish Ambassador to Rome (alto)
First Messenger (alto)
Second Messenger (bass)

Mixed Chorus (SATB)

Israelites, Youths, Virgins

Orchestra

2 flutes, 2 oboes, 2 bassoons
2 horns, 3 trumpets, timpani, organ, strings
Related Works Pieces based on Judas Maccabaeus
External Links Wikipedia article
Complete libretto