Performances
Recordings
⇒ 5 more: 2. Gloria • 3. Credo • 4. Sanctus • 5. Benedictus • 6. Agnus Dei
| Performer Pages
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Cantores Carmeli Linz (chorus)
Michael Stenov (director)
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| Publisher Info.
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Michael Stenov
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| Copyright
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| Misc. Notes
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Live recording from the Karmelitenkirche Linz 2017
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Naxos
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Sheet Music
Scores
| Publisher. Info.
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Holograph manuscript, n.d.(ca.1775-77).
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| Copyright
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| Misc. Notes
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dated 1776 but the authenticity of this date, and whether it applies to every movement of the score, etc.- in doubt; see notes to NMA, linked below.
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| Editor
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Walter Senn (1904-1981)
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| Publisher. Info.
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Neue Mozart-Ausgabe, Serie I, Werkgruppe 1,
Abteilung 1: Messen und Requiem: Messen, Bd.3 [NMA I/1//Abt. 1/3] (pp.195-264)
Kassel: Bärenreiter-Verlag, 1980. Plate BA 4585.URTEXT EDITION
This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin.
In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).
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| Copyright
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| Misc. Notes
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This file is mirrored from the Neue Mozart-Ausgabe.
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| Editor
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Franz Espagne (1828–1878)
Gustav Nottebohm (1817–1882)
Wolfgang Horn (1956–2019), revision
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| Publisher. Info.
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Breitkopf & Härtels Partitur-Bibliothek, No.4884
Wiesbaden: Breitkopf & Härtel, 1989. Plate Wb. 2095. URTEXT EDITION
This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.
In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).
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Parts
⇒ 8 more: Trumpet 2 (C) • Trombone 1 • Trombone 2 • Trombone 3 • Timpani • Violins I • Violins II • Cellos/Basses
| Editor
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Franz Espagne (1828–1878)
Gustav Nottebohm (1817–1882)
Wolfgang Horn (1956–2019), revision
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| Publisher. Info.
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Breitkopf & Härtels Orchester-Bibliothek, No.4884
Wiesbaden: Breitkopf & Härtel, 1990. URTEXT EDITION
This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.
In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).
You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.
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Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
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| Copyright
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Vocal Scores
| Arranger
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Carl Rouland (1865–1935), reduction
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| Publisher. Info.
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Augsburg: Anton Böhm, n.d.
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| Copyright
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| Editor
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Franz Espagne (1828–1878)
Gustav Nottebohm (1817–1882)
Wolfgang Horn (1956–2019), revision
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| Publisher. Info.
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Breitkopf & Härtels Chor-Bibliothek, No.5293
Wiesbaden: Breitkopf & Härtel, 1999. Plate Breitkopf ChB 5293. URTEXT EDITION
This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.
In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).
You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.
More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
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| Editor
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Julian Shortman
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| Publisher. Info.
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Julian Shortman
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| Copyright
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| Misc. Notes
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Bars 1-61 of Benedictus are absent.
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General Information
| Work Title
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Missa brevis in C
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| Alternative. Title
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Orgelsolo-Messe ; Organ Solo Mass ; Mass No.12
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| Name Translations
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Missa brevis in do maggiore K 259; Missa Brevis No. 8; Missa brevis núm. 8; Missa brevis n.º 8; Missa brevis in C-Dur KV 259; Missa brevis n° 8 en ut majeur K. 259
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| Name Aliases
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K 259; K. 259; Organ solo mass; Orgelsolomesse
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| Authorities
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WorldCat; Wikipedia; VIAF: 186088297; LCCN: no88002901; GND: 30010961X; SELIBR: 169970; BNF: 139356567; NLA: 35980501
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| Composer
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Mozart, Wolfgang Amadeus
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| Opus/Catalogue NumberOp./Cat. No.
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K.259
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| Internal Reference NumberInternal Ref. No.
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IWM 331
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| Key
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C major
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| Movements/SectionsMov'ts/Sec's
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6 sections
- I. Kyrie
- II. Gloria
- III. Credo
- IV. Sanctus
- V. Benedictus
- VI. Agnus Dei
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| Year/Date of CompositionY/D of Comp.
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1776? (however see NMA which has between 1775-77)
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| First Publication.
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1815 ca. (in extract) or before
1822 ca.? by Novello (vocal score)
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| Language
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Latin
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| Composer Time PeriodComp. Period
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Classical
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| Piece Style
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Classical
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| Instrumentation
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Voices: soprano, alto, tenor, bass; mixed chorus (SATB)
Orchestra: 2 oboes, [bassoon], 2 clarini (C), 3 trombones (colla parte), timpani, strings (no viola), continuo (organ)
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| External Links
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Wikipedia article
NMA score
NMA report (German)
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Navigation etc.
NMA score differs from 1878 score greatly, e.g. in the entry of three trombones at bar 5 in the former.
First published by Lotter of Augsburg? (Date not given by NMA) or by Böhm? May have been published ca.1822 by Novello in vocal score.
Breitkopf published ca.1815 a cantata ("Herr auf den wir schauen") using music extracted from this mass and other works by Mozart, arranged.
| Masses by Wolfgang Amadeus Mozart
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- Missa brevis in G major, K.49/47d ("No.1")
- Missa brevis in D minor, K.65/61a ("No.2")
- Mass in C major, K.66 ("No.3" or "Dominicus")
- Missa solemnis in C minor, K.139/47a ("No.4" or "Waisenhaus")
- Missa brevis in G major, K.140/Anh.C 1.12 ("No.5" or "Pastoral", spurious)
- Missa brevis in F major, K.192/186f ("No.6")
- Mass in C major, K.167 ("No.7")
- Missa brevis in D major, K.194/186h ("No.8")
- Missa brevis in C major, K.220/196b ("No.9" or "Spatzenmesse")
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- Mass in C major, K.257 ("No.10" or "Credo")
- Missa brevis in C major, K.258 ("No.11" or "Spaur")
- Missa brevis in C major, K.259 ("No.12" or "Organ Solo")
- Mass in C major, K.262/246a ("No.13" or "Missa longa")
- Missa brevis in B-flat major, K.275/272b ("No.14")
- Mass in C major, K.317 ("No.15" or "Coronation")
- Missa solemnis in C major, K.337 ("No.16" or "Missa aulica")
- Mass in C minor, K.427/417a ("No.17" or "Great", incomplete)
- Requiem in D minor, K.626 (unfinished)
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