| Work Title
|
Ave Maria
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| Alternative. Title
|
Méditation sur le Premier Prélude de Piano de S. Bach (original title)
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| Name Translations
|
アヴェ・マリア (グノー); آفي ماريا; อาเว มารีอา; 아베 마리아; Ave Maria (Gounod); 聖母頌; آوه ماریا; 圣母颂; Ave María; Авэ Марыя
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| Name Aliases
|
Ave Maria de Bach/Gounod; Ave Maria (Bach/Gounod); อาเว มารีอา (กูโน); Méditation sur le Premier Prélude de Piano de S. Bach
|
| Authorities
|
WorldCat; Wikipedia; VIAF: 186237080; BNF: 139126203
|
| Composer
|
Gounod, Charles
|
| Opus/Catalogue NumberOp./Cat. No.
|
CG 89
|
| Internal Reference NumberInternal Ref. No.
|
ICG 18
|
| Key
|
C major
|
| Movements/SectionsMov'ts/Sec's
|
1. Andante semplice (73 bars)
|
| Year/Date of CompositionY/D of Comp.
|
1852-53, rev. 1859
|
| First Performance.
|
1853-04-10 in Paris
- Alexandre Batta (violin), Société des jeunes artistes (chorus, orchestra)
|
| First Publication.
|
1853 - Paris: Heugel, Plate H. 1595
|
| Dedication
|
Joseph Zimmermann (1785–1853)
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| Composer Time PeriodComp. Period
|
Romantic
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| Piece Style
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Romantic
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| Instrumentation
|
violin, piano; violin, organ, piano
|
| Related Works
|
Based on J.S. Bach: Prelude in C major, BWV 846
|
| External Links
|
Wikipedia article All Music Guide
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| Extra Information
|
Bach's original is 35 bars. The earliest setting, in C major, seems to be the one for violin, piano and optional organ (CG 89a). Other settings from 1853 are for violin solo, 6-part chorus, organ, piano and orchestra, with a different Latin text (Méditation, CG 89). Gounod revised the work into its present form setting the Ave Maria text in 1859 for a concert featuring soprano Caroline Miolan-Carvalho. As noted in Wikipedia, it's not to be confused with his 7 other settings of the same text for various vocal and choral forces, including one based on a different Bach original (BWV 999).
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