Performances
Recordings
Performer Pages
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Cantores Carmeli Linz (chorus) Michael Stenov (director/organist)
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Publisher Info.
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Michael Stenov
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Copyright
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Misc. Notes
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Live recording from the Karmelitenkirche Linz 2019 - with organ accompaniment
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Sheet Music
Scores and Parts
Publisher. Info.
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Holograph manuscript, n.d.(ca.1873).
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Copyright
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Misc. Notes
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ca.300dpi color images. This file is based on high-resolution images obtained from the source using a method explained on this page. Composer's manuscript with autograph. Source: Österreichische Nationalbibliothek, Mus.Hs.44227. Contains comment by Bruckner with respect to the performance of Graduales ("better without violins") and penciled notes of Rudolf Weinwurm (1835-1911) concerning the provenance of the autograph. Scored for SSAATTBB, 2 violins, and 3 trombones. See also: Bruckner-online. Catalog entries claim a date of 1873 but no date appears to be visible on the score.
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Publisher. Info.
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Holograph manuscript, n.d.(ca.1873).
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Copyright
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Misc. Notes
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ca.300dpi color images. This file is based on high-resolution images obtained from the source using a method explained on this page. Source: Stift St. Florian, A-SF20-42. Bar 22 to bar 51: score for additional string kwintet (2 Violas, 2 Cellos, 1 Bass).
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Publisher. Info.
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Manuscript, n.d. (copyists' manuscripts)
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Copyright
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Misc. Notes
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ca.300dpi color images. This file is based on high-resolution images obtained from the source using a method explained on this page. Copyist manuscript from the Akademischen Gesangvereins Wien. Source: Österreichische Nationalbibliothek, Mus.Hs.33181. See also: Bruckner-online.
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Editor
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Hans Bauernfeind (1908-1985) Leopold Nowak (1904-1991)
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Publisher. Info.
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Neue Gesamtausgabe, Band XXI. XXI. Kleine Kirchenmusikwerke, (pp.100-106) Vienna: Musikwissenschaftlicher Verlag, 1984. URTEXT EDITION This "urtext" or "scholarly" (scientific) edition is in the public domain because it was published at least 25 years ago for most of the EU (20 years ago in Italy, 30 years ago in Poland) over 25 years ago for the former USSR. Such editions are also public domain in Canada because they fail to meet the minimum 'threshold of originality' to qualify for copyright as an 'adaptation'. They may not be public domain elsewhere. More information about this can be found here. Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
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Copyright
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⇒ 4 more: Alto Trombone • Tenor Trombone • Bass Trombone • Violins I/II
Editor
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Alexander Reuter
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Publisher. Info.
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Alexander Reuter
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Copyright
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Misc. Notes
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Edited form manuscript stored at Austrian National Library under signatory A-Wn-Mus.Hs.44227.
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Arrangements and Transcriptions
For Mixed Chorus
Arranger
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Composer?
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Editor
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Ludwig Berberich (1882-1965), Preface
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Publisher. Info.
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Vienna: Musikwissenschaftlicher Verlag, 1934.
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Copyright
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Misc. Notes
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ca.160dpi color images. Converted to Black and White, deskewed, and resample to 600 dpi. This file is based on high-resolution images obtained from the source using a method explained on this page. Title page mentions this being a Op.Post(humous) work. This was probably used before the WAB catalogue system for Bruckner was created. In this arrangement the violins are replaced by the alto voice (bars 1-14). See also: Bruckner-online.
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Sketches and Drafts
Publisher. Info.
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Holograph manuscript, n.d.[1879].
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Copyright
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Misc. Notes
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ca.300dpi color images. This file is based on high-resolution images obtained from the source using a method explained on this page. Manuscript sketch by the composer. Source: Österreichische Nationalbibliothek, Mus.Hs.6021. See also: Bruckner-onlne.
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Free Recordings
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General Information
Work Title
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Christus factus est (II)
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Alternative. Title
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Name Translations
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キリストは従順であられた
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Name Aliases
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クリストゥス・ファクトゥス・エスト(キリストは従順であられた)
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Authorities
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WorldCat; Wikipedia; VIAF: 292549009; BNF: 14805619c
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Composer
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Bruckner, Anton
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Opus/Catalogue NumberOp./Cat. No.
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WAB 10
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I-Catalogue NumberI-Cat. No.
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IAB 17
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Key
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D minor
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Movements/SectionsMov'ts/Sec's
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1 gradual (Andante)
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Year/Date of CompositionY/D of Comp.
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1873 or before
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First Performance.
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1873-12-08
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First Publication.
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1934
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Copyright Information
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Most likely public domain in the USA, despite publication date.In the USA this work is most likely in the public domain because it was published without a compliant copyright notice or no renewal was found after a thorough search of the Catalog of Copyright Entries and it was apparently ineligible for "restoration" under GATT/TRIPS.
Please obey the copyright laws of your country. IMSLP assumes no legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
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Librettist
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Phil 2, 8-9
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Language
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Latin
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Composer Time PeriodComp. Period
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Romantic
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Piece Style
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Romantic
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Instrumentation
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Voices: mixed chorus (SSAATTBB) 3 trombones, 2 violins (or string quintet: 2 violins, viola, cello, bass) [ad lib]
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External Links
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Wikipedia article
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Navigation etc.
- Grove Music lists the instrumentation as "str 3tbn", and Bruckner-online as "Str. (Vl. I, Vl. II, Va., Vc., Kb.), Pos. (A-Pos., T-Pos., B-Pos.)". The Bruckner Gesamtausgabe lists indeed the instrumentation as a string quintet (2 violins, viola, cello and double bass) and 3 trombones, with Bruckner's annotation "Besser ohne Violinen". Ricardo Luna's recording follows the Bruckner Gesamtausgabe.
- Sure but the original manuscript (Mus.Hs.44227) hosted on the Austrian National Library states the instrumentation he provided as being mixed chorus (SSAATTBB), 3 trombones and 2 violins. No mention of extra lower strings at all... remember the instrumentation provided in the General Information section has to be taken from what the manuscript states, thus being the original.
- Bruckner-online claims manuscript A-SF20-42 string parts (for 2 violas, 2 cellos, and double bass) from the archive of St. Florian are in Bruckner's handwriting and are dated 1873 (although no date appears to be visible on the scanned images).
Motets by Anton Bruckner
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- Pange lingua, WAB 31 (1835 ca./1891)
- Libera me, WAB 21 (1843 ca.)
- Asperges me, WAB 4 (1843-44 ca.)
- 2 Asperges me, WAB 3 (1845 ca.)
- Tantum ergo, WAB 32, (1845 ca.)
- Tantum ergo, WAB 43 (1845 ca.)
- Dir, Herr, dir will ich mich ergeben, WAB 12 (1845)
- O du liebes Jesu Kind, WAB 145 (1845-46 ca.)
- Herz-Jesu-Lied, WAB 144 (1845-46 ca.)
- 4 Tantum ergo, WAB 41 (1846/1888)
- Tantum ergo, WAB 42 (1846/1888)
- Aequale, WAB 114 (1847) for 3 trombones
- Aequale, WAB 149 (1847) for 3 trombones
- In jener letzten der Nächte, WAB 17 (1848 ca.)
- Totenlied No.1, WAB 47 (1852)
- Totenlied No.2, WAB 48 (1852)
- Libera me, WAB 22 (1854)
- Tantum ergo, WAB 44 (1854 ca.)
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- Ave Maria, WAB 5 (1856)
- Ave Maria, WAB 6 (1861)
- Afferentur regi, WAB 1 (1861)
- Pange lingua, WAB 33 (1868)
- Inveni David, WAB 19 (1868)
- Iam lucis orto sidere, WAB 18 (1868/1886)
- Locus iste, WAB 23 (1869)
- Christus factus est, WAB 10 (1873)
- Tota pulchra es, WAB 46 (1878)
- Os justi, WAB 30 (1879)
- Ave Maria, WAB 7 (1882)
- Christus factus est, WAB 11 (1884)
- Salvum fac populum, WAB 40 (1884)
- Veni creator spiritus, WAB 50 (1884 ca.)
- Ecce sacerdos magnus, WAB 13 (1885)
- Virga Jesse, WAB 52 (1885)
- Ave regina caelorum, WAB 8 (1885 ca.)
- Vexilla regis, WAB 51 (1892)
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