Performances
Recordings
| Performer Pages
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Cantores Carmeli Linz (chorus)
Michael Stenov (director/organist)
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| Publisher Info.
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Michael Stenov
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| Copyright
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| Misc. Notes
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Live recording from the Karmelitenkirche Linz 2006
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Naxos
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Sheet Music
Scores and Parts
| Publisher. Info.
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Manuscript, n.d. (copyist's manuscript)
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| Copyright
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| Misc. Notes
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ca.300dpi color images. This file is based on high-resolution images obtained from the source using a method explained on this page. Source: Diözesanarchiv Linz, A-LId472_6_29.
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| Publisher. Info.
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Manuscript, n.d.(ca.1886). (copyist's stichvorlage)
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| Copyright
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| Misc. Notes
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ca.300dpi color images. This file is based on high-resolution images obtained from the source using a method explained on this page. Copyist's stichvorlage prepared for the 1886 edition published by Theodor Rättig. Source: Österreichische Nationalbibliothek, Mus.Hs.37283. See also: Bruckner-online.
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| Editor
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First edition
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| Engraver
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Vienna: Josef Eberle & Co.
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| Publisher. Info.
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Vienna: Theodor Rättig, n.d.[1886]. Plate T.R. 41.
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| Copyright
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| Misc. Notes
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Original images: ca.120dpi, color jpg files approx. 1060 by 1570 pixels. Editing: re-sampled to 600dpi, converted to black and white tif files, de-skewed, and set uniform margins. This file is based on high-resolution images obtained from the source using a method explained on this page.
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| Editor
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Hans Bauernfeind (1908-1985)
Leopold Nowak (1904-1991)
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| Publisher. Info.
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Neue Gesamtausgabe, Band XXI. XXI. Kleine Kirchenmusikwerke, (pp.98-99)
Vienna: Musikwissenschaftlicher Verlag, 1984. URTEXT EDITION
This "urtext" or "scholarly" (scientific) edition was published at least 25 years ago in the EU (or 20 years ago in Italy, before 1992 in the former USSR). Hence, the edition is public domain in its country of origin or a government publication. Such editions are also public domain in Canada because they fail to meet the minimum 'threshold of originality' to qualify for copyright as an 'adaptation'. They may not be public domain elsewhere. More information about this can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
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| Editor
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Alain Brunet (b. 1967)
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| Publisher. Info.
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Alex'Not
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| Editor
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Alexander Reuter
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| Publisher. Info.
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Alexander Reuter
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| Copyright
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| Misc. Notes
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Edited from manuscript stored at the Austrian National Library under signatory A-WnMus.Hs.28268; Bruckner-online
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⇒ 4 more: Sopranos • Altos • Tenors • Basses
| Editor
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Alonso del Arte
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| Publisher. Info.
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Alonso del Arte
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| Copyright
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| Misc. Notes
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Altos and tenors are given with alto and tenor clefs, respectively (but treble clef in the parts) [Score]. Altos and tenors are given with treble clef both (but alto and tenor clef respectively in the score) [Parts]. I went back and forth on whether or not to use the treble clef with the little 8 for the tenors, but ultimately decided on the plain treble clef, which I think is quite clear enough.
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Arrangements and Transcriptions
For 4 Cellos (Mandozzi)
⇒ 4 more: Cello 1 • Cello 2 • Cello 3 • Cello 4
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Orfeo Mandozzi
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| Publisher. Info.
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Winterthur: Orfeo Mandozzi, 2014.
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Free Recordings
A selection among the numerous recordings of this popular motet:
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General Information
Lyrics:
Locus iste, a Deo factus est,
inaestimabile sacramentum, irreprehensibilis est.
Locus iste, a Deo factus est.
Translation:
This location [the church] was made by God,
a sacrament of inestimable value, irreproachable.
| Motets by Anton Bruckner
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- Pange lingua, WAB 31 (1835 ca./1891)
- Libera me, WAB 21 (1843 ca.)
- Asperges me, WAB 4 (1843-44 ca.)
- 2 Asperges me, WAB 3 (1845 ca.)
- Tantum ergo, WAB 32, (1845 ca.)
- Tantum ergo, WAB 43 (1845 ca.)
- Dir, Herr, dir will ich mich ergeben, WAB 12 (1845)
- O du liebes Jesu Kind, WAB 145 (1845-46 ca.)
- Herz-Jesu-Lied, WAB 144 (1845-46 ca.)
- 4 Tantum ergo, WAB 41 (1846/1888)
- Tantum ergo, WAB 42 (1846/1888)
- Aequale, WAB 114 (1847) for 3 trombones
- Aequale, WAB 149 (1847) for 3 trombones
- In jener letzten der Nächte, WAB 17 (1848 ca.)
- Totenlied No.1, WAB 47 (1852)
- Totenlied No.2, WAB 48 (1852)
- Libera me, WAB 22 (1854)
- Tantum ergo, WAB 44 (1854 ca.)
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- Ave Maria, WAB 5 (1856)
- Ave Maria, WAB 6 (1861)
- Afferentur regi, WAB 1 (1861)
- Pange lingua, WAB 33 (1868)
- Inveni David, WAB 19 (1868)
- Iam lucis orto sidere, WAB 18 (1868/1886)
- Locus iste, WAB 23 (1869)
- Christus factus est, WAB 10 (1873)
- Tota pulchra es, WAB 46 (1878)
- Os justi, WAB 30 (1879)
- Ave Maria, WAB 7 (1882)
- Christus factus est, WAB 11 (1884)
- Salvum fac populum, WAB 40 (1884)
- Veni creator spiritus, WAB 50 (1884 ca.)
- Ecce sacerdos magnus, WAB 13 (1885)
- Virga Jesse, WAB 52 (1885)
- Ave regina caelorum, WAB 8 (1885 ca.)
- Vexilla regis, WAB 51 (1892)
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