Pange, lingua, gloriosi Corporis mysterium, WAB 31 (Bruckner, Anton)

Sheet Music

Scores

1st Version (1835 ca.)

PDF scanned by A-Wn
Sallen112 (2016/7/1)

Copyist Franz Xaver Bayer (1862-1921)
Max Auer (1880-1962)
Publisher. Info. Manuscript, n.d.(before 1922). (copyist's manuscript)
Copyright
Misc. Notes ca.300dpi color images. Source: Österreichische Nationalbibliothek, Mus.Hs.19712. See also: Bruckner-online.
Bruckner's original manuscript is lost. This transcription by Franz Bayer is incorrectly labelled as "Pange linqua". It contains an obvious transcription error on bar 20: the alto score should be E, D and that of the tenor score logically C, D.
In the Bruckner Gesamtausgabe, Band XXI, p. 3, the alto score on bar 20 is indeed put as E, D. The tenor score is corrected (between brackets) as G, G, with as footnote: "Voorlage irrtümlich: B, D".
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PDF scanned by Bruckner-online
Cypressdome (2019/3/5)

Editor First edition
August Göllerich (1859–1923)
Max Auer (1880–1962)
Publisher. Info. Anton Bruckner: ein Lebens- und Schaffens-Bild, Band 1, Teil 2
Regensburg: Gustav Bosse, 1927.
Copyright
Misc. Notes ca.150dpi grayscale image.
In the USA this work is most likely in the public domain because it was published without a compliant copyright notice or no renewal was found after a thorough search of the Catalog of Copyright Entries and it was apparently ineligible for "restoration" under GATT/TRIPS.
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PDF scanned by Bruckner Online
Christian.kraus (2019/3/4)

Editor Hans Bauernfeind (1908-1985)
Leopold Nowak (1904-1991)
Publisher. Info. Neue Gesamtausgabe, Band XXI/XXI. Kleine Kirchenmusikwerke (pp.3)
Vienna: Musikwissenschaftlicher Verlag, 1984.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

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Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
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2nd Version (1891)

PDF scanned by A-Wn
Sallen112 (2016/7/1)

Publisher. Info. Holograph manuscript, 1891. (April 19).
Copyright
Misc. Notes ca.300dpi color images. This file is based on high-resolution images obtained from the source using a method explained on this page. Composer's manuscript with autograph. Source: Österreichische Nationalbibliothek, Mus.Hs.3184. See also: Bruckner-online.
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PDF scanned by Bruckner Online
Sallen112 (2016/6/30)

Publisher. Info. Manuscript, n.d.(ca.1891). (copyist's manuscript)
Copyright
Misc. Notes ca.300dpi color images. Copyist's manuscript. Archived in the Musikarchiv Stift Klosterneuburg. A-KN198_3.
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PDF scanned by A-Wn
Sallen112 (2016/7/1)

Copyist unknown
Max Auer (1880-1962), additional notations
Publisher. Info. Manuscript, n.d.(ca.1920s ?). (copyist's manuscript)
Copyright
Misc. Notes ca.300dpi color images. This file is based on high-resolution images obtained from the source using a method explained on this page. Copyist's manuscript. Source: Österreichische Nationalbibliothek, Mus.Hs.33184. See also: Bruckner-online.
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PDF scanned by A-Wn
Sallen112 (2016/7/1)

Copyist unknown
Max Auer (1880-1962), additional notations
Publisher. Info. Manuscript, n.d.(ca.1920s ?). (copyist's manuscript)
Copyright
Misc. Notes ca.300dpi color images. Copyist's manuscript. Source: Österreichische Nationalbibliothek, Mus.Hs.19713. See also: Bruckner-online.
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PDF scanned by A-Wn
Sallen112 (2016/7/1)

Copyist Franz Xaver Bayer (1862-1921)
August Göllerich (1859-1923)
Max Auer (1880-1962)
Publisher. Info. Manuscript, n.d.(before 1922). (copyist's manuscript)
Copyright
Misc. Notes ca.300dpi color images. Source: Österreichische Nationalbibliothek, Mus.Hs.19711. See also: Bruckner-online.
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PDF scanned by Christian Kraus
Christian.kraus (2019/3/7)

Editor Hans Bauernfeind (1908-1985)
Leopold Nowak (1904-1991)
Publisher. Info. Neue Gesamtausgabe, Band XXI/XXI. Kleine Kirchenmusikwerke (pp.158)
Vienna: Musikwissenschaftlicher Verlag, 1984.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright
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PDF typeset by editor
Alexander Reuter (2016/6/29)

Editor Alexander Reuter
Publisher. Info. Alexander Reuter
Copyright
Misc. Notes Edited from holograph stored at Austrian National Library under signatory A-Wn-Mus.Hs.3184.
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PDF typeset by editor
Vangi (2016/12/15)

Editor Daniel Van Gilst
Publisher. Info. Daniel Van Gilst (2016)
Copyright
Misc. Notes 19. April 1891.
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General Information

Work Title Pange lingua
Alternative. Title Tell, my tongue
Name Translations Pange lingua, WAB 31; Pange lingua (Bruckner, 1835)
Authorities Wikipedia; BNF: 14805602n
Composer Bruckner, Anton
Opus/Catalogue NumberOp./Cat. No. WAB 31
I-Catalogue NumberI-Cat. No. IAB 78
Key C major
Movements/SectionsMov'ts/Sec's 1 motet
Year/Date of CompositionY/D of Comp. 1835-1837 ca. (1st Version)
1891-04-19 (2nd Version)
First Publication. 1927 – Regensburg: Gustav Bosse
(Anton Bruckner: ein Lebens- und Schaffens-Bild: Band 1, Teil 2)
Librettist Thomas Aquinas (ca.1225-1274)
Language Latin
Dedication Celebration of Corpus Christi
Average DurationAvg. Duration 1 minute
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation mixed chorus (SATB)
External Links Wikipedia article

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Motets by Anton Bruckner