Requiem in D minor, K.626 (Mozart, Wolfgang Amadeus)

Authorship Note
Mozart's Requiem was unfinished at the time of his death. Its first completed version reflects the contributions of his pupils (1791-92), commissioned by Mozart's widow, Constanze, in the following chronological order: Franz Jakob Freystädtler (parts of the Kyrie), Joseph Eybler (some sections), and Franz Xaver Süssmayr (revision and completion). Maximilian Stadler, Constanze's adviser and cataloguer of the manuscripts in Mozart's estate, allegedly made corrections to the Domine Jesu in the late 1790s, version in which the Requiem was first published in 1800.


Incipit \relative c'' { \clef treble \autoBeamOff \dynamicUp \key d \minor \time 2/2 \tempo "" \set Score.skipBars = ##t R1*8 r2 r4 a4~ | a8 a8 gis gis a4( b) | c4 bes!8 a bes4 a8[( g]) | a8 a16 a } \addlyrics { Re -- qui -- em æ -- ter -- nam do -- na e -- is, __ Do -- mi -- ne, }
Movements/SectionsMov'ts/Sec's 8 sections
Composition Year 1791 (unfinished)
Genre Categories Requiems; Funeral music; Religious works; [49 more...]Masses; For 4 voices, mixed chorus, orchestra; For voices and chorus with orchestra; Scores featuring the voice; Scores featuring the soprano voice; Scores featuring the alto voice; Scores featuring the tenor voice; Scores featuring the bass voice; Scores featuring mixed chorus; Scores featuring the orchestra; Latin language; For voices, mixed chorus, orchestra (arr); For voices and chorus with orchestra (arr); Scores featuring the voice (arr); Scores featuring mixed chorus (arr); Scores featuring the orchestra (arr); For 2 pianos (arr); Scores featuring the piano (arr); For 2 players (arr); For piano 4 hands (arr); Scores featuring the piano 4 hands (arr); For organ (arr); For 1 player (arr); Scores featuring the organ (arr); For piano (arr); For 10 recorders (arr); Scores featuring the recorder (arr); For 10 players (arr); For 2 trumpets, 2 trombones (arr); Scores featuring the trumpet (arr); Scores featuring the trombone (arr); For 4 players (arr); For 5 trumpets, 4 trombones (arr); For 9 players (arr); For strings (arr); Scores featuring string ensemble (arr); For 3 violins, viola, cello (arr); Scores featuring the violin (arr); Scores featuring the cello (arr); Scores featuring the viola (arr); For 5 players (arr); For guitar (arr); Scores featuring the guitar (arr); For harmonium (arr); Scores featuring the harmonium (arr); For horn, trumpet, euphonium (arr); Scores featuring the horn (arr); Scores featuring the euphonium (arr); For 3 players (arr)

Contents

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Performances [show]

Sheet Music

Full Scores

Mozart's fragments

 Complete Score
#660158 - 16.25MB, 98 pp. -  7.6666666666667/10 2 4 6 8 10 (6) - V/V/V - 710×⇩ - BachFan

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BachFan (2020/11/25)

Copyist Maximilian Stadler (1748–1833)
Publisher. Info. Manuscript, n.d.
Copyright
Public Domain
Misc. Notes Österreichische Nationalbibliothek, Vienna (A-Wn): Mus.Hs.19057
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Editor Johann Anton André (1775–1842)
Publisher. Info. Offenbach am Main: Johann André, 1829. Plate 5246.
Copyright
Public Domain
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 Complete Score (EU) (Preview)
#848267 - 9.51MB, 61 pp. -  5.3333333333333/10 2 4 6 8 10 (12) - C*/61*/V* - 18369×⇩ - Piupianissimo

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Piupianissimo (2023/4/2)

Editor Leopold Nowak (1904–1991)
Publisher. Info. Neue Mozart-Ausgabe, Serie I, Werkgruppe 1 [NMA I/1/Abt.2/1]
Kassel: Bärenreiter-Verlag, 1965. Plate BA 4537.
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Public Domain - See notes on copyright status for urtext editions
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Complete

Completion by Süssmayr et al.

 Volume 1 (ff. 1–64v)
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Publisher. Info. Partial autograph manuscript, 1791-92.
Copyright
Public Domain
Misc. Notes Österreichische Nationalbibliothek, Vienna (A-Wn): Mus.Hs.17561/a-b
Volume 1 ("score for delivery"): Consists of the complete Requiem presented by Constanze Mozart to Count Walsegg. Partially in Mozart's hand, completed and copied by Süssmayr (who also forged Mozart's signature). Parts of the Kyrie also completed by Freystädtler.
Volume 2 ("working score"): Fragmentary sections of the Requiem. Partially in Mozart's hand with the completion by Eybler. (Inscription on folio 65: Alles was nicht mit einer bleyfeder eingezäunt ist, ist Mozarts handschrift bis nach pagina 32.)
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Editor First edition
Language Latin / German
Translator Johann Arnold Minder (1770–1839), German text
Publisher. Info. Leipzig: Breitkopf und Härtel, n.d.[1800].
Copyright
Public Domain
Misc. Notes Boston Public Library, Music Department (US-Bp): Brown collection.
Includes German text by Johann Adam Hiller (1728-1804) and parody by Christian August Heinrich Clodius (1772-1836) at end of score.
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Language Latin / German
Translator Johann Arnold Minder (1770–1839), German text
Publisher. Info. Leipzig: Breitkopf und Härtel, n.d.[1812]. Plate 1821.
Copyright
Public Domain
Misc. Notes The German text by Hiller and parody by Clodius is in the frontmatter here.
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Language Latin / German
Publisher. Info. Leipzig: Breitkopf und Härtel, n.d.[1827]. Plate 4377.
Copyright
Public Domain
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Publisher. Info. Paris: Imprimerie du Conservartoire, n.d.
Copyright
Public Domain
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 Complete Score
#914636 - 12.91MB, 106 pp. -  0/10 2 4 6 8 10 (0) - V/V/V - 56×⇩ - BachFan

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BachFan (2024/5/15)

Copyist Unknown
Publisher. Info. Manuscript, n.d.
Copyright
Public Domain
Misc. Notes Österreichische Nationalbibliothek, Vienna (A-Wn): Mus.Hs.6090
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Editor Serie editors
Publisher. Info. Mozarts Werke, Serie XXIV: Supplemente, Bd.1, No.1
Leipzig: Breitkopf & Härtel, 1877. Plate W.A.M. 626.
Copyright
Public Domain
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Editor Serie editors
Publisher. Info. Mozarts Werke, Serie XXIV, Bd.1, No.1
Leipzig: Breitkopf & Härtel, 1877. Plate W.A.M. 626.
Reprinted Mineola: Dover Publications, 1989.
Copyright
Public Domain
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 Complete Score
#30150 - 11.37MB, 178 pp. -  7.6666666666667/10 2 4 6 8 10 (6) - V*/C*/V* - 40073×⇩ - Carolus

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Carolus (2009/4/4)

Editor Friedrich Blume (1893–1975)
Publisher. Info. Leipzig: Ernst Eulenburg, n.d.[1932]. Plate E.E. 3032.
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 Complete Score (EU) (Preview)
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Piupianissimo (2023/4/2)

Editor Leopold Nowak (1904–1991)
Publisher. Info. Neue Mozart-Ausgabe, Serie I, Werkgruppe 1 [NMA I/1/Abt.2/1]
Kassel: Bärenreiter-Verlag, 1965. Plate BA 4538.
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In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

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 Complete Score (EU)
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Feduol (2024/8/13)

Editor Richard Maunder (1937–2018)
Publisher. Info. Oxford: Oxford University Press, 1988.
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Selections

Completion by Eybler
Editor Leopold Nowak (1904–1991)
Publisher. Info. Neue Mozart-Ausgabe, Serie I, Werkgruppe 1 [NMA I/1/Abt.2/1]
Kassel: Bärenreiter-Verlag, 1965. Plate BA 4538.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

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Dies irae (No.3a)

Completion by Süssmayr et al.
Engraver Martin Norbäck
Publisher. Info. Mutopia Project, 2014.
Copyright
Public Domain (dedicated)
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Offetorium (No.4)

Revised version by Stadler

 Complete Score
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Copyist Maximilian Stadler (1748–1833)
Publisher. Info. Manuscript, n.d.
Copyright
Public Domain
Misc. Notes Österreichische Nationalbibliothek, Vienna (A-Wn): Mus.Hs.4375
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Parts

⇒ 24 more: Clarinet 2 (B♭) • Corno di Bassetto 1 (F) • Corno di Bassetto 2 (F) • Bassoon 1 • Bassoon 2 • Trumpet 1 (D) • Trumpet 2 (D) • Alto Trombone • Alto Trombone (add. copy) • Tenor Trombone • Tenor Trombone (add. copy) • Bass Trombone • Bass Trombone (add. copy) • Timpani • Organ • Organ (add. copy) • Sopranos • Altos • Tenors • Basses • Violins I • Violins II • Violas • Cellos/Basses

 Bassoon 1
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 Bassoon 2
#23866 - 2.19MB, 11 pp. -  5.6666666666667/10 2 4 6 8 10 (18) - V/V/V - 5987×⇩ - Carolus

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 Sopranos
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 Basses
#23888 - 2.47MB, 15 pp. -  4.1666666666667/10 2 4 6 8 10 (12) - V/V/V - 4689×⇩ - Carolus

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 Violas
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Carolus (2008/11/5)

Copyist Joseph Palme (fl. 1823)
Publisher. Info. Manuscript, 1823.
Copyright
Public Domain
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⇒ 11 more: Corno di Basseto 1, 2 (F) • Bassoon 1, 2 • Trumpet 1, 2 (D, B♭) • Trumpet (E♭, alternative for Alto Trombone) • Trombone 1, 2, 3 (alto, tenor bass clef) • Timpani • Violins I • Violins II • Violas • Cellos • Basses

 Bassoon 1, 2
#41765 - 1.26MB, 12 pp. -  7.3333333333333/10 2 4 6 8 10 (3) - V/V/V - 9045×⇩ - Ottaviano

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 Cellos
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 Basses
#28040 - 0.99MB, 8 pp. -  4.7142857142857/10 2 4 6 8 10 (14) - V/V/V - 9572×⇩ - Generoso

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Generoso (2009/2/7)

Publisher. Info. Leipzig: Breitkopf und Härtel, n.d.(ca.1890). Plate Orch-B. 760.
Reprinted New York: E.F. Kalmus, n.d.(1933–70).
Copyright
Public Domain
Misc. Notes These files are part of the Orchestra Parts Project.
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 Basset Horn 1 (EU)
#942836 - 1.30MB, 8 pp. -  0/10 2 4 6 8 10 (0) - C*/61*/V* - 381×⇩ - Lfm

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Lfm (2024/11/23)

⇒ 16 more: Basset Horn 2 • Clarinet 1 (B♭, substitute to Basset Horn 1) • Clarinet 2 (B♭, substitute to Basset Horn 2) • Bassoon 1 • Bassoon 2 • Trumpet 1 (D, B♭) • Trumpet 2 (D, B♭) • Trombone 1 (alto clef) • Trombone 1 (tenor clef) • Trombone 2 • Trombone 3 • Timpani • Violins I • Violins II • Violas • Cellos/Basses

 Basset Horn 2 (EU)
#942837 - 1.15MB, 8 pp. -  0/10 2 4 6 8 10 (0) - C*/61*/V* - 149×⇩ - Lfm

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 Clarinet 1 (B♭, substitute to Basset Horn 1) (EU)
#942840 - 1.02MB, 8 pp. -  0/10 2 4 6 8 10 (0) - C*/61*/V* - 266×⇩ - Lfm

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 Clarinet 2 (B♭, substitute to Basset Horn 2) (EU)
#942841 - 1.03MB, 8 pp. -  0/10 2 4 6 8 10 (0) - C*/61*/V* - 170×⇩ - Lfm

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 Bassoon 1 (EU)
#942838 - 1.49MB, 11 pp. -  0/10 2 4 6 8 10 (0) - C*/61*/V* - 219×⇩ - Lfm

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 Bassoon 2 (EU)
#942839 - 1.47MB, 10 pp. -  0/10 2 4 6 8 10 (0) - C*/61*/V* - 206×⇩ - Lfm

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 Trumpet 1 (D, B♭) (EU)
#942847 - 0.41MB, 4 pp. -  0/10 2 4 6 8 10 (0) - C*/61*/V* - 229×⇩ - Lfm

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 Trumpet 2 (D, B♭) (EU)
#942848 - 0.42MB, 4 pp. -  0/10 2 4 6 8 10 (0) - C*/61*/V* - 157×⇩ - Lfm

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Lfm (2024/11/23)

 Trombone 1 (alto clef) (EU)
#942843 - 1.02MB, 8 pp. -  0/10 2 4 6 8 10 (0) - C*/61*/V* - 416×⇩ - Lfm

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 Trombone 1 (tenor clef) (EU)
#942846 - 1.05MB, 8 pp. -  0/10 2 4 6 8 10 (0) - C*/61*/V* - 191×⇩ - Lfm

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 Trombone 2 (EU)
#942844 - 1.09MB, 8 pp. -  0/10 2 4 6 8 10 (0) - C*/61*/V* - 341×⇩ - Lfm

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 Trombone 3 (EU)
#942845 - 0.83MB, 7 pp. -  0/10 2 4 6 8 10 (0) - C*/61*/V* - 264×⇩ - Lfm

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 Timpani (EU)
#942842 - 0.41MB, 4 pp. -  0/10 2 4 6 8 10 (0) - C*/61*/V* - 216×⇩ - Lfm

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 Violins I (EU)
#942850 - 2.57MB, 15 pp. -  0/10 2 4 6 8 10 (0) - C*/61*/V* - 455×⇩ - Lfm

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 Violins II (EU)
#942851 - 2.42MB, 15 pp. -  0/10 2 4 6 8 10 (0) - C*/61*/V* - 274×⇩ - Lfm

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 Violas (EU)
#942849 - 2.22MB, 15 pp. -  0/10 2 4 6 8 10 (0) - C*/61*/V* - 255×⇩ - Lfm

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Lfm (2024/11/23)

 Cellos/Basses (EU)
#942852 - 2.31MB, 15 pp. -  0/10 2 4 6 8 10 (0) - C*/61*/V* - 445×⇩ - Lfm

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Lfm (2024/11/23)

Publisher. Info. Kassel: Bärenreiter, 1965. Plate 4538.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

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 Basset Horn 1
#24818 - 1.09MB, 8 pp. -  0/10 2 4 6 8 10 (0) - C*/C*/V* - 6157×⇩ - Feduol

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Feduol (2025/4/2)

⇒ 16 more: Basset Horn 2 • Clarinet 1 (B♭, substitute to Basset Horn 1) • Clarinet 2 (B♭, substitute to Basset Horn 2) • Bassoon 1 • Bassoon 2 • Trumpet 1 (D, B♭) • Trumpet 2 (D, B♭) • Trombone 1 • Trombone 2 • Trombone 3 • Timpani • Violins I • Violins II • Violas • Cellos • Basses

Publisher. Info. Breitkopf & Härtels Partitur-Bibliothek, No.4454
Wiesbaden: Breitkopf & Härtel, n.d.[1993]. Plate Wb. 2288.
URTEXT EDITION [more...]

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 Basset Horn 1 (EU)
#927196 - 1.09MB, 10 pp. -  0/10 2 4 6 8 10 (0) - C*/89*/V* - 496×⇩ - Feduol

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Feduol (2024/8/13)

⇒ 14 more: Basset Horn 2 • Clarinet 1/2 (B♭, substitute for Basset Horns) • Bassoon 1 • Basoon 2 • Trumpet 1 (D) • Trumpet 2 (D) • Trombone 1 • Trombone 2 • Trombone 3 • Timpani • Violins I • Violins II • Violas • Cellos/Basses

 Basset Horn 2 (EU)
#927197 - 1.08MB, 10 pp. -  0/10 2 4 6 8 10 (0) - C*/89*/V* - 233×⇩ - Feduol

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 Clarinet 1/2 (B♭, substitute for Basset Horns) (EU)
#927210 - 1.49MB, 15 pp. -  0/10 2 4 6 8 10 (0) - C*/89*/V* - 527×⇩ - Feduol

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 Bassoon 1 (EU)
#927198 - 1.29MB, 12 pp. -  6/10 2 4 6 8 10 (1) - C*/89*/V* - 316×⇩ - Feduol

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Feduol (2024/8/13)

 Basoon 2 (EU)
#927199 - 1.17MB, 12 pp. -  0/10 2 4 6 8 10 (0) - C*/89*/V* - 261×⇩ - Feduol

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Feduol (2024/8/13)

 Trumpet 1 (D) (EU)
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Feduol (2024/8/13)

 Trumpet 2 (D) (EU)
#927201 - 0.34MB, 4 pp. -  0/10 2 4 6 8 10 (0) - C*/89*/V* - 202×⇩ - Feduol

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Feduol (2024/8/13)

 Trombone 1 (EU)
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Feduol (2024/8/13)

 Trombone 2 (EU)
#927203 - 0.85MB, 8 pp. -  0/10 2 4 6 8 10 (0) - C*/89*/V* - 459×⇩ - Feduol

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Feduol (2024/8/13)

 Trombone 3 (EU)
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Feduol (2024/8/13)

 Timpani (EU)
#927205 - 0.29MB, 4 pp. -  7/10 2 4 6 8 10 (2) - C*/89*/V* - 344×⇩ - Feduol

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Feduol (2024/8/13)

 Violins I (EU)
#927206 - 2.26MB, 18 pp. -  4/10 2 4 6 8 10 (1) - C*/89*/V* - 878×⇩ - Feduol

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Feduol (2024/8/13)

 Violins II (EU)
#927207 - 2.20MB, 18 pp. -  9/10 2 4 6 8 10 (2) - C*/89*/V* - 451×⇩ - Feduol

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Feduol (2024/8/13)

 Violas (EU)
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Feduol (2024/8/13)

 Cellos/Basses (EU)
#927209 - 1.99MB, 16 pp. -  0/10 2 4 6 8 10 (0) - C*/89*/V* - 764×⇩ - Feduol

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Feduol (2024/8/13)

Editor Richard Maunder (1937–2018)
Publisher. Info. Oxford: Oxford University Press, 1988-92.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

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Reprinted Stuttgart: Carus-Verlag, 1990. Plate CV 40.630/21.
Copyright
Public Domain - See notes on copyright status for urtext editions
Misc. Notes Appendix with Süssmayr's completion.
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⇒ 11 more: Clarinet 2 (B♭, substitute for Basset Horn 2) • Trumpet 1 (B♭) • Trumpet 2 (B♭) • Trombone 1 • Trombone 2 • Trombone 3 • Violins I • Violins II • Violas • Cellos • Basses

 Trumpet 1 (B♭)
#47710 - 0.23MB, 4 pp. -  5.3333333333333/10 2 4 6 8 10 (6) - !N/!N/!N - 7038×⇩ - Philippmaier

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Philippmaier (2009/11/30)

 Trombone 1
#47707 - 0.16MB, 12 pp. -  7.6666666666667/10 2 4 6 8 10 (6) - !N/!N/!N - 12706×⇩ - Philippmaier

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Philippmaier (2009/11/30)

 Trombone 2
#47708 - 0.16MB, 12 pp. -  7.3333333333333/10 2 4 6 8 10 (6) - !N/!N/!N - 11879×⇩ - Philippmaier

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Philippmaier (2009/11/30)

 Trombone 3
#47709 - 0.14MB, 12 pp. -  7/10 2 4 6 8 10 (4) - !N/!N/!N - 8371×⇩ - Philippmaier

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Philippmaier (2009/11/30)

 Violins I
#47700 - 0.38MB, 18 pp. -  6.6666666666667/10 2 4 6 8 10 (6) - !N/!N/!N - 14576×⇩ - Philippmaier

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Philippmaier (2009/11/30)

 Violins II
#47701 - 0.36MB, 18 pp. -  5.7777777777778/10 2 4 6 8 10 (9) - !N/!N/!N - 8830×⇩ - Philippmaier

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Philippmaier (2009/11/30)

 Violas
#47702 - 0.32MB, 18 pp. -  4/10 2 4 6 8 10 (4) - !N/!N/!N - 6675×⇩ - Philippmaier

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Philippmaier (2009/11/30)

 Cellos
#47703 - 0.32MB, 17 pp. -  5.5/10 2 4 6 8 10 (8) - !N/!N/!N - 10920×⇩ - Philippmaier

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 Basses
#47704 - 0.31MB, 17 pp. -  7/10 2 4 6 8 10 (6) - !N/!N/!N - 8645×⇩ - Philippmaier

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Philippmaier (2009/11/30)

Editor Philipp Maier
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 Violas
#408805 - 0.33MB, 20 pp. -  7/10 2 4 6 8 10 (4) - !N/!N/!N - 6185×⇩ - Defreeze

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Defreeze (2016/1/28)

Editor Rein de Vries
Publisher. Info. Recordare Publishing
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Misc. Notes After Neue Mozart-Ausgabe (1965) edition.
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Vocal Scores

Language Latin / German
Publisher. Info. Offenbach s/M: Joh. André, n.d. Plate 1549.
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 Complete Score
#85525 - 4.74MB, 25 pp. -  5.2222222222222/10 2 4 6 8 10 (18) - V/V/V - 29937×⇩ - Carolus

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Carolus (2010/11/22)

Arranger Vincent Novello (1781–1861), organ reduction
Editor Edward Holmes (1797–1859), critical essay
Language Latin
Publisher. Info. Masses, with Organ Accompaniment, Vol.2
London: Novello, Ewer & Co., n.d.(ca.1860).
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Public Domain
Misc. Notes This file is part of the Sibley Mirroring Project.
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Arranger Vincent Novello (1781–1861), organ reduction
Language Latin / English
Publisher. Info. Boston: Oliver Ditson & Co., n.d.(ca.1860).
Copyright
Public Domain
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Language Latin
Publisher. Info. Unidentified Publisher, n.d.(ca.1880).
Reprinted Moscow: Muzyka, n.d.
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Misc. Notes Different reduction than Brissler's. Possibly the re-engraving of the original Breitkopf reduction by Schwenke.
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Arranger Friedrich Brissler (1818–1893)
Publisher. Info. Leipzig: Edition Peters, n.d.[1870]. Plate 4431.
Copyright
Public Domain
Misc. Notes Converted to monochrome. Measure numbers added
Brissler’s vocal score appeared no later than 1870, but was re-engraved around 1895 (see below). It has been extensively reprinted over the years – by G. Schirmer, Kalmus, and Dover Publications among many others.
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Arranger Friedrich Brissler (1818–1893)
Editor Hermann Kretzschmar (1848–1924) (introduction)
Publisher. Info. Leipzig: Peters, n.d.(ca.1895). Plate 8337.
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Public Domain
Misc. Notes Measure numbers added.
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Arranger Friedrich Brissler (1818–1893)
Language Latin
Publisher. Info. Leipzig: C.F. Peters, n.d.(ca.1895). Plate 8337.
Reprinted Moscow: Muzyka, n.d.
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 Complete Score
#08850 - 15.68MB, 71 pp. -  6.1923076923077/10 2 4 6 8 10 (26) - !N/!N/!N - 30518×⇩ - Alberto biotech

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Alberto biotech (2007/6/27)

Editor Paco Marmol and
Manolo Casaus
Publisher. Info. Choral Public Domain Library
Copyright
Creative Commons Attribution 3.0
Misc. Notes This edition contains several errors; for a complete list, see its page on cpdl. I can correct them if someone could convert the original Encore file in a Lilypond, Musicxml or Finale format.
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Arrangements and Transcriptions

Complete

For Voices, Mixed Chorus and Orchestra (Tocknell)
Arranger Mark Tocknell (b. 1959)
Publisher. Info. Mark Tocknell
Copyright
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Misc. Notes With articulation to match choral line
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For Voices, Mixed Chorus, Strings and Organ (Spengel)
Arranger Heinrich Ludwig von Spengel (1775–1865)
Publisher. Info. Augsburg: J. H. Besemfelder, 1852.
Copyright
Public Domain
Misc. Notes organ given here as basso with figures.
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For 2 Pianos (Marigo)

 Complete Score
#906186 - 8.17MB, 63 pp. -  4/10 2 4 6 8 10 (1) - !N/!N/!N - 714×⇩ - Mimarigo

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Mimarigo (2024/3/25)

Arranger Miguel Marigo (b. 1955)
Publisher. Info. Miguel Marigo
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For Piano 4 Hands (Czerny)
Arranger Carl Czerny (1791–1857)
Publisher. Info. Vienna: Anton Diabelli & Co., n.d. Plate D. & C. No. 2786.
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Public Domain
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For Piano 4 Hands
Arranger Unknown
Publisher. Info. Leipzig: Edition Peters, n.d. Plate 1329.
Copyright
Public Domain
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For Organ (Pittman)
Arranger Josiah Pittman (1816–1886)
Publisher. Info. London: J. Alfred Novello, n.d.[1854].
Copyright
Public Domain
Misc. Notes Royal College of Music Library, London (GB-Lcm): D2479/32
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For Piano (Czerny)
Arranger Carl Czerny (1791–1857)
Publisher. Info. Vienna: Diabelli, n.d.[1828]. Plate 2785.
Copyright
Public Domain
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For Piano (Klindworth)
Arranger Karl Klindworth (1830–1916)
Publisher. Info. Moscow: P. Jurgenson, n.d.(ca.1900). Plate 600 T. 327.
Copyright
Public Domain
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For Piano
Publisher. Info. Paris: Schonenberger, n.d. Plate 44e Livraison.
Copyright
Public Domain
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Selections

For 10 Recorders (Wiebes)
Arranger Jaap Wiebes
Publisher. Info. Jaap Wiebes
Copyright
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For Piano (Liszt)
Arranger Franz Liszt (1811–1886)
Editor First edition
Publisher. Info. Leipzig: C.F.W. Siegel, n.d.[1865]. Plate 2966.
Copyright
Public Domain
Misc. Notes From the Ruth Dana Collection of Liszt Editions.
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Arranger Franz Liszt (1811–1886)
Editor Adrienne Kaczmarczyk (b. 1963)
Imre Sulyok (1912–2008)
Publisher. Info. Neue Liszt-Ausgabe, Serie 2, Band 24 (pp.128-133)
Budapest: Editio Musica, 1998. Plate Z.Z. 13361.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright
Public Domain - See notes on copyright status for urtext editions
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Introitus

For Voices, Mixed Chorus and Orchestra (Rago)

 Complete Score
#343111 - 0.41MB, 12 pp. -  0/10 2 4 6 8 10 (0) - !N/!N/!N - 3506×⇩ - Luigi rago

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Luigi rago (2014/9/6)

Arranger Luigi Rago
Publisher. Info. Luigi Rago
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Misc. Notes Arranged for 2 clarinets instead of 2 basset horns.
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Kyrie

For 2 Trumpets and 2 Trombones (Rondeau)

 Engraving files (Finale)
#223622 - 0.20MB, ? pp. -  0/10 2 4 6 8 10 (0) - !N/!N/!N - 999×⇩ - Michrond

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Michrond (2012/5/23)

Arranger Michel Rondeau
Publisher. Info. Michel Rondeau
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Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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For Organ (Clementi)

 "Fugue" (from Kyrie)
#170927 - 0.06MB, 4 pp. -  5.6666666666667/10 2 4 6 8 10 (6) - !N/!N/!N - 9440×⇩ - wrshannon

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Arranger Muzio Clementi (1752–1832)
Editor Jolando Scarpa
Publisher. Info. Jolando Scarpa
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Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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For Organ (McMurdie)
Arranger Joseph McMurdie (1792–1878)
Publisher. Info. London: T. Boosey & Co., n.d.(ca.1830).
Copyright
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Misc. Notes Royal College of Music Library, London (GB-Lcm): D2479/34
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For Organ (Stenov)

 Complete Score (choir, D minor)
#578932 - 0.05MB, 3 pp. -  7/10 2 4 6 8 10 (2) - !N/!N/!N - 3089×⇩ - Stenov

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Arranger Michael Stenov
Publisher. Info. Michael Stenov
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Tuba mirum

For 5 Trumpets and 4 Trombones (Adams)
Arranger Stefan Adams
Publisher. Info. Stefan Adams
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Misc. Notes Transposed to F minor.
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Recordare

For Organ (Best)
Arranger William Thomas Best (1826–1897)
Publisher. Info. Arrangements from the Scores of the Great Masters, Vol.3 (pp.600-04)
London: Novello, Ewer & Co., n.d. Plate 2229.
Copyright
Public Domain
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Lacrimosa

For Strings (Choe)

⇒ 5 more: Violins I • Violins II • Violas • Cellos • Basses

Arranger Joshua Choe
Publisher. Info. Joshua Choe, 2022.
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For 3 Violins, Viola and Cello

 Complete Score and Parts
#461502 - 0.51MB, 13 pp. -  0/10 2 4 6 8 10 (0) - !N/!N/!N - 6562×⇩ - Canba

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Canba (2017/3/2)

Arranger Adam Yochum
Publisher. Info. EL Paso: Adom Yochun, 2017
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For 2 Trumpets and 2 Trombones (Kato)

 Complete Score and Parts (Preview)
#750304 - 2.25MB, 9 pp. -  0/10 2 4 6 8 10 (0) - !N/!N/!N - 607×⇩ - Peter S. Kato

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Peter S. Kato (2021/12/12)

Arranger Peter Kato (b. 1971)
Publisher. Info. Peter’s Digital Publication, 2021
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Misc. Notes Brass Quartet - Due Trombe e Tromboni
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For Guitar (Chakravorty)

 Complete Score
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Arranger Kingshuk Chakravorty (b. 2004)
Publisher. Info. Kingshuk Chakravorty
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Misc. Notes Lacrimosa section only.
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For Harmonium (Vilbac)
Arranger Renaud de Vilbac (1829–1884)
Publisher. Info. Perles de l'Harmonium (pp.72-73)
Braunschweig: Henry Litolff's Verlag, No.300, n.d.(ca.1875).
Copyright
Public Domain
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For Piano (Liszt)
Arranger Franz Liszt (1811–1886)
Publisher. Info. Unidentified collection (pp.23-25)
St. Petersburg(?): Edition Russe de Musique?, n.d.(ca.1915). Plate 2.
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Public Domain
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 Complete Score (S.550/2)
#15346 - 0.27MB, 4 pp. -  6.5555555555556/10 2 4 6 8 10 (9) - V*/V*/V* - 7725×⇩ - Funper

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Funper (2007/10/10)

Arranger Franz Liszt (1811–1886)
Publisher. Info. Unidentified collection (pp.9-12)
Moscow: Muzyka, n.d.
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Public Domain
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For Piano (Thalberg)
See: L'art du chant appliqué au piano, Op.70 by Sigismond Thalberg (No.5)

Domine Jesu Christe

For Horn, Trumpet and Euphonium (Messerschmidt)

 Complete Score
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Messerman (2021/4/23)

Arranger Hans Jorgen Messerschmidt (b. 1944)
Publisher. Info. Hans Jorgen Messerschmidt, 2020.
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Hostias

For Piano (Sokolov)

 Complete Score
#619145 - 0.96MB, 8 pp. -  0/10 2 4 6 8 10 (0) - !N/!N/!N - 1877×⇩ - Usmanbey

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Usmanbey (2020/4/12)

Arranger Alexander Sokolov
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Sketches

 Sketches
#561706 - 7.97MB, 2 pp. -  10/10 2 4 6 8 10 (1) - V/V/V - 164×⇩ - Irishmaestro

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Irishmaestro (2019/2/16)

Publisher. Info. Holograph manuscript, n.d.(ca.1790s?).
Copyright
Public Domain
Misc. Notes Contains sketches for Amen and Rex Tremendae, as well as sketches for Die Zauberflöte. NMA terms this leaf Skb 1791a.
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 Amen fugue
#532462 - 0.05MB, 1 pp. -  6/10 2 4 6 8 10 (4) - !N/!N/!N - 3263×⇩ - Dbmiller

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Dbmiller (2018/7/19)

Editor D. Benjamin Miller
Publisher. Info. D. Benjamin Miller
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General Information

Work Title Requiem
Alternative. Title Missa pro defunctis
Name Translations 安魂曲; Requiem d-moll; 레퀴엠; Requiem de Mozart; רקוויאם; [29 more...]Réquiem; Rekviēms; レクイエム; Rekviemo; Rekviem D-mol; реквием; เรควีเอ็ม; Recviem; Rèquiem; Реквієм; Rekviem av Mozart; Rekviem; Rekviyem; Mozarts rekviem; رکوییم (موتزارت); Reekviem; قداس الموت; Ռեքվիեմ; რეკვიემი; Mozart-Requiem; مۆسیقای مردوو ناشتن; Mocartov Rekvijem; Реквием (Моцарт); Моцарт реквием; Rekvijem (Mozart); Ռեքվէյմ; Requiemmis in D-mineur, KV 626 (Mozart); Ρέκβιεμ; Requiem (Mozart)
Name Aliases 莫扎特D小调安魂弥撒曲; KV 626; Requiem Mozarta; K. 626; Requiem K626; [37 more...]רקוויאם של מוצרט; Misa n º 18; Requiem en re menor; Misa n. 18; K 626; Misa n 18; Réquiem de Mozart; Misa n 19; Lacrimosa; Misa de requiem en re menor; Misa n º 19; Misa n. 19; Requiem di Mozart; Messa di Requiem; Mozart Requiem; モツレク; Mozart-Requiem lyric; Mozarts Requiem; Реквием Моцарта; Re Minör Requiem; Requiem Mass in D minor; Rèquiem de Mozart; Rèquiem K. 626; El Rèquiem de Mozart; Requiem mozart; El Requiem de Mozart; Mozartin requiem; Requiem d-molli, KV 626; Requiem d-molli; Rekvijem; Wolfgang Amadeus Mozart: Rekvijem; Mozart's Requiem; Rekviema Meso en D-minoro; Requiem in re minore; Requiem ta' Mozart; Ρέκβιεμ σε Ρε ελάσσονα; Κ. 626
Authorities WorldCat; Wikipedia; VIAF: 178428929; GND: 300110464
Composer Mozart, Wolfgang Amadeus
Opus/Catalogue NumberOp./Cat. No. K.626 ; SmWV 105 (Süssmayr completion)
Internal Reference NumberInternal Ref. No. IWM 441
Key D minor
Movements/SectionsMov'ts/Sec's 8 sections [more...]
1. Introitus
a. Requiem aeternam
2. Kyrie
3. Sequentia
a. Dies irae
b. Tuba mirum
c. Rex tremendae
d. Recordare
e. Confutatis
f. Lacrimosa
4. Offertorium
a. Domine Jesu
b. Hostias
5. Sanctus
6. Benedictus
7. Agnus Dei
8. Communio
a. Lux aeterna
Year/Date of CompositionY/D of Comp. 1791 (unfinished)
First Performance. 1791-12-10 (Introitus and Kyrie, only) in Vienna, St. Michael's Church
Staff of Theater auf der Wieden (Mozart's memorial service)

1793-01-02 (complete) in Vienna

Benefit for Constanze Mozart
First Publication. 1800 (score); 1812 (parts)
Language Latin
Average DurationAvg. Duration 60 minutes
Composer Time PeriodComp. Period Classical
Piece Style Classical
Instrumentation voices, chorus, orchestra
InstrDetail [more...]
Vocal soli (soprano, alto, tenor, bass)
Mixed Chorus (SATB)
Orchestra
2 basset horns, 2 bassoons
2 trumpets, 3 trombones, timpani, strings, organ
Discography MusicBrainz
External Links Wikipedia article
NMA score
NMA score (Eybler and Süssmayr’s additions)
NMA report (German)
All Music Guide
Scores at Sheet Music Plus
Extra Information An Amen fugue, found on a sketch leaf along with a sketch for Rex tremendae (No.3c), was almost certainly intended as a final part of the Sequentia (No.3).

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Masses by Wolfgang Amadeus Mozart
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