List of works by Anton Bruckner

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Category:Bruckner, Anton.

A list of works in the composer category that are not included here can be found on this page.
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See also: List of compositions by Anton Bruckner on Wikipedia
  • WAB 1, Afferentur regi for Mixed Choir, and 3 Trombones ad lib. (1861), Universal Edition (Vienna) 1922
  • WAB 2, Am Grabe, for Male Choir a cappella (1861), Universal Edition (Vienna) 1923
  • WAB 3, 2 Asperges me, for Mixed Choir and Organ (ca.1845)
  • WAB 4, Asperges me, for Mixed Choir a cappella (ca.1843/44)
  • WAB 5, Ave Maria (I) for Soprano, Alto, Choir, Organ and Cello (1856), Johann Gross (Innsbruck) 1893
  • WAB 6, Ave Maria (II), for Mixed Choir (SAATTBB) a cappella (1861), Emil Wetzler (Vienna) 1887
  • WAB 7, Ave Maria (III), for Alto, Piano, Organ or Harmonium (1882), Anton Böhm & Sohn (Augsburg and Vienna) 1927
  • WAB 8, Ave regina caelorum, for Voices and Organ (ca.1886), Universal Edition (Vienna) 1921
  • WAB 9, Messe für den Gründonnerstag, for Mixed Choir a cappella, (1844-45), Anton Böhm & Sohn (Augsburg and Vienna) 1931. Kyrie and Gloria lost (See WAB deest 11)
  • WAB 10, Christus factus est (II), Choir (SSAATTBB), 3 Trombones and Strings ad lib. (ca. 1873), Musikwissenschaftlicher Verlag (Vienna) 1934
  • WAB 11, Christus factus est (III), Choir a cappella (1884), Theodor Rättig (Vienna) 1886
  • WAB 12, Dir, Herr, dir will ich mich ergeben, Choir a cappella (1845)
  • WAB 13, Ecce sacerdos magnus for Choir, 3 Trombones and Organ (1885), Universal Edition (Vienna) 1911
  • WAB 14, Entsagen, Cantata for Soprano (or Tenor), Choir, and Organ (or Piano) (ca.1851), Doblinger (Vienna) 1956
  • WAB 15, Festgesang, Cantata for Soprano, Tenor, Bass, Choir and Piano (1855)
  • WAB 16, Festkantate, Cantata for Male Choir, Bass-Solo, Male quartet, Winds and Timpani (1862), Doblinger (Vienna) 1955
  • WAB 17, In jener letzten der Nächte, (ca.1848), setting 1: Voice and organ; setting 2: Choir a cappella, Anton Böhm & Sohn (Augsburg and Vienna) 1931
  • WAB 18, Iam lucis orto sidere (In S. Angelorum custodem)
Version 1 (E Phrygian, 1868): setting 1: Choir a cappella; setting 2: Choir and organ
Version 2 (G Phrygian, 1886): Male choir a cappella
  • WAB 19, Inveni David (I), Male choir and 4 Trombones (1868)
  • WAB 20, Inveni David (II), Voice and Organ (1879) = Verse of Os justi, WAB 30, which was skipped in Theodor Rättig's edition (1886)
  • WAB 21, Libera me (I), Choir and Organ (ca.1843)
  • WAB 22, Libera me (II), Choir (SSATB), 3 Trombones, Cello, Contrabass and Organ (1854), Universal Edition (Vienna) 1922
  • WAB 23, Locus iste, Choir a cappella (1869), Theodor Rättig (Vienna) 1886
  • WAB 24, Magnificat, Soli, Choir, Strings without violas, 2 Trumpets, Timpani and Organ (1852)
  • WAB 25, Windhaager Messe (Choral-Messe C-Dur), Alto, 2 Horns, and Organ (1842)
  • WAB 26, Mass No.1 in D minor, Soli, Choir, Orchester, and Organ ad lib. (1864, rev. 1876, rev. 1881-82), Johann Gross (Innsbruck) 1892
  • WAB 27, Mass No.2 in E minor, Choir and Winds (1866, rev. 1876, 1882, 1885 and 1896), Doblinger (Vienna) 1896
  • WAB 28, Mass No.3 in F minor, Soli (SATB), Choir and Orchestra, and organ ad lib. (1867-68, rev. 1876, 1877, 1881 and 1890-93), Doblinger (Vienna) 1894
  • WAB 29, Missa solemnis, Soli, Choir, Orchestra and Organ (1854), Musikwissenschaftlicher Verlag (Vienna) 1934
  • WAB 30, Os justi, Choir a cappella (1879), Theodor Rättig (Vienna), 1886. Ending verse Inveni David skipped in Rättig's edition - See WAB 20
  • WAB 31, Pange lingua, Choir a cappella (ca.1835, rev. 1891)
  • WAB 32, Tantum ergo, Choir a cappella (ca.1845), issued as Pange lingua by Universal Edition (Vienna) 1914
  • WAB 33, Pange lingua, Choir a cappella (1868), Johann Gross (Innsbruck) 1895
  • WAB 34, Psalm 22, Choir and Piano (ca.1852)
  • WAB 35, Psalm 112, Choir (SSAATTBB) and Orchestra (1863), Universal Edition (Vienna) 1926
  • WAB 36, Psalm 114, Choir (SAATB) and 3 Trombones (1852)
  • WAB 37, Psalm 146, Soli, Choir (SSAATTBB) and Orchestra (ca.1856)
  • WAB 38, Psalm 150, Soprano, Choir and Orchestra (1892), Doblinger (Vienna) 1892
  • WAB 39, Requiem, Soli, Choir, Orchestra and Organ (1849), Benno Filser (Augsburg) 1930
  • WAB 40, Salvum fac populum, Choir a cappella (1884)
  • WAB 41, 4 Tantum ergo - version 1 (1846): Choir and organ ad lib.; version 2 (1888): Choir a cappella, Johann Gross (Innsbruck) 1893 (together with the Tantum ergo, WAB 42)
  • WAB 42, Tantum ergo, Choir (SSATB) and Organ (1846, rev. 1888), Johann Gross (Innsbruck) 1893 (as 5th Tantum ergo after the 4 Tantum ergo, WAB 41)
  • WAB 43, Tantum ergo, Choir and Organ (ca.1845)
  • WAB 44, Tantum ergo, Choir, 2 Violins, 2 Trumpets and Organ (ca.1854)
  • WAB 45, Te Deum, Soli (SATB), Choir (SATB), Orchestra and Organ ad lib. (1881, rev. 1884), Theodor Rättig (Vienna) 1885
  • WAB 46, Tota pulchra es, Tenor, Choir and Organ (1878), Emil Wetzler (Vienna) 1887
  • WAB 47, Totenlied No.1, Choir a cappella (1852)
  • WAB 48, Totenlied No.2, Choir a cappella (1852)
  • WAB 49, Trauungslied, Male Choir with Solo Quartet and Organ (1865)
  • WAB 50, Veni creator spiritus, Voice(s) and Organ (ca.1884)
  • WAB 51, Vexilla regis, Choir a cappella (1892), Josef Weinberger (Vienna) 1892
  • WAB 52, Virga Jesse, Choir a cappella (1885), Theodor Rättig (Vienna) 1886
  • WAB 53, Vor Arneths Grab, Male Choir and 3 Trombones (1854)
  • WAB 54, Zur Vermählungsfeier, Male Choir a cappella (1878), Universal Edition (Vienna) 1921
  • WAB 55, Der Abendhimmel (I), Male Quartet a cappella (1862)
  • WAB 56, Der Abendhimmel (II), Male Choir a cappella (1866), Doblinger (Vienna) 1902
  • WAB 57, Abendzauber, Male Choir, Tenor or Bariton Solo, 3 female Voices (“Yodelers”) and 4 Horns (1878), Universal Edition (Vienna) 1911
  • WAB 58, Wie bist du, Frühling, gut und treu (Amaranths Waldeslieder), Voice and Piano (ca.1858)
  • WAB 59a, An dem Feste, Male Choir a cappella (ca.1843)
  • WAB 59b, Festlied, Male Choir a cappella, Anton Böhm (Augsburg and Vienna) 1928 – Transcription of An dem Feste, not included in the Bruckner Gesamtausgabe
  • WAB 59c, Tafellied, Male Choir a cappella (1893) – Reissue of An dem Feste
  • WAB 60, Mayer Cantata (Auf, Brüder, auf! Und die Saiten zur Hand), Cantata for Soli, Male Choir, Choir and Winds (1855)
  • WAB 61, Arneth Cantata, Cantata for Choir (SATTBB), 3 Horns, 2 Trumpets and Bass trombone
WAB 61a - Heil, Vater! Dir zum hohen Feste (1852)
WAB 61b - rev. 1857 as Auf Brüder! auf zur frohen Feier
WAB 61c - rev. 1870 as Heil Dir zum schönen Erstlingsfeste (not inclued in the Bruckner Gesamtausgabe as it is not known if Bruckner made any contribution to this version)