Prelude and Fugue in C major, BWV 846 (Bach, Johann Sebastian)

Contents

Performances

Recordings

Complete

OGG file (audio)
Lekro (2013/12/6)

OGG file (audio)
Lekro (2013/12/6)

Performer Pages Martha Goldstein (harpsichord)
Publisher Info. Pandora Records/Al Goldstein Archive
Copyright
Misc. Notes Source and alternative formats:
From an album featuring a Flemish harpsichord on Pandora Records. Ogg Vorbis files can be found here.

Instrument used:
The harpsichord is copied from a one manual instrument built by Hans Moerman in Antwerp (1584). It was restored by Frank Hubbard in Boston (1963). The working plans of the instrument used are due to Lutz Bungart of the Instrument workshop. It was built in the the early seventies by Al Goldstein when he was the partner of Lutz. The instrument has 2 manuals in the usual dispostion of 8x8x4.
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FLAC file (audio)
Lekro (2016/2/6)

FLAC file (audio)
Lekro (2016/2/6)

MP3 file (audio)
Lekro (2016/2/6)

MP3 file (audio)
Lekro (2016/2/6)

Performer Pages Kimiko Ishizaka (piano)
Publisher Info. North Hampton: Navona Records, 2015.
Copyright
Misc. Notes From Kimiko Ishizaka's Open Well-Tempered Clavier. Master tracks available here.

Lossless files are 96 kHz/24-bit, compressed with flac. Lossy files have been converted with LAME, MP3 VBR V0.

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MP3 file (audio)
Lumineux (2016/7/1)

Performer Pages Peter Bradley-Fulgoni (piano)
Publisher Info. Peter Bradley-Fulgoni
Copyright
Misc. Notes Recorded June 2016 in St. Paul's Hall, Huddersfield University (Peter Hill, sound engineer)
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MP3 file (audio)
Lucas-coelho (2021/7/18)

Performer Pages Glenn Gould (piano)
Publisher Info. Columbia Masterworks, 1963. MS 6408.
Copyright
Misc. Notes Source: Internet Archive
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Praeludium (No.1)

MP3 file (audio)
Ramón León Egea (2024/9/25)

Publisher Info. Ramón León Egea, 2024.
Performers Ramón León Egea, keyboard
Copyright
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MP3 file (audio)
Luiskaludin (2023/9/19)

Performer Pages Luis Kolodin (Piano)
Publisher Info. Luis Kolodin, 2020.
Copyright
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MP3 file (audio)
DWPfeifer (2023/4/9)

Performer Pages Dietmar Pfeifer (piano)
Publisher Info. Dietmar Pfeifer, 2011.
Copyright
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MP3 file (audio)
Mephistophelex (2019/9/21)

Publisher Info. Ken Wong
Performers Ken Wong
Copyright
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MP3 file (audio)
Keygs (2012/3/10)

Publisher Info. Paulo Elpidio A. Sampaio
Performers Paulo Elpidio A. Sampaio, piano
Copyright
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For 10 String Guitar (León Egea)

MP3 file (audio)
Ramón León Egea (2024/9/23)

MP3 file (audio)
Ramón León Egea (2024/10/18)

Publisher Info. Ramón León Egea, 2024.
Performers Ramón León Egea, 10 string guitar
Copyright
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For 8 String Guitar (León Egea)

MP3 file (audio)
Ramón León Egea (2024/10/18)

Publisher Info. Ramón León Egea, 2024.
Performers Ramón León Egea, 8-string guitar
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For Guitar (León Egea)

MP3 file (audio)
Ramón León Egea (2024/7/24)

Publisher Info. Ramón León Egea, 2024.
Performers Ramón León Egea, Classical Guitar
Copyright
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MP3 file (audio)
Ramón León Egea (2024/9/29)

Publisher Info. Ramón León Egea, 2024.
Performers Ramón León Egea, classical guitar
Copyright
Misc. Notes I use a classical guitar with a pickup on the bridge.
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Fuga (No.2)

For 4 Recorders (Eijkhout)

MP3 file (audio)
VictorEijkhout (2014/8/10)

Performer Pages Victor Eijkhout (recorders)
Publisher Info. Victor Eijkhout
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Naxos

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Synthesized/MIDI

Complete

For Strings (Gardner)

MP3 file (audio)
Herbieg33408 (2020/7/17)

Publisher Info. Herbert S. Gardner
Performers Synthesized midi
Copyright
Misc. Notes For string orchestra
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Praeludium (No.1)

For 3 Recorders (Tennent)

MID file (audio/video)
Rdtennent (2014/11/6)

Publisher Info. R. D. Tennent
Performers Photoscore
Copyright
Misc. Notes Transposed to G major. These file(s) are part of the Werner Icking Music Collection, and are also included in the Mondrup Recorder Collection.
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For Keyboard (Lopes)

MID file (audio/video)
wrshannon (2012/3/28)

Publisher Info. Roland Lopes
Performers Roland Lopes
Copyright
Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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Fuga (No.2)

For Viols (Watanabe)

MID file (audio/video)
wrshannon (2011/11/7)

Publisher Info. Hitoshi Watanabe
Performers Hitoshi Watanabe
Copyright
Misc. Notes These file(s) are part of the Werner Icking Music Collection, and are also included in the Bach for Viols.
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Sheet Music

Scores

Complete

PDF scanned by Bach Digital
Ivdruiz (2010/10/15)

Copyist Karl Heinrich Ernst Müller (1753–1835)
Wilhelm Friedemann Bach (1710–1784), corrections
Publisher. Info. Das wohltemperierte Klavier I (pp.2-4)
Manuscript, n.d.(ca.1740-59)., with composer corrections
Copyright
Misc. Notes Staatsbibliothek zu Berlin (D-B): Mus.ms. Bach P 202(1)
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PDF scanned by Unknown
Feldmahler (2006/11/26)

Editor Franz Kroll (1820-1877)
Publisher. Info. Bach-Gesellschaft Ausgabe, Band 14 (pp.1-5)
Leipzig: Breitkopf und Härtel, 1866. Plate B.W. XIV.
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Funper (2006/6/09)

Editor Carl Czerny (1791-1857)
Publisher. Info. New York: G. Schirmer, 1893. Plate 11015.
Copyright
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PDF scanned by US-R
Pianoman121 (2019/4/24)

Editor Albert Schweitzer (1875-1965)
Publisher. Info. Klassiker der Tonkunst, Bd.1
Wien: Universal Edition, 1912. Plate U.E. 3920.
Copyright
Misc. Notes This file is part of the Sibley Mirroring Project.
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PDF scanned by Unknown
Feduol (2024/10/8)

Editor Walter Georgii (1887-1967)
Publisher. Info. Mainz: Schott Music, No.09588, 1957.
Copyright
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PDF scanned by Sallen112
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Harryr (2019/7/21)

Editor Alfred Dürr (1918-2011)
Publisher. Info. Neue Bach-Ausgabe, Serie V, Band 6.1 (pp.2-5)
Kassel: Bärenreiter Verlag, 1989. Plate BA 5070.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

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Copyright
Misc. Notes #886640: 600 dpi. Page size is 10.00 x 12.688 inches.
#582203-583204: A4 pages, 600 dpi scan with stamp added showing the printed source.
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PDF scanned by uploader
Fugalicious (2023/12/4)

Editor Alfred Dürr (1918-2011)
Publisher. Info. The Well-Tempered Clavier I (pp.2–5)
Kassel: Bärenreiter, 1989. Plate BA 5191.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

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Misc. Notes 600 dpi. Urtext edition without fingerings, based on the Neue Bach-Ausgabe.
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Sahuhtala (2024/6/2)

Editor Tamás Zászkaliczky (b. 1943)
Publisher. Info. Budapest: Könemann Music, 1993. Plate K 101.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

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Misc. Notes 600 dpi. Page size A4 (210 × 297mm). Urtext edition.
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PDF typeset by editor
Pierre Gouin (2012/5/25)

PDF typeset by editor
Pierre Gouin (2012/5/25)

Editor Pierre Gouin - Contact
Publisher. Info. Montréal: Les Éditions Outremontaises, 2012
Copyright
Misc. Notes Urtext keyboard score.
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Praeludium (No.1)

PDF scanned by Gcjdavid
Gcjdavid (2016/6/3)

Editor Louis Oesterle (1854-1932)
Publisher. Info. New York: Schirmer, 1898. Plate 10364r.
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PDF scanned by F-Pn
Morel (2019/12/16)

Publisher. Info. Album Musica, No.61
Paris: Pierre Lafitte, 1907.
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Feduol (2024/8/11)

Editor Russell E. Lanning (1916-1958)
Publisher. Info. Music by the Masters. No.60
New York: Musicord Publications, 1946. Plate EL 2543.
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PDF scanned by Sallen112
Sallen112 (2023/8/3)

Editor Georg von Dadelsen (1918-2007)
Publisher. Info. Neue Bach-Ausgabe, Serie V, Band 4 (pp.107-08)
Kassel: Bärenreiter Verlag, 1957. Plate BA 5008.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States.

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Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright
Misc. Notes 600 dpi. Page size is 10.00 x 12.688 inches. Included in the 1725 notebook of the Notebooks for Anna Magdalena Bach (No.29).
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Fugalicious (2020/8/11)

Editor Georg von Dadelsen (1918-2007)
Publisher. Info. Notebook for Anna Magdalena Bach, 1725 (pp.29-30)
Kassel: Bärenreiter, 1957. Plate BA 5164.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

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Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
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Misc. Notes 600 dpi. This urtext edition does not include fingerings. Small notes and dotted lines are added by the editor, based on other editions of this work. Included in the 1725 notebook of the Notebooks for Anna Magdalena Bach (No.29).
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RSB (2011/3/2)

Editor RSB
Publisher. Info. RSB
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wrshannon (2012/3/28)

Editor Roland Lopes
Publisher. Info. Roland Lopes
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Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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PDF typeset by editor
editor (2012/5/22)

Editor Pierre Gouin - Contact
Publisher. Info. Montréal: Les Éditions Outremontaises, 2012.
Copyright
Misc. Notes 1. from Notebooks for Anna Magdalena Bach (No.28)
2. from Notebook for Wilhelm Friedemann Bach (No.14)
Urtext keyboard score.
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Fuga (No.2)

PDF scanned by Sallen112
Sallen112 (2023/12/4)

PDF scanned by Harryr
Harryr (2023/12/4)

PDF scanned by Harryr
Harryr (2023/12/4)

Editor Alfred Dürr (1918-2011)
Publisher. Info. Neue Bach-Ausgabe, Serie V, Band 6.1 (pp.6-7)
Kassel: Bärenreiter Verlag, 1989. Plate BA 5070.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States.

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Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
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Misc. Notes #886641: 600 dpi. Page size is 10.00 x 12.688 inches.
#886642-886643: A4 pages, 600 dpi scan with stamp added showing the printed source.
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Skryabushka (2017/10/19)

ZIP typeset by editor
Skryabushka (2017/10/19)

Editor Kyle Rother (b. 1988)
Publisher. Info. Kyle Rother, 2017.
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Arrangements and Transcriptions

Complete

For Strings (Gardner)

PDF typeset by arranger
Herbieg33408 (2020/7/17)

5 more: Violins I • Violins II • Violas • Cellos • Basses

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Herbieg33408 (2020/7/17)

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Herbieg33408 (2020/7/17)

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Herbieg33408 (2020/7/17)

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Herbieg33408 (2020/7/17)

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Herbieg33408 (2020/7/17)

Arranger Herbert Straus Gardner
Publisher. Info. Herbert Straus Gardner
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Misc. Notes For string orchestra
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For Violin and Piano (Yokoyama)

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Shin-Itchiro (2012/9/18)

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Shin-Itchiro (2012/9/18)

Arranger Shin-Itchiro Yokoyama
Publisher. Info. YOKOYAMA Shin-Itchiro's Sheet Music Library
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For 2 Pianos (Besseling)

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Peterbesseling (2021/9/16)

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Peterbesseling (2021/9/16)

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Peterbesseling (2021/9/16)

Arranger Peter Besseling (b. 1953)
Publisher. Info. Peter Besseling
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Praeludium (No.1)

For 4 Flutes (Orefice)

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Jehandulac (2022/6/11)

Arranger Giovanni Pietro Orefice (b. 1967)
Publisher. Info. Giovanni Pietro Orefice, 2022.
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Misc. Notes 4 canon structure unveiled in the Praeludium, transcription in A major and A minor to comply with the other pieces for flute of the BWV1013
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For 3 Recorders (Tennent)

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Rdtennent (2014/11/5)

Arranger R.D. Tennent
Publisher. Info. R.D. Tennent
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Misc. Notes Transposed to G major. These file(s) are part of the Werner Icking Music Collection, and are also included in the Mondrup Recorder Collection.
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For 2 Guitars (Olson)

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Charanguero (2019/1/14)

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Charanguero (2019/1/14)

Arranger J. J. Olson (b. 1947)
Publisher. Info. Mutopia, 2017.
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Misc. Notes Published as Mutopia-2017/11/06-2206. Subtitled "Three Transcriptions for Guitar Duo".
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For 2 Pianos (Leetrakulnumchai)

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Arranger Jirapat Leetrakulnumchai (b. 2005)
Publisher. Info. Jirapat Leetrakulnumchai, 2021.
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For Clarinet (Roth)

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Playonreeds (2021/5/3)

Arranger Rainer Grant Roth (b. 1961)
Publisher. Info. Rainer Grant Roth, 2021.
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Misc. Notes Available in many different keys for various woodwind instruments: Sheet Music Plus
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For Bassoon (Berrocal)

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Arranger Joseba Berrocal
Publisher. Info. Joseba Berrocal, 2020.
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Misc. Notes Version in B-flat major for Fagotto
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For Solo String Instruments (Berrocal)

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Reccmo (2012/1/10)

4 more: Viola • Cello • Bass Viol • Engraving files (Finale)

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Reccmo (2012/1/10)

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Reccmo (2012/1/10)

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Reccmo (2012/2/11)

Arranger Joseba Berrocal
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Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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For 10 String Guitar (León Egea)

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Ramón León Egea (2024/9/23)

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Ramón León Egea (2024/10/18)

Arranger Ramón León Egea (b. 1975)
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For 8 String Guitar (León Egea)

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Ramón León Egea (2024/10/18)

Arranger Ramón León Egea (b. 1975)
Publisher. Info. Ramón León Egea, 2024.
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Misc. Notes Arranged for 8-string guitar in the tuning GCEADGBE
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For Guitar (Apke)

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Stefan Apke (2020/11/4)

Arranger Stefan Apke (b. 1963)
Publisher. Info. Vlotho: Stefan Apke, 1992/2020.
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For Guitar (León Egea)

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Ramón León Egea (2024/7/24)

Arranger Ramón León Egea (b. 1975)
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For Guitar (Manger)

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Bernhard Manger (2014/9/14)

Arranger Bernhard Manger
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Misc. Notes Transposed to D-Major and simplified.
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For Guitar (Seveleu-Dubrovnik)

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CA (2022/6/13)

Arranger Maxime Seveleu-Dubrovnik
Publisher. Info. Maxime Seveleu-Dubrovnik, 2021.
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Misc. Notes Shared via music.seveleu.com.
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For Guitar (León Egea)

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Ramón León Egea (2024/9/29)

Arranger Ramón León Egea (b. 1975)
Publisher. Info. Ramón León Egea, 2024.
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Misc. Notes for classical guitar
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For Violin (Lévêcque)
See: 3 Etudes Gymnastiques, Op.27 by Lévêcque
For Violin (Zolnowski)

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Maciejzolnowski (2014/7/24)

Arranger Maciej Zolnowski
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Fuga (No.2)

For Mixed Chorus (Villa-Lobos)

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Lucas-coelho (2021/11/6)

Arranger Heitor Villa-Lobos (1887-1959)
Publisher. Info. Rio de Janeiro: Arthur Napoleão, n.d. Plate 8994.
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For 4 Recorders (Eijkhout)

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Victor (2014/8/10)

5 more: Tenor Recorder • Bass Recorder 1 • Bass Recorder 2 • Greatbass Recorder • Engraving files (MuseScore)

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Victor (2014/8/10)

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Victor (2014/8/10)

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Victor (2014/8/10)

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Arranger Victor Eijkhout
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For 4 Clarinets (Rojas)

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RojasConductor (2016/7/11)

4 more: Piccolo Clarinet (E♭) • Clarinet 1 (B♭) • Clarinet 2 (B♭) • Bass Clarinet (B♭)

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RojasConductor (2016/7/11)

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RojasConductor (2016/7/11)

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RojasConductor (2016/7/11)

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RojasConductor (2016/7/11)

Arranger Pablo Fernández Rojas
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Misc. Notes Esta adaptación pertenece al proyecto Bóreas Ventus. Esta obra musical está protegida, gestionada y administrada por SGAE
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For 4 Bassoons (Zehar)

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Uranux (2019/6/23)

4 more: Bassoon 1 • Bassoon 2 • Bassoon 3 • Bassoon 4

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Uranux (2019/6/23)

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Uranux (2019/6/23)

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Uranux (2019/6/23)

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Uranux (2019/6/23)

Arranger Farid Zehar
Publisher. Info. Farid Zehar, 2011.
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For 4 Viols (Watanabe)

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wrshannon (2011/9/26)

6 more: Thematic Analysis Score • Treble Viol 1 • Treble Viol 2 • Tenor Viol • Bass Viol • Engraving files (MusicXML)

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wrshannon (2011/9/26)

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wrshannon (2011/9/26)

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wrshannon (2011/9/26)

Arranger Hitoshi Watanabe
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Misc. Notes These file(s) are part of the Werner Icking Music Collection, and are also included in the Bach for Viols.
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General Information

Work Title Prelude and Fugue No.1 in C major
Alternative. Title Præludium et fuga a quattro voci
Name Translations Прелюдия и фуга до мажор, BWV 846; Präludium und Fuge C-Dur BWV 846; Preludio e fuga, BWV 846; C大調前奏與賦格; Prélude et fugue en ut majeur (BWV 846); Preludi i fuga en do major (BWV 846); پرلود و فوگ در دو ماژور (BWV 846); 前奏曲とフーガ ハ長調 BWV846
Name Aliases C大調平均律前奏曲; 平均律クラヴィーア曲集 第1巻 第1番
Authorities WorldCat; Wikipedia; VIAF: 200776687; GND: 300011903; BNF: 13909942q
Composer Bach, Johann Sebastian
Opus/Catalogue NumberOp./Cat. No. BWV 846 ; BC L 80
I-Catalogue NumberI-Cat. No. IJB 505
Key C major
Movements/SectionsMov'ts/Sec's 2 sections:
  1. Praeludium
  2. Fuga
Year/Date of CompositionY/D of Comp. 1722 in Das wohltemperierte Klavier I (No.1)
First Publication. 1801
Average DurationAvg. Duration 4 minutes
Composer Time PeriodComp. Period Baroque
Piece Style Baroque
Instrumentation keyboard
Related Works Prelude and Fughetta in C major, BWV 846a (early version)
Manuscript Sources Bach Digital (source list)
External Links Wikipedia article

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See Also
List of Intermediate Piano Repertoire
Keyboard Works by Johann Sebastian Bach
French Overture, BWV 831
Italian Concerto, BWV 971