Der Friede sei mit dir, BWV 158 (Bach, Johann Sebastian)

Contents

Performances

Recordings

MP3 file (audio)
Vangi (2017/11/24)

Publisher Info. Archive Production ARC 3104, 1959.
Performers Kammerchor der Akademie für Musik und Theater Hannover
Horst Günter (Soloist)
Kammerensemble Carl Gorvin (Orchestra)
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Misc. Notes Vinyl, LP, mono – Album complet
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TN-PMLP149974-Ro 8-04 (2) Cantata BWV 158 -Der Friede sei mit dir- (Johann Sebastian Bach)-7209.png

Naxos

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Synthesized/MIDI

Arioso: 'Da bleib ich, da hab ich Vergnügen zu wohnen' (No.3)

For Trumpet and Organ

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Michrond (2016/3/25)

Publisher Info. Michel Rondeau
Performers MIDI
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Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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Sheet Music

Full Scores

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Feldmahler (2006/8/30)

Editor Ernst Naumann (1832-1910)
First edition (?)
Publisher. Info. Bach-Gesellschaft Ausgabe, Band 32 (pp.141-54)
Leipzig: Breitkopf und Härtel, 1886. Plate B.W. XXXII.
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Sallen112 (2021/8/18)

Editor Ernst Naumann (1832-1910)
First edition (?, reprint)
Publisher. Info. Bach-Gesellschaft Ausgabe, Band 32 (pp.1-12)
Leipzig: Breitkopf und Härtel, 1886. Plate B.W. XXXII.
Reprinted New York: E.F. Kalmus, n.d.(1933–70). Catalog A2537.
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Sallen112 (2017/3/15)

Editor Alfred Dürr (1918-2011)
Publisher. Info. Neue Bach-Ausgabe, Serie I, Band 10 (pp.129-138)
Kassel: Bärenreiter Verlag, 1955. Plate BA 5004.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

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Misc. Notes 600 dpi. Page size is 10.00 x 12.688 inches.
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Sallen112 (2021/8/18)

Editor Alfred Dürr (1918-2011)
Publisher. Info. Neue Bach-Ausgabe, Serie I, Band 10 (pp.1-8)
Kassel: Bärenreiter Verlag, 1955. Plate BA 5004.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

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Reprinted Boca Raton: Edwin F. Kalmus, n.d.(1987-2018). Catalog A7842.
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Misc. Notes Preface by editor removed due to it being under copyright everywhere.
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Casadesus (2021/12/25)

4 more: 2. Aria and Chorale: 'Welt, ade, ich bin dein müde' • 3. Recitative and Arioso: 'Nun, Herr, regiere meinen Sinn' • 4. Chorale: 'Hier ist das rechte Osterlamm' • Engraving files (MuseScore)

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Casadesus (2021/12/25)

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Casadesus (2021/12/25)

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Casadesus (2021/12/25)

ZIP typeset by editor
Casadesus (2021/12/25)

Editor Ramon Casadesus-Masanell
Publisher. Info. Ramon Casadesus-Masanell, 2021.
Copyright
Misc. Notes musescore.com
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Parts

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Sallen112 (2021/8/18)

5 more: Violin Solo • Cellos • Basses • Harpsichord • Organ

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Sallen112 (2021/8/18)

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Sallen112 (2021/8/18)

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Sallen112 (2021/8/18)

PDF scanned by Unknown
Sallen112 (2021/8/18)

PDF scanned by Unknown
Sallen112 (2021/8/18)

Editor Ernst Naumann (1832-1910)
Publisher. Info. Leipzig: Breitkopf und Härtel, n.d.(ca.1895).
Reprinted New York: E.F. Kalmus, n.d.(1933–70). Catalog A2537.
Copyright
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PDF scanned by Unknown
Sallen112 (2021/8/18)

PDF scanned by Unknown
Sallen112 (2021/8/18)

PDF scanned by Unknown
Sallen112 (2021/8/18)

Editor Alfred Dürr (1918-2011)
Publisher. Info. Neue Bach-Ausgabe, Serie I, Band 10
Kassel: Bärenreiter Verlag, 1955. Plate BA 5004.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Reprinted Boca Raton: Edwin F. Kalmus, n.d.(1987-2018). Catalog A7842.
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Vocal Scores

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Perlnerd666 (2008/11/15)

Arranger Bernhard Todt (1822-1907) [?]
Publisher. Info. Leipzig: Breitkopf und Härtel, n.d.[1895].
Copyright
Misc. Notes Plate, truncated in the reprint made here, possibly J.S.B. I.158.
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Sallen112 (2021/8/18)

Editor Alfred Dürr (1918-2011)
Publisher. Info. Neue Bach-Ausgabe, Serie I, Band 10
Kassel: Bärenreiter Verlag, 1955. Plate BA 5004.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Reprinted Boca Raton: Edwin F. Kalmus, n.d.(1987-2018). Catalog A7842.
Copyright
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Arrangements and Transcriptions

Aria and Chorale: 'Welt, ade, ich bin dein müde' (No.2)

For String Quartets (Lang)

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FP23 (2017/10/17)

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FP23 (2017/10/17)

Arranger Peter Lang
Publisher. Info. Peter Lang, 2016.
Copyright
Misc. Notes Various quartet configurations
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Arioso: 'Da bleib ich, da hab ich Vergnügen zu wohnen' (No.3)

For Trumpet and Organ (Rondeau)

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Michrond (2016/3/25)

ZIP typeset by arranger
Michrond (2016/3/25)

Arranger Michel Rondeau
Publisher. Info. Michel Rondeau
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Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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Other

Chorale: 'Hier ist das rechte Osterlamm' (No.4)

PDF scanned by Sallen112
Sallen112 (2017/9/18)

Editor Frieder Rempp (b. 1942)
Publisher. Info. Neue Bach-Ausgabe, Serie III, Band 2.1
Choräle und geistliche Lieder, Teil 1
(pp.24)
Kassel: Bärenreiter Verlag, 1991. Plate BA 5075.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States.

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Misc. Notes From Dietel Sammlung as "Christ lag in Todesbanden" (No.24). More details. 600 dpi. Page size is 10.00 x 12.688 inches.
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Sallen112 (2022/11/15)

Editor Frieder Rempp (b. 1942)
Publisher. Info. Neue Bach-Ausgabe, Serie III, Band 2.2
Choräle und geistliche Lieder, Teil 2
(pp.155)
Kassel: Bärenreiter Verlag, 1996. Plate BA 5076.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States.

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Misc. Notes From Chorale der Sammlung C.P.E. Bach nach dem Druck von 1784-1787.
600 dpi. Page size is 10.00 x 12.688 inches.
4. As "Christ lag in Todesbanden" (More details) (No.261)
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General Information

Work Title Der Friede sei mit dir
Alternative. Title Peace be with you
Authorities WorldCat; Wikipedia; VIAF: 178245090; LCCN: n85067586; GND: 300008619; BNF: 139095100
Composer Bach, Johann Sebastian
Opus/Catalogue NumberOp./Cat. No. BWV 158 ; BC A 61/A 171
I-Catalogue NumberI-Cat. No. IJB 179
Key D major
Movements/SectionsMov'ts/Sec's 4 movements (possibly more):
  1. Recitative (bass): Der Friede sei mit dir
  2. Aria (bass) and Chorale (soprano): Welt, ade, ich bin dein müde
  3. Recitative and Arioso (bass): Nun, Herr, regiere meinen Sinn
  4. Chorale: Hier ist das rechte Osterlamm
Year/Date of CompositionY/D of Comp. 1713-1717 originally in Weimar, possibly Leipzig
First Performance. 1727-04-15 or 1728-03-30 in Weimar or Leipzig
First Publication. 1886 (BGA)
Librettist see below
Anonymous (Salomo Franck (1659-1725)) (Nos.1, 3)
Johann Georg Albinus (1624-1679) (No.2)
Martin Luther (1483-1546) (No.4)
Language German
Dedication Feast of Purification of Mary
3rd day of Easter (Easter Tuesday)
Average DurationAvg. Duration 10-14 minutes
Composer Time PeriodComp. Period Baroque
Piece Style Baroque
Instrumentation soprano, bass, mixed chorus (SATB), oboe, violin, continuo
Related Works Christ lag in Todesbanden by Johann Walter (No.4)
Manuscript Sources Bach Digital (source list)
External Links Wikipedia article
Bach-Cantatas.com
Extra Information No.4 is identical to Christ lag in Todes Banden, BWV 279

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Cantatas by Johann Sebastian Bach