Ich habe genug, BWV 82 (Bach, Johann Sebastian)

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1st Version (1727, BC A 169a)

Publisher. Info. Holograph manuscript, n.d.[1727].
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Misc. Notes Staatsbibliothek zu Berlin (D-B): Mus.ms. Bach P 114
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Editor Wilhelm Rust (1822–1892)
First edition
Publisher. Info. Bach-Gesellschaft Ausgabe, Band 20.1 (pp.25-50)
Leipzig: Breitkopf und Härtel, 1872. Plate B.W. XX (1).
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Editor Wilhelm Rust (1822–1892)
First edition (reprint)
Publisher. Info. Bach-Gesellschaft Ausgabe, Band 20.1 (pp.1-24)
Leipzig: Breitkopf und Härtel, 1872. Plate B.W. XX (1).
Reprinted Boca Raton: Edwin F. Kalmus, n.d.(1987-2018). Catalog A2518.
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Editor Matthias Wendt (b. 1951)
Publisher. Info. Neue Bach-Ausgabe, Serie I, Band 28.1 (pp.75-108)
Kassel: Bärenreiter Verlag, 1994. Plate BA 5084.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States.

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Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
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Misc. Notes 600 dpi. Page size is 10.00 x 12.688 inches.
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Editor Calebe Barros
Publisher. Info. Calebe Barros
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Editor Markus Müller
Publisher. Info. Markus Müller
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Editor Louise Cawte
Publisher. Info. Louise Cawte
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Misc. Notes with sort-of realisation
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Copyist Hermann Kretzschmar (1848–1924)
Publisher. Info. Holograph manuscript, n.d.[1727].
Reprinted Bach-Gesellschaft Ausgabe, Band 44
Leipzig: Breitkopf und Härtel, 1895. Plate B.W. XLIV.
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2nd Version (1731, BC A 169b)

Editor Matthias Wendt (b. 1951)
Publisher. Info. Neue Bach-Ausgabe, Serie I, Band 28.1 (pp.153-86)
Kassel: Bärenreiter Verlag, 1994. Plate BA 5084.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright
Misc. Notes 600 dpi. Page size is 10.00 x 12.688 inches. The reconstruction term in this "version" is somewhat misleading (but technically correct) because it uses musical material that exists in the other versions that the composer wrote and is just transposed into E minor to fill in any parts that were missing from the original incomplete manuscript in the instrumentation of this "version" so its fair game.
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3rd Version (1735-36, BC A 169c)

Editor Matthias Wendt (b. 1951)
Publisher. Info. Neue Bach-Ausgabe, Serie I, Band 28.1 (pp.109-52)
Kassel: Bärenreiter Verlag, 1994. Plate BA 5084.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright
Misc. Notes 600 dpi. Page size is 10.00 x 12.688 inches.
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5 more: 2. Recitativo: 'Ich habe genug' • 3. Aria: 'Schlummert ein, ihr matten Augen' • 4. Recitativo: 'Mein Gott! wenn kömmt das schöne: Nun!' • 5. Aria: 'Ich freue mich auf meinen Tod' • Engraving files (MuseScore)

Editor Ramon Casadesus-Masanell
Publisher. Info. Ramon Casadesus-Masanell, 2021.
Copyright
Misc. Notes musescore.com
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Parts

1st Version (1727, BC A 169a)

6 more: Violins I • Violins II • Violas • Cellos • Basses • Harpsichord

Editor Wilhelm Rust (1822–1892)
Publisher. Info. Bach-Gesellschaft Ausgabe, Band 20.1
Leipzig: Breitkopf und Härtel, 1872. Plate B.W. XX (1).
Reprinted Boca Raton: Edwin F. Kalmus, n.d.(1987-2018). Catalog A2518.
Copyright
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4 more: Violins II • Violas • Cellos • Basses

Publisher. Info. Leipzig: Breitkopf und Härtel, n.d. Plate Orch.-B. 4582.
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4 more: Violins I • Violins II • Violas • Continuo (Cellos/Basses/Keyboard)

Editor Markus Müller
Publisher. Info. Markus Müller
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Editor Louise Cawte
Publisher. Info. Louise Cawte
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Vocal Scores

Arranger Bernhard Todt (1822–1907) [?]
Publisher. Info. Leipzig: Breitkopf und Härtel, n.d.(ca.1890).
Copyright
Misc. Notes Vocal Scores based on Bach-Gesellschaft Ausgabe
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2nd Version (1731, BC A 169b)

Editor Georg von Dadelsen (1918–2007)
Publisher. Info. Neue Bach-Ausgabe, Serie V, Band 4 (pp.122-24, 126)
Kassel: Bärenreiter Verlag, 1957. Plate BA 5008.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright
Misc. Notes 600 dpi. Page size is 10.00 x 12.688 inches. Included in the 1725 notebook of the Notebooks for Anna Magdalena Bach (Nos.34, 38).
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Arrangements and Transcriptions

Aria: 'Ich habe genug' (No.1)

For Sextets: Oboe ad lib. and Strings (Lang)
Arranger Peter Lang
Publisher. Info. Peter Lang, 2013
Copyright
Misc. Notes Various sextet configurations
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Aria: 'Schlummert ein, ihr matten Augen' (No.3)

For 5 Recorders (Tennent)
Arranger R.D. Tennent
Publisher. Info. R.D. Tennent
Copyright
Misc. Notes These file(s) are part of the Werner Icking Music Collection, and are also included in the Mondrup Recorder Collection. Transposed to C major.
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For String Quintets (Lang)
Arranger Peter Lang
Publisher. Info. Peter Lang, 2013
Copyright
Misc. Notes 2 violas or 2 cellos
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For Alto Recorder and Keyboard (Feller)
Arranger Paul-Gustav Feller
Publisher. Info. Ritter von Schleyer Verlag
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For Trumpet and Organ (Rondeau)
Arranger Michel Rondeau
Publisher. Info. Michel Rondeau
Copyright
Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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For Cello and Piano (Sielemann)
Arranger Jan Sielemann
Publisher. Info. Jan Sielemann
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For Organ (Gouin)
Arranger Pierre Gouin - Contact
Publisher. Info. Montréal: Les Éditions Outremontaises, 2016
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Aria: 'Ich freue mich auf meinen Tod' (No.5)

For Quintets: Oboe ad lib. and Strings (Lang)
Arranger Peter Lang
Publisher. Info. Peter Lang, 2013
Copyright
Misc. Notes Various quintet configurations
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For String Quartets (Lang and Bartoli)
Arranger Peter Lang
Russ Bartoli
Editor Peter Lang
Publisher. Info. Peter Lang, 2016
Copyright
Misc. Notes Various quartet configurations
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General Information

Work Title Ich habe genug
Alternative. Title
Name Translations ich habe genug; Ich habe genug, רי"ב 82
Name Aliases Ich habe genung
Authorities WorldCat; Wikipedia; VIAF: 178190556; LCCN: n84072767; GND: 300007736; BNF: 13909933r
Composer Bach, Johann Sebastian
Opus/Catalogue NumberOp./Cat. No. BWV 82 ; BC A 169a-d
Internal Reference NumberInternal Ref. No. IJB 308
Key C minor ; E minor (2nd Version)
Movements/SectionsMov'ts/Sec's 5 movements:
  1. Aria (bass): Ich habe genug (C minor, 208 bars)
  2. Recitativo (bass): Ich habe genug (A major-B major, 14 bars)
  3. Aria (bass): Schlummert ein, ihr matten Augen (E major, 85 + 36 bars)
  4. Recitativo (bass): Mein Gott! wenn kömmt das schöne: Nun! (C minor, 7 bars)
  5. Aria (bass): Ich freue mich auf meinen Tod (C minor, 188 bars)
Year/Date of CompositionY/D of Comp. 1727, revised 1731, 1735, 1747.
First Performance. 1727-02-02 in Leipzig (later performances)
First Publication. 1872 (BGA)
Librettist Christoph Birkmann (1703–1771)
Language German
Dedication Feast of Purification of Mary
Average DurationAvg. Duration 23 minutes
Composer Time PeriodComp. Period Baroque
Piece Style Baroque
Instrumentation bass (1727, 1747) or soprano (1731) or mezzo-soprano (1735), orchestra
InstrDetail oboe (or flute), oboe da caccia, strings, continuo (organ)
Manuscript Sources BC A 169a, 169b, 169c (Bach Digital)
External Links Wikipedia article
Bach-Cantatas.com
Extra Information Commentary on the movements, etc.

Navigation etc.

Cantatas by Johann Sebastian Bach