Performances
Sheet Music
Volumes
Series I. Church Music
⇒ 4 more: I/2. Messen II • I/3a+b: Messen III • I/5: Messen-Sätze und Messen-Fragmente • I/7. Stabat mater ("Jesus Christus schwebt am Kreuze")
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Kassel: Bärenreiter, 1965-99. URTEXT EDITION
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All commentary in the prefaces by the series/edition editor has been removed due to being under copyright.
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Series II. Stage Works
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Kassel: Bärenreiter, 1965-99. URTEXT EDITION
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Series III. Part Songs
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Kassel: Bärenreiter, 1965-99. URTEXT EDITION
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Series IV. Lieder (Songs)
⇒ 10 more: IV/2. Lieder Band 2 • IV/3. Lieder Band 3 • IV/4. Lieder Band 4 • IV/5. Lieder Band 5 • IV/6. Lieder Band 6 • IV/7. Lieder Band 7 • IV/11. Lieder Band 11 • IV/12. Lieder Band 12 • IV/13. Lieder Band 13 • IV/14. Lieder Band 14
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Kassel: Bärenreiter, 1965-99. URTEXT EDITION
This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.
In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).
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Series V. Orchestral Works
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Kassel: Bärenreiter, 1965-99. URTEXT EDITION
This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.
In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).
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Series VI. Chamber Music
⇒ 7 more: VI/2. Streichquintette • VI/3. Streichquartette I • VI/4. Streichquartette II • VI/5. Streichquartette III • VI/6. Streichtrios • VI/7. Werke für Klavier und mehrere Instrumente • VI/8. Werke für Klavier und ein Instrument
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Kassel: Bärenreiter, 1965-99. URTEXT EDITION
This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.
In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).
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Series VII/1. Piano Music (Works for Piano Four Hands)
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Kassel: Bärenreiter, 1965-99. URTEXT EDITION
This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.
In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).
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Series VII/2. Piano Music (Works for Piano Two Hands)
⇒ 4 more: VII/2:4. Werke für Klavier zu zwei Händen. Klavierstücke I • VII/2:5. Werke für Klavier zu zwei Händen. Klavierstücke II • VII/2:6. Werke für Klavier zu zwei Händen. Tänze I • VII/2:7. Werke für Klavier zu zwei Händen. Tänze II
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Kassel: Bärenreiter, 1965-99. URTEXT EDITION
This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.
In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).
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General Information
| Work Title
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Neue Schubert-Ausgabe
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| Alternative. Title
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Franz Peter Schubert: Neue Ausgabe sämtlicher Werke
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| Composer
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Schubert, Franz
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| Internal Reference NumberInternal Ref. No.
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None [force assignment]
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| Movements/SectionsMov'ts/Sec's
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8 series, 84 volumes
- Series I: Church Music (9 volumes)
- Series II: Stage Works (18 volumes)
- Series III: Part Songs (4 volumes)
- Series IV: Lieder (15 volumes)
- Series V: Orchestral Works (7 volumes)
- Series VI: Chamber Music (9 volumes)
- Series VII: Piano Music (12 volumes)
- Series VIII: Supplement (10 volumes)
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| First Publication.
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1956-2027 - Kassel: Bärenreiter Verlag and Leipzig
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| Composer Time PeriodComp. Period
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Romantic
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| Piece Style
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Romantic
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| Instrumentation
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various
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| External Links
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Wikipedia article
Bärenreiter website
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FRANZ PETER SCHUBERT
Neue Ausgabe
sämtlicher Werke
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HERAUSGEGEBEN VON DER INTERNATIONALEN SCHUBERT-GESELLSCHAFT
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Introduction
Franz Schubert (1797–1828): New Edition of the Complete Works (Franz Schubert (1797–1828): Neue Ausgabe sämtlicher Werke), commonly known as the New Schubert Edition (NSE), or, in German: Neue Schubert-Ausgabe (NSA), is a complete edition of Franz Schubert's works, which started in 1956 and is scheduled to conclude in 2027. The projected number of volumes of the publication, which includes score editions, critical reports and supplements, is 177, of which, as of 2020, 150 have been realised.
The International Schubert Society, initiated in 1963 for this purpose, is the driving force behind the edition. Its score and supplement volumes are published by Bärenreiter. The NSE is a successor to Franz Schubert's Werke: Kritisch durchgesehene Gesammtausgabe: this old collected edition (Franz Schubert's Werke, BGA), was published by Breitkopf & Härtel in the late 19th century, and the successor is sometimes referred to as new collected edition, in German: Neue Gesamt-Ausgabe (NGA).
-Wikipedia (English)
Publisher
- Kassel: Bärenreiter, 1954–2007 and Leipzig: Deutscher Verlag für Musik (to 1990).
Editors
Template
{{SchubertNSA|Serie|Werkgruppe|Subgroup abbreviation|Subgroup long|Plate number|Year(s) of issue|Page-range (optional)}}
Contents
- Note: In the Band header, the "/" means separate publishing years. The "-" means published over these years in a row.
Serie I. Kirchenmusik
Band 1a. Messen I, Teil a (1990/2003)
- Purchase Website
- Editors: Luciano Berio (1925–2003) and Michael Kube (1968-)
- Score: XXIII + 272 pages, 1990. BA 5531.
- Critical commentary: 140 pages, 2003.
- Dona nobis pacem (2. Bearbeitung) [früher D.185]
- Benedictus (Entwurf)
Band 1b. Messen I, Teil b (2024)
- Purchase Website
- Editors: Christine Martin (1961-)
- Score: XXVIII + 136 pages, 2024. BA 5583.
- Critical commentary: 94 pages, 2024.
- 1. Bearbeitung des Osanna in einer Abschrift Joseph Dopplers
- 2. Bearbeitung des Agnus Dei in einer Abschrift Joseph Dopplers
Band 2. Messen II (1982/2010)
- Purchase Website
- Editors: Rosanna Dalmonte (1935–), Pier Paolo Scattolin (1949–) and Michael Kube (1968-)
- Score: XXII + 217 pages, 1982. BA 5518.
- Critical commentary: 110 pages, 2010.
- Benedictus zu D.452 (2. Bearbeitung) [früher D.961]
Band 3a+b: Messen III (1980-1981)
- Purchase Website
- Editors: Doris Finke-Hecklinger (1935–2001) and Walther Dürr (1932-2018)
- Score: XXI + 200 / V + 236 pages, 1980. BA 5510.
- Critical commentary: 64 pages, 1981.
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- Osanna in excelsis (Variante der 2. Fassung)
- Credo (Entwurf)
Band 4: Messen IV (2022-2023)
- Purchase Website
- Editors: Rudolf Faber (1958–)
- Score: XXIV + 298 pages, 2022. BA 5576.
- Critical commentary: 64 pages, 2023.
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Band 5: Messen-Sätze und Messen-Fragmente (1998-1999)
- Purchase Website
- Editors: Manuela Jahrmärker (1957–) and Volkmar von Pechstaedt
- Score: XXV + 165 pages, 1998. BA 5551.
- Critical commentary: 48 pages, 1999.
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Band 6: »Deutsche Messe« / Deutsche Trauermesse (2001-2002)
- Purchase Website
- Editors: Michael Kube (1968-)
- Score: XXVIII + 133 pages, 2001. BA 5555.
- Critical commentary: 86 pages, 2002.
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Band 7: Stabat mater ("Jesus Christus schwebt am Kreuze") (1996/1998)
- Purchase Website
- Editors: Manuela Jahrmärker (1957–)
- Score: XXIV + 112 pages, 1996. BA 5547.
- Critical commentary: 56 pages, 1998.
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Band 8: Kleinere kirchenmusikalische Werke I (i.V.)
Band 9: Kleinere kirchenmusikalische Werke II (2014/2016)
- Purchase Website
- Editors: Rudolf Faber (1958–)
- Score: XXVII + 244 pages, 2014. BA 5569.
- Critical commentary: 110 pages, 2016.
- Werke für gemischte Stimmen und Orchester
- 1. Stabat Mater in g, D.175
- 2. Offertorium in a, D.181 (Tres sunt)
- 3. Graduale in C, D.184 – op. posth. 150 (Benedictus es, Domine)
- 4. Magnificat in C, D.486
- 5. Tantum ergo in C, D.739 – op. 45
- 6. Tantum ergo in C, D.460
- 7. Tantum ergo in C, D.461
- 8. Tantum ergo in B, D.730
- 9. Tantum ergo in D, D.750
- 10. Tantum ergo in Es, D.962
- Werke für gemischte Stimmen a cappella / mit Orgelbegleitung
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- Hosanna filio David
- In monte Oliveti
- Sanctus, sanctus, sanctus
- Pueri hebraeorum
- Cum angelis et pueris
- Ingrediente Domino
- Werke für Männerstimmen a cappella / mit Bläserbegleitung
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Serie II. Bühnenwerke
Band 1a+b: Des Teufels Lustschloß (1989-90/2003)
- Purchase Website
- Editors: Uta Hertin-Loeser (1939–), Walburga Litschauer (1954-) and Christine Martin (1961-)
- Score: XXVI + 354/481 pages, 1989-90. BA 5532.
- Critical commentary: 263 pages, 2003.
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- Nr. 7 (Arie) (verworfene 2. Fassung)
- Nr. 13 (Arie) (verworfene 1. Fassung)
- Nr. 13 (Arie) (Fragment einer 2. Fassung)
- Nr. 14 Melodram und Marsch (Fragment einer 2. Fassung)
- Nr. 23 (Finale) (verworfene 2. Fassung)
- Fragment eines Orchesternachspiels in d
- Fragments eines Orchesterstücks in B, D.94A
Band 2: Der vierjährige Posten / Fernando (1992/2006)
- Purchase Website
- Editors: Han Theill and Michael Kube (1968-)
- Score: XXI + 295 pages, 1992. BA 5533.
- Critical commentary: 128 pages, 2006.
Band 3: Die Freunde von Salamanka (2003-2004)
- Purchase Website
- Editors: Marco Beghelli and Michael Kube (1968-)
- Score: XXI + 329 pages, 2003. BA 5548.
- Critical commentary: 102 pages, 2004.
Band 4: Die Zauberharfe (1975/1983)
- Purchase Website
- Editors: Rosanna Dalmonte (1935–)
- Score: XIX + 384 pages, 1975. BA 5512.
- Critical commentary: 142 pages, 1983.
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- Zu Nr. 1
- Zu Nr. 2
- Zu Nr. 4
- Zu Nr. 5
- Zu Nr. 9
- Zu Nr. 4
- Variante für Akt I, Nr. 3
- Entwurf eines Melodrams
- Alternativfassung der Romanze des Palmerin (Konzertfassung)
Band 5: Die Zwillingsbrüder (i.V.)
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Band 6a–c: Alfonso und Estrella (1993-95/1999)
- Purchase Website
- Editors: Walther Dürr (1932–2018)
- Score: XXX + 863 pages, 1993-95. BA 5540.
- Critical commentary: 289 pages, 1999.
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-
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Band 7: Die Verschwornen (i.V.)
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Band 8a–c: Fierabras (2005/07/09/11)
- Purchase Website
- Editors: Thomas A. Denny, Christine Martin (1961-) and Walther Dürr (1932–2018)
- Score: XXXIV + 292/242/302 pages, 2005-09. BA 5557.
- Critical commentary: 311 pages, 2011.
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- Entwurf zur Ouvertüre
- Entwurf zu Nr. 8 Ensemble mit Chor
- Entwurf zu Nr. 9 Duett
- Entwurf zu Nr. 6 Finale
- Erster Entwurf zu Nr. 19 Quartett
- Zweiter Entwurf zu Nr. 19 Quartett
- Entwurf zu Nr. 20 Titelblatt
Band 9: Rosamunde, Fürstin von Cypern (2015)
- Purchase Website
- Editors: Walther Dürr (1932–2018)
- Score: XXX + 225 pages, 2015. BA 5570.
- Critical commentary: 186 pages, 2015.
- Helmina von Chézy: Entwurf zum Schauspiel Rosamunde
- Rekonstruktion der 1. Fassung des Dramas
Band 10: Lazarus oder die Feier der Auferstehung (1987/2002)
- Purchase Website
- Editors: Reinhold Kubik (1942–2024)
- Score: XXIV + 207 pages, 1987. BA 5526.
- Critical commentary: 57 pages, 2002.
Band 11: Der Spiegelritter (2023-2024)
- Purchase Website
- Editors: Felix Loy (1963–)
- Score: XXVIII + 222 pages, 2023. BA 5582.
- Critical commentary: 64 pages, 2024.
Band 12: Adrast (2010-2011)
- Purchase Website
- Editors: Mario Aschauer
- Score: XXIV + 218 pages, 2010. BA 5566.
- Critical commentary: 62 pages, 2011.
- Teil I: Ausgeführte Nummern
- Teil II: Entwürfe
- A. Entwurf zu einem Rezitativ und Duett – Aus den Mermnaden
- B. Entwurf zu einem Chor – Aus den Fluthen
- C. Entwurf zu einem Rezitativ – Die Lyder sind
- D. Zwei Bruchstücke eines Entwurfs zu einer Arie
- E. Beginn eines Entwurfs zu einem Chor
- Nr. 2a Gestrichene ursprüngliche Fassung der Takte 56–61
- Nr. 2b Gestrichene ursprüngliche Fassung der Takte 91–96
- Nr. 5a Ursprüngliche Fassung der Takte 39–50
- Nr. 7a Ursprüngliche ungekürzte Fassung
Band 13: Die Bürgschaft (i.V.)
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Band 14: Claudine von Villa Bella (2011-2012)
- Purchase Website
- Editors: Christine Martin (1961-) and Dieter Martin
- Score: XXVIII + 200 pages, 2011. BA 5568.
- Critical commentary: 67 pages, 2012.
- Nr. 6 Ariette – Liebe schwärmt auf allen Wegen (veränderte Textfassung)
Band 15: Sacontala (2008-2009)
- Purchase Website
- Editors: Manuela Jahrmärker (1957-), Thomas Aigner and Christine Martin (1961-)
- Score: XXXIV + 379 pages, 2008. BA 5561.
- Critical commentary: 65 pages, 2009.
Band 16: Opernfragmente ohne Titel (2022-2023)
- Purchase Website
- Editors: Manuela Jahrmärker (1957-), Christine Martin (1961-)
- Score: XXVI + 129 pages, 2022. BA 5577.
- Critical commentary: 36 pages, 2023.
- Oper, Titel unbekannt (Wanda/Rüdiger), D.791
- Oper, Titel unbekannt (Sophie), D.982
- Anhang
- Libretto "Der kurze Mantel" von Johann Gabriel Seidl
Band 17: Der Graf von Gleichen (2006)
- Purchase Website
- Editors: Manuela Jahrmärker (1957-)
- Score: XXXII + 162 pages, 2006. BA 5552.
- Critical commentary: 69 pages, 2006.
- Entwurf für eine Instrumentalstimme
Band 18: Operneinlagen (2010)
- Purchase Website
- Editors: Christine Martin (1961-)
- Score: XXXVI + 90 pages, 2010. BA 5562.
- Critical commentary: 96 pages, 2010.
- Arie Nr. 2: Erste Fassung der Takte 110ff.
- Arie Nr. 2: Erste Fassung der Takte 219ff.
Serie III. Mehrstimmige Gesänge
Band 1: Mehrstimmige Gesänge mit Orchesterbegleitung (2024)
- Purchase Website
- Editors: Vasiliki Papadopoulou and Michael Kube (1968-)
- Score: XXXVII + 263 pages, 2024. BA 5575.
- Critical commentary:
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- I. Da liegt er, starr
- II. Gottes Bild ist Furst und Staat
- III. Ein Punkt nur ist der Mensch
- IV. Die Sonne sticht
- 4. Lied (Brüder, schrecklich brennt die Träne), D.535
- 5. Gesang der Geister über den Wassern, D.714 - op. posth. 167 (Vierte Bearbeitung, ungekürzte 2. Fassung)
- 6. Gesang der Geister über den Wassern, D.714 - op. posth. 167 (Vierte Bearbeitung, gekürzte 2. Fassung)
- 7. Am Geburtstage des Kaisers, D.748 - op. posth. 157
- 8. Nachtgesang im Walde, D.913 - op. posth. 139/2
- 9. Glaube, Hoffnung und Liebe, D.954
- Anhang
-
Band 2a+b: Mehrstimmige Gesänge für gemischte Stimmen (1996/2006/2013)
- Purchase Website
- Editors: Dietrich Berke (1938-2010) and Michael Kube (1968-)
- Score: XLI + 195/261 pages, 1996/2006. BA 5536.
- Critical commentary: 202 pages, 2013.
- 1. Viel tausend Sterne prangen, D.642
- 2. Begräbnislied "Nun laßt uns den Leib begraben", D.168
- 3. Osterlied "Jesus Christus unser Heiland, der den Tod überwand", D.168A
- 4. Gott im Ungewitter, D.985 - op. posth. 112/1
- 5. Gott der Weltschöpfer, D.986 - op. posth. 112/2
- 6. Hymne an den Unendlichen, D.232 - op. posth. 112/3
- 7. Das Abendrot, D.236
- 8. An die Sonne, D.439
- 9. Chor der Engel, D.440
- 10. Die Geselligkeit, D.609
- 11. Das Grab, D.643A
- 12. Kantate zum Geburtstag des Sängers Johann Michael Vogl, D.666 - op. posth. 158, Der Frühlingsmorgen
- I. Sänger, der von Herzen singet
- II. Diese Berge sah’n dich blühen
- III. Da saht ihr Orestes scheiden
- IV. Gott bewahr’ dein teures Leben
-
- I. Rührt die Zimbel, schlagt die Saiten
- II. Aus Egypten vor dem Volke
- III. Doch der Horizont er dunkelt
- IV. Sist der Herr in seinem Grimme
- V. Tauchst du auf, Pharao?
- VI. Drum mit Cymbeln und mit Saiten
-
- 1. Dithyrambe, D.47, Entwurf
- 2. Hymne an den Unendlichen, D.232 - op. 112/3, Entwurf
- 3. Das Grab, D.329A, Entwurf für eine erste Bearbeitung
- 4a. Die Schlacht, D.249, Erste Bearbeitung, Entwurf
- 4b. Die Schlacht, D.387, Zweite Bearbeitung, Entwurf
- 5. Linde Weste wehen, D.725
- 6. Hirtenchor, D.797/7 - op. 26/4
- 7. Jägerchor, D.797/8 - op. 26/2
- 8. Die Allmacht, D.875A
- 9. Mirjam's Siegesgesang, D.942 - op. posth. 136, Entwurf
- 10. Der 92. Psalm, D.953, mit deutschem Text von Moses Mendelssohn
-
Band 3a+b: Mehrstimmige Gesänge für gleiche Stimmen mit Klavierbegleitung (2019/2021)
- Purchase Website
- Editors: Christine Martin (1961-) and Walther Dürr (1932–2018)
- Score: XXLVIII + 352/231 pages, 2019. BA 5574.
- Critical commentary: 297 pages, 2021.
-
- 1a. Die Advokaten, D.37, Erste Fassung
- 1b. Die Advokaten, D.37 - op. 74, Zweite Fassung
- 2. Ertöne Leier "Auf die Namensfeier meines Vaters", D.80
- 3. Klage um Ali Bey, D.140, Zweite Fassung
- 4. Trinklied "Brüder! unser Erdenwallen", D.148 - op. posth. 131/2
- 5. Das Leben, D.269, Erste Fassung
- 6. Punschlied, D.277, Zweite Bearbeitung
- 7. Das grosse Halleluja, D.442
- 8. Schlachtgesang, D.443, Erste Bearbeitung
- 9a. Coronach "Er ist uns geschieden", D.836 - op. 52/4
- 9b. Coronach "He is gone on the mountain", D.836 - op. 52/4
- Gesänge für einstimmigen Chor
- 10. Trinklied vor der Schlacht, D.169
- 11. Schwertlied, D.170
- 12. Freundschaft und Wein, D.183, Erste Bearbeitung
- 13. An die Freude, D.189 - op. posth. 111/1
- 14. Das Grab, D.330, Zweite Bearbeitung
- 15. Zum Punsche, D.492
- 16. Jagdlied, D.521
- 17. Das Grab, D.569, Vierte Bearbeitung
- 18. Trinklied mit Chor "Freunde, sammelt euch im Kreise", D.75
- 19. Trinklied "Auf! jeder sei nun froh", D.267
- 20. Bergknappenlied, D.268
- 21. Das Grab, D.377, Dritte Bearbeitung
- 22a. Beitrag zur fünfzigjährigen Jubelfeier des Herrn von Salieri, D.407, Erste Fassung
- 22b. Beitrag zur fünfzigjährigen Jubelfeier des Herrn von Salieri, D.407, Zweite Fassung
- 23. Naturgenuss, D.422 - op. 16/2, Zweite Bearbeitung
- 24. Das Dörfchen, D.598, Zweite Fassung
- 25. Psalm 23, D.706 - op. posth. 132, Erste Fassung
- 26. Im Gegenwärtigen Vergangenes, D.710
- 27. Die Nachtigall, D.724 - op. 11/2
- 28. Frühlingsgesang, D.740 - op. 16/1, Zweite Bearbeitung, zweite Fassung
- 29. Geist der Liebe, D.747 - op. 11/3, Zweite Bearbeitung
- 30. Gott in der Natur, D.757 - op. posth. 133
- 31. Chor aus der Tiefe (Geister-Chor), D.797/4 - op. 26/3
- 32. Gondelfahrer, D.809, Zweite Bearbeitung - op. 28
- 33a. Bootgesang, D.835 - op. 52/3
- 33b. Boat Song, D.835 - op. 52/3
- 34. Widerspruch, D.865 - op. 105/1
- 35. Mondenschein, D.875 - op. 102
- 36. Nachthelle, D.892 - op. posth. 134
- 37. Zur guten Nacht, D.903 - op. 81/3
- 38a. Ständchen "Zögernd, leise", D.920, Erste Fassung
- 38b. Ständchen "Zögernd, leise", D.920 - op. posth. 135 (früher D.921), Zweite Fassung
- Anhang I: Ausführungsvorschläge für Gesänge in Particellnotation
- 1. Trinklied vor der Schlacht, D.169, für zwei Chöre, einstimmig
- 2a. Das Grab, D.330, Zweite Bearbeitung, einstimmig
- 2b. Das Grab, D.330, Zweite Bearbeitung, vierstimmig
- 3. Das Grab, D.377, Dritte Bearbeitung, vierstimmig
- 4. Das grosse Halleluja, D.442, dreistimmig
- 5. Schlachtgesang, D.443, Erste Bearbeitung, dreistimmig
- 6. Jagdlied, D.521, für Chor, einstimmig
- Anhang II: Weitere, unvollständig überlieferte Gesänge
- 1. Freundschaft und Wein, D.deest, Entwurf zu einer zweiten Bearbeitung
- 2. Punschlied, D.deest, Entwurf zu einer ersten Bearbeitung
- 3a. Trinklied "Funkelnd im Becher", D.356, Erste Fassung
- 3b. Trinklied "Funkelnd im Becher", D.356, Zweite Fassung
- 4. La Pastorella al prato, D.513
- 5. Gesang der Geister über den Wassern, D.705, Entwurf zu einer dritten Bearbeitung
- 6. Lied eines Kriegers, D.822
- 7. Der Wintertag, D.984 - op. posth. 169
- 8. Begleitung für Klavier in B, D.988A
- Anhang III: Entwürfe zu Gesängen in Teil a
-
- Anhang IV: Alternative Fassungen zu Gesängen in Teil a
- 1. Ertöne Leier "Auf die Namensfeier meines Vaters", D.80, Entwurf
- 2. Das Leben, D.269, Zweite Fassung
- 3. Beitrag zur fünfzigjährigen Jubelfeier des Herrn von Salieri, D.407, Zweite Fassung, erste Fassung des zweiten Satzes
- 4. Das Dörfchen, D.598, Entwurf zu einer ersten Fassung
- 5. Gott meine Zuversicht (Psalm 23) - op. posth. 132, Zweite Fassung
- 6. Frühlingsgesang, D.740 - op. 16/1, Zweite Bearbeitung, erste Fassung
-
Band 4: Mehrstimmige Gesänge für gleiche Stimmen ohne Klavierbegleitung (1974/2017)
- Purchase Website
- Editors: Dietrich Berke (1938–2010) and Walther Dürr (1932–2018)
- Score: XXVII + 219 pages, 1974. BA 5509.
- Critical commentary: 290 pages, 2017.
- 1. Totengräberlied, D.38, 1. Bearbeitung
- 2. Dreifach ist der Schritt der Zeit, D.43, 1. Bearbeitung
- 3. Unendliche Freude durchwallet das Herz, D.51, 1. Bearbeitung
- 4. Vorüber die stöhnende Klage, D.53
- 5. Unendliche Freude durchwallet das Herz, D.54, 2. Bearbeitung
- 6. Selig durch die Liebe, D.55
- 7. Hier strecket der wallende Pilger, D.57
- 8. Dessen Fahne Donnerstürme wallte, D.58
- 9. Ein jugendlicher Maienschwung, D.61
- 10. Thronend auf erhabnem Sitz, D.62
- 11. Wer die steile Sternenbahn, D.63
- 12. Majestätsche Sonnenrosse, D.64
- 13. Frisch atmet des Morgens lebendiger Hauch, D.67
- 14. Dreifach ist der Schritt der Zeit, D.69, 2. Bearbeitung
- 15. Die zwei Tugendwege, D.71
- 16. Hier umarmen sich getreue Gatten, D.60
- 17. Verschwunden sind die Schmerzen, D.88
- 18. Mailied "Grüner wird die Au", D.129, 1. Bearbeitung
- 19. Der Schnee zerrinnt, D.130, 1. Bearbeitung
- 20a. Lacrimoso son io, D.131, Erste Fassung
- 20b. Lacrimoso son io, D.131, Zweite Fassung
- 21. Bardengesang, D.147, Dritte Bearbeitung
- 22. Mailied "Grüner wird die Au", D.199, 2. Bearbeitung
- 23. Mailied "Der Schnee zerrinnt", D.202, 2. Bearbeitung
- 24. Der Morgenstern, D.203, 2. Bearbeitung
- 25. Jägerlied, D.204
- 26. Lützows wilde Jagd, D.205
- 27. Trinklied im Winter, D.242
- 28. Frühlingslied, D.243, 1. Bearbeitung
- 29. Willkommen, lieber schöner Mai, D.244
- 30. Punschlied. Im Norden zu singen, D.253, Zweite Fassung
- 31. Der Entfernten, D.331, 1. Bearbeitung
- 32. Die Einsiedelei, D.337, 1. Bearbeitung
- 33. An den Frühling, D.338, 2. Bearbeitung
- 34. Fischerlied, D.364, 2. Bearbeitung
- 35. Gold'ner Schein, D.357
- 36. Andenken, D.423, 2. Bearbeitung
- 37. Erinnerungen, D.424, 2. Bearbeitung
- 38. Trinklied im Mai, D.427
- 39. Widerhall, D.428
- 40. Räuberlied, D.435/13
- 41. Der Geistertanz, D.494, 4. Bearbeitung
- 42. Gesang der Geister über den Wassern, D.538, 2. Bearbeitung
- 43. Lied im Freien, D.572
- 44. Leise, leise lasst uns singen, D.635
- 45. Sehnsucht, D.656, 4. Bearbeitung
- 46. Ruhe, schönstes Glück der Erde, D.657
- 47. Frühlingsgesang, D.709, 1. Bearbeitung
- 48. Jünglingswonne, D.983 - op. 17/1
- 49. Liebe, D.983A - op. 17/2
- 50. Zum Rundetanz, D.983B - op. 17/3
- 51. Die Nacht, D.983C - op. 17/4
- 52. Wehmut, D.825 - op. 64/1
- 53. Ewige Liebe, D.825A - op. 64/2
- 54. Flucht, D.825B - op. 64/3
- 55. Trinklied aus dem 16. Jahrhundert, D.847 - op. posth. 155
- 56. Nachtmusik, D.848 - op. posth. 156
- 57. Grab und Mond, D.893
- 58. Wein und Liebe, D.901
- 59. Schlachtlied, D.912 - op. posth. 151, 2. Bearbeitung
- 60. Frühlingslied, D.914, 1. Bearbeitung
- 61. Liebe säuseln die Blätter, D.988
- Anhang I: Unvollständig überlieferte Kompositionen
- 1. Dreifach ist der Schritt der Zeit, D.70, 3. Barbeitung
- 2. Lied beim Rundetanz, D.Anh.I/18 (früher D.132)
- 3. Lied im Freien, D.Anh.I/19 (früher D.133)
- 4. Amors Macht, D.Anh.I/20 (früher D.339)
- 5. Badelied, D.Anh.I/21 (früher D.340)
- 6. Sylphen, D.Anh.I/22 (früher D.341)
- 7. Liebeslied, D.425 (als "Lebensbild", verwandt mit Liebeslied, D.Anh.I/23 ?)
-
-
Serie IV: Lieder
Serie V: Orchesterwerke
Serie VI: Kammermusik
Serie VII: Klaviermusik
Serie VIII: Supplement
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