This work list is based on the work of Humphrey Searle - The Music of Liszt, 1966; and on the additions by Sharon Winklhofer and Leslie Howard.
See also List of compositions by Franz Liszt (S.351 - S.999)
Go back to Category:Liszt, Franz
When new works by Liszt are uploaded, links need to be placed here manually. All basic information has been added here from a revised index (title, date composed, version), please do always check this catalogue for other information (published, dedication) when adding pieces. See discussion for more information.
References:
Original Works
Opera
- S.1, Don Sanche, ou le Château de l'Amour (1824-25)
Sacred Choral Works
- S.2, The Legend of St. Elisabeth (1857-62)
- S.3, Christus (1855-67)
- S.4, Cantico del sol di Francesco d'Assisi [first/second version] (1862, 1880-81)
- S.5, Die heilige Cäcilia (1874)
- S.6, Die Glocken des Strassburger Münsters (Longfellow) (1874)
- S.7, Cantantibus organis (1879)
- S.8, Missa quattuor vocum ad aequales concinente organo [first/second version] (1848, 1869)
- S.9, Missa solennis zur Einweihung der Basilika in Gran (Gran Mass) [first/second version] (1855, 1857-58)
- S.10, Missa Choralis (1865)
- S.11, Hungarian Coronation Mass (1866-67)
- S.12, Requiem (1867-68)
- S.13, Psalm 13 (Herr, wie lange?) [first/second/third verion] (1855, 1858, 1862)
- S.14, Psalm 18 (Coeli enarrant) (1860)
- S.15, Psalm 23 (Mein Gott, der ist mein Hirt) [first/second version] (1859, 1862)
- S.15a, Psalm 116 (Laudate Dominum) (1869)
- S.16, Psalm 129 (De profundis) (1880-83)
- S.17, Psalm 137 (By the rivers of Babylon) [first/second version] (1859-62)
- S.18, Five choruses with French texts [5 choruses] (1840-49)
- S.19, Hymne de l'enfant à son réveil (Lamartine) [first/second version] (1847, 1862)
- S.20, Ave Maria I [first/second version] (1846, 1852)
- S.21, Pater noster II [first/second version] (1846, 1848)
- S.22, Pater noster IV (1850)
- S.23, Domine salvum fac regem (1853)
- S.24, Te Deum II (1853?)
- S.25, Beati pauperes spiritu (Die Seligkeiten) (1853)
- S.26, Festgesang zur Eröffnung der zehnten allgemeinen deutschen Lehrerversammlung (1858)
- S.27, Te Deum I (1867)
- S.28, An den heiligen Franziskus von Paula (b.1860)
- S.29, Pater noster I (b.1860)
- S.30, Responsorien und Antiphonen [5 sets] (1860)
- S.31, Christus ist geboren I [first/second version] (1863?)
- S.32, Christus ist geboren II [first/second version] (1863?)
- S.33, Slavimo Slavno Slaveni! [first/second version] (1863, 1866)
- S.34, Ave maris stella [first/second version] (1865-66, 1868)
- S.35, Crux! (Guichon de Grandpont) (1865)
- S.36, Dall' alma Roma (1866)
- S.37, Mihi autem adhaerere (from Psalm 73) (1868)
- S.38, Ave Maria II (1869)
- S.39, Inno a Maria Vergine (1869)
- S.40, O salutaris hostia I (1869?)
- S.41, Pater noster III [first/second version] (1869)
- S.42, Tantum ergo [first/second version] (1869)
- S.43, O salutaris hostia II (1870?)
- S.44, Ave verum corpus (1871)
- S.45, Libera me (1871)
- S.46, Anima Christi sanctifica me [first/second version] (1874, ca.1874)
- S.47, St Christopher. Legend (1881)
- S.48, Der Herr bewahret die Seelen seiner Heiligen (1875)
- S.49, Weihnachtslied (O heilige Nacht) (a.1876)
- S.50, 12 Alte deutsche geistliche Weisen (Chorales) [12 chorals] (ca.1878-79)
- S.51, Gott sei uns gnädig und barmherzig (1878)
- S.52, Septem Sacramenta. Responsoria com organo vel harmonio concinente (1878)
- S.53, Via Crucis (1878-79)
- S.54, O Roma nobilis (1879)
- S.55, Ossa arida (1879)
- S.56, Rosario [4 chorals] (1879)
- S.57, In domum Domino imibus (1884?)
- S.58, O sacrum convivium (1884?)
- S.59, Pro Papa (ca.1880)
- S.60, Zur Trauung. Geistliche Vermählungsmusik (Ave Maria III) (1883)
- S.61, Nun danket alle Gott (1883)
- S.62, Mariengarten (Quasi cedrus) (b.1884)
- S.63, Qui seminant in lacrimis (1884)
- S.64, Pax Vobiscum! (1885)
- S.65, Qui Mariam absolvisti (1885)
- S.66, Salve Regina (1885)
Secular Choral Works
- S.67, Beethoven Cantata No.1: Festkantate zur Enthüllung (1845)
- S.68, Beethoven Cantata No.2: Zur Säkularfeier Beethovens (1869-70)
- S.69, Chöre zu Herders Entfesseltem Prometheus (1850)
- S.70, An die Künstler (Schiller) [first/second/third verion] (1853, 1853, 1856)
- S.71, Gaudeamus igitur. Humoreske (1869)
- S.72, Vierstimmige Männergesänge [4 chorals] (for Mozart-Stiftung) (1841)
- S.73, Es war einmal ein König (1845)
- S.74, Das deutsche Vaterland (1839)
- S.75, Über allen Gipfeln ist Ruh (Goethe) [first/second version] (1842, 1849)
- S.76, Das düstre Meer umrauscht mich (1842)
- S.77, Die lustige Legion (A. Buchheim) (1846)
- S.78, Trinkspruch (1843)
- S.79, Titan (Schobert) (1842-47)
- S.80, Les Quatre Éléments (Autran) (1845)
- S.81, Le Forgeron (de Lamennais) (1845)
- S.82, Arbeiterchor (de Lamennais?) (1848)
- S.83, Ungaria-Kantate (Hungaria 1848 Cantata) (1848)
- S.84, Licht, mehr Licht (1849)
- S.85, Chorus of Angels from Goethe's Faust (1849)
- S.86, Festchor zur Enthüllung des Herder-Dankmals in Weimar (A. Schöll) (1850)
- S.87, Weimars Volkslied (Cornelius) [6 versions] (1857)
- S.88, Morgenlied (Hoffmann von Fallersleben) (1859)
- S.89, Mit klingendem Spiel (1859-62 ?)
- S.90, Für Männergesang [12 chorals] (1842-60)
- S.91, Das Lied der Begeisterung. A lelkesedes dala (1871)
- S.92, Carl August weilt mit uns. Festgesang zur Enthüllung des Carl-August-Denkmals in Weimar am 3 September 1875 (1875)
- S.93, Ungarisches Königslied. Magyar Király-dal (Ábrányi) [6 version] (1883)
- S.94, Gruss (1885?)
Orchestral Works
Symphonic Poems
- S.95, Poème symphonique No.1, Ce qu'on entend sur la montagne [first/second/third version] (1848-49, 1850, 1854)
- S.96, Poème symphonique No.2, Tasso, Lamento e Trionfo [first/second/third version] (1849, 1850-51, 1854)
- S.97, Poème symphonique No.3, Les Préludes (1848)
- S.98, Poème symphonique No.4, Orpheus (1853-54)
- S.99, Poème symphonique No.5, Prometheus [first/second version] (1850, 1855)
- S.100, Poème symphonique No.6, Mazeppa [first/second version] (1851, b.1854)
- S.101, Poème symphonique No.7, Festklänge [revisions added to 1863 pub] (1853)
- S.102, Poème symphonique No.8, Héroïde funèbre [first/second version] (1849-50, 1854)
- S.103, Poème symphonique No.9, Hungaria (1854)
- S.104, Poème symphonique No.10, Hamlet (1858)
- S.105, Poème symphonique No.11, Hunnenschlacht (1856-57)
- S.106, Poème symphonique No.12, Die Ideale (1857)
- S.107, Poème symphonique No.13, Von der Wiege bis zum Grabe (From the Cradle to the Grave) (1881-82)
Other Orchestral Works
- S.108, Eine Faust-Symphonie [first/second version] (1854, 1861)
- S.109, Eine Symphonie zu Dante's Divina Commedia (1855-56)
- S.110, Deux Épisodes d'apres le Faust de Lenau [2 pieces] (1859-61)
- S.111, Zweiter Mephisto Waltz (1881)
- S.112, Trois Odes Funèbres [3 pieces] (1860-66)
- S.113, Salve Polonia (1863)
- S.114, Künstlerfestzug zur Schillerfeier (1857)
- S.115, Festmarsch zur Goethejubiläumsfeier [first/second version] (1849, 1857)
- S.116, Festmarsch nach Motiven von E.H.z.S.-C.-G. (1857)
- S.117, Rákóczy March (1865)
- S.118, Ungarischer Marsch zur Krönungsfeier in Ofen-Pest (am 8 Juni 1867) (1870)
- S.119, Ungarischer Sturmmarsch (1875)
Pianoforte and Orchestra
- S.120, Grande Fantaisie Symphonique on themes from Berlioz Lélio (1834)
- S.121, Malediction (with string orchestra) (1833)
- S.122, Fantasie über Beethovens Ruinen von Athen [first/second version] (1837?, 1849)
- S.123, Fantasie über ungarische Volksmelodien (1852)
- S.124, Piano Concerto No.1 in E flat [first/second version] (1849, 1856)
- S.125, Piano Concerto No.2 in A major [first/second version] (1839, 1849)
- S.126, Totentanz. Paraphrase on Dies Irae [Busoni's De Profundis/final version] (1849, 1859)
Chamber Music, etc.
- S.126b, Zwei Walzer [2 pieces] (1832)
- S.127, Duo (Sonata) - Sur des thèmes polonais (violin and piano) (1832-35 ?)
- S.128, Grand Duo Concertant sur la Romance de M. Lafont, "Le Marin" [first/second version] (ca.1835-37, 1849)
- S.129, Epithalam zu Eduard Reményis Vermählungsfeier (1872)
- S.130, Élégie No.1 [first/second/third version] (1874)
- S.131, Élégie No.2 (1877)
- S.132, Romance Oubliée (1880)
- S.133, Die Wiege (The Cradle) (1881?)
- S.134, La Lugubre Gondola [first/second version] (1883-85 ?, 1885?)
- S.135, Am Grabe Richard Wagners (1883)
Pianoforte
Studies
- S.136, Études en douze exercices dans tous les tons majeurs et mineurs [first version, 12 pieces] (1826)
- S.137, Douze Grandes Études [second version, 12 pieces] (1837)
- S.138, Mazeppa [intermediate version of S137/4] (1840)
- S.139, Douze Études d'exécution transcendante [final version, 12 pieces] (1851)
- S.140, Études d'exécution transcendante d'après Paganini [first version, 6 pieces] (1838-39)
- S.141, Grandes Études de Paganini [second version, 6 pieces] (1851)
- S.142, Morceau de Salon, Étude de perfectionnement [Ab Irato, first version] (1840)
- S.143, Ab Irato, Étude de perfectionnement [second version] (1852)
- S.144, Trois Études de concert [3 pieces] (1848?)
- S.145, Zwei Konzertetüden [2 pieces] (1862-63)
- S.146, Technische Studien [68 studies] (ca.1868-80)
- S.146/62, Sprünge mit der Tremolo-Begleitung [No 62 from Technische Studien] (ca.1868)
Various Original Works
- S.147, Variation sur une valse de Diabelli (1822)
- S.148, Huit Variations (1824?)
- S.149, Sept Variations brillantes sur un thème de G. Rossini (1824?)
- S.150, Impromptu brillant sur des thèmes de Rossini et Spontini (1824)
- S.151, Allegro di bravura (1824)
- S.152, Rondo di bravura (1824)
- S.153, Scherzo in G minor (1827)
- S.154, Harmonies poétiques et religieuses [Pensée des morts, first version] (1833, 1835)
- S.155, Apparitions [3 pieces] (1834)
- S.156, Album d'un Voyageur [3 sets; 7, 9, 3 pieces] (1835-38)
- S.157, Fantaisie romantique sur deux mélodies suisses (1836)
- S.158, Tre Sonetti del Petrarca [3 pieces, first versions of S161/4-6] (1844-45)
- S.159, Venezia e Napoli, 1st version [4 pieces] (1840?)
- S.160, Années de Pèlerinage. Première Année; Suisse [9 pieces] (1848-55)
- S.161, Années de Pèlerinage. Deuxième Année; Italie [7 pieces] (1839-49)
- S.162, Venezia e Napoli. Supplément aux Années de Pèlerinage 2de volume [3 pieces] (1860)
- S.163, Années de Pèlerinage. Troisième Année [7 pieces] (1867-77)
- S.163a, Andantino pour Emile et Charlotte Loudon (1828)
- S.164, Feuille d'album No.1 (1840)
- S.165, Feuille d'album (in A flat) (1841)
- S.166, Albumblatt in waltz form (1841)
- S.167, Feuille d'album No.2 [Die Zelle in Nonnenwerth, third version] (1843)
- S.168, Elégie sur des motifs du Prince Louis Ferdinand de Prusse [first/second version] (1842, 1851)
- S.169, Romance (O pourquoi donc) (1848)
- S.170, Ballade No.1 in D flat (Le chant du croisé) (1845-48)
- S.171, Ballade No.2 in B minor (1853)
- S.172, Consolations (Six Penseés poétiques) (1849-50)
- S.172a/2, Invocation [early version of S173/1; formerly S173b]
- S.173, Harmonies poétiques et religieuses [second version] (1845-52)
- S.174, Berceuse [first/second version] (1854, 1862)
- S.175, Deux Légendes (1862-63)
- S.176, Grosses Konzertsolo [second version] (1849-50 ?)
- S.177, Scherzo and March (1851)
- S.178, Sonata in B minor (1852-53)
- S.179, Weinen, Klagen, Sorgen, Zagen; Prelude after J. S. Bach (1859)
- S.180, Variations on a theme from Weinen, Klagen, Sorgen, Zagen by J. S. Bach (1862)
- S.181, Sarabande and Chaconne from Handel's opera Almira (1881)
- S.182, Ave Maria - Die Glocken von Rom (1862)
- S.183, Alleluia et Ave Maria [2 pieces] (1862)
- S.184, Urbi et orbi. Bénédiction papale (1864)
- S.185, Vexilla regis prodeunt (1864)
- S.186, Weihnachtsbaum [second version, 12 pieces] (1875-76)
- S.187, Sancta Dorothea (1877)
- S.187a, Resignazione [first/second version] (1877)
- S.188, In festo transfigurationis Domini nostri Jesu Christi (1880)
- S.189, Klavierstück No.1 (1866)
- S.189a, Klavierstück No.2 (1845)
- S.190, Un portrait en musique de la Marquise de Blocqueville (1868)
- S.191, Impromptu (1872)
- S.192, Fünf Klavierstücke (für Baroness von Meyendorff) [5 pieces] (1865-79)
- S.193, Klavierstück in F sharp major (a.1860)
- S.194, Mosonyis Grabgeleit (Mosonyi gyázmenete) (1870)
- S.195, Dem Andenken Petőfis (Petőfi Szellémenek) (1877)
- S.196, Élégie No.1 (1874)
- S.197, Élégie No.2 (1877)
- S.197a, Toccata (1879-81)
- S.198, Wiegenlied (Chant du herceau) (1880)
- S.199, Nuages gris (Trübe Wolken) (1881)
- S.200, La lugubre gondola [2 pieces] (1882, 1885)
- S.201, R. W. - Venezia (1883)
- S.202, Am Grabe Richard Wagners (1883)
- S.203, Schlaflos, Frage und Antwort (Nocturne after a poem by Toni Raab) (1883)
- S.204, Receuillement (Bellini in Memoriam) (1877)
- S.205, Historische ungarische Bildnisse (Magyar arcképek) [7 pieces] (1885)
- S.206, Trauervorspiel und Trauermarsch (1885)
- S.207, En Rêve. Nocturne (1885)
- S.208, Unstern: Sinistre, Disastro (ca.1880-86)
Works in Dance Form
- S.208a, Waltz (in A major) (b.1825)
- S.209, Grande valse di bravura [first version of S214/1] (1835)
- S.210, Valse mélancolique [first version of S214/2] (1839)
- S.211, Ländler (in A flat major) (1843)
- S.212, Petite Valse favorite [first/second version] (1842, 1843)
- S.212b, Mariotte (1840)
- S.213, Valse-Impromptu (1850?)
- S.214, Trois Caprice-Valses [3 pieces] [second versions of S209, S210, S401] (1850?)
- S.214a, Carousel de Madame Pelet-Narbone (ca.1875-81)
- S.215, Valses oubliées [4 pieces] (1881-84)
- S.216, Dritter Mephisto-Walzer (1883)
- S.216a, Bagatelle sans tonalité (1885)
- S.216b, Vierter Mephisto-Walzer [first version] (1885)
- S.217, Mephisto Polka [first/second version] (1883)
- S.218, Galop (in A minor) (1841?)
- S.219, Grand galop chromatique (1838)
- S.220, Galop de Bal (1840?)
- S.221, Mazurka brillante (1850)
- S.223, Deux Polonaises [2 pieces] (1851)
- S.224, Csárdás macabre (1881-82)
- S.225, Two Csárdás [2 pieces] (1884)
- S.226, Festvorspiel (1856)
- S.227, Goethe Festmarsch [first version] (1849)
- S.228, Huldigungsmarsch [first/second version] (1853)
- S.229, Vom Fels zum Meer! - Deutscher Siegesmarsch (1853-56)
- S.230, Bülow-Marsch (1883)
- S.231, Heroischer Marsch in ungarischem Stil (1840)
- S.232, Ungarischer Sturmmarsch [first version] (1843?)
- S.233, Ungarischer Geschwindmarsch (1870)
- S.233a, Siegesmarsch. Marche triomphale (Victory March) (?)
Works on National Themes
Austrian
Czech
- S.234, Hussitenlied (Melody by J.Krov) (1840)
English
French
German
Hungarian
Italian
Polish
- S.249, Glanes de Woronince [3 pieces] (1847-48)
Russian
Spanish
Pianoforte Duet
- S.255, Festpolonaise [now S619a] (1876)
- S.256, Variation on the Chopstick theme (1880)
Two Pianofortes
- S.257, Grosses Konzertstück über Mendelssohns Lieder ohne Worte (1834)
- S.258, Concerto pathétique (b.1856)
Organ
- S.259, Fantasy and Fugue on the chorale 'Ad nos, ad salutarem undam' (1850)
- S.260, Präludium und Fuge über das Thema BACH [first/second version] (1855, 1870)
- S.261, Pio IX. Der Papsthymnus (1863?)
- S.261a, Andante religioso (1861?)
- S.262, Ora pro nobis. Litanei (1864)
- S.263, Resignazione (1877)
- S.264, Missa pro organo lectarum celebrationi missarum adjumento inserviens (1879)
- S.265, Gebet (1879)
- S.266, Requiem für die Orgel (1883)
- S.267, Am Grabe Richard Wagners (1883)
- S.268, Zwei Vortragsstücke [2 pieces] (1884)
Songs
- S.269, Angiolin dal biondo crin (Marchese C. Bocella) [first/second version] (1839, ?)
- S.270, Three Petrarch Sonnets [3 songs, first/second version] (1844-45, 1854]
- S.271, Il m'aimait tant (Delphine Gay) (1840?)
- S.272, Im Rhein, im schönen Strome (Heine) [first/second version] (1840?, 1854)
- S.273, Die Lorelei (Heine) [first/second version] (1841, ?)
- S.274, Die Zelle im Nonnenwerth [first/second version revised 1862] (b.1841, 1857)
- S.275, Mignons Lied (Kennst du das Land) (Goethe) [first/second/third version] (1842, 1854, 1860)
- S.276, Comment, disaient-ils (Hugo) [first/second version] (1842, ?)
- S.277, Bist du (Prince E. Metschersky) [first/revised version] (1843, ca.1878-79)
- S.278, Es war ein König in Thule (Goethe) [first/second version] (1842, ?)
- S.279, Der du von dem Himmel bist (Goethe) [first/second/third version] (1842, ?, 1860)
- S.280, Freudvoll und leidvoll (Goethe) [first/second/third version] (1844, 1848?, ?)
- S.281, Die Vätergruft (1844)
- S.282, O quand je dors (Hugo) [first/second version] (1842, ?)
- S.283, Enfant, si j'etais roi (Hugo) [first/revised version] (1844?, ?)
- S.284, S'il est un charmant gazon (Hugo) [first/revised version] (1844?, ?)
- S.285, La tombe et la Rose (Hugo) (1844?)
- S.286, Gastibelza, Bolero (Hugo) (1844?)
- S.287, Du bist wie eine Blume (Heine) (1843?)
- S.288, Was Liebe sei (C. von Hagn) [first/second/third version] (1843?, ca.1855, 1878-79)
- S.289, Vergiftet sind meine Lieder (Heine) [first/revised version] (1842, ?)
- S.290, Morgens steh ich auf und frage (Heine) [first/revised version] (1843?, ca.1855)
- S.291, Die tote Nachtigall (Kaufmann) [first/revised version] (1843?, 1878)
- S.292, Songs from Schiller's Wilhelm Tell [3 songs, first/revised version] (1845?, ?)
- S.293, Jeanne d'Arc au bûcher (Dumas) [first/revised version] (1845, 1874)
- S.294, Es rauschen die Winde [first/second version] (ca.1845, b.1856)
- S.295, Wo weilt er? (Rellstab) (1844)
- S.296, Ich möchte hingehn (Herwegh) [revised later] (1845)
- S.297, Wer nie sein Brot mit Tränen aß (Goethe) [first/revised version] (ca.1845)
- S.298, O lieb so lang du lieben kannst (Freiligrath) (1845?)
- S.299, Isten veled (Farewell) (Horvath) [first/revised version] (1846-47)
- S.300, Le juif errant (Béranger) (1847)
- S.301, Kling leise, mein Lied [first/revised version] (1848)
- S.301a, Oh pourquoi donc (Mme Pavloff) (1843)
- S.301b, En ces lieux. Élégie (E. Monnier) (1844)
- S.302, Die Macht der Musik (Duchess Helen of Orleans) (1848-49)
- S.303, Weimars Toten. Dithyrambe (Schober) (b.1848)
- S.304, Le vieux vagabong (Béranger) (b.1848)
- S.305, Schwebe, schwebe, blaues Auge [first/revised version] (1845, ?)
- S.306, Über allen Gipfeln ist Ruh [first/revised version] (1847?, ?)
- S.306a, Quand tu chantes bercée (Hugo) (1843)
- S.307, Hohe Liebe (Uhland) (1850?)
- S.308, Gestorben war ich (Seliger Tod) (Uhland) (1850?)
- S.309, Ein Fichtenbaum steht einsam (Heine) [first/revised version] (ca.1845, 1854)
- S.310, Nimm einen Strahl der Sonne (1849)
- S.311, Anfangs wollt' ich fast verzagen (Heine) (1849)
- S.312, Wie singt die Lerche schön (Hoffmann von Fallersleben) (1856?)
- S.313, Weimars Volkslied (Cornelius) (1857)
- S.314, Es muss ein Wunderbares sein (Redwitz) (1852)
- S.315, Ich liebe dich (Rückert) (1857)
- S.316, Muttergottes - Sträusslein zum Mai-monate (Müller) [2 songs] (1857)
- S.317, Lasst mich ruhen (Hoffmann von Fallersleben) (1858?)
- S.318, In Liebeslust (Hoffmann von Fallersleben) (1858?)
- S.319, Ich scheide (Hoffmann von Fallersleben) (1860)
- S.320, Die drei Zigeuner (Lenau) (1860)
- S.321, Die stille Wasserrose (Geibel) (1860?)
- S.322, Wieder möcht ich dir begegnen (Cornelius) (1860)
- S.323, Jugendglück (Pohl) (1860?)
- S.324, Blume und Duft (Hebbel) (1854)
- S.325, Die Fischerstochter (Count C. Coronini) (1871)
- S.326, La Perla (Princess Therese von Hohenlohe) (1872)
- S.327, J'ai perdu ma force est ma vie. 'Tristesse' (de Musset) (1872)
- S.328, Ihr Glocken von Marling (Emil Kuh) (1874)
- S.329, Und sprich (Biegeleben) [revised 1878] (1874)
- S.330, Sei still (Henriette von Schorn) (1877)
- S.331, Gebet (Bodenstedt) (1878?)
- S.332, Einst (Bodenstedt) (1878?)
- S.333, An Edlitam (Bodenstedt) (1878?)
- S.334, Der Glückliche (Bodenstedt) (1878?)
- S.335, Go not, happy day (Tennyson) (1879)
- S.336, Verlassen (G.Michell) (1880)
- S.337, Des Tages laute Stimmen schweigen (F. von Saar) (1880)
- S.338, Und wir dachten der Toten (Freiligrath) (1880?)
- S.339, Ungarns Gott. A magyarok Istene (Petófi) (1881)
- S.340, Ungarisches Königslied. Magyar Király-dal (Ábrányi) (1883)
- S.340a, Ne brani menya, moy drug. (Tolstoy) (1886)
Other Choral Works
- S.341, Ave Maria IV (1881)
- S.342, Le crucifix (Hugo) (1884)
- S.343, Sancta Caecilia (1884)
- S.344, O Meer im Abendstrahl (Meissner) (1880)
- S.345, Wartburg-Lieder [7 chorals] (1872)
Recitations
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