List of compositions by Franz Liszt (S.1 - S.350)

Free public domain sheet music from IMSLP / Petrucci Music Library

This work list is based on the work of Humphrey Searle - The Music of Liszt, 1966; and on the additions by Sharon Winklhofer and Leslie Howard.

When new works by Liszt are uploaded, links need to be placed here manually. All basic information has been added here from a revised index (title, date composed, version), please do always check this catalogue for other information (published, dedication) when adding pieces. See discussion for more information.

References:

Original Works

Opera

S.1, Don Sanche, ou le Château de l'Amour (1824-25)

Sacred Choral Works

S.2, The Legend of St. Elisabeth (1857-62)
S.3, Christus (1855-67)
S.4, Cantico del sol di Francesco d'Assisi [first/second version] (1862, 1880-81)
S.5, Die heilige Cäcilia (1874)
S.6, Die Glocken des Strassburger Münsters (Longfellow) (1874)
S.7, Cantantibus organis (1879)
S.8, Missa quattuor vocum ad aequales concinente organo [first/second version] (1848, 1869)
S.9, Missa solennis zur Einweihung der Basilika in Gran (Gran Mass) [first/second version] (1855, 1857-58)
S.10, Missa Choralis (1865)
S.11, Hungarian Coronation Mass (1866-67)
S.12, Requiem (1867-68)
S.13, Psalm 13 (Herr, wie lange?) [first/second/third verion] (1855, 1858, 1862)
S.14, Psalm 18 (Coeli enarrant) (1860)
S.15, Psalm 23 (Mein Gott, der ist mein Hirt) [first/second version] (1859, 1862)
S.15a, Psalm 116 (Laudate Dominum) (1869)
S.16, Psalm 129 (De profundis) (1880-83)
S.17, Psalm 137 (By the rivers of Babylon) [first/second version] (1859-62)
S.18, Five choruses with French texts [5 choruses] (1840-49)
S.19, Hymne de l'enfant à son réveil (Lamartine) [first/second version] (1847, 1862)
S.20, Ave Maria I [first/second version] (1846, 1852)
S.21, Pater noster II [first/second version] (1846, 1848)
S.22, Pater noster IV (1850)
S.23, Domine salvum fac regem (1853)
S.24, Te Deum II (1853?)
S.25, Beati pauperes spiritu (Die Seligkeiten) (1853)
S.26, Festgesang zur Eröffnung der zehnten allgemeinen deutschen Lehrerversammlung (1858)
S.27, Te Deum I (1867)
S.28, An den heiligen Franziskus von Paula (b.1860)
S.29, Pater noster I (b.1860)
S.30, Responsorien und Antiphonen [5 sets] (1860)
S.31, Christus ist geboren I [first/second version] (1863?)
S.32, Christus ist geboren II [first/second version] (1863?)
S.33, Slavimo Slavno Slaveni! [first/second version] (1863, 1866)
S.34, Ave maris stella [first/second version] (1865-66, 1868)
S.35, Crux! (Guichon de Grandpont) (1865)
S.36, Dall' alma Roma (1866)
S.37, Mihi autem adhaerere (from Psalm 73) (1868)
S.38, Ave Maria II (1869)
S.39, Inno a Maria Vergine (1869)
S.40, O salutaris hostia I (1869?)
S.41, Pater noster III [first/second version] (1869)
S.42, Tantum ergo [first/second version] (1869)
S.43, O salutaris hostia II (1870?)
S.44, Ave verum corpus (1871)
S.45, Libera me (1871)
S.46, Anima Christi sanctifica me [first/second version] (1874, ca.1874)
S.47, St Christopher. Legend (1881)
S.48, Der Herr bewahret die Seelen seiner Heiligen (1875)
S.49, Weihnachtslied (O heilige Nacht) (a.1876)
S.50, 12 Alte deutsche geistliche Weisen (Chorales) [12 chorals] (ca.1878-79)
S.51, Gott sei uns gnädig und barmherzig (1878)
S.52, Septem Sacramenta. Responsoria com organo vel harmonio concinente (1878)
S.53, Via Crucis (1878-79)
S.54, O Roma nobilis (1879)
S.55, Ossa arida (1879)
S.56, Rosario [4 chorals] (1879)
S.57, In domum Domino imibus (1884?)
S.58, O sacrum convivium (1884?)
S.59, Pro Papa (ca.1880)
S.60, Zur Trauung. Geistliche Vermählungsmusik (Ave Maria III) (1883)
S.61, Nun danket alle Gott (1883)
S.62, Mariengarten (Quasi cedrus) (b.1884)
S.63, Qui seminant in lacrimis (1884)
S.64, Pax Vobiscum! (1885)
S.65, Qui Mariam absolvisti (1885)
S.66, Salve Regina (1885)

Secular Choral Works

S.67, Beethoven Cantata No.1: Festkantate zur Enthüllung (1845)
S.68, Beethoven Cantata No.2: Zur Säkularfeier Beethovens (1869-70)
S.69, Chöre zu Herders Entfesseltem Prometheus (1850)
S.70, An die Künstler (Schiller) [first/second/third verion] (1853, 1853, 1856)
S.71, Gaudeamus igitur. Humoreske (1869)
S.72, Vierstimmige Männergesänge [4 chorals] (for Mozart-Stiftung) (1841)
S.73, Es war einmal ein König (1845)
S.74, Das deutsche Vaterland (1839)
S.75, Über allen Gipfeln ist Ruh (Goethe) [first/second version] (1842, 1849)
S.76, Das düstre Meer umrauscht mich (1842)
S.77, Die lustige Legion (A. Buchheim) (1846)
S.78, Trinkspruch (1843)
S.79, Titan (Schobert) (1842-47)
S.80, Les Quatre Éléments (Autran) (1845)
S.81, Le Forgeron (de Lamennais) (1845)
S.82, Arbeiterchor (de Lamennais?) (1848)
S.83, Ungaria-Kantate (Hungaria 1848 Cantata) (1848)
S.84, Licht, mehr Licht (1849)
S.85, Chorus of Angels from Goethe's Faust (1849)
S.86, Festchor zur Enthüllung des Herder-Dankmals in Weimar (A. Schöll) (1850)
S.87, Weimars Volkslied (Cornelius) [6 versions] (1857)
S.88, Morgenlied (Hoffmann von Fallersleben) (1859)
S.89, Mit klingendem Spiel (1859-62 ?)
S.90, Für Männergesang [12 chorals] (1842-60)
S.91, Das Lied der Begeisterung. A lelkesedes dala (1871)
S.92, Carl August weilt mit uns. Festgesang zur Enthüllung des Carl-August-Denkmals in Weimar am 3 September 1875 (1875)
S.93, Ungarisches Königslied. Magyar Király-dal (Ábrányi) [6 version] (1883)
S.94, Gruss (1885?)

Orchestral Works

Symphonic Poems

S.95, Poème symphonique No.1, Ce qu'on entend sur la montagne [first/second/third version] (1848-49, 1850, 1854)
S.96, Poème symphonique No.2, Tasso, Lamento e Trionfo [first/second/third version] (1849, 1850-51, 1854)
S.97, Poème symphonique No.3, Les Préludes (1848)
S.98, Poème symphonique No.4, Orpheus (1853-54)
S.99, Poème symphonique No.5, Prometheus [first/second version] (1850, 1855)
S.100, Poème symphonique No.6, Mazeppa [first/second version] (1851, b.1854)
S.101, Poème symphonique No.7, Festklänge [revisions added to 1863 pub] (1853)
S.102, Poème symphonique No.8, Héroïde funèbre [first/second version] (1849-50, 1854)
S.103, Poème symphonique No.9, Hungaria (1854)
S.104, Poème symphonique No.10, Hamlet (1858)
S.105, Poème symphonique No.11, Hunnenschlacht (1856-57)
S.106, Poème symphonique No.12, Die Ideale (1857)
S.107, Poème symphonique No.13, Von der Wiege bis zum Grabe (From the Cradle to the Grave) (1881-82)

Other Orchestral Works

S.108, Eine Faust-Symphonie [first/second version] (1854, 1861)
S.109, Eine Symphonie zu Dante's Divina Commedia (1855-56)
S.110, Deux Épisodes d'apres le Faust de Lenau [2 pieces] (1859-61)
S.111, Zweiter Mephisto Waltz (1881)
S.112, Trois Odes Funèbres [3 pieces] (1860-66)
S.113, Salve Polonia (1863)
S.114, Künstlerfestzug zur Schillerfeier (1857)
S.115, Festmarsch zur Goethejubiläumsfeier [first/second version] (1849, 1857)
S.116, Festmarsch nach Motiven von E.H.z.S.-C.-G. (1857)
S.117, Rákóczy March (1865)
S.118, Ungarischer Marsch zur Krönungsfeier in Ofen-Pest (am 8 Juni 1867) (1870)
S.119, Ungarischer Sturmmarsch (1875)

Pianoforte and Orchestra

S.120, Grande Fantaisie Symphonique on themes from Berlioz Lélio (1834)
S.121, Malediction (with string orchestra) (1833)
S.122, Fantasie über Beethovens Ruinen von Athen [first/second version] (1837?, 1849)
S.123, Fantasie über ungarische Volksmelodien (1852)
S.124, Piano Concerto No.1 in E flat [first/second version] (1849, 1856)
S.125, Piano Concerto No.2 in A major [first/second version] (1839, 1849)
S.126, Totentanz. Paraphrase on Dies Irae [Busoni's De Profundis/final version] (1849, 1859)

Chamber Music, etc.

S.126b, Zwei Walzer [2 pieces] (1832)
S.127, Duo (Sonata) - Sur des thèmes polonais (violin and piano) (1832-35 ?)
S.128, Grand Duo Concertant sur la Romance de M. Lafont, "Le Marin" [first/second version] (ca.1835-37, 1849)
S.129, Epithalam zu Eduard Reményis Vermählungsfeier (1872)
S.130, Élégie No.1 [first/second/third version] (1874)
S.131, Élégie No.2 (1877)
S.132, Romance Oubliée (1880)
S.133, Die Wiege (The Cradle) (1881?)
S.134, La Lugubre Gondola [first/second version] (1883-85 ?, 1885?)
S.135, Am Grabe Richard Wagners (1883)

Pianoforte

Studies

S.136, Études en douze exercices dans tous les tons majeurs et mineurs [first version, 12 pieces] (1826)
S.137, Douze Grandes Études [second version, 12 pieces] (1837)
S.138, Mazeppa [intermediate version of S137/4] (1840)
S.139, Douze Études d'exécution transcendante [final version, 12 pieces] (1851)
S.140, Études d'exécution transcendante d'après Paganini [first version, 6 pieces] (1838-39)
S.141, Grandes Études de Paganini [second version, 6 pieces] (1851)
S.142, Morceau de Salon, Étude de perfectionnement [Ab Irato, first version] (1840)
S.143, Ab Irato, Étude de perfectionnement [second version] (1852)
S.144, Trois Études de concert [3 pieces] (1848?)
S.145, Zwei Konzertetüden [2 pieces] (1862-63)
S.146, Technische Studien [68 studies] (ca.1868-80)
S.146/62, Sprünge mit der Tremolo-Begleitung [No 62 from Technische Studien] (ca.1868)

Various Original Works

S.147, Variation sur une valse de Diabelli (1822)
S.148, Huit Variations (1824?)
S.149, Sept Variations brillantes sur un thème de G. Rossini (1824?)
S.150, Impromptu brillant sur des thèmes de Rossini et Spontini (1824)
S.151, Allegro di bravura (1824)
S.152, Rondo di bravura (1824)
S.153, Scherzo in G minor (1827)
S.154, Harmonies poétiques et religieuses [Pensée des morts, first version] (1833, 1835)
S.155, Apparitions [3 pieces] (1834)
S.156, Album d'un Voyageur [3 sets; 7, 9, 3 pieces] (1835-38)
S.157, Fantaisie romantique sur deux mélodies suisses (1836)
S.158, Tre Sonetti del Petrarca [3 pieces, first versions of S161/4-6] (1844-45)
S.159, Venezia e Napoli, 1st version [4 pieces] (1840?)
S.160, Années de Pèlerinage. Première Année; Suisse [9 pieces] (1848-55)
S.161, Années de Pèlerinage. Deuxième Année; Italie [7 pieces] (1839-49)
S.162, Venezia e Napoli. Supplément aux Années de Pèlerinage 2de volume [3 pieces] (1860)
S.163, Années de Pèlerinage. Troisième Année [7 pieces] (1867-77)
S.163a, Andantino pour Emile et Charlotte Loudon (1828)
S.164, Feuille d'album No.1 (1840)
S.165, Feuille d'album (in A flat) (1841)
S.166, Albumblatt in waltz form (1841)
S.167, Feuille d'album No.2 [Die Zelle in Nonnenwerth, third version] (1843)
S.168, Elégie sur des motifs du Prince Louis Ferdinand de Prusse [first/second version] (1842, 1851)
S.169, Romance (O pourquoi donc) (1848)
S.170, Ballade No.1 in D flat (Le chant du croisé) (1845-48)
S.171, Ballade No.2 in B minor (1853)
S.172, Consolations (Six Penseés poétiques) (1849-50)
S.172a/2, Invocation [early version of S173/1; formerly S173b]
S.173, Harmonies poétiques et religieuses [second version] (1845-52)
S.174, Berceuse [first/second version] (1854, 1862)
S.175, Deux Légendes (1862-63)
S.176, Grosses Konzertsolo [second version] (1849-50 ?)
S.177, Scherzo and March (1851)
S.178, Sonata in B minor (1852-53)
S.179, Weinen, Klagen, Sorgen, Zagen; Prelude after J. S. Bach (1859)
S.180, Variations on a theme from Weinen, Klagen, Sorgen, Zagen by J. S. Bach (1862)
S.181, Sarabande and Chaconne from Handel's opera Almira (1881)
S.182, Ave Maria - Die Glocken von Rom (1862)
S.183, Alleluia et Ave Maria [2 pieces] (1862)
S.184, Urbi et orbi. Bénédiction papale (1864)
S.185, Vexilla regis prodeunt (1864)
S.186, Weihnachtsbaum [second version, 12 pieces] (1875-76)
S.187, Sancta Dorothea (1877)
S.187a, Resignazione [first/second version] (1877)
S.188, In festo transfigurationis Domini nostri Jesu Christi (1880)
S.189, Klavierstück No.1 (1866)
S.189a, Klavierstück No.2 (1845)
S.190, Un portrait en musique de la Marquise de Blocqueville (1868)
S.191, Impromptu (1872)
S.192, Fünf Klavierstücke (für Baroness von Meyendorff) [5 pieces] (1865-79)
S.193, Klavierstück in F sharp major (a.1860)
S.194, Mosonyis Grabgeleit (Mosonyi gyázmenete) (1870)
S.195, Dem Andenken Petőfis (Petőfi Szellémenek) (1877)
S.196, Élégie No.1 (1874)
S.197, Élégie No.2 (1877)
S.197a, Toccata (1879-81)
S.198, Wiegenlied (Chant du herceau) (1880)
S.199, Nuages gris (Trübe Wolken) (1881)
S.200, La lugubre gondola [2 pieces] (1882, 1885)
S.201, R. W. - Venezia (1883)
S.202, Am Grabe Richard Wagners (1883)
S.203, Schlaflos, Frage und Antwort (Nocturne after a poem by Toni Raab) (1883)
S.204, Receuillement (Bellini in Memoriam) (1877)
S.205, Historische ungarische Bildnisse (Magyar arcképek) [7 pieces] (1885)
S.206, Trauervorspiel und Trauermarsch (1885)
S.207, En Rêve. Nocturne (1885)
S.208, Unstern: Sinistre, Disastro (ca.1880-86)

Works in Dance Form

S.208a, Waltz (in A major) (b.1825)
S.209, Grande valse di bravura [first version of S214/1] (1835)
S.210, Valse mélancolique [first version of S214/2] (1839)
S.211, Ländler (in A flat major) (1843)
S.212, Petite Valse favorite [first/second version] (1842, 1843)
S.212b, Mariotte (1840)
S.213, Valse-Impromptu (1850?)
S.214, Trois Caprice-Valses [3 pieces] [second versions of S209, S210, S401] (1850?)
S.214a, Carousel de Madame Pelet-Narbone (ca.1875-81)
S.215, Valses oubliées [4 pieces] (1881-84)
S.216, Dritter Mephisto-Walzer (1883)
S.216a, Bagatelle sans tonalité (1885)
S.216b, Vierter Mephisto-Walzer [first version] (1885)
S.217, Mephisto Polka [first/second version] (1883)
S.218, Galop (in A minor) (1841?)
S.219, Grand galop chromatique (1838)
S.220, Galop de Bal (1840?)
S.221, Mazurka brillante (1850)
S.223, Deux Polonaises [2 pieces] (1851)
S.224, Csárdás macabre (1881-82)
S.225, Two Csárdás [2 pieces] (1884)
S.226, Festvorspiel (1856)
S.227, Goethe Festmarsch [first version] (1849)
S.228, Huldigungsmarsch [first/second version] (1853)
S.229, Vom Fels zum Meer! - Deutscher Siegesmarsch (1853-56)
S.230, Bülow-Marsch (1883)
S.231, Heroischer Marsch in ungarischem Stil (1840)
S.232, Ungarischer Sturmmarsch [first version] (1843?)
S.233, Ungarischer Geschwindmarsch (1870)
S.233a, Siegesmarsch. Marche triomphale (Victory March) (?)

Works on National Themes

Austrian

S.233c, Tyrolean Melody (Auber) [now S385a] (b.1856)

Czech

S.234, Hussitenlied (Melody by J.Krov) (1840)

English

S.235, God Save the Queen (1841)

French

S.236, Faribolo Pasteur and Chanson du Béarn [2 pieces] (1844)
S.237, La Marseillaise (1872?)
S.238, La cloche sonne (1850?)
S.239, Vive Henri IV (1870-80 ?)

German

S.240, Gaudeamus igitur. Concert paraphrase [first/second version] (1843, 1853)

Hungarian

S.241, Hungarian Recruiting Songs (Zum Andenken) (By Fáy & Bihari) (1828)
S.242, Magyar Dalok: Magyar Rapszódiák [22 pieces] (1839-47)
S.243, Ungarische National-Melodien [3 pieces] (ca.1843)
S.244, Hungarian Rhapsodies (Rapsodies hongroises) [19 pieces] (1846-86)
S.244c, Rákóczi-Marsch [popular version] (?)
S.245, Fünf ungarische Volkslieder (Abranyi) [5 pieces] (1873)
S.246, Puszta-Wehmut (A Puszta Keserve) (1880-86 ?)

Italian

S.248, Canzone Napolitana [first/second version] (1842)

Polish

S.249, Glanes de Woronince [3 pieces] (1847-48)

Russian

S.250, Deux Mélodies russes. Arabesques [2 pieces] (1842)
S.250a, Le rossignol (Alyabyev) [first version of S250/1] (1842)
S.251, Abschied. Russisches Volkslied (1885)

Spanish

S.252, Rondeau fantastique sur un thème espagnol, El Contrabandista (Garcia) (1836)
S.252a, La Romanesca [first/second version] (ca.1832, b.1852)
S.253, Fantasie über Spanische Weisen (1853)
S.254, Rhapsodie espagnole (1863?)

Pianoforte Duet

S.255, Festpolonaise [now S619a] (1876)
S.256, Variation on the Chopstick theme (1880)

Two Pianofortes

S.257, Grosses Konzertstück über Mendelssohns Lieder ohne Worte (1834)
S.258, Concerto pathétique (b.1856)

Organ

S.259, Fantasy and Fugue on the chorale 'Ad nos, ad salutarem undam' (1850)
S.260, Präludium und Fuge über das Thema BACH [first/second version] (1855, 1870)
S.261, Pio IX. Der Papsthymnus (1863?)
S.261a, Andante religioso (1861?)
S.262, Ora pro nobis. Litanei (1864)
S.263, Resignazione (1877)
S.264, Missa pro organo lectarum celebrationi missarum adjumento inserviens (1879)
S.265, Gebet (1879)
S.266, Requiem für die Orgel (1883)
S.267, Am Grabe Richard Wagners (1883)
S.268, Zwei Vortragsstücke [2 pieces] (1884)

Songs

S.269, Angiolin dal biondo crin (Marchese C. Bocella) [first/second version] (1839, ?)
S.270, Three Petrarch Sonnets [3 songs, first/second version] (1844-45, 1854]
S.271, Il m'aimait tant (Delphine Gay) (1840?)
S.272, Im Rhein, im schönen Strome (Heine) [first/second version] (1840?, 1854)
S.273, Die Lorelei (Heine) [first/second version] (1841, ?)
S.274, Die Zelle im Nonnenwerth [first/second version revised 1862] (b.1841, 1857)
S.275, Mignons Lied (Kennst du das Land) (Goethe) [first/second/third version] (1842, 1854, 1860)
S.276, Comment, disaient-ils (Hugo) [first/second version] (1842, ?)
S.277, Bist du (Prince E. Metschersky) [first/revised version] (1843, ca.1878-79)
S.278, Es war ein König in Thule (Goethe) [first/second version] (1842, ?)
S.279, Der du von dem Himmel bist (Goethe) [first/second/third version] (1842, ?, 1860)
S.280, Freudvoll und leidvoll (Goethe) [first/second/third version] (1844, 1848?, ?)
S.281, Die Vätergruft (1844)
S.282, O quand je dors (Hugo) [first/second version] (1842, ?)
S.283, Enfant, si j'etais roi (Hugo) [first/revised version] (1844?, ?)
S.284, S'il est un charmant gazon (Hugo) [first/revised version] (1844?, ?)
S.285, La tombe et la Rose (Hugo) (1844?)
S.286, Gastibelza, Bolero (Hugo) (1844?)
S.287, Du bist wie eine Blume (Heine) (1843?)
S.288, Was Liebe sei (C. von Hagn) [first/second/third version] (1843?, ca.1855, 1878-79)
S.289, Vergiftet sind meine Lieder (Heine) [first/revised version] (1842, ?)
S.290, Morgens steh ich auf und frage (Heine) [first/revised version] (1843?, ca.1855)
S.291, Die tote Nachtigall (Kaufmann) [first/revised version] (1843?, 1878)
S.292, Songs from Schiller's Wilhelm Tell [3 songs, first/revised version] (1845?, ?)
S.293, Jeanne d'Arc au bûcher (Dumas) [first/revised version] (1845, 1874)
S.294, Es rauschen die Winde [first/second version] (ca.1845, b.1856)
S.295, Wo weilt er? (Rellstab) (1844)
S.296, Ich möchte hingehn (Herwegh) [revised later] (1845)
S.297, Wer nie sein Brot mit Tränen aß (Goethe) [first/revised version] (ca.1845)
S.298, O lieb so lang du lieben kannst (Freiligrath) (1845?)
S.299, Isten veled (Farewell) (Horvath) [first/revised version] (1846-47)
S.300, Le juif errant (Béranger) (1847)
S.301, Kling leise, mein Lied [first/revised version] (1848)
S.301a, Oh pourquoi donc (Mme Pavloff) (1843)
S.301b, En ces lieux. Élégie (E. Monnier) (1844)
S.302, Die Macht der Musik (Duchess Helen of Orleans) (1848-49)
S.303, Weimars Toten. Dithyrambe (Schober) (b.1848)
S.304, Le vieux vagabong (Béranger) (b.1848)
S.305, Schwebe, schwebe, blaues Auge [first/revised version] (1845, ?)
S.306, Über allen Gipfeln ist Ruh [first/revised version] (1847?, ?)
S.306a, Quand tu chantes bercée (Hugo) (1843)
S.307, Hohe Liebe (Uhland) (1850?)
S.308, Gestorben war ich (Seliger Tod) (Uhland) (1850?)
S.309, Ein Fichtenbaum steht einsam (Heine) [first/revised version] (ca.1845, 1854)
S.310, Nimm einen Strahl der Sonne (1849)
S.311, Anfangs wollt' ich fast verzagen (Heine) (1849)
S.312, Wie singt die Lerche schön (Hoffmann von Fallersleben) (1856?)
S.313, Weimars Volkslied (Cornelius) (1857)
S.314, Es muss ein Wunderbares sein (Redwitz) (1852)
S.315, Ich liebe dich (Rückert) (1857)
S.316, Muttergottes - Sträusslein zum Mai-monate (Müller) [2 songs] (1857)
S.317, Lasst mich ruhen (Hoffmann von Fallersleben) (1858?)
S.318, In Liebeslust (Hoffmann von Fallersleben) (1858?)
S.319, Ich scheide (Hoffmann von Fallersleben) (1860)
S.320, Die drei Zigeuner (Lenau) (1860)
S.321, Die stille Wasserrose (Geibel) (1860?)
S.322, Wieder möcht ich dir begegnen (Cornelius) (1860)
S.323, Jugendglück (Pohl) (1860?)
S.324, Blume und Duft (Hebbel) (1854)
S.325, Die Fischerstochter (Count C. Coronini) (1871)
S.326, La Perla (Princess Therese von Hohenlohe) (1872)
S.327, J'ai perdu ma force est ma vie. 'Tristesse' (de Musset) (1872)
S.328, Ihr Glocken von Marling (Emil Kuh) (1874)
S.329, Und sprich (Biegeleben) [revised 1878] (1874)
S.330, Sei still (Henriette von Schorn) (1877)
S.331, Gebet (Bodenstedt) (1878?)
S.332, Einst (Bodenstedt) (1878?)
S.333, An Edlitam (Bodenstedt) (1878?)
S.334, Der Glückliche (Bodenstedt) (1878?)
S.335, Go not, happy day (Tennyson) (1879)
S.336, Verlassen (G.Michell) (1880)
S.337, Des Tages laute Stimmen schweigen (F. von Saar) (1880)
S.338, Und wir dachten der Toten (Freiligrath) (1880?)
S.339, Ungarns Gott. A magyarok Istene (Petófi) (1881)
S.340, Ungarisches Königslied. Magyar Király-dal (Ábrányi) (1883)
S.340a, Ne brani menya, moy drug. (Tolstoy) (1886)

Other Choral Works

S.341, Ave Maria IV (1881)
S.342, Le crucifix (Hugo) (1884)
S.343, Sancta Caecilia (1884)
S.344, O Meer im Abendstrahl (Meissner) (1880)
S.345, Wartburg-Lieder [7 chorals] (1872)

Recitations

S.346, Lenore (Bürger) (1858)
S.347, Vor hundert Jahren (F. Halm) (1859)
S.348, Der traurige Mönch (Lenau) (1860)
S.349, Des toten Dichters Liebe (Jókai) (1874)
S.350, Der blinde Sänger (Alexei Tolstoy) (1875)