Messiah, HWV 56 (Handel, George Frideric)

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Editor Friedrich Chrysander (1826–1901)
Publisher. Info. Holograph manuscript, 1741.
Reprinted Georg Friedrich Händels Werke. Band 45a
Leipzig: Deutsche Händelgesellschaft, 1892. Plate H.W. 45a.
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Publisher. Info. Manuscript, n.d.(ca.1743-46).
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Misc. Notes New York Public Library for the Performing Arts (US-NYp): Cary 40
This file is part of the Submission Project.
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Publisher. Info. Manuscript, n.d.(ca.1759-63).
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Misc. Notes State and University Library Carl von Ossietzky, Hamburg (D-Hs): M A/1030
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Editor First edition (reprint)
Publisher. Info. London: Randall & Abell, n.d.[1767].
Reprinted London: Preston, n.d.(ca.1778-89).
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Editor Friedrich Chrysander (1826–1901)
Publisher. Info. Georg Friedrich Händels Werke. Band 45
Leipzig: Deutsche Händelgesellschaft, 1902. Plate H.W. 45.
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Arranger Kurt Soldan (1891–1946), continuo realization
Editor Arnold Schering (1877–1941)
Publisher. Info. Leipzig: C.F. Peters, No.4500, 1939.
Reprinted New York: E.F. Kalmus, n.d.(1933–70). Catalog A2612.
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Feduol (2025/3/13)

Editor Brian Priestman (1927–2014)
Language German / English
Translator Friedrich Chrysander (1826–1901), German text
Publisher. Info. London: Ernst Eulenburg, No.956, 1963. Plate E.E. 3878a.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

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Editor John Tobin (1891–1980)
Publisher. Info. Hallische Händel-Ausgabe, Serie I, Band 17
Kassel: Deutsche Händelgesellschaft, 1965. Plate BA 4012.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

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Feduol (2024/8/9)

Editor Clifford Bartlett (1939–2019)
Publisher. Info. Oxford: Oxford University Press, 1998.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

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Editor Eleanor Selfridge-Field
Nicholas McGegan
Publisher. Info. Palo Alto: CCARH, 2003.
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Misc. Notes Primarily based upon Chrysander.
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Editor Nicolas Sceaux
Publisher. Info. Éditions Nicolas Sceaux
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Misc. Notes Based on the Chrysander edition of Handel's works
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Selections

Editor Paul-Gustav Feller
Publisher. Info. Ritter von Schleyer Verlag
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Editor Anthon Hansen
Publisher. Info. Anthon Hansen
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Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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Editor Werner Höss
Publisher. Info. Werner Höss
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Misc. Notes Transposed to G major
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Editor Maximilian Arnke
Publisher. Info. Maximilian Arnke
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Parts

Complete

9 more: Bassoon • Trumpet 1, 2 (C) • Timpani • Violins I • Violins II • Violas • Cellos/Basses • Organ • Continuo

Arranger Kurt Soldan (1891–1946), continuo realization
Editor Arnold Schering (1877–1941)
Publisher. Info. Leipzig: C.F. Peters, No.4500, 1939.
Reprinted New York: E.F. Kalmus, n.d.(1933–70). Catalog A2612.
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Feduol (2024/8/9)

10 more: Oboe 2 • Trumpet 1 (C) • Trumpet 1 (B♭) • Trumpet 2 (C) • Trumpet 2 (B♭) • Timpani • Violins I • Violins II • Violas • Cellos/Basses

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Feduol (2024/8/9)

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Feduol (2024/8/9)

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Feduol (2024/8/9)

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Feduol (2024/8/9)

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Feduol (2024/8/9)

PDF scanned by Unknown
Feduol (2024/8/9)

PDF scanned by Unknown
Feduol (2024/8/9)

PDF scanned by Unknown
Feduol (2024/8/9)

PDF scanned by Unknown
Feduol (2024/8/9)

PDF scanned by Unknown
Feduol (2024/8/9)

Editor Clifford Bartlett (1939–2019)
Publisher. Info. Oxford: Oxford University Press, 1998.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
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Iaqsar (2013/11/25)

Editor Alfred Mann (1917-2006)
Jim Schwante
Publisher. Info. Jim Schwante
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Misc. Notes Parts to Dover edition
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9 more: Oboe 2 • Trumpet 1 • Trumpet 2 • Timpani • Violins I • Violins II • Violins III • Violas • Cellos/Basses

Editor Nicolas Sceaux
Publisher. Info. Éditions Nicolas Sceaux
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Misc. Notes Based on the Chrysander edition of Handel's works
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Selections

Publisher. Info. Manuscript, n.d.(ca.1770).
Copyright
Misc. Notes RISM-A/II-000124446
This item forms part of the
Ricasoli Collection at the University of Louisville Music Library.

This manuscript contains the following numbers: 1-4, 9-12, 15, 17a, 19-20, 24-27, 30, 36a, 37 (only recitatives), 38a, 39, 42, 47-48.
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Publisher. Info. Manuscript, n.d.(ca.1770).
Copyright
Misc. Notes RISM-A/II-000124446
This item forms part of the
Ricasoli Collection at the University of Louisville Music Library.

This manuscript contains numbers 4, 11, 15, 19, 25, 30, 39, 47, and 48.
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Sinfony (Part I, No.1)

Copyist Unknown Scribe
Publisher. Info. Manuscript, n.d.(ca.presumably 1786-1836).
Copyright
Misc. Notes Staatsbibliothek zu Berlin (D-B): Mus. ms. Bach St 118
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PDF typeset by editor
Pgfeller (2016/12/24)

Editor Paul-Gustav Feller
Publisher. Info. Ritter von Schleyer Verlag
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Aria: Rejoice Greatly, O Daughter of Zion (No.18)

4 more: Violins II • Continuo • Engraving files (Finale) • Engraving files (MusicXML)

Editor Anthon Hansen
Publisher. Info. Anthon Hansen
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Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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Aria: He Shall Feed his Flock (Part I, No.20)

4 more: Violins II • Violas • Cellos/Basses • Cembalo

Editor Werner Höss
Publisher. Info. Werner Höss
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Misc. Notes Transposed to G major
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Hallelujah (Part II, No.44)

7 more: Trumpet 1 (C) • Trumpet 2 (C) • Timpani • Violins I • Violins II • Violas • Cellos/Basses

Editor Maximilian Arnke
Publisher. Info. Maximilian Arnke
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PDF typeset by editor
Pgfeller (2016/12/24)

Editor Paul-Gustav Feller
Publisher. Info. Ritter von Schleyer Verlag
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PDF typeset by editor
^*^ (2010/2/8)

Editor Typesetter
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Vocal Scores

Complete

Arranger John Clarke-Whitfeld (1770–1836)
Editor George Frederick Harris (1796–1867)
Publisher. Info. London: Boosey and Sons, n.d.[1862].
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Arranger Friedrich Chrysander (1826–1901), piano reduction
Language German / English
Publisher. Info. Braunschweig: Henry Litolff, n.d. Plate 1701.
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Arranger William Thomas Best (1826–1897), piano reduction
Language French
Translator Victor Wilder (1835–1892), French text
Publisher. Info. Paris: Heugel, n.d.[1875]. Plate H.4594.
Copyright
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Arranger Friedrich Chrysander (1826–1901), piano reduction
Language German
Publisher. Info. Leipzig: C. F. Peters, n.d.(ca.1877). Plate 5964.
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Misc. Notes This file is part of the Sibley Mirroring Project.
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Arranger Ebenezer Prout (1835–1909), piano reduction
Publisher. Info. London: Novello and Co., 1902. Plate 8332.
Copyright
Misc. Notes This file is part of the Sibley Mirroring Project.
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Arranger Friedrich Chrysander (1826–1901), piano reduction
Editor Percy Goetschius (1853–1943)
Publisher. Info. Boston: Oliver Ditson Company, 1909. Plate 5-51-67341-209.
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Misc. Notes This file is part of the Sibley Mirroring Project.
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Arranger Friedrich Chrysander (1826–1901), piano reduction
Editor Thomas Tertius Noble (1867–1953)
Max Spicker (1858–1912)
Publisher. Info. New York: G. Schirmer, 1912. Plate 22945.
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Arranger Kurt Soldan (1891–1946), piano reduction
Editor Arnold Schering (1877–1941), introduction
Language English / German
Publisher. Info. Leipzig: Edition Peters, No.4501, 1939. Plate 11425.
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Editor J. M. Coopersmith (1903–1968)
Publisher. Info. New York: Carl Fischer, 1947. Plate N1057 (30165).
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Misc. Notes
In the USA this work is most likely in the public domain because no renewal was found after a thorough search of the Catalog of Copyright Entries and it was ineligible for "restoration" under GATT/TRIPS.
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Feduol (2025/3/26)

Arranger Max Schneider (1875–1967), piano reduction
Editor John Tobin (1891–1980)
Publisher. Info. Kassel: Bärenreiter-Verlag, 1972. Plate BA 4012b.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright
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Arranger Friedrich Chrysander (1826–1901), piano reduction
Editor Nicolas Sceaux
Publisher. Info. Éditions Nicolas Sceaux
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Misc. Notes Based on the Chrysander edition of Handel's works
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Editor Christoph Hagemann (b. 1982)
Language German
Translator Johann Gottfried Herder (1744–1803)
Publisher. Info. Christoph Hagemann, 2024.
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Misc. Notes Based on Nicolas Sceaux' edition
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Selections

Arranger C. F. Rex (fl. 1828), piano reduction
Language English / German
Publisher. Info. 4 Alt-Arien aus Haendel's Messias
Berlin: T. Trautwein, n.d.[1828]. Plate 250.
Copyright
Misc. Notes Selections: O Thou That Tellest Good Tidings to Zion (Part I, No.9), He Was Despised (Part II, No.23), Thou Art Gone Up on High (Part II, No.36) and How Beautiful Are the Ffeet of Them (Part II, No.38).
This file is part of the Submission Project.
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Arranger Friedrich Chrysander (1826–1901), piano reduction
Editor Thomas Tertius Noble (1867–1953)
Max Spicker (1858–1912)
Publisher. Info. New York: Schirmer, 1912. Plate 22945.
Copyright
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Publisher. Info. The Overture and Songs in the Oratorio of the Messiah
London: J. Bland, n.d.[1785].
Copyright
Misc. Notes The following songs appear twice in this book (different sheets bound in): But thou didst not; Thy rebuke hath broken; He was despised; But who may abide the day.
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Editor Randall Philip Wilkens (b. 1960)
Publisher. Info. Randall Philip Wilkens
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Publisher. Info. Manuscript, n.d.(ca.1700s).
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Misc. Notes The pages out of sequence in original volume; corrected here on scan. Royal College of Music Library, London (GB-Lcm): MS 822/88
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Editor Ebenezer Prout (1835–1909)
Publisher. Info. Songs and Airs of G.F. Handel, Vol.I: For High Voice (pp.94-116)
Boston: Oliver Ditson Co., 1905. Plate ML-1096-99.
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Misc. Notes This file is part of the Sibley Mirroring Project.
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4 more: 7. Chorus: And He Shall Purify • 12. Chorus: For Unto Us a Child Is Born • 17. Chorus: Glory to God • 21. Chorus: His Yoke Is Easy

Arranger Friedrich Chrysander (1826–1901), piano reduction
Editor Thomas Tertius Noble (1867–1953)
Max Spicker (1858–1912)
Publisher. Info. New York: G. Schirmer, 1912. Plate 22945.
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Arranger William Carnaby (1772–1839)
Publisher. Info. London: Z. T. Purday, sold at Milsom's Music Warehouse, n.d.
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Editor John Stevenson (1761–1833)
Publisher. Info. London: J. Power, n.d. Plate 531.
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Editor John Clarke-Whitfeld (1770–1836)
Publisher. Info. London: Clementi, Collard & Collard, n.d. Plate No.21 Messiah.
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Chorus: And the Glory of the Lord (Part I, No.4)

Editor Thomas A. Schneider
Publisher. Info. Thomas A. Schneider
Copyright
Misc. Notes partly new translated
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Chorus: Glory to God in the Highest (Part I, No.17)

Arranger Gerd Büntzly
Publisher. Info. Gerd Büntzly, 2020.
Copyright
Misc. Notes High quality
With new German text by the arranger.
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Aria: He Shall Feed his Flock (Part I, No.20)

Editor Werner Höss
Publisher. Info. Werner Höss
Copyright
Misc. Notes Transposed to G major
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Chorus: Hallelujah (Part II, No.44)

Editor Robert A. Hudson
Publisher. Info. Robert A. Hudson
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Editor Thomas A. Schneider
Language English / German
Publisher. Info. Thomas A. Schneider
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Misc. Notes partly new translated
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Editor Beth Ratay
Publisher. Info. Ratajova Publishing, LLC
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Editor Steven Lalsangliana Ralte
Publisher. Info. Steven Lalsangliana Ralte / NECF
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Editor Maximilian Arnke
Publisher. Info. Maximilian Arnke
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Arrangements and Transcriptions

Complete

For Voices, Mixed Chorus and Orchestra (Mozart)
See: Der Messias, K.572 by Mozart.
For Voices, Mixed Chorus and Orchestra (Prout)

13 more: Flute 1/2 • Oboe 1/2 • Clarinet 1/2 (B♭) • Bassoon 1/2 • Horn 1/2 (F) • Trumpet 1/2 (B♭) • Trombone 1/2, 3 • Timpani • Organ • Violins I • Violins II • Violas • Cellos/Basses

Arranger Ebenezer Prout (1835–1909),
after Mozart
Publisher. Info. London: Novello, 1901.
Reprinted New York: E.F. Kalmus, n.d.(1933–70). Catalog A2611.
Copyright
Misc. Notes These files are part of the Orchestra Parts Project.
About Prout's arrangement
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For Piano 4 Hands (Rösler)
For Piano (Chrysander)
Arranger Friedrich Chrysander (1826–1901)
Editor Nicolas Sceaux
Publisher. Info. Éditions Nicolas Sceaux
Copyright
Misc. Notes Based on the Chrysander edition of Handel's works
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For Piano (Köhler)
Arranger Louis Köhler (1820–1886)
Publisher. Info. Braunschweig: Litolff, No.723, n.d. Plate 3769.
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Selections

For Voice, Mixed Chorus and Wind Band (Rondeau)
Arranger Michel Rondeau
Publisher. Info. Michel Rondeau
Copyright
Misc. Notes 2. Recitative: Comfort Ye My People
3. Aria: Every Valley Shall Be Exalted
4. Chorus: And the Glory of the Lord (in A major and G major)
These file(s) are part of the Werner Icking Music Collection.
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For Mixed Chorus, 2 Trumpets, 2 Trombones, Timpani and Organ (Rondeau)
Arranger Michel Rondeau
Publisher. Info. Michel Rondeau
Copyright
Misc. Notes 4. And the Glory of the Lord; 11. For Unto us a Child is Born
These file(s) are part of the Werner Icking Music Collection.
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For Piano (Montgomery)
Arranger William Henry Montgomery (1811?–1886)
Publisher. Info. London: D'Almaine and Co., n.d.(ca.1850). Plate 13,345.
Copyright
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Sinfony (Part I, No.1)

For Harpsichord or Organ (Anonymous)
Arranger Anonymous (18th century)
Editor Pierre Gouin - Contact
Publisher. Info. Montréal: Les Éditions Outremontaises, 2008
Copyright
Misc. Notes These file(s) are part of the Werner Icking Music Collection. No 43 in Handel’s Sixty Overtures from all his Operas and Oratorios Set for the Harpsichord or Organ
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For Harpsichord or Piano (Gouin)
Arranger Pierre Gouin - Contact
Publisher. Info. Montréal: Les Éditions Outremontaises, 2008
Copyright
Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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Recitative: Comfort Ye My People (Part I, No.2)

For Double Reed Quartet (Notenschreiber)
Arranger Notenschreiber
Publisher. Info. Notenschreiber
Copyright
Misc. Notes Notensatz Capella
Double Reed Quartet means Oboe, Cor anglais, Bassoboe, Bassoon
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Chorus: And the glory of the Lord (Part I, No.4)

For Harp and Piano (Wright)
Arranger Thomas Henry Wright (1805–1894)
Publisher. Info. London: C. Lonsdale, n.d. Plate 537.
Copyright
Misc. Notes From the International Harp Archives at Brigham Young University
(as digitally mirrored at archive.org).
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Aria: But Who May Abide the Day of His Coming? (Part I, No.6)

For Piano (Godowsky)
Arranger Leopold Godowsky (1870–1938)
Publisher. Info. St. Louis: Art Publication Society, 1915. Plate 537.
Copyright
Misc. Notes This file is from the MIT archive project.
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Air and Chorus: O Thou That Tellest Good Tidings to Zion (Part I, No.9)

For Cello and Piano (Roth)
Arranger Philipp Roth (1853–1898)
Publisher. Info. Leipzig: Breitkopf & Härtel, n.d.(ca.1895). Plate V.A. 1562.
Copyright
Misc. Notes This file is part of the Sibley Mirroring Project.
Includes German text beneath cello staff.
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Chorus: For unto Us a Child is Born (Part I, No.12)

For 2 Violins, Viola and Cello (Anonymous)
Arranger Anonymous
Editor Grayson
Publisher. Info. Grayson
Copyright
Misc. Notes High Quality
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For Piano 4 Hands (Czerny)
Arranger Carl Czerny (1791–1857)
Publisher. Info. Sechs Große Chöre von Händel
Bonn: N. Simrock, n.d. Plate 3413.
Copyright
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Pifa or Pastoral Symphony (Part I, No.13)

For 3 Recorders (Tennent)
Arranger R.D. Tennent
Publisher. Info. R.D. Tennent
Copyright
Misc. Notes These file(s) are part of the Werner Icking Music Collection, and are also included in the Mondrup Recorder Collection.
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For Horn, Trumpet and Euphonium (Messerschmidt)
Arranger Hans Jorgen Messerschmidt (b. 1944)
Publisher. Info. Hans Jorgen Messerschmidt, 2013.
Copyright
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For Violin and Piano (Saenger)
See: Religious Meditations
For Organ (Gouin)
Editor Pierre Gouin - Contact
Publisher. Info. Montréal: Les Éditions Outremontaises, 2007
Copyright
Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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For Harmonium (Karg-Elert)
See: Klassische Meisterstudien für Harmonium

Rejoice greatly, O daughter of Zion (Part I, No.18)

For Voice and Orchestra (Deeth after Mozart/Prout)

8 more: Vocal Score • Clarinet 1, 2 (B♭) • Bassoon 1, 2 • Violins I • Violins II • Violas • Cellos/Basses • Engraving Files (MuseScore)

Arranger Fraser Deeth after the Prout edition of Mozart's Orchestration
Publisher. Info. Fraser Deeth
Copyright
Misc. Notes 12/8 version with orchestration based on Prout's edition. If you are using the Prout but want to use the 12/8 version of this movement this should work (has yet to be tested in ernest) The "continuo" part is just the Soprano, Violins 1, and Cello/Bass parts together and not a fully realised accompaniment - there are other editions which already have a keyboard part in 12/8 available.
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For Voice and Wind Band (Rondeau)
Arranger Michel Rondeau (b. 1948)
Publisher. Info. Michel Rondeau, 2019.
Copyright
Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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For Viola (Rubia)
Arranger Omar G. Rubia (b. 1985)
Publisher. Info. Omar G. Rubia
Copyright
Misc. Notes Rejoice - Viola part
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Aria: He Shall Feed his Flock (Part I, No.20)

For Mixed Chorus and Strings (Hudson)
Editor Robert A. Hudson
Publisher. Info. Robert A. Hudson
Copyright
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For Soprano, 2 Violins, Viola, and Continuo (Mozart)
Arranger Wolfgang Amadeus Mozart (1756–1791)
Editor Meg Noah
Publisher. Info. Meg Noah, 2024.
Copyright
Misc. Notes This is a new edition of K.572 Part 20, Mozart's arrangement of HWV 56 (The Messiah) Part 20 Aria: He Shall Feed His Flock. The XML is shared here for those interested in studying or arranging this composition.

This edition is based on the publications at Der Messias, K.572.

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For 4 Flutes or 4 Violins (Mozart)
Arranger Wolfgang Amadeus Mozart (1756–1791)
Editor Meg Noah
Publisher. Info. Meg Noah, 2024.
Copyright
Misc. Notes Flute or Violin Quartet. Adapted from K.572 Part 20, Mozart's arrangement of HWV 56 (The Messiah) Part 20 Aria: He Shall Feed His Flock.
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For Soprano, Alto and Organ (Brunet)
Arranger Alain Brunet (b. 1967)
Publisher. Info. Alex'Not
Copyright
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For Voice and Organ (Brunet)
Arranger Alain Brunet (b. 1967)
Publisher. Info. Alex'Not
Copyright
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For Cello and Piano (Schröder)
Arranger Carl Schröder (1848–1935)
Publisher. Info. Old Masters for Cello, Vol.X (No.54)
London: Augener, No.5536K, n.d. Plate 11047.
Copyright
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For Piano (Austin)
Arranger Ernest Austin (1874–1947)
Publisher. Info. Sunday at Home (pp.25-26)
London: Ascherberg, Hopwood & Crew, n.d.[1943]. Plate A.H.&C. Ltd. 11774.
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Misc. Notes From uploader's collection.
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Chorus: He trusted in God (Part II, No.28)

For Organ (Best)

Chorus: Lift up your heads (Part II, No.33)

For Harp and Piano (Wright)
Arranger Thomas Henry Wright (1805–1894)
Publisher. Info. London: C. Lonsdale, n.d. Plate 419.
Copyright
Misc. Notes From the International Harp Archives at Brigham Young University
(as digitally mirrored at archive.org).
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For Piano 4 Hands (Czerny)
Arranger Carl Czerny (1791–1857)
Publisher. Info. Sechs Große Chöre von Händel
Bonn: N. Simrock, n.d. Plate 3414.
Copyright
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Air and Chorus: 'How Beautiful are the Feet' (Part II, No.38)

For Male Chorus and Organ (Davison)
Arranger Archibald Thompson Davison (1883–1961)
Publisher. Info. The Concord Series, No.912
Boston: E.C. Schirmer Music Co., 1927. Plate E.C.S. No.302.
Copyright
Misc. Notes This file is part of the Indianapolis Maennerchor Archive.
This item, which is in the public domain in its country of origin, is likewise in the public domain in countries which apply the rule of the shorter term. All EU countries apply the rule of the shorter term in general.
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For 3 Recorders (Tennent)
Arranger R.D. Tennent
Publisher. Info. R.D. Tennent
Copyright
Misc. Notes These file(s) are part of the Werner Icking Music Collection, and are also included in the Mondrup Recorder Collection.
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For Soprano and Organ (Brunet)
Arranger Alain Brunet (b. 1967)
Publisher. Info. Alex'Not
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Chorus: Hallelujah (Part II, No.44)

For Mixed Chorus and Orchestra (Hudson)
Arranger Robert A. Hudson
Publisher. Info. Robert A. Hudson
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For Theater Orchestra (Tobani)
Arranger Theodore Moses Tobani (1855–1933)
Editor Paul Sterrett (1906/07–1963), Reissue editor
Publisher. Info. New York: Carl Fischer, No.260, 1892. Plate 3447-120.
Reissue - 1959. Plate 3447
Copyright
Misc. Notes Cleaned and retouched. Measure numbers added.
In the USA, This item is not in the public domain because it was renewed 28 years after first publication with a proper notice or it was "restored" to copyright status under the provisions of the GATT/TRIPS amendments. It will enter the US public domain on January 1st, 2055.
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For Mixed Chorus and Wind Band (Rondeau)

4 more: Chorus Score • Complete Parts • Engraving files (Finale) • Engraving files (XML)

Arranger Michel Rondeau
Publisher. Info. Michel Rondeau
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Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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4 more: Chorus Score • Complete Parts • Engraving files (Finale) • Engraving files (XML)

Arranger Michel Rondeau
Publisher. Info. Michel Rondeau
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Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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For Mixed Chorus, Piano and Organ (Dantonello)
Arranger Joseph Dantonello (1891–1945)
Publisher. Info. Augsburg: Anton Böhm & Sohn, n.d. Plate 7046.
Copyright
Misc. Notes See discussion. First page slightly damaged.
Scanned at 600dpi grayscale, improved, converted to monochrome.
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For 7 Recorders (Tennent)
Arranger R.D. Tennent
Publisher. Info. R.D. Tennent
Copyright
Misc. Notes These file(s) are part of the Werner Icking Music Collection, and are also included in the Mondrup Recorder Collection. Transposed to B major
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For 4 Recorders (Olschewski)
Arranger Maximilian Olschewski
Publisher. Info. Maximilian Olschewski
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For Piano 6 Hands (Vilbac)
Arranger Renaud de Vilbac (1829–1884)
Publisher. Info. Paris: Heugel, n.d.[1875]. Plate H. 5924.
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For Piano 4 Hands (Czerny)
Arranger Carl Czerny (1791–1857)
Publisher. Info. Sechs Große Chöre von Händel
Bonn: N. Simrock, n.d. Plate 3415.
Copyright
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For Harp (Parish-Alvars)
Arranger Elias Parish-Alvars (1808–1849)
Publisher. Info. Unidentified publisher, n.d. Plate 5240.
Copyright
Misc. Notes From the International Harp Archives at Brigham Young University
(as digitally mirrored at archive.org).
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For Organ (Dubois)
Arranger Théodore Dubois (1837–1924)
Publisher. Info. Paris: Durand & Cie., 1917. Plate D. & F. ????.
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Arranger Théodore Dubois (1837–1924)
Editor Alain Brunet (b. 1967)
Publisher. Info. Alain Brunet
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For Organ (Dunham)
Arranger Henry Morton Dunham (1853–1929)
Publisher. Info. New York: Arthur P. Schmidt Co., 1888. Plate 1895.
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Misc. Notes This file is part of the Sibley Mirroring Project.
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For Organ (Kleemeyer)
Arranger Hermann Kleemeyer (1859–1941)
Editor TobisNotenarchiv
Publisher. Info. Tobis Notenarchiv 2014
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For Organ (West)
Arranger John Ebenezer West (1863–1929)
Publisher. Info. London: Novello & Company, Ltd.
Reprinted Easter Music
London: Novello and Company Limited, 1955.
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For Piano
Publisher. Info. Unidentified publisher, n.d. Plate 4764.
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Misc. Notes This file is from the MIT archive project.
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I Know that My Redeemer Liveth (Part III, No.45)

For 3 Trumpets and 3 Trombones (Adams)
Arranger Stefan Adams
Publisher. Info. Stefan Adams
Copyright
Misc. Notes Transposed to E major
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For Organ (Coleman)
Arranger Henry Coleman (1888–1965)
Publisher. Info. Three Movements from Messiah
London: Oxford University Press, 1949.
Reprinted An Album of Memorial and Funeral Music
London: Oxford University Press, 1960.
Copyright
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For Piano (Austin)
Arranger Ernest Austin (1874–1947)
Publisher. Info. Sunday at Home (pp.26-27)
London: Ascherberg, Hopwood & Crew, n.d.[1943]. Plate A. H. & C. Ltd. 11774.
Copyright
Misc. Notes From uploader's collection.
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For Piano (Wallace)
Arranger William Vincent Wallace (1812–1865)
Publisher. Info. New York: William Hall & Son, 1855. Plate 3180.
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Misc. Notes This file is part of the Submission Project.
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Worthy is the Lamb (Part III, No.53)

For Organ (Nightingale)
Arranger John Charles Nightingale (1790–1833)
Editor Third edition
Publisher. Info. London: Halliday & Co., n.d.(ca.1830).
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Misc. Notes Royal College of Music Library, London (GB-Lcm): D2479/3
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Librettos

Publisher. Info. London: J. Watts, 1750.
Copyright
Misc. Notes Royal College of Music Library, London (GB-Lcm): P222/4
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Other

I Know that my Redeemer Liveth (Part III, No.45)

Copyist Louis François Roubiliac (1702–1762)
Publisher. Info. A Life-Size Statue of Handel with Musical Scores and Instruments
Poets' Corner of the southern transept of Westminster Abbey (London).
Carved marble, 1762.
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Copyist John Russell (1745–1806)
Publisher. Info. Portrait of Charles Wesley (1757–1834)
Oil on canvas, n.d.(ca.1780).
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General Information

Work Title Messiah
Alternative. Title
Name Translations 弥赛亚; 彌賽亞; Mesjasz; Mesias; משיח; [23 more...]메시아; El Mesías; Messiás; メサイア; Handel Oratorij Mesija; Messias; O Messias; Mesio; Mesiáš; Мессия; เมสไซยาห์; El Messies; Messias-oratorio; Месія; Händels Messias; Месия; Μεσσίας; Mesija; 弥赛亚 (亨德尔); ორატორია მესია; مسیحا (هندل); المسيح; Messias (G.F. Handel)
Name Aliases Le Messie; Messie; El Mesias; The Messiah; Der Messias; [7 more...]ฮาเลลูยาห์คอรัส; ฮาลเลลูยาห์คอรัส; Messiash; Messiash-oratorio; Messiah av Händel; Messias av Händel; Handel's Messiah
Authorities WorldCat; Wikipedia; VIAF: 175149282; LCCN: n82066674; GND: 300065175; [5 more...]SELIBR: 136935; SUDOC: 157435431; BNF: 13913106d; NLA: 35167840; BNE: XX2014615
Composer Handel, George Frideric
Opus/Catalogue NumberOp./Cat. No. HWV 56
Internal Reference NumberInternal Ref. No. IGH 265
Movements/SectionsMov'ts/Sec's 3 parts: [more...]
Part I
▪ Scene 1: Isaiah's Prophecy of Salvation
1. Sinfony
2. Comfort ye my people
3. Ev'ry valley shall be exalted
4. And the glory of the Lord
▪ Scene 2: The Coming Judgment
5. Thus saith the Lord of hosts
6. But who may abide the day of His coming
7. And he shall purify the sons of Levi
▪ Scene 3: The Prophecy of Christ's Birth
8. Behold, a virgin shall conceive
9. O thou that tellest good tidings to Zion
10. For behold, darkness shall cover the earth
11. The people that walked in darkness have seen a great light
12. For unto us a child is born
▪ Scene 4: The Annunciation to the Shepherds
13. Pifa, 'Pastoral symphony'
14a. There were shepherds abiding in the fields
14b. And lo, the angel of the Lord
14c. And the angel said unto them
14d. And suddenly there was with the angel
15. Glory to God in the highest
▪ Scene 5: Christ's Healing and Redemption
16. Rejoice greatly, O daughter of Zion
17. Then shall the eyes of the blind be opened
18. He shall feed his flock like a shepherd
19. His yoke is easy
Part II
▪ Scene 1: Christ's Passion
20. Behold the Lamb of God
21. He was despised and rejected of men
22. Surely he has borne our griefs and carried our sorrows
23. And with his stripes we are healed
24. All we like sheep have gone astray
25. All they that see him laugh him to scorn
26. He trusted in God that he would deliver him
27. Thy rebuke hath broken his heart
28. Behold and see if there be any sorrow
▪ Scene 2: Christ's Death and Resurrection
29. He was cut off
30. But thou didst not leave his soul in hell
▪ Scene 3: Christ's Ascension
31. Lift up your heads, O ye gates
▪ Scene 4: Christ's Reception in Heaven
32. Unto which of the angels
33. Let all the angels of God worship Him
▪ Scene 5: The Beginnings of Gospel Preaching
34. Thou art gone up on high
35. The Lord gave the word
36. How beautiful are the feet
37. Their sound is gone out
▪ Scene 6: The World's Rejection of the Gospel
38. Why do the nations so furiously rage together
39. Let us break their bonds asunder
40. He that dwelleth in heaven
▪ Scene 7: God's Ultimate Victory
41. Thou shalt break them with a rod of iron
42. Hallelujah
Part III
▪ Scene 1: The Promise of Eternal Life
43. I know that my Redeemer liveth
44. Since by man came death
▪ Scene 2: The Day of Judgment
45. Behold, I tell you a mystery
46. The trumpet shall sound
▪ Scene 3: The Final Conquest of Sin
47. Recit. Then shall be brought to pass (B-flat major, 5 bars)
48. Duet. O death, where is thy sting (E-flat major, 41 bars)
49. Chorus. But thanks be to God (E-flat major, 50 bars)
50. Air. If God be for us, who can be against us (G minor, 178 bars)
▪ Scene 4: The Acclamation of the Messiah
51. Chorus. Worthy is the Lamb (D major, 71 bars)
52. Chorus. Amen (D major, 88 bars)
Year/Date of CompositionY/D of Comp. 1741-09-14 (end date)
First Performance. 1742-04-13 in Dublin. Neal's Music Hall, Fishamble Street [more...]
Christina Maria Avoglio (soprano)
Susanna Maria Cibber (alto)
Joseph Ward (alto)
William Lamb (countertenor)
James Bailey (tenor)
John Hill (bass)
John Mason (bass)
Choruses of St. Patrick's Cathedral, Christ Church (chorus)
Academy of Music (orchestra), George Frideric Handel (conductor)
First Publication. 1767* - London: Randall & Abell (complete)
Librettist Charles Jennens (1700–1773)
Language English
Composer Time PeriodComp. Period Baroque
Piece Style Baroque
Instrumentation voices, chorus, orchestra
InstrDetail [more...]
Solo Voices (2 sopranos, alto, tenor, bass), Mixed Chorus (SSATB)
Orchestra
2 (or 4) oboes, [bassoons], 2 (or 4) trumpets
timpani, strings, continuo (harpsichord and/or organ)
External Links Wikipedia article
Extra Information *Selections were published by Walsh as early as 1742. Randall was Walsh's successor.