List of works by Franz Schubert

This list is manually maintained, therefore some of the available pieces may not yet be linked from this page. For an automatically generated alphabetical list of all available pieces, please see
Category:Schubert, Franz.
A list of works in the composer category that are not included here can be found on this page.
Please consult the manual of style for creating composer work lists.

The table below gives the following information (where applicable):

D. — numbering as given in Otto Erich Deutsch, Schubert: A Thematic Catalogue of his Works (London, 1951; rev. 1978)
Opus — opus numbers, as used by the original publishers; an asterisk (*) indicates a posthumous publication.
Title — as used on IMSLP.
Forces — the instrumentation used (see IMSLP:Abbreviations for Instruments)
Key — the principal key of the work.
Date — the year(s) of composition or arrangement, where known.
Genre — works are grouped in the following broad categories: Stage, Vocal, Orchestral, Chamber and Keyboard.
Published — the earliest-known publication of the work.
Notes — concerning related works, completeness, authorship, etc.

List of Works

D.	Opus	Title	Forces	Key	Date	Genre	Published	Notes
D.001	–	Fantasy	pf4h	G major	1810	Keyboard	1888	a discarded 1st version of the "Finale" is also extant
D.001a	–	Gesang	bass pf	C minor	1810 ante	Vocal	1969	sketch without text
D.001b	–	Fantasy	pf4h	G major	1810 or 1811(?)	Keyboard	2007	fragment
D.001c	–	Sonata	pf4h	F major	1810 or 1811(?)	Keyboard	2007	fragment of movt. I is extant
D.002	–	–	–	–	–	–	–	now D.Anh.I/4
D.002a	–	Overture	orch	D major	1811?	Orchestral	2012	fragment; formerly D.996
D.002b	–	Symphony	orch	D major	1811?	Orchestral	2002	fragment of movt. I is extant; formerly D.997
D.002c	–	String Quartet Movement	2vn va vc	D minor or F major	1811?	Chamber	1979	fragment; formerly D.998
D.002d	–	Minuets (6)	2ob 2cl 2bn 2hn tpt	–	1811	Chamber	1956	formerly D.995; Nos.1–3 are complete; piano sketches for Nos.1-2 and 4-6
D.002e	–	Fantasy	pf	C minor	1811	Keyboard	1979	formerly D.993
D.002f	–	Trio of a Minuet	2ob 2cl 2bn 2hn tpt (?)	C major	1811	Chamber	1991	piano sketch
D.002g	–	Overture	orch	D major	1810 or 1811(?)	Orchestral	2012	fragment
D.003	–	String Quartet Movement	2vn va vc	C major	1812?	Chamber	1979	fragment; version for string quartet of D.29
D.004	–	Overture to the Vocal Comedy "Der Teufel als Hydraulicus"	orch	D major	1812?	Orchestral	1886	overture to the vocal comedy by J.F.E. Albrechts
D.005	–	Hagars Klage (“Hier am Hügel heissen Sandes”)	v pf	C minor/ A♭ major	1811	Vocal	1894	–
D.006	–	Des Mädchens Klage (“Der Eichwald brauset”)	v pf	D minor/ C major	1811 or 1812	Vocal	1894	1st setting
D.007	–	Leichenfantasie (“Mit erstorbnem Scheinen”)	v pf	D minor/ G minor	1811?	Vocal	1894	also appears as "Eine Leichenfantasie"
D.008	–	Overture	2vn 2va vc	C minor	1811	Chamber	1948	–
D.008a	–	Overture	2vn va vc	C minor	1811	Chamber	1970	version for string quartet of D.8
D.009	–	Fantasy	pf4h	G minor	1811	Keyboard	1888	–
D.010	–	Der Vatermörder (“Ein Vater starb von des Sohnes Hand”)	v pf	C minor	1811	Vocal	1894	–
D.011	–	Der Spiegelritter	5sop 3ten 4bass ch orch	–	1811?	Stage	1893	singspiel in 3 acts?; unfinished – overture, 5 numbers and 3 fragments from Act I are extant
D.011	–	Der Spiegelritter No.3 "Arie: Der Sonne Strahl ist warm"	bass orch	C major	1811?	Stage	–	formerly D.966
D.012	–	Overture	orch	D major	1811 or 1812	Orchestral	1897	–
D.013	–	Fugue	pf	D minor	1812-13(?)	Keyboard	1988	–
D.014	–	Overture	orch	–	1812 ca.	Orchestral	lost	piano sketch
D.015	–	Der Geistertanz (“Die bretterne Kammer der Toten erbebt”)	v pf	C minor	1812 ca.	Vocal	1895	1st setting; fragment
D.015a	–	Der Geistertanz (“Die bretterne Kammer der Toten erbebt”)	v pf	F minor	1812 ca.	Vocal	1895	2nd setting; fragment; formerly D.15
D.016	–	Counterpoint Exercises (7)	–	–	1827-28(?)	–	1940	7 exercises in double counterpoint; sketches
D.017	–	Quell’ innocente figlio (“Quell’ innocente figlio”), Aria dell’ Angelo	sop	F major	1812?	Vocal	1940	composition exercise; 1st setting
D.017	–	Quell’ innocente figlio (“Quell’ innocente figlio”), Aria dell’ Angelo	2sop	F major	1812?	Vocal	1940	composition exercise; 2nd setting
D.017	–	Quell’ innocente figlio (“Quell’ innocente figlio”), Aria dell’ Angelo	sop alt ten	F major	1812?	Vocal	1940	composition exercise; 3rd setting
D.017	–	Quell’ innocente figlio (“Quell’ innocente figlio”), Aria dell’ Angelo	sop alt ten bass	F major	1812?	Vocal	1940	composition exercise; 4th setting
D.017	–	Quell’ innocente figlio (“Quell’ innocente figlio”), Aria dell’ Angelo	sop alt ten	G major	1812?	Vocal	1940	composition exercise; 5th setting
D.017	–	Quell’ innocente figlio (“Quell’ innocente figlio”), Aria dell’ Angelo	sop alt ten	G major	1812?	Vocal	1940	composition exercise; 6th setting
D.017	–	Quell’ innocente figlio (“Quell’ innocente figlio”), Aria dell’ Angelo	sop alt ten bass	F major	1812?	Vocal	1986	composition exercise; 7th setting
D.017	–	Quell’ innocente figlio (“Quell’ innocente figlio”), Aria dell’ Angelo	sop alt ten bass	F major	1812?	Vocal	1940	composition exercise; 8th setting
D.017	–	Quell’ innocente figlio (“Quell’ innocente figlio”), Aria dell’ Angelo	sop alt ten bass	G major	1812?	Vocal	1940	composition exercise; 9th setting
D.018	–	String Quartet (No.1)	2vn va vc	G minor/ B♭ major	1810 or 1811	Chamber	1893	–
D.019	–	String Quartet	2vn va vc	–	1810 or 1811	Chamber	lost	–
D.019a	–	String Quartet	2vn va vc	–	1810 or 1811	Chamber	lost	–
D.019b	–	Several Waltzes and a March	pf	–	1812 or 1813(?)	Keyboard	lost	–
D.020	–	Overture	2vn va vc	B♭ major	1812	Chamber	lost	–
D.021	–	Variations (6)	pf	E♭ major	1812	Keyboard	lost	–
D.022	–	Minuets with Trios (12)	pf	–	1812	Keyboard	lost	–
D.023	Op.131/3*	Klaglied (“Meine Ruh’ ist dahin”)	v pf	G minor	1812	Vocal	1830	–
D.024	–	Variations (7)	pf	F major	1812?	Keyboard	lost	fragment
D.024a	–	Fugue	pf/org	C major	1812?	Keyboard	1978	–
D.024b	–	Fugue	pf/org	G major	1812?	Keyboard	1978	–
D.024c	–	Fugue	pf/org	D minor	1812-13(?)	Keyboard	1978	–
D.024d	–	Fugue	pf	C major	1812?	Keyboard	1979	fragment
D.024e	–	Mass	ch org orch	F major	1812?	Vocal	1998	fragments of 2 movts., "Gloria" and "Credo" are extant
D.025	–	Counterpoint Exercises (11)	–	–	1812?	–	1986	4 two-part and 3 three-part counterpoint exercises, and 4 two-part imitation exercises
D.025a	–	Counterpoint Exercises (2)	–	–	1812?	–	1986	2 four-part counterpoint exercises
D.025b	–	Counterpoint Exercises (15)	–	–	1812?	–	1986	15 three-part counterpoint exercises
D.025c	–	Fugue	2vv	F major	1812?	Vocal	1986	counterpoint exercise; fragment
D.026	–	Overture	orch	D major	1812	Orchestral	1886	–
D.027	–	Salve Regina (“Salve Regina”)	sop org orch	F major	1812	Vocal	1928	antiphon
D.028	–	Piano Trio, Sonatensatz	vn vc pf	B♭ major	1812	Chamber	1923	an "Allegro" movt. is extant
D.029	–	Andante	pf	C major	1812	Keyboard	1888	version for piano of D.3; also used in a sketch for movt. II of D.36
D.030	–	Der Jüngling am Bache (“An der Quelle sass der Knabe”)	v pf	F major	1812	Vocal	1894	1st setting
D.031	–	Kyrie (“Kyrie eleison”)	sop ten ch org orch	D minor	1812	Vocal	1888	–
D.032	–	String Quartet (No.2)	2vn va vc	C major	1812	Chamber	1893	–
D.033	–	Entra l'uomo allor che nasce (“Entra l'uomo allor che nasce”), Aria di Abramo	sop	E minor	1812	Vocal	1940	composition exercise; 1st setting
D.033	–	Entra l'uomo allor che nasce (“Entra l'uomo allor che nasce”), Aria di Abramo	sop alt	D minor	1812	Vocal	1940	composition exercise; 2nd setting
D.033	–	Entra l'uomo allor che nasce (“Entra l'uomo allor che nasce”), Aria di Abramo	sop alt ten	D minor	1812	Vocal	1940	composition exercise; 3rd setting
D.033	–	Entra l'uomo allor che nasce (“Entra l'uomo allor che nasce”), Aria di Abramo	sop alt ten bass	G minor	1812	Vocal	1940	composition exercise; 4th setting
D.033	–	Entra l'uomo allor che nasce (“Entra l'uomo allor che nasce”), Aria di Abramo	sop alt ten bass	G major	1812	Vocal	1940	composition exercise; 5th setting
D.033	–	Entra l'uomo allor che nasce (“Entra l'uomo allor che nasce”), Aria di Abramo	sop alt ten bass	G minor	1812	Vocal	1940	composition exercise; 6th setting
D.034	–	Te solo adoro (“Te solo adoro”)	sop alt ten bass	D major	1812	Vocal	1940	composition exercise; 1st setting
D.034	–	Te solo adoro (“Te solo adoro”)	sop alt ten bass	D major	1812	Vocal	1940	composition exercise; 2nd setting; fragment
D.035	–	Serbate, o Dei custodi (“Serbate, o Dei custodi”)	sop alt ten bass	D major	1812	Vocal	1940	composition exercise; 1st setting
D.035	–	Serbate, o Dei custodi (“Serbate, o Dei custodi”)	ch	C major	1812	Vocal	1940	composition exercise; 2nd setting
D.035	–	Serbate, o Dei custodi (“Serbate, o Dei custodi”)	ten vlne	C major	1812	Vocal	1940	composition exercise; 3rd setting
D.036	–	String Quartet (No.3)	2vn va vc	B♭ major	1812-13	Chamber	1893	–
D.037	Op.074	Die Advokaten (“Mein Herr, ich komm mich anzufragen”)	2ten bass pf	G major	1812	Vocal	1827	–
D.037a	–	Fugal Sketches (4)	pf?	B♭ major	1813?	Keyboard	1986	fragment; formerly D.967
D.038	–	Totengräberlied (“Grabe, Spaten, grabe!”)	2ten bass	E minor	1813?	Vocal	1892	1st setting
D.039	–	Lebenstraum (“Ich sass an einer Tempelhalle”)	v pf	C major	1810?	Vocal	1969	sketch; also appears as "Ich sass an einer Tempelhalle"
D.039a	–	Minuets with Trios (3)	orch	–	1813	Orchestral	lost	–
D.040	–	–	–	–	–	–	–	now D.Anh.I/1
D.041	–	Minuets with Trios (30)	pf	–	1813	Keyboard	1889	Nos.1–8, 11–18 and 20–23 are extant
D.041a	–	Fugue	pf	E minor	1813	Keyboard	1988	fragment
D.042	–	Misero pargoletto (“Misero pargoletto”)	sop pf	G minor	1813?	Vocal	1969	1st setting - 1st version; fragment
D.042	–	Misero pargoletto (“Misero pargoletto”)	sop pf	G minor	1813?	Vocal	1969	1st setting - 2nd version; fragment
D.042	–	Misero pargoletto (“Misero pargoletto”)	sop pf	G minor	1813?	Vocal	1895	2nd setting
D.043	–	Dreifach ist der Schritt der Zeit (“Dreifach ist der Schritt der Zeit”)	2ten bass	E minor	1813	Vocal	1897	1st setting
D.044	–	Totengräberlied (“Grabe, Spaten, grabe!”)	bass pf	E minor/ G major	1813	Vocal	1894	2nd setting
D.045	–	Kyrie (“Kyrie eleison”)	ch	B♭ major	1813	Vocal	1888	–
D.046	–	String Quartet (No.4)	2vn va vc	C major	1813	Chamber	1893	–
D.047	–	Dithyrambe (“Nimmer, das glaubt mir, erscheinen die Götter”)	ten bass ch pf	D major	1813	Vocal	1963	1st setting; fragment
D.048	–	Fantasy, Grande Sonate	pf4h	C minor	1813	Keyboard	1871	–
D.049	–	Kyrie (“Kyrie eleison”)	ch orch	D minor	1813	Vocal	1888	–
D.050	–	Die Schatten (“Freunde, deren Grüfte sich schon bemoosten!”)	v pf	A major/ C major	1813	Vocal	1894	–
D.051	–	Unendliche Freude durchwallet das Herz (“Unendliche Freude durchwallet das Herz”)	2ten bass	D major	1813	Vocal	1897	1st setting
D.052	–	Sehnsucht (“Ach, aus dieses Tales Gründen”)	bass pf	D minor/ F major	1813	Vocal	1868	1st setting
D.053	–	Vorüber die stöhnende Klage (“Vorüber, vorüber die stöhnende Klage”)	2ten bass	A major	1813	Vocal	1892	–
D.054	–	Unendliche Freude durchwallet das Herz (“Unendliche Freude durchwallet das Herz”)	3vv	E♭ major	1813	Vocal	1873	canon for male voices; 2nd setting
D.055	–	Selig durch die Liebe (“Selig durch die Liebe Götter”)	2ten bass	A major	1813	Vocal	1892	–
D.056	–	Sanctus (“Sanctus”)	3vv	B♭ major	1813	Vocal	1986	canon; 1st version
D.056	–	Sanctus (“Sanctus”)	3vv	B♭ major	1813	Vocal	1892	canon; 2nd version
D.057	–	Hier strecket der wallende Pilger (“Hier strecket der wallende Pilger”)	2ten bass	B♭ major	1813	Vocal	1897	–
D.058	–	Dessen Fahne Donnerstürme wallte (“Dessen Fahne Donnerstürme wallte”)	2ten bass	D major	1813	Vocal	1892	–
D.059	–	Verklärung (“Lebensfunke, vom Himmel erglüht”)	v pf	A minor	1813	Vocal	1832	–
D.060	–	Hier umarmen sich getreue Gatten (“Hier umarmen sich getreue Gatten”)	2ten bass	B♭ major	1813	Vocal	1892	–
D.061	–	Ein jugendlicher Maienschwung (“Ein jugendlicher Maienschwung”)	3vv	B♭ major	1813	Vocal	1897	canon
D.062	–	Thronend auf erhabnem Sitz (“Thronend auf erhabnem Sitz”)	2ten bass	C major	1813	Vocal	1897	fragment
D.063	–	Wer die steile Sternenbahn (“Wer die steile Sternenbahn”)	2ten bass	C major/ E major	1813	Vocal	1892	–
D.064	–	Majestätsche Sonnenrosse (“Majestätsche Sonnenrosse”)	2ten bass	C major	1813	Vocal	1897	–
D.065	–	Schmerz verzerret ihr Gesicht (“Schmerz verzerret ihr Gesicht”)	2ten bass	C minor	1813	Vocal	1892	canon; sketch
D.066	–	Kyrie (“Kyrie eleison”)	ch org orch	F major	1813	Vocal	1888	–
D.067	–	Frisch atmet des Morgens lebendiger Hauch (“Frisch atmet des Morgens lebendiger Hauch”)	2ten bass	D major	1813	Vocal	1897	1st setting; D.402 is the 2nd setting, with a different title
D.068	–	String Quartet (No.5)	2vn va vc	B♭ major	1813	Chamber	1893	2 "Allegro" movts. are extant; middle movts. are lost?
D.069	–	Dreifach ist der Schritt der Zeit (“Dreifach ist der Schritt der Zeit”)	3vv	E♭ major/ B♭ major	1813	Vocal	1892	canon; 2nd setting
D.070	–	Dreifach ist der Schritt der Zeit (“Dreifach ist der Schritt der Zeit”)	2ten bass	A♭ major	1813	Vocal	1974	3rd setting; fragment
D.071	–	Die zwei Tugendwege (“Zwei sind der Wege”)	2ten bass	C major	1813	Vocal	1892	–
D.071a	–	Alleluja (“Alleluja”)	3vv	F major	1813?	Vocal	1956	canon
D.071b	–	Fugue	pf	E minor	1813	Keyboard	1986	fragment
D.071c	–	Orchestra Piece	orch	D major	1813	Orchestral	2012	fragment; formerly D.966a
D.072	–	Octet	2ob 2cl 2bn 2hn	F major	1813	Chamber	1889	unfinished – a complete "Menuetto" and "Finale", and fragment of an "Allegro" movt. are extant
D.073	–	Thekla (eine Geisterstimme) (“Wo ich sei, und wo mich hingewendet”)	v pf	G major	1813	Vocal	1868	1st setting
D.074	–	String Quartet (No.6)	2vn va vc	D major	1813	Chamber	1893	–
D.074a	–	Orchestra Piece	orch	D major	1813?	Orchestral	2012	fragment
D.075	–	Trinklied (“Freunde, sammelt euch im Kreise”)	bass mch pf	C major	1813	Vocal	1850	–
D.076	–	Pensa, che questo istante (“Pensa, che questo istante”)	bass pf	D major	1813	Vocal	1969	1st version
D.076	–	Pensa, che questo istante (“Pensa, che questo istante”)	bass pf	D major	1813	Vocal	1871	2nd version
D.077	–	Der Taucher (“Wer wagt es, Rittersmann oder Knapp”)	bass pf	C major/ D minor	1814	Vocal	1831	1st version
D.077	–	Der Taucher (“Wer wagt es, Rittersmann oder Knapp”)	bass pf	C major/ D minor	1815	Vocal	1894	2nd version; formerly D.111
D.078	–	Son fra l’onde (“Son fra l’onde in mezzo al mare”)	sop pf	C minor	1813	Vocal	1895	–
D.079	–	Nonet "Franz Schuberts Begräbniss-Feyer", Eine kleine Trauermusik	2cl 2bn cbn 2hn 2tbn	E♭ minor	1813	Chamber	1889	–
D.080	–	Zur Namensfeier meines Vaters (“Ertöne, Leier, zur Festesfeier!”)	2ten bass gtr	A major	1813	Vocal	1892	also appears as "Zur Namensfeier des Vaters"
D.081	–	Auf den Sieg der Deutschen (“Verschwunden sind die Schmerzen”)	v 2vn vc	F major	1813	Vocal	1895	1st setting; D.88 is the 2nd setting, with a different title
D.082	–	Symphony No.1	orch	D major	1813	Orchestral	1884	–
D.083	–	Zur Namensfeier des Herrn Andreas Siller (“Des Phöbus Strahlen”)	v hp vn	G major	1813	Vocal	1895	–
D.084	–	Des Teufels Lustschloss	3sop 2ten 3bass nar ch orch	–	1813-14	Stage	1888	singspiel in 3 acts; 1st version; overture and 19 numbers
D.084	–	Des Teufels Lustschloss	3sop 2ten 3bass nar ch orch	–	1813-14	Stage	1888	singspiel in 2 acts; 2nd version; overture and 17 numbers
D.085	–	–	–	–	–	–	–	now D.Anh.III/6
D.086	–	Minuet	2vn va vc	D major	1813?	Chamber	1886	–
D.087	Op.125/1*	String Quartet (No.10)	2vn va vc	E♭ major	1813	Chamber	1840	–
D.087a	–	Vocal or Instrumental Movement	2vn va vc (?)	C major	1813	Chamber	1994	fragment; also appears as "Andante"
D.088	–	Verschwunden sind die Schmerzen (“Verschwunden sind die Schmerzen”)	2ten bass	G major	1813	Vocal	1892	canon; 2nd setting of D.81, with a different title
D.089	–	Minuets with Trios (5, 6)	2vn va vc	–	1813	Chamber	1886	2 versions of Minuet No.3
D.089	–	German Dances with Trios and Coda (5, 7)	2vn va vc	–	1813	Chamber	1886	2 versions of Trio I from German Dance No.5; formerly D.90
D.090	–	–	–	–	–	–	–	now belongs to D.89
D.091	–	Minuets (2)	pf	–	1813	Keyboard	1956	2 Minuets, each with 2 Trios
D.092	–	–	–	–	–	–	–	now D.Anh.III/11
D.093	–	Don Gayseros	v pf	–	1815?	Vocal	1894	–
D.093/1	–	Don Gayseros I (“Don Gayseros, wunderlicher, schöner Ritter”)	v pf	F major/ A♭ major	1815?	Vocal	1894	–
D.093/2	–	Don Gayseros II (“Nächtens klang die süsse Laute”)	v pf	F major/ C major	1815?	Vocal	1894	piano postlude incomplete according to Deutsch
D.093/3	–	Don Gayseros III (“An dem jungen Morgenhimmel”)	v pf	C major/ E♭ major	1815?	Vocal	1894	piano introduction incomplete according to Deutsch
D.094	–	String Quartet (No.7)	2vn va vc	D major	1811 or 1812(?)	Chamber	1871	–
D.094a	–	Orchestra Piece	orch	B♭ major	1814 ca.	Orchestral	1990	fragment; discarded overture for Act III of D.84
D.094b	–	Minuets and German Dances with Trios (5, 6)	2hn 2vn va vc	–	1814	Chamber	lost	–
D.095	–	Adelaide (“Einsam wandelt dein Freund”)	v pf	A♭ major	1814	Vocal	1848	–
D.096	–	–	–	–	–	–	–	now D.Anh.II/2
D.097	–	Trost. An Elisa (“Lehnst du deine bleichgehärmte Wange”)	v pf	C major	1814	Vocal	1894	–
D.098	–	Erinnerungen (“Am Seegestad, in lauen Vollmondnächten”)	v pf	B♭ major	1814	Vocal	1968	1st setting - 1st version; fragment
D.098	–	Erinnerungen (“Am Seegestad, in lauen Vollmondnächten”)	v pf	B♭ major	1814	Vocal	1894	1st setting - 2nd version
D.099	–	Andenken (“Ich denke dein, wenn durch den Hain”)	v pf	F major	1814	Vocal	1894	1st setting
D.100	–	Geisternähe (“Der Dämm’rung Schein durchblinkt den Hain”)	v pf	E♭ major	1814	Vocal	1894	–
D.101	–	Erinnerung (“Kein Rosenschimmer leuchtet”), Todtenopfer	v pf	E minor/ E major	1814	Vocal	1894	–
D.102	–	Die Betende (“Laura betet!”)	v pf	B major	1814	Vocal	1840	–
D.103	–	String Quartet Movement	2vn va vc	C minor	1814	Chamber	1939	fragment
D.104	–	Die Befreier Europas in Paris (“Sie sind in Paris!”)	bass pf	G major	1814	Vocal	1968	1st version
D.104	–	Die Befreier Europas in Paris (“Sie sind in Paris!”)	bass pf	G major	1814	Vocal	1968	2nd version
D.104	–	Die Befreier Europas in Paris (“Sie sind in Paris!”)	bass pf	G major	1814	Vocal	1895	3rd version
D.105	–	Mass (No.1)	2sop alt 2ten bass ch org orch	F major	1814	Vocal	1856	–
D.105	–	Mass (No.1) No.6: Dona nobis pacem (“Dona nobis pacem”)	sop alt ten bass ch org orch	F major	1815	Vocal	1887	2nd setting of the "Dona nobis pacem"; formerly D.185
D.106	–	Salve Regina (“Salve Regina”)	ten org orch	B♭ major	1814	Vocal	1888	antiphon
D.107	–	Lied aus der Ferne (“Wenn in des Abends letztem Scheine”)	v pf	E major	1814	Vocal	1894	1st version
D.107	–	Lied aus der Ferne (“Wenn in des Abends letztem Scheine”)	v pf	D major	1816?	Vocal	1968	2nd version
D.108	–	Der Abend (“Purpur malt die Tannenhügel”)	v pf	D minor	1814	Vocal	1894	–
D.109	–	Lied der Liebe (“Durch Fichten am Hügel”)	v pf	B♭ major	1814	Vocal	1894	–
D.110	–	Wer ist gross? (“Wer ist wohl gross?”)	bass mch orch	F major	1814	Vocal	1891	–
D.111	–	–	–	–	–	–	–	now D.77 (2nd version)
D.111a	–	String Trio	vn va vc	B♭ major	1814	Chamber	1981	fragment of an "Allegro" movt. is extant
D.112	Op.168*	String Quartet (No.8)	2vn va vc	B♭ major	1814	Chamber	1862	–
D.113	–	An Emma (“Weit in nebelgrauer Ferne”)	v pf	F major	1814	Vocal	1894	1st version
D.113	–	An Emma (“Weit in nebelgrauer Ferne”)	v pf	F major	1814	Vocal	1821	2nd version
D.113	Op.058/2	An Emma (“Weit in nebelgrauer Ferne”)	v pf	F major	–	Vocal	1826	3rd version
D.114	–	Romanze (“Ein Fräulein klagt’ im finstern Turm”)	v pf	G minor/ B♭ major	1814	Vocal	1901	1st version
D.114	–	Romanze (“Ein Fräulein klagt’ im finstern Turm”)	v pf	G minor	1814	Vocal	1968	variant of the 1st version; fragment
D.114	–	Romanze (“Ein Fräulein klagt’ im finstern Turm”)	v pf	G minor/ B♭ major	1814	Vocal	1868	2nd version
D.115	–	An Laura, als sie Klopstocks Auferstehungslied sang (“Herzen, die gen Himmel sich erheben”)	v pf	E major	1814	Vocal	1840	–
D.116	–	Der Geistertanz (“Die bretterne Kammer der Toten erbebt”)	v pf	C minor	1814	Vocal	1840	3rd setting
D.117	–	Das Mädchen aus der Fremde (“In einem Tal bei armen Hirten”)	v pf	A major	1814	Vocal	1894	1st setting
D.118	Op.002	Gretchen am Spinnrade (“Meine Ruh’ ist hin, mein Herz ist schwer”)	v pf	D minor	1814	Vocal	1821	–
D.119	–	Nachtgesang (“O! gieb, vom weichen Pfühle”)	v pf	A♭ major	1814	Vocal	1850	–
D.120	–	Trost in Tränen (“Wie kommt’s, dass du so traurig bist”)	v pf	F major	1814	Vocal	1835	–
D.121	Op.003/1	Schäfers Klagelied (“Da droben auf jenem Berge”)	v pf	C minor	1814	Vocal	1821	1st version
D.121	–	Schäfers Klagelied (“Da droben auf jenem Berge”)	v pf	E minor	1819?	Vocal	1894	2nd version
D.122	–	Ammenlied (“Am hohen, hohen Turm”)	v pf	G minor	1814	Vocal	1872	–
D.123	–	Sehnsucht (“Was zieht mir das Herz so?”)	v pf	G major	1814	Vocal	1842	–
D.124	–	Am See (“Sitz’ ich im Gras am glatten See”)	v pf	G minor	1814	Vocal	1968	1st version; fragment
D.124	–	Am See (“Sitz’ ich im Gras am glatten See”)	v pf	G minor	1814	Vocal	1885	2nd version
D.125	–	Symphony No.2	orch	B♭ major	1814–15	Orchestral	1884	–
D.126	–	Szene aus ‘Faust' (“Wie anders, Gretchen, war dir’s”)	v/2vv (ch) pf	C major/ B♭ major	1814	Vocal	1873	1st version
D.126	–	Szene aus ‘Faust' (“Wie anders, Gretchen, war dir’s”)	v/2vv (ch) pf	C major/ B♭ major	1814	Vocal	1832	2nd version
D.127	–	–	–	–	–	–	–	now D.Anh.III/12
D.128	–	Viennese German Dances (12)	pf	–	1812?	Keyboard	1897	–
D.129	–	Mailied (“Grüner wird die Au und der Himmel”)	2ten bass	C major	1815?	Vocal	1892	1st setting
D.130	–	Der Schnee zerrinnt (“Der Schnee zerrinnt, der Mai beginnt”)	3vv	C major	1815?	Vocal	1892	canon; 1st setting; D.202 is the 2nd setting, with a different title
D.131	–	Lacrimoso son io (“Lacrimoso son io”)	3vv	A minor	1815?	Vocal	1892	canon for male voices; 1st version
D.131	–	Lacrimosa son io (“Lacrimosa son io”)	3vv	A minor	1815?	Vocal	1892	canon for female voices; 2nd version
D.132	–	–	–	–	–	–	–	now D.Anh.I/18
D.133	–	–	–	–	–	–	–	now D.Anh.I/19
D.134	Op.126*	Ballade (“Ein Fräulein schaut vom hohen Turm”)	v pf	G minor/ E minor	1815?	Vocal	1830	–
D.135	–	German Dance with Trio	pf	E major	1815	Keyboard	1930	1st version of D.146/3
D.136	Op.046	Offertory (Totus in corde) (“Totus in corde langueo”), Erstes Offertorium	sop/ten cl/vn org orch	C major	1815?	Vocal	1825	–
D.137	–	Adrast	sop ten bass mch orch	–	1817-19?	Stage	1893	singspiel in 2 or 3 acts?; unfinished – 8 numbers and 5 sketches are extant
D.138	Op.005/1	Rastlose Liebe (“Dem Schnee, dem Regen, dem Wind entgegen”)	v pf	E major	1815	Vocal	1821	1st version
D.138	–	Rastlose Liebe (“Dem Schnee, dem Regen, dem Wind entgegen”)	v pf	D major	1821	Vocal	1970	2nd version
D.139	–	German Dance with Trio	pf	C♯ major	1815	Keyboard	1930	with Trio in A major
D.140	–	Klage um Ali Bey (“Lasst mich! Lasst mich! Ich will klagen”)	2ten bass (pf)/fch pf	E♭ minor	1815	Vocal	1850	1st version
D.141	Op.131/1*	Der Mondabend (“Rein und freundlich lacht der Himmel”)	v pf	A major	1815	Vocal	1830	–
D.142	–	Geistes-Gruss (“Hoch auf dem alten Turme”)	v pf	E♭ major/ G♭ major	1816	Vocal	1895	1st version
D.142	–	Geistes-Gruss (“Hoch auf dem alten Turme”)	v pf	E♭ major/ G♭ major	1816	Vocal	1885	2nd version
D.142	–	Geistes-Gruss (“Hoch auf dem alten Turme”)	v pf	D major/ F major	1820 or 1821(?)	Vocal	1985	3rd version
D.142	–	Geistes-Gruss (“Hoch auf dem alten Turme”)	v pf	E♭ major/ G♭ major	1821	Vocal	1895	4th version
D.142	–	Geistes-Gruss (“Hoch auf dem alten Turme”)	v pf	E♭ major/ G♭ major	1821-23	Vocal	1985	5th version
D.142	Op.092/3	Geistes-Gruss (“Hoch auf dem alten Turme”)	v pf	E major/ G major	1815 or 1816	Vocal	1828	6th version
D.143	Op.109/2*	Genügsamkeit (“Dort raget ein Berg aus den Wolken her”)	v pf	C♯ minor/ E major	1815	Vocal	1829	–
D.144	–	Romanze (“In der Väter Hallen ruhte”)	v pf	E major	1816	Vocal	1895	sketch
D.145	Op.018	Waltzes, Ländler and Ecossaises (12, 17, 9)	pf	–	1815-21	Keyboard	1823	D.145/7 = D.970/2; D.145/30 = D.299/1; D.145/34 = D.421/1; D.145/35 = D.697/5
D.146	Op.127 *	Waltzes (20), Letzte Walzer	pf	–	1815-23	Keyboard	1830	2 versions for Nos.2, 3 (1st version is D.135), 5, and 13
D.147	–	Bardengesang (“Rolle, du strömigter Carun”)	2ten bass	B♭ major	1816?	Vocal	1892	–
D.148	Op.131/2*	Trinklied (“Brüder! unser Erdenwallen”)	ten mch pf	C major	1815	Vocal	1830	–
D.149	–	Der Sänger (“Was hör’ ich draussen vor dem Tor”)	v pf	D major/ B♭ major	1815	Vocal	1894	1st version
D.149	Op.117*	Der Sänger (“Was hör’ ich draussen vor dem Tor”)	v pf	D major/ B♭ major	–	Vocal	1829	2nd version
D.150	–	Lodas Gespenst (“Der bleiche, kalte Mond erhob sich in Osten”)	v pf	G minor/ B♭ major	1816	Vocal	1830	–
D.151	–	Auf einen Kirchhof (“Sei gegrüsst, geweihte Stille”)	v pf	A major	1815	Vocal	1850 ca.	–
D.152	–	Minona (“Wie treiben die Wolken so finster und schwer”)	v pf	A minor	1815	Vocal	1894	–
D.153	–	Als ich sie erröten sah (“All’ mein Wirken, all’ mein Leben”)	v pf	G major	1815	Vocal	1845	–
D.154	–	Piano Sonata	pf	E major	1815	Keyboard	1897	fragment; early version of movt. I from D.157
D.155	Op.165/3*	Das Bild (“Ein Mädchen ist’s”)	v pf	F major	1815	Vocal	1862	–
D.156	–	Variations (10)	pf	F major	1815	Keyboard	1887	2 versions of the Theme and Variation II
D.157	–	Piano Sonata	pf	E major	1815	Keyboard	1888	unfinished? – movts. I-III are extant
D.158	–	Ecossaise	pf	D minor/ F major	1815	Keyboard	1889	–
D.159	–	Die Erwartung (“Hör’ ich das Pförtchen nicht gehen?”)	v pf	B♭ major/ G major	1816	Vocal	1968	1st version
D.159	Op.116*	Die Erwartung (“Hör’ ich das Pförtchen nicht gehen?”)	v pf	B♭ major	–	Vocal	1829	2nd version
D.160	–	Am Flusse (“Verfliesset, vielgeliebte Lieder”)	v pf	D minor	1815	Vocal	1894	1st setting
D.161	–	An Mignon (“Über Tal und Fluss getragen”)	v pf	G♯ minor	1815	Vocal	1894	1st version
D.161	Op.019/2	An Mignon (“Über Tal und Fluss getragen”)	v pf	G minor	–	Vocal	1825	2nd version
D.162	–	Nähe des Geliebten (“Ich denke dein, wenn mir der Sonne Schimmer”)	v pf	G♭ major	1815	Vocal	1894	1st version
D.162	Op.005/2	Nähe des Geliebten (“Ich denke dein, wenn mir der Sonne Schimmer”)	v pf	G♭ major	1815	Vocal	1821	2nd version
D.163	–	Sängers Morgenlied (“Süsses Licht! aus goldenen Pforten”)	v pf	G major	1815	Vocal	1894	1st setting
D.164	–	Liebesrausch (“Glanz des Guten und des Schönen strahlt mir dein hohes Bild”)	v pf	G major	1815	Vocal	1965 ca.	1st setting; fragment
D.165	–	Sängers Morgenlied (“Süsses Licht! aus goldenen Pforten”)	v pf	C major	1815	Vocal	1872	2nd setting
D.166	–	Amphiaraos (“Vor Thebens siebenfach gähnenden Toren”)	v pf	G minor	1815	Vocal	1894	–
D.167	–	Mass (No.2)	sop ten bass ch str org	G major	1815	Vocal	1846	–
D.168	–	Nun lasst uns den Leib begraben (“Begrabt den Leib in seiner Gruft”), Bergräbnislied	ch pf	C minor	1815	Vocal	1872	–
D.168a	–	Jesus Christus unser Heiland, der den Tod überwand (“Überwunden hat der Herr den Tod!”), Osterlied	ch pf	E♭ major	1815	Vocal	1872	formerly D.987
D.169	–	Trinklied vor der Schlacht (“Schlacht, du brichst an!”)	2uch pf	A minor	1815	Vocal	1894	–
D.170	–	Schwertlied (“Du Schwert an meiner Linken”)	v uch pf	C major	1815	Vocal	1873	–
D.171	–	Gebet während der Schlacht (“Vater, ich rufe dich!”)	v pf	B♭ major	1815	Vocal	2009	1st version
D.171	–	Gebet während der Schlacht (“Vater, ich rufe dich!”)	v pf	G major	–	Vocal	1831	2nd version
D.172	–	Der Morgenstern (“Stern der Liebe, Glanzgebilde!”)	v pf	G♭ major	1815	Vocal	1983	1st setting; sketch
D.173	–	String Quartet (No.9)	2vn va vc	G minor	1815	Chamber	1871	–
D.174	–	Das war ich (“Jüngst träumte mir”)	v pf	G major	1815	Vocal	1845 ca.	1st setting
D.174	–	Das war ich (“Jüngst träumte mir”)	v pf	D major	1816?	Vocal	1894	2nd setting; sketch
D.175	–	Stabat Mater (“Stabat mater”)	ch org orch	G minor	1815	Vocal	1888	sequence
D.176	–	Die Sterne (“Was funkelt ihr so mild mich an?”)	v pf	A♭ major	1815	Vocal	1872	–
D.177	Op.173/3*	Vergebliche Liebe (“Ja, ich weiss es, diese treue Liebe”)	v pf	C minor	1815	Vocal	1867	–
D.177a	–	Am ersten Mai (“Ich ging mit ihr im Freien”)	v pf	–	1821 ante	Vocal	lost	–
D.178	–	Adagio	pf	G major	1815	Keyboard	1897	1st version
D.178	–	Adagio	pf	G major	1815	Keyboard	1897	2nd version; fragment
D.179	–	Liebesrausch (“Dir, Mädchen, schlägt mit leisem Beben”)	v pf	G major	1815	Vocal	1872	2nd setting
D.180	–	Sehnsucht der Liebe (“Wie die Nacht mit heil’gem Beben”)	v pf	E minor/ G major	1815	Vocal	1894	–
D.181	–	Offertory (Tres sunt) (“Tres sunt, qui testimonium dant in coelo”)	ch org orch	A minor	1815	Vocal	1888	–
D.182	–	Die erste Liebe (“Die erste Liebe füllt das Herz”)	v pf	C major	1815	Vocal	1842	–
D.183	–	Trinklied (“Ihr Freunde und du gold’ner Wein”)	v uch pf	G major	1815	Vocal	1887	–
D.184	Op.150*	Gradual (Benedictus es, Domine) (“Benedictus es, Domine”)	ch org orch	C major	1815	Vocal	1843 ca.	–
D.185	–	–	–	–	–	–	–	now belongs to D.105
D.186	–	Die Sterbende (“Heil! dies ist die letzte Zähre”)	v pf	A♭ major	1815	Vocal	1894	–
D.187	–	Stimme der Liebe (“Abendgewölke schweben hell”)	v pf	F major	1815	Vocal	1894	1st setting
D.188	–	Naturgenuss (“Im Abendschimmer wallt der Quell”)	v pf	B♭ major	1815	Vocal	1887	1st setting
D.189	Op.111/1*	An die Freude (“Freude, schöner Götterfunken”)	v uch pf	E major	1815	Vocal	1829	–
D.190	–	Der vierjährige Posten	sop 3ten bass nar ch orch	–	1815	Stage	1888	singspiel in 1 act: overture and 8 numbers
D.190	–	Der vierjährige Posten No.5 "Arie: Gott! höre meine Stimme"	sop pf	E♭ major	1815?	Vocal	1988	version for soprano and piano of No.5 from the singspiel
D.191	–	Des Mädchens Klage (“Der Eichwald braust”)	v pf	C minor	1815	Vocal	1894	2nd setting - 1st version
D.191	Op.058/3	Des Mädchens Klage (“Der Eichwald braust”)	v pf	C minor	–	Vocal	1826	2nd setting - 2nd version
D.192	–	Der Jüngling am Bache (“An der Quelle sass der Knabe”)	v pf	F minor	1815	Vocal	1887	2nd setting
D.193	–	An den Mond (“Geuss, lieber Mond, geuss deine Silberflimmer”)	v pf	F minor	1815	Vocal	1982	1st version
D.193	Op.057/3	An den Mond (“Geuss, lieber Mond, geuss deine Silberflimmer”)	v pf	F minor	1815	Vocal	1826	2nd version
D.194	–	Die Mainacht (“Wann der silberne Mond”)	v pf	D minor	1815	Vocal	1894	–
D.195	Op.173/1*	Amalia (“Schön wie Engel voll Walhallas Wonne”)	v pf	A major/ A minor	1815	Vocal	1867	–
D.196	Op.172/3*	An die Nachtigall (“Geuss nicht so laut der liebentflammten Lieder”)	v pf	F♯ minor	1815	Vocal	1865	–
D.197	–	An die Apfelbäume, wo ich Julien erblickte (“Ein heilig Säuseln und ein Gesangeston”)	v pf	A major	1815	Vocal	1850	–
D.198	–	Seufzer (“Die Nachtigall singt überall”)	v pf	G minor	1815	Vocal	1894	–
D.199	–	Mailied (“Grüner wird die Au und der Himmel”)	2vv/2hn	E♭ major	1815	Vocal	1885	2nd setting
D.200	–	Symphony No.3	orch	D major	1815	Orchestral	1884	–
D.201	–	Auf den Tod einer Nachtigall (“Sie ist dahin”)	v pf	F♯ minor	1815	Vocal	1970	1st setting; sketch
D.202	–	Mailied (“Der Schnee zerrinnt, der Mai beginnt”)	2vv/2hn	E♭ major	1815	Vocal	1885	2nd setting of D.130, with a different title
D.203	–	Der Morgenstern (“Stern der Liebe, Glanzgebilde!”)	2vv/2hn	E♭ major	1815	Vocal	1892	2nd setting
D.204	–	Jägerlied (“Frisch auf, ihr Jäger”)	2vv/2hn	E♭ major	1815	Vocal	1892	–
D.204a	–	Das Traumbild (“Geliebtes Bild, das mir mit Feurentzücken”)	v pf	–	1815	Vocal	lost	–
D.205	–	Lützows wilde Jagd (“Was glänzt dort vom Walde im Sonnenschein?”)	2vv/2hn	E♭ major	1815	Vocal	1892	–
D.206	–	Liebeständelei (“Süsses Liebchen, komm zu mir!”)	v pf	E♭ major	1815	Vocal	1872	–
D.207	–	Der Liebende (“Beglückt, beglückt, wer dich erblickt”)	v pf	B♭ major	1815	Vocal	1894	–
D.208	–	Die Nonne (“Es liebt’ in Welschland irgendwo”)	v pf	A♭ major	1815	Vocal	1897	1st version; fragment
D.208	–	Die Nonne (“Es liebt’ in Welschland irgendwo”)	v pf	A♭ major/ F minor	1815	Vocal	1895	2nd version; formerly D.212
D.209	Op.038	Der Liedler (“Gib, Schwester, mir die Harf herab”)	v pf	A minor/ A♭ major	1815	Vocal	1825	–
D.210	–	Die Liebe (“Freudvoll und leidvoll, gedankenvoll sein”), Klärchens Lied	v pf	B♭ major	1815	Vocal	1838	–
D.211	–	Adelwold und Emma (“Hoch, und ehern schier von Dauer”)	v pf	F major/ B major	1815	Vocal	1894	–
D.212	–	–	–	–	–	–	–	now D.208 (2nd version)
D.213	Op.172/1*	Der Traum (“Mir träumt’ ich war ein Vögelein”)	v pf	A major	1815	Vocal	1865	–
D.214	Op.172/2*	Die Laube (“Nimmer werd’ ich, nimmer dein vergessen”)	v pf	A♭ major	1815	Vocal	1865	–
D.215	–	Jägers Abendlied (“Im Felde schleich’ ich still und wild”)	v pf	F major	1815	Vocal	1906	1st setting
D.215a	–	Meeres Stille (“Tiefe Stille herrscht im Wasser”)	v pf	C major	1815	Vocal	1952	1st setting; formerly D.216
D.216	Op.003/2	Meeres Stille (“Tiefe Stille herrscht im Wasser”)	v pf	C major	1815	Vocal	1821	2nd setting
D.217	–	Kolmas Klage (“Rund um mich Nacht”)	v pf	C minor/ F minor	1815	Vocal	1830	–
D.218	–	Grablied (“Er fiel den Tod fürs Vaterland”)	v pf	F minor	1815	Vocal	1848	–
D.219	–	Das Finden (“Ich hab’ ein Mädchen funden”)	v pf	B♭ major	1815	Vocal	1848	–
D.220	–	Fernando	2sop ten 2bass nar orch	–	1815	Stage	1888	singspiel in 1 act: 7 numbers
D.221	Op.118/2*	Der Abend (“Der Abend blüht, Temora glüht”)	v pf	B major	1815	Vocal	1829	–
D.222	–	Lieb Minna (“Schwüler Hauch weht mir herüber”)	v pf	F minor	1815	Vocal	1885	also appears as "Lieb Minna. Romanze"
D.223	–	Salve Regina, Zweites Offertorium	sop org str	F major	1815	Vocal	–	offertory; 1st version
D.223	Op.047	Salve Regina, Zweites Offertorium	sop org orch	F major	1823	Vocal	1825	offertory; 2nd version
D.224	Op.004/3	Wandrers Nachtlied (“Der du von dem Himmel bist”)	v pf	G♭ major	1815	Vocal	1821	–
D.225	–	Der Fischer (“Das Wasser rauscht’, das Wasser schwoll”)	v pf	B♭ major	1815	Vocal	1970	1st version
D.225	Op.005/3	Der Fischer (“Das Wasser rauscht’, das Wasser schwoll”)	v pf	B♭ major	1816	Vocal	1821	2nd version
D.226	Op.005/4	Erster Verlust (“Ach, wer bringt die schönen Tage”)	v pf	F minor	1815	Vocal	1821	–
D.227	–	Idens Nachtgesang (“Vernimm es, Nacht”)	v pf	B♭ major	1815	Vocal	1885	–
D.228	–	Von Ida (“Der Morgen blüht, der Osten glüht”)	v pf	F minor	1815	Vocal	1894	–
D.229	Op.108/3	Die Erscheinung (“Ich lag auf grünen Matten”)	v pf	E major	1815	Vocal	1829	–
D.230	Op.165/4*	Die Täuschung (“Im Erlenbusch, im Tannerhain”)	v pf	E major	1815	Vocal	1862	–
D.231	Op.172/4*	Das Sehnen (“Wehmut, die mich hüllt”)	v pf	A minor	1815	Vocal	1865	–
D.232	Op.112/3*	Hymne an den Unendlichen (“Zwischen Himmel und Erd’ ”)	sop alt ten bass pf	C minor	1815	Vocal	1829	–
D.233	Op.118/1*	Geist der Liebe (“Wer bist du, Geist der Liebe”)	v pf	E major	1815	Vocal	1829	–
D.234	Op.118/3*	Tischlied (“Mich ergreift, ich weiss nicht wie, himmlisches Behagen”)	v pf	C major	1815	Vocal	1829	–
D.235	–	Abends unter der Linde (“Woher, o namenloses Sehnen”)	v pf	F major	1815	Vocal	1894	1st setting
D.236	–	Das Abendrot (“Der Abend blüht, der Westen glüht!”)	2sop bass pf	A major	1815	Vocal	1892	–
D.237	–	Abends unter der Linde (“Woher, o namenloses Sehnen”)	v pf	F major	1815	Vocal	1872	2nd setting - 1st version
D.237	–	Abends unter der Linde (“Woher, o namenloses Sehnen”)	v pf	F major	1815	Vocal	1894	2nd setting - 2nd version
D.238	–	Die Mondnacht (“Siehe, wie die Mondesstrahlen”)	v pf	F♯ major	1815	Vocal	1894	–
D.239	–	Claudine von Villa Bella	2sop 2ten 2bass ch orch	–	1815	Stage	1893	singspiel in 3 acts; incomplete – Act I: overture and 8 numbers, 1 number from Act II and 1 number from Act III are extant; remaining numbers were written, but are now lost
D.240	–	Huldigung (“Ganz verloren, ganz versunken in dein Anschaun”)	v pf	E major	1815	Vocal	1894	–
D.241	–	Alles um Liebe (“Was ist es, das die Seele füllt?”)	v pf	E major	1815	Vocal	1894	–
D.242	–	Trinklied im Winter (“Das Glas gefüllt!”)	2ten bass	F♯ minor	1815?	Vocal	1892	1st setting; "Winterlied", D.deest is the 2nd setting, with a different title
D.243	–	Frühlingslied (“Die Luft ist blau, das Tal ist grün”)	2ten bass	C major	1815?	Vocal	1892	1st setting
D.244	–	Wilkommen, lieber schöner Mai (“Willkommen, lieber schöner Mai”)	3vv	A major	1815	Vocal	1892	canon in two parts
D.245	–	–	–	–	–	–	–	now D.587 (2nd version)
D.246	–	Die Bürgschaft (“Zu Dionys, dem Tyrannen”)	v pf	G minor/ G major	1815	Vocal	1830	–
D.247	Op.118/6*	Die Spinnerin (“Als ich still und ruhig spann”)	v pf	B minor	1815	Vocal	1829	–
D.248	Op.118/4*	Lob des Tokayers (“O köstlicher Tokayer, o königlicher Wein”)	v pf	B♭ major	1815	Vocal	1829	–
D.249	–	Die Schlacht (“Schwer und dumpfig”)	vv? pf	B minor	1815	Vocal	1996	1st setting; sketch
D.250	–	Das Geheimnis (“Sie konnte mir kein Wörtchen sagen”)	v pf	A♭ major	1815	Vocal	1872	1st setting
D.251	–	Hoffnung (“Es reden und träumen die Menschen viel”)	v pf	G♭ major	1815	Vocal	1872	1st setting
D.252	–	Das Mädchen aus der Fremde (“In einem Tal bei armen Hirten”)	v pf	F major	1815	Vocal	1887	2nd setting
D.253	–	Punschlied. Im Norden zu singen (“Auf der Berge freien Höhen”)	v pf	B♭ major	1815	Vocal	1887	1st version
D.253	–	Punschlied. Im Norden zu singen (“Auf der Berge freien Höhen”)	2vv	B♭ major	1815	Vocal	1887	2nd version
D.254	–	Der Gott und die Bajadere (“Mahadöh, der Herr der Erde”)	v pf	E♭ major	1815	Vocal	1887	also appears as "Der Gott und die Bajadere. Indische Legende"
D.255	–	Der Rattenfänger (“Ich bin der wohlbekannte Sänger”)	v pf	G major	1815	Vocal	1850	–
D.256	–	Der Schatzgräber (“Arm am Beutel, krank am Herzen”)	v pf	D minor/ D major	1815	Vocal	1887	–
D.257	Op.003/3	Heidenröslein (“Sah ein Knab’ ein Röslein stehn”)	v pf	G major	1815	Vocal	1821	–
D.258	–	Bundeslied (“In allen guten Stunden”)	v pf	B♭ major	1815	Vocal	1887	–
D.259	–	An den Mond (“Füllest wieder Busch und Tal”)	v pf	E♭ major	1815	Vocal	1850	1st setting
D.260	Op.115/2*	Wonne der Wehmut (“Trocknet nicht, trocknet nicht, Tränen der ewigen Liebe”)	v pf	C minor	1815	Vocal	1829	–
D.261	–	Wer kauft Liebesgötter? (“Von allen schönen Waren”)	v pf	C major	1815	Vocal	2009	1st version
D.261	–	Wer kauft Liebesgötter? (“Von allen schönen Waren”)	v pf	C major	1816	Vocal	1850	2nd version
D.262	–	Die Fröhlichkeit (“Wess’ Adern leichtes Blut durchspringt”)	v pf	E major	1815	Vocal	1895	–
D.263	–	Cora an die Sonne (“Nach so vielen trüben Tagen”)	v pf	E♭ major	1815	Vocal	1848	–
D.264	–	Der Morgenkuss (“Durch eine ganze Nacht sich nah zu sein”)	v pf	E♭ major	1815	Vocal	1872	1st version
D.264	–	Der Morgenkuss (“Durch eine ganze Nacht sich nah zu sein”)	v pf	C major	–	Vocal	1850	2nd version
D.265	–	Abendständchen. An Lina (“Sei sanft wie ihre Seele”)	v pf	B♭ major	1815	Vocal	1895	–
D.266	–	Morgenlied (“Willkommen, rotes Morgenlicht!”)	v pf	F major	1815	Vocal	1895	–
D.267	–	Trinklied (“Auf! Jeder sei nun froh und sorgenfrei!”)	2ten 2bass pf	B♭ major	1815	Vocal	1872	–
D.268	–	Bergknappenlied (“Hinab, ihr Brüder, in den Schacht!”)	2ten 2bass pf	D minor	1815	Vocal	1872	–
D.269	–	Das Leben (“Das Leben ist ein Traum”)	2ten bass	B♭ major	1815	Vocal	–	1st version
D.269	–	Das Leben (“Das Leben ist ein Traum”)	2sop alto pf	B♭ major	1815	Vocal	1849	2nd version
D.270	Op.118/5*	An die Sonne (“Sinke, liebe Sonne”)	v pf	E♭ major	1815	Vocal	1829	–
D.271	–	Der Weiberfreund (“Noch fand von Evens Töchterscharen ich keine”)	v pf	A major	1815	Vocal	1895	–
D.272	–	An die Sonne (“Königliche Morgensonne”)	v pf	E♭ major	1815	Vocal	1872	–
D.273	–	Lilla an die Morgenröte (“Wie schön bist du, du güldne Morgenröte”)	v pf	D major	1815	Vocal	1895	–
D.274	–	Tischlerlied (“Mein Handwerk geht durch alle Welt”)	v pf	C major	1815	Vocal	1850	1st version
D.274	–	Tischlerlied (“Mein Handwerk geht durch alle Welt”)	v pf	C major	–	Vocal	2011	2nd version
D.275	–	Totenkranz für ein Kind (“Sanft wehn, im Hauch der Abendluft”)	v pf	G minor	1815	Vocal	1895	–
D.276	–	Abendlied (“Gross und rotentflammet”)	v pf	A major	1815	Vocal	1895	–
D.277	–	Punschlied (“Vier Elemente, innig gesellt”)	2ten bass pf	C major	1815	Vocal	1892	–
D.277a	–	Minuet with Trio	pf	A minor	1815?	Keyboard	1925	alternative movt. III for D.279 (with Trio in F major)
D.278	–	Ossians Lied nach dem Falle Nathos (“Beugt euch aus euren Wolken nieder”)	v pf	E major	1815	Vocal	1897	1st version; fragment
D.278	–	Ossians Lied nach dem Falle Nathos (“Beugt euch aus euren Wolken nieder”)	v pf	E major	1815	Vocal	2011	2nd version
D.278	–	Ossians Lied nach dem Falle Nathos (“Beugt euch aus euren Wolken nieder”)	v pf	E major	1815	Vocal	1830	3rd version
D.279	–	Piano Sonata	pf	C major	1815	Keyboard	1888	unfinished – movts. I-III are extant; D.346 is probably movt. IV; see also D.277a
D.280	–	Das Rosenband (“Im Frühlingsgarten fand ich sie”)	v pf	A♭ major	1815	Vocal	1837	–
D.281	–	Das Mädchen von Inistore (“Mädchen Inistores, wein auf dem Felsen”)	v pf	C minor	1815	Vocal	2011	1st version
D.281	–	Das Mädchen von Inistore (“Mädchen Inistores, wein auf dem Felsen”)	v pf	C minor	1815	Vocal	1830	2nd version
D.282	–	Cronnan (“Ich sitz’ bei der moosigten Quelle”)	v pf	C minor	1815	Vocal	2011	1st version
D.282	–	Cronnan (“Ich sitz’ bei der moosigten Quelle”)	v pf	C minor	1815	Vocal	1830	2nd version
D.283	Op.172/5*	An den Frühling (“Willkommen, schöner Jüngling!”)	v pf	F major	1815	Vocal	1865	1st setting
D.284	–	Lied (Es ist so angenehm) (“Es ist so angenehm, so süss”)	v pf	G major	1815	Vocal	1895	–
D.285	–	Furcht der Geliebten (An Cidli) (“Cidli, du weinest”)	v pf	A♭ major	1815	Vocal	1895	1st version
D.285	–	An Cidli (Furcht der Geliebten) (“Cidli, du weinest”)	v pf	A♭ major	–	Vocal	1885	2nd version
D.286	–	Selma und Selmar (“Weine du nicht”)	v pf	F major	1815	Vocal	1895	1st version
D.286	–	Selma und Selmar (“Weine du nicht”)	v pf	F major	–	Vocal	1837	2nd version
D.287	–	Vaterlandslied (“Ich bin ein deutsches Mädchen”)	v pf	C major	1815	Vocal	1895	1st version
D.287	–	Vaterlandslied (“Ich bin ein deutsches Mädchen”)	v pf	C major	–	Vocal	1895	2nd version
D.288	–	An Sie (“Zeit, Verkündigerin der besten Freuden”)	v pf	A♭ major	1815	Vocal	1895	–
D.289	–	Die Sommernacht (“Wenn der Schimmer von dem Monde”)	v pf	C major	1815	Vocal	1895	1st version
D.289	–	Die Sommernacht (“Wenn der Schimmer von dem Monde”)	v pf	C major	–	Vocal	1895	2nd version
D.290	–	Die frühen Gräber (“Willkommen, o silberner Mond”)	v pf	A minor	1815	Vocal	1837	–
D.291	–	Dem Unendlichen (“Wie erhebt sich das Herz”)	v pf	F major/ E♭ major	1815	Vocal	1895	1st version
D.291	–	Dem Unendlichen (“Wie erhebt sich das Herz”)	v pf	F major/ E♭ major	1815	Vocal	1831	2nd version
D.291	–	Dem Unendlichen (“Wie erhebt sich das Herz”)	v pf	G major/ E♭ major	1815	Vocal	1895	3rd version
D.292	–	–	–	–	–	–	–	now D.371 (1st version)
D.293	–	Shilric und Vinvela (“Mein Geliebter ist ein Sohn des Hügels”)	v pf	B♭ major/ A major	1815	Vocal	1895	1st version
D.293	–	Shilric und Vinvela (“Mein Geliebter ist ein Sohn des Hügels”)	v pf	B♭ major/ A major	–	Vocal	1830	2nd version
D.294	–	Namensfeier (“Erhabner! Verehrter Freund der Jugend!”), Gratulations-Kantate	sop ten bass ch orch	E♭ major	1815	Vocal	1892	also appears as "Namensfeier fur Franz Michael Vierthaler"
D.295	–	Hoffnung (“Schaff, das Tagwerk meiner Hände”)	v pf	F major	1820	Vocal	1872	1st version
D.295	–	Hoffnung (“Schaff, das Tagwerk meiner Hände”)	v pf	E major	1820	Vocal	1895	2nd version
D.296	–	An den Mond (“Füllest wieder Busch und Tal”)	v pf	A♭ major	1820	Vocal	1868	2nd setting
D.297	–	Augenlied (“Süsse Augen, klare Bronnen!”)	v pf	F major	1817?	Vocal	1895	1st version
D.297	–	Augenlied (“Süsse Augen, klare Bronnen!”)	v pf	F major	–	Vocal	1850	2nd version
D.297	–	Augenlied (“Süsse Augen, klare Bronnen!”)	v pf	F major	–	Vocal	2011	modified 2nd version
D.298	–	Liane (“Hast du Lianen nicht gesehen?”)	v pf	C major	1815	Vocal	1895	–
D.299	–	Ecossaises (12)	pf	–	1815	Keyboard	1897	D.299/1 = D.145/30
D.300	–	Der Jüngling an der Quelle (“Leise, rieselnder Quell”)	v pf	A major	1816 or 1817(?)	Vocal	1842	–
D.301	–	Lambertine (“O Liebe, die mein Herz erfüllet”)	v pf	E♭ major	1815	Vocal	1842	–
D.302	–	Labetrank der Liebe (“Wenn im Spiele leiser Töne”)	v pf	F major	1815	Vocal	1895	–
D.303	–	An die Geliebte (“O, dass ich dir vom stillen Auge”)	v pf	G major	1815	Vocal	1887	–
D.304	–	Wiegenlied (“Schlumm’re sanft! Noch an dem Mutterherzen”)	v pf	F major	1815	Vocal	1895	–
D.305	–	Mein Gruss an den Mai (“Sei mir gegrüsst, o Mai”)	v pf	B♭ major	1815	Vocal	1895	–
D.306	–	Skolie (“Lasst im Morgenstrahl des Mai’n”)	v pf	B♭ major	1815	Vocal	1895	–
D.307	–	Die Sternenwelten (“Oben drehen sich die grossen unbekannten Welten dort”)	v pf	F major	1815	Vocal	1895	–
D.308	–	Die Macht der Liebe (“Überall, wohin mein Auge blicket”)	v pf	B♭ major	1815	Vocal	1895	–
D.309	–	Das gestörte Glück (“Ich hab’ ein heisses junges Blut”)	v pf	F major	1815	Vocal	1872	–
D.309a	–	Rondo	pf	C major	1815	Keyboard	2000	fragment
D.310	–	Sehnsucht (“Nur wer die Sehnsucht kennt”)	v pf	A♭ major	1815	Vocal	1895	1st setting - 1st version
D.310	–	Sehnsucht (“Nur wer die Sehnsucht kennt”)	v pf	F major	1815	Vocal	1895	1st setting - 2nd version
D.311	–	An den Mond	v pf	A major	1815?	Vocal	1959	sketch without text
D.312	–	Hektors Abschied (“Will sich Hektor ewig von mir wenden”)	v pf	F minor	1815	Vocal	1895	1st version
D.312	Op.058/1	Hektors Abschied (“Will sich Hektor ewig von mir wenden”)	v pf	F minor	–	Vocal	1826	2nd version
D.313	–	Die Sterne (“Wie wohl ist mir im Dunkeln!”)	v pf	B♭ major	1815	Vocal	1895	–
D.314	–	Nachtgesang (“Tiefe Feier schauert um die Welt”)	v pf	E♭ major	1815	Vocal	2011	1st version
D.314	–	Nachtgesang (“Tiefe Feier schauert um die Welt”)	v pf	E♭ major	1816?	Vocal	1887	2nd version
D.315	–	An Rosa I (“Warum bist du nicht hier”)	v pf	A♭ major	1815	Vocal	2011	1st version
D.315	–	An Rosa I (“Warum bist du nicht hier”)	v pf	A♭ major	1816?	Vocal	1895	2nd version
D.316	–	An Rosa II (“Rosa, denkst du an mich?”)	v pf	A♭ major	1815	Vocal	1895	1st version
D.316	–	An Rosa II (“Rosa, denkst du an mich?”)	v pf	A♭ major	1816?	Vocal	1895	2nd version
D.317	–	Idens Schwanenlied (“Wie schaust du aus dem Nebelflor”)	v pf	F minor	1815	Vocal	2011	1st version
D.317	–	Idens Schwanenlied (“Wie schaust du aus dem Nebelflor”)	v pf	F minor	–	Vocal	1895	2nd version
D.318	–	Schwangesang (“Endlich stehn die Pforten offen”)	v pf	F minor	1815	Vocal	1895	–
D.319	–	Luisens Antwort (“Wohl weinen Gottes Engel”)	v pf	B♭ minor	1815	Vocal	1895	1st version
D.319	–	Luisens Antwort (“Wohl weinen Gottes Engel”)	v pf	B♭ minor	1816?	Vocal	2011	2nd version
D.320	–	Der Zufriedene (“Zwar schuf das Glück hienieden”)	v pf	A major	1815	Vocal	1895	–
D.321	–	Mignon (“Kennst du das Land”)	v pf	A major	1815	Vocal	2011	1st version
D.321	–	Mignon (“Kennst du das Land”)	v pf	A major	1816?	Vocal	1832	2nd version
D.322	–	Hermann und Thusnelda (“Ha, dort kömmt er”)	v pf	E♭ major/ B♭ major	1815	Vocal	2011	1st version
D.322	–	Hermann und Thusnelda (“Ha, dort kömmt er”)	v pf	E♭ major/ B♭ major	1816?	Vocal	1837	2nd version
D.323	–	Klage der Ceres (“Ist der holde Lenz erschienen?”)	v pf	G major/ B♭ major	1815-16	Vocal	1895	original version
D.323	–	Klage der Ceres (“Ist der holde Lenz erschienen?”)	v pf	G major/ G minor	–	Vocal	2011	modified version
D.323	–	Klage der Ceres (“Ist der holde Lenz erschienen?”)	v pf	G minor/ A major	1816	Vocal	2011	variant of measures 142-203
D.323	–	Klage der Ceres (“O so lasst euch froh begrüssen”)	v pf	B♭ major	1815-16	Vocal	1895	fragment; last verse of the song; formerly D.991
D.324	Op.141*	Mass (No.3)	sop alt ten bass ch org orch	B♭ major	1815	Vocal	1837	–
D.325	–	Harfenspieler (“Wer sich der Einsamkeit ergibt”)	v pf	A minor	1815	Vocal	1895	1st setting
D.326	–	Die Freunde von Salamanka	3sop 3ten 6bass ch orch	–	1815	Stage	1888	singspiel in 2 acts: overture and 18 numbers
D.327	–	Lorma (“Lorma sass in der Halle von Aldo”)	v pf	A minor	1815	Vocal	1965	1st setting; fragment
D.328	–	Erlkönig (“Wer reitet so spät durch Nacht und Wind?”)	v pf	G minor	1815	Vocal	1895	1st version
D.328	–	Erlkönig (“Wer reitet so spät durch Nacht und Wind?”)	v pf	G minor	1816	Vocal	1895	2nd version
D.328	–	Erlkönig (“Wer reitet so spät durch Nacht und Wind?”)	v pf	G minor	1816?	Vocal	1895	3rd version
D.328	Op.001	Erlkönig (“Wer reitet so spät durch Nacht und Wind?”)	v pf	G minor	–	Vocal	1821	4th version
D.329	–	Die drei Sänger (“Der König sass beim frohen Mahle”)	v pf	A major	1815	Vocal	1895	fragment
D.329a	–	Das Grab (“Das Grab ist tief und stille”)	ch	C minor	1815?	Vocal	1986	canon; 1st setting; sketch
D.330	–	Das Grab (“Das Grab ist tief und stille”)	uch/ch pf	G minor	1815	Vocal	1895	2nd setting
D.331	–	Der Entfernten (“Wohl denk’ ich allenthalben”)	2ten 2bass	C♯ major	1816 ca.	Vocal	1866	1st setting; identical to D.332
D.332	–	–	–	–	–	–	–	see D.331
D.333	–	–	–	–	–	–	–	now belongs to D.796/21a
D.334	–	Minuet with Trio	pf	A major	1815	Keyboard	1897	with Trio in E major
D.335	–	Minuet with Two Trios	pf	E major	1813?	Keyboard	1897	–
D.336	–	–	–	–	–	–	–	now D.Anh.I/15
D.337	–	Die Einsiedelei (“Es rieselt klar und wehend ein Quell”)	2ten 2bass	G minor	1816 ca.	Vocal	1860 ca.	1st setting
D.338	–	An den Frühling (“Willkommen, schöner Jüngling!”)	2ten 2bass	G major	1816 ca.	Vocal	1891	2nd setting
D.339	–	–	–	–	–	–	–	now D.Anh.I/20
D.340	–	–	–	–	–	–	–	now D.Anh.I/21
D.341	–	–	–	–	–	–	–	now D.Anh.I/22
D.342	–	An mein Klavier (“Sanftes Klavier, welche Entzückungen schaffest du mir”), Seraphine an ihr Klavier	v pf	A major	1816 ca.	Vocal	1885	–
D.343	–	Am Tage Aller Seelen (“Ruhn in Frieden alle Seelen”), Litanei auf das Fest Aller Seelen	v pf	E♭ major	1816	Vocal	1831	1st version
D.343	–	Am Tage Aller Seelen (“Ruhn in Frieden alle Seelen”), Litanei auf das Fest Aller Seelen	v pf	E♭ major	1816?	Vocal	2002	2nd version
D.344	–	Am ersten Maimorgen (“Heute will ich fröhlich sein”)	v pf	G major	1816?	Vocal	1967	–
D.345	–	Violin Concerto, Konzertstück	vn orch	D major	1816	Orchestral	1897	concerto piece in 1 movt.
D.346	–	Allegretto	pf	C major	1816?	Keyboard	1897	fragment; probably movt. IV of D.279
D.347	–	Allegro moderato	pf	C major	1813?	Keyboard	1897	fragment
D.348	–	Andantino	pf	C major	1816?	Keyboard	1897	fragment
D.349	–	Adagio	pf	C major	1816?	Keyboard	1897	fragment
D.350	–	Der Entfernten (“Wohl denk’ ich allenthalben”)	v pf	E♭ major	1816?	Vocal	1885	2nd setting
D.351	–	Fischerlied (“Das Fischergewerbe gibt rüstigen Mut”)	v pf	D major	1816?	Vocal	1895	1st setting
D.352	–	Licht und Liebe (“Liebe ist ein süsses Licht”), Nachtgesang	sop ten pf	G major	1816?	Vocal	1847 ca.	–
D.353	Op.125/2*	String Quartet (No.11)	2vn va vc	E major	1816	Chamber	1840	–
D.354	–	Comic Ländler (4)	2vn	D major	1816	Chamber	1930	–
D.355	–	Ländler (8)	vn?	F♯ minor	1816	Chamber	1928	possibly for violin duet
D.356	–	Trinklied (“Funkelnd im Becher so helle, so hold”)	v mch pf	D major	1816	Vocal	1844	fragment; piano part is lost
D.357	–	Goldner Schein (“Gold’ner Schein, deckt den Hain”)	3vv	G major/ D major	1816	Vocal	1892	canon
D.358	–	Die Nacht (“Du verstörst uns nicht, o Nacht!”)	v pf	A♭ major	1816?	Vocal	2002	1st version
D.358	–	Die Nacht (“Du verstörst uns nicht, o Nacht!”)	v pf	A♭ major	–	Vocal	1849 ca.	2nd version
D.359	–	Sehnsucht (“Nur wer die Sehnsucht kennt”), Lied der Mignon	v pf	D minor	1816	Vocal	1872	2nd setting
D.360	Op.065/1	Lied eines Schiffers an die Dioskuren (“Dioskuren, Zwillingssterne”)	v pf	A♭ major	1816	Vocal	1826	–
D.361	Op.109/1*	Am Bach im Frühlinge (“Du brachst sie nun, die kalte Rinde”)	v pf	D♭ major/ C♯ minor	1816	Vocal	1829	1st version
D.361	–	Am Bach im Frühlinge (“Du brachst sie nun, die kalte Rinde”)	v pf	D major/ D minor	1816 or 1817(?)	Vocal	2002	2nd version
D.362	–	Zufriedenheit (“Ich bin vergnügt”)	v pf	A major	1815 or 1816(?)	Vocal	1895	1st setting
D.363	–	An Chloen (“Die Munterkeit ist meinen Wangen”)	v pf	G major	1816?	Vocal	1963	fragment
D.364	–	Fischerlied (“Das Fischergewerbe gibt rüstigen Mut”)	2ten 2bass	G major	1816 or 1817(?)	Vocal	1897	2nd setting
D.365	Op.009	Original Dances (36), Erste Walzer	pf	–	1818-21	Keyboard	1821	–
D.366	–	Ländler (17)	pf	–	1824	Keyboard	1869	D.814/1 is an arrangement of No.17
D.367	Op.005/5	Der König in Thule (“Es war ein König in Thule”)	v pf	D minor	1816	Vocal	1821	–
D.368	Op.003/4	Jägers Abendlied (“Im Felde schleich’ ich still und wild”)	v pf	D♭ major	1816?	Vocal	1821	2nd setting
D.369	Op.019/1	An Schwager Kronos (“Spute dich, Kronos!”)	v pf	D minor/ D major	1816	Vocal	1825	–
D.370	–	Ländler (9)	vn?	D major	1816	Chamber	1930	possibly for violin duet
D.371	–	Klage (“Trauer umfliesst mein Leben”)	v pf	B minor	1816	Vocal	1895	1st version; sketch; formerly D.292
D.371	–	Klage (“Trauer umfliesst mein Leben”)	v pf	B minor	1816	Vocal	1872	2nd version
D.372	–	An die Natur (“Süsse, heilige Natur”)	v pf	F major	1816?	Vocal	1895	1st version
D.372	–	An die Natur (“Süsse, heilige Natur”)	v pf	A major	1816?	Vocal	2002	2nd version
D.373	–	Lied (Mutter geht durch ihre Kammern) (“Mutter geht durch ihre Kammern”)	v pf	G minor	1816?	Vocal	1895	–
D.374	–	Ländler (11)	vn?	B♭ major	1816?	Chamber	1902	possibly for violin duet; Nos.1–3, 5, 7 and 11 also used in Nos.1–5 and 7 from D.378
D.375	–	Der Tod Oskars (“Warum öffnest du wieder”)	v pf	C minor/ E♭ major	1816	Vocal	1830	–
D.376	–	Lorma (“Lorma sass in der Halle von Aldo”)	v pf	A minor	1816	Vocal	1895	2nd setting; fragment
D.377	–	Das Grab (“Das Grab ist tief und stille”)	mch pf	C minor	1816	Vocal	1872	3rd setting
D.378	–	Ländler (8)	pf	B♭ major	1816	Keyboard	1889	Nos.1–5 and 7 also used in Nos.1–3, 5, 7 and 11 from D.374
D.379	–	Deutsches Salve Regina (“Sei, Mutter der Barmherzigkeit”)	ch org	F major	1816	Vocal	1859	antiphon
D.380	–	Minuets (3)	pf	–	1816	Keyboard	1897	3 Minuets, each with 2 Trios; fragment
D.381	–	Morgenlied (“Die frohe neubelebte Flur”)	v pf	C major	1816	Vocal	1895	–
D.382	–	Abendlied (“Sanft glänzt die Abendsonne”)	v pf	F major	1816	Vocal	1895	–
D.383	–	Stabat mater (“Jesus Christus schwebt am Kreuze”)	sop alt ten bass ch orch	F minor	1816	Vocal	1888	oratorio; 12 numbers
D.383	–	Stabat mater (“Wer wird sich nicht innig freuen”)	sop alt ten bass orch	G major	1816	Vocal	1996	sketches for Nos.5 and 6 from the oratorio; formerly D.992
D.384	Op.137/1*	Violin Sonata	vn pf	D major	1816	Chamber	1836	2 versions of movt. I
D.385	Op.137/2*	Violin Sonata	vn pf	A minor	1816	Chamber	1836	–
D.386	–	Salve Regina (“Salve Regina”)	ch	B♭ major	1816	Vocal	1833	antiphon
D.387	–	Die Schlacht (“Schwer und dumpfig”)	vv? ch pf	B minor	1816	Vocal	1897	2nd setting; sketch
D.388	–	Laura am Klavier (“Wenn dein Finger durch die Saiten meistert”)	v pf	E major/ B♭ major	1816	Vocal	1895	1st version
D.388	–	Laura am Klavier (“Wenn dein Finger durch die Saiten meistert”)	v pf	A major	1816	Vocal	1895	2nd version
D.389	–	Des Mädchens Klage (“Der Eichwald braust”)	v pf	C minor	1816	Vocal	1873	3rd setting
D.390	–	Entzückung an Laura (“Laura, über diese Welt”)	v pf	A major	1816	Vocal	1895	1st setting; also appears as "Die Entzückung an Laura"
D.391	Op.111/3*	Die vier Weltalter (“Wohl perlet im Glase”)	v pf	G major	1816	Vocal	1829	–
D.392	–	Pflügerlied (“Arbeitsam und wacker”)	v pf	C major	1816	Vocal	1895	–
D.393	–	Die Einsiedelei (“Es rieselt klar und wehend ein Quell”)	v pf	A major	1816	Vocal	1845	2nd setting
D.394	–	An die Harmonie (“Schöpferin beseelter Töne!”), Gesang an die Harmonie	v pf	A major	1816	Vocal	1895	–
D.395	Op.111/2*	Lebens-Melodien (“Auf den Wassern wohnt mein stilles Leben”)	v pf	G major/ E♭ major	1816	Vocal	1829	–
D.396	–	Gruppe aus dem Tartarus (“Horch wie Murmeln des empörten Meeres”)	v pf	C minor	1816	Vocal	1975	1st setting; fragment
D.397	–	Ritter Toggenburg (“Ritter, treue Schwesterliebe”)	v pf	F major/ B♭ minor	1816	Vocal	1895	1st version
D.397	–	Ritter Toggenburg (“Ritter, treue Schwesterliebe”)	v pf	E♭ major/ A♭ major	–	Vocal	1832	2nd version
D.398	–	Frühlingslied (“Die Luft ist blau, das Tal ist grün”)	v pf	G major	1816	Vocal	1887	2nd setting
D.399	–	Auf den Tod einer Nachtigall (“Sie ist dahin”)	v pf	A minor	1816	Vocal	1895	2nd setting
D.400	–	Die Knabenzeit (“Wie glücklich, wem das Knabenkleid”)	v pf	A major	1816	Vocal	1895	–
D.401	–	Winterlied (“Keine Blumen blühn”)	v pf	A minor	1816	Vocal	1895	–
D.402	–	Der Flüchtling (“Frisch atmet des Morgens lebendiger Hauch”)	v pf	B♭ major	1816	Vocal	1872	2nd setting of D.67, with a different title
D.403	–	Lied (Ins stille Land) (“Ins stille Land”)	v pf	G minor	1816	Vocal	1845	1st version; the 1st edition has a 4-measure introduction composed by Anton Diabelli
D.403	–	Lied (Ins stille Land) (“Ins stille Land”)	v pf	A minor	1816	Vocal	1895	2nd version
D.403	–	Lied (Ins stille Land) (“Ins stille Land”)	v pf	A minor	1816?	Vocal	2002	3rd version
D.403	–	Lied (Ins stille Land) (“Ins stille Land”)	v pf	A minor	1823	Vocal	2002	4th version
D.404	–	Die Herbstnacht (“Mit leisen Harfentönen”)	v pf	F major	1816	Vocal	1885	1st version
D.404	–	Die Herbstnacht (“Mit leisen Harfentönen”)	v pf	F major	1816	Vocal	2002	2nd version
D.405	–	Der Herbstabend (“Abendglockenhalle zittern”)	v pf	F minor	1816	Vocal	1895	1st version
D.405	–	Der Herbstabend (“Abendglockenhalle zittern”)	v pf	F minor	1816?	Vocal	2002	2nd version
D.406	–	Abschied von der Harfe (“Noch einmal tön, o Harfe”)	v pf	E minor	1816	Vocal	1887	1st version
D.406	–	Abschied von der Harfe (“Noch einmal tön, o Harfe”)	v pf	E minor	1816	Vocal	2002	2nd version
D.407	–	Beitrag zur fünfzigjährigen Jubelfeier des Herrn von Salieri	2ten 2bass pf	–	1816	Vocal	1891	–
D.407/1	–	Gütigster, Bester! Weisester Grösster!	2ten 2bass	B♭ major	1816	Vocal	1891	1st setting
D.407/1	–	Gütigster, Bester! Weisester Grösster!	2ten bass pf	B♭ major	1816	Vocal	1892	2nd setting; formerly D.441
D.407/2	–	So Güt' als Weisheit strömen mild	v pf	G major	1816	Vocal	1891	–
D.407/3	–	Unser aller Grosspapa	3vv	G major	1816	Vocal	1891	canon
D.408	Op.137/3*	Violin Sonata	vn pf	G minor	1816	Chamber	1836	–
D.409	–	Die verfehlte Stunde (“Quälend ungestilltes Sehnen”)	v pf	F minor/ A♭ major	1816	Vocal	1872	1st version
D.409	–	Die verfehlte Stunde (“Quälend ungestilltes Sehnen”)	v pf	F minor/ A♭ major	1816?	Vocal	1895	2nd version
D.410	Op.115/3*	Sprache der Liebe (“Lass dich mit gelinden Schlägen rühren”)	v pf	E major	1816	Vocal	1829	–
D.411	–	Daphne am Bach (“Ich hab’ ein Bächlein funden”)	v pf	D major	1816	Vocal	1887	–
D.412	–	Stimme der Liebe (“Meine Selinde”)	v pf	E major	1816	Vocal	2002	1st version
D.412	–	Stimme der Liebe (“Meine Selinde”)	v pf	D major	1816	Vocal	1838	2nd version
D.413	–	Entzückung (“Tag voll Himmel!”)	v pf	C major	1816	Vocal	1895	–
D.414	–	Geist der Liebe (“Der Abend schleiert Flur und Hain”)	v pf	G major	1816	Vocal	1895	1st setting
D.415	–	Klage (“Die Sonne steigt, die Sonne sinkt”)	v pf	C major/ A minor	1816	Vocal	1895	fragment
D.416	–	Lied in der Abwesenheit (“Ach, mir ist das Herz so schwer”)	v pf	B minor	1816	Vocal	1925	fragment
D.417	–	Symphony No.4, Tragische (Tragic)	orch	C minor	1816	Orchestral	1884	–
D.418	–	Stimme der Liebe (“Abendgewölke schweben hell”), Abendgewölke	v pf	G major	1816	Vocal	1895	2nd setting
D.419	–	Julius an Theone (“Nimmer, nimmer darf ich dir gestehen”)	v pf	G minor	1816	Vocal	1895	–
D.420	–	German Dances (12)	pf	–	1816	Keyboard	1871	–
D.421	–	Ecossaises (6)	pf	–	1816	Keyboard	1889	D.421/1 = D.145/34
D.422	Op.016/2	Naturgenuss (“Im Abendschimmer wallt der Quell”)	2ten 2bass pf	D major	1822?	Vocal	1823	2nd setting
D.423	–	Andenken (“Ich denke dein, wenn durch den Hain”)	2ten bass	G major	1816	Vocal	1974	2nd setting
D.424	–	Erinnerungen (“Am Seegestad, in lauen Vollmondnächten”)	2ten bass	G major	1816	Vocal	1974	2nd setting
D.425	–	Lebensbild (“Kommen und scheiden, suchen und meiden”)	2ten bass	–	1816	Vocal	lost	see also D.Anh.I/23
D.426	–	Trinklied (“Herr Bacchus ist ein braver Mann”)	2ten bass	–	1816	Vocal	lost	–
D.427	–	Trinklied im Mai (“Bekränzet die Tonnen”)	2ten bass	E major	1816	Vocal	1892	–
D.428	–	Widerhall (“Auf ewig dein, wenn Berg und Meere trennen”)	2ten bass	C major	1816	Vocal	1974	–
D.429	–	Minnelied (“Holder klingt der Vogelsang”)	v pf	E major	1816	Vocal	1885	–
D.430	–	Die frühe Liebe (“Schon im bunten Knabenkleide”)	v pf	E major	1816	Vocal	1895	1st version
D.430	–	Die frühe Liebe (“Schon im bunten Knabenkleide”)	v pf	E major	1816	Vocal	2002	2nd version
D.431	–	Blumenlied (“Es ist ein halbes Himmelreich”)	v pf	E major	1816	Vocal	1887	–
D.432	–	Der Leidende (“Nimmer trag’ ich länger”)	v pf	B minor	1816	Vocal	1850	1st version
D.432	–	Der Leidende (“Nimmer trag’ ich länger”)	v pf	A minor	1816?	Vocal	2002	2nd version
D.432	–	Der Leidende (“Nimmer trag’ ich länger”)	v pf	B minor	–	Vocal	1895	3rd version
D.433	–	Seligkeit (“Freuden sonder Zahl”)	v pf	E major	1816	Vocal	1895	–
D.434	–	Erntelied (“Sicheln schallen, Ähren fallen”)	v pf	E major	1816	Vocal	1850	–
D.435	–	Die Bürgschaft	4sop 3ten 3bass 2bar ch orch	–	1816	Stage	1893	opera in 3 acts; unfinished – Act I: 9 numbers, 5 numbers from Act II, and 1 number and 1 fragment from Act III are extant
D.436	–	Klage (“Dein Silber schien durch Eichengrün”)	v pf	F major/ D minor	1816	Vocal	1850	1st version
D.436	–	Klage (“Dein Silber schien durch Eichengrün”)	v pf	F major/ D minor	–	Vocal	2002	variant of the 1st version
D.436	–	Klage (“Dein Silber schien durch Eichengrün”)	v pf	F major/ D minor	1816?	Vocal	2002	2nd version; formerly D.437
D.437	–	–	–	–	–	–	–	now D.436 (2nd version)
D.438	–	Rondo	vn str	A major	1816	Orchestral	1897	–
D.439	–	An die Sonne (“O Sonne, Königin der Welt”)	sop alt ten bass pf	F major	1816	Vocal	1872	–
D.440	–	Chor der Engel (“Christ ist erstanden”)	ch	C minor	1816	Vocal	1839	–
D.441	–	–	–	–	–	–	–	now D.407/1 (2nd setting)
D.442	–	Das grosse Halleluja (“Ehre sei dem Hocherhabnen”)	v/ch pf	E major	1816	Vocal	1847 ca.	–
D.443	–	Schlachtlied (“Mit unserm Arm ist nichts getan”), Schlachtgesang	v/ch pf	E major	1816	Vocal	1895	1st setting
D.444	–	Die Gestirne (“Es tönet sein Lob”)	v pf	F major	1816	Vocal	1831	–
D.445	–	Edone (“Dein süsses Bild, Edone”)	v pf	C minor	1816	Vocal	1837	–
D.446	–	Die Liebesgötter (“Cypris, meiner Phyllis gleich”)	v pf	C major	1816	Vocal	1887	–
D.447	–	An den Schlaf (“Komm und senke die umflorten Schwingen”)	v pf	A major	1816	Vocal	1895	–
D.448	–	Gott im Frühlinge (“In seinem schimmernden Gewand”)	v pf	E major	1816	Vocal	1887	1st version
D.448	–	Gott im Frühlinge (“In seinem schimmernden Gewand”)	v pf	E major	1816?	Vocal	2002	2nd version
D.449	–	Der gute Hirt (“Was sorgest du?”)	v pf	E major	1816	Vocal	1872	original version
D.449	–	Der gute Hirt (“Was sorgest du?”)	v pf	C major	–	Vocal	2002	modified version
D.450	–	Fragment aus dem Aeschylus (“So wird der Mann”)	v pf	A♭ major	1816	Vocal	1895	1st version
D.450	–	Fragment aus dem Aeschylus (“So wird der Mann”)	v pf	A♭ major	1816	Vocal	1832	2nd version
D.451	–	Prometheus	sop bass ch orch	A minor?	1816	Vocal	lost	–
D.452	Op.048	Mass (No.4)	sop alt ten bass ch org orch	C major	1816	Vocal	1825	–
D.452	–	Mass (No.4) No.5: Benedictus (“Benedictus qui venit in nomine Domini”)	sop alt ten bass ch org orch	A minor/ A major	1828	Vocal	1829	2nd setting of the "Benedictus"; formerly D.961
D.453	–	Requiem	ch orch	C minor	1816	Vocal	1967	fragment of movt. I is extant
D.454	–	Grablied auf einen Soldaten (“Zieh hin, du braver Krieger du!”)	v pf	C minor	1816	Vocal	1872	–
D.455	–	Freude der Kinderjahre (“Freude, die im frühen Lenze”)	v pf	C major	1816	Vocal	1887	–
D.456	–	Das Heimweh (“Oft in einsam stillen Stunden”)	v pf	F major	1816	Vocal	1887	–
D.457	Op.044	An die untergehende Sonne (“Sonne, du sinkst”)	v pf	E♭ major	1817	Vocal	1827	–
D.458	–	Aus Diego Manazares. Ilmerine (“Wo irrst du durch einsame Schatten”)	v pf	F minor/ A♭ major	1816	Vocal	1872	also appears as "Aus Diego Manzanares"
D.459	–	Piano Sonata	pf	E major	1816	Keyboard	1843	in 2 movts.; also paired with D.459a to have a 5 movt. sonata or 5 piano pieces
D.459a	–	Piano Pieces (3)	pf	–	1816?	Keyboard	1843	also paired with D.459 to have a 5 movt. sonata or 5 piano pieces
D.459a/1	–	Piano Piece	pf	C major	1816?	Keyboard	1843	–
D.459a/2	–	Piano Piece	pf	A major	1816?	Keyboard	1843	–
D.459a/3	–	Piano Piece	pf	E major	1816?	Keyboard	1843	–
D.460	–	Tantum ergo (“Tantum ergo”)	sop ch org orch	C major	1816	Vocal	1888	–
D.461	–	Tantum ergo (“Tantum ergo”)	sop alt ten bass ch org orch	C major	1816	Vocal	1935	–
D.462	–	An Chloen (“Bei der Liebe reinsten Flammen”)	v pf	A♭ major	1816	Vocal	1895	–
D.463	–	Hochzeit-Lied (“Will singen euch im alten Ton”)	v pf	E♭ major	1816	Vocal	1895	–
D.464	–	In der Mitternacht (“Todesstille deckt das Tal”)	v pf	E♭ major	1816	Vocal	1895	–
D.465	–	Trauer der Liebe (“Wo die Taub’ in stillen Buchen”)	v pf	A♭ major	1816	Vocal	1885	1st version
D.465	–	Trauer der Liebe (“Wo die Taub’ in stillen Buchen”)	v pf	A♭ major	1816?	Vocal	2002	2nd version
D.466	–	Die Perle (“Es ging ein Mann zur Frühlingszeit”)	v pf	D minor	1816	Vocal	1872	–
D.467	–	Pflicht und Liebe (“Du, der ewig um mich trauert”)	v pf	C minor	1816	Vocal	1885	fragment
D.468	–	An den Mond (“Was schauest du so hell”)	v pf	A major	1816	Vocal	1895	–
D.469	–	Mignon (“So lasst mich scheinen, bis ich werde”)	v pf	E♭ major/ G major(?)	1816	Vocal	1897	1st setting; 2 fragments
D.470	–	Overture	orch	B♭ major	1816	Orchestral	1886	version for orchestra; belongs to D.472?
D.470	–	Overture	2vn va vc	B♭ major	–	Chamber	1994	version for string quartet; fragment; formerly D.601; belongs to D.472?
D.471	–	String Trio	vn va vc	B♭ major	1816	Chamber	1890	unfinished – movt. I and fragment of movt. II are extant
D.472	Op.128*	Kantate zu Ehren von Josef Spendou (“Da liegt er, starr”)	2sop ten bass ch orch	G minor/ B♭ major	1816	Vocal	1830	see also D.470
D.473	–	Liedesend (“Auf seinem gold’nen Throne”)	v pf	C minor/ E minor	1816	Vocal	1895	1st version
D.473	–	Liedesend (“Auf seinem gold’nen Throne”)	v pf	C minor/ E minor	1816	Vocal	1833	2nd version
D.474	–	Lied des Orpheus, als er in die Hölle ging (“Wälze dich hinweg”)	v pf	G♭ major/ D major	1816	Vocal	1895	1st version
D.474	–	Lied des Orpheus, als er in die Hölle ging (“Wälze dich hinweg”)	v pf	G♭ major/ B♭ major	1817 or 1818(?)	Vocal	1832	2nd version
D.475	–	Abschied (“Über die Berge zieht ihr fort”)	v pf	G major	1816	Vocal	1885	–
D.476	–	Rückweg (“Zum Donaustrom, zur Kaiserstadt”)	v pf	D minor	1816	Vocal	1872	–
D.477	–	Alte Liebe rostet nie (“Alte Liebe rostet nie”)	v pf	B major	1816	Vocal	1895	–
D.478	Op.012	Gesänge des Harfners aus "Wilhelm Meister"	v pf	–	1816 and 1822?	Vocal	1822	–
D.478/1	–	Harfenspieler I (“Wer sich der Einsamkeit ergibt”)	v pf	A minor	1816	Vocal	1895	2nd setting - 1st version
D.478/1	Op.012/1	Harfenspieler I (“Wer sich der Einsamkeit ergibt”)	v pf	A minor	1822?	Vocal	1822	2nd setting - 2nd version
D.478/1	–	Harfenspieler I (“Wer sich der Einsamkeit ergibt”)	v pf	G minor	–	Vocal	1970	2nd setting - modified 2nd version
D.478/2 [480]	–	Harfenspieler III (“Wer nie sein Brot mit Tränen ass”)	v pf	A minor	1816	Vocal	1895	1st setting
D.478/2	–	Harfenspieler III (“Wer nie sein Brot mit Tränen ass”)	v pf	A minor	1816	Vocal	1895	2nd setting; formerly D.480
D.478/2	Op.012/2	Harfenspieler III (“Wer nie sein Brot mit Tränen ass”)	v pf	A minor	1822?	Vocal	1822	3rd setting; formerly D.480
D.478/2	–	Harfenspieler III (“Wer nie sein Brot mit Tränen ass”)	v pf	E minor	–	Vocal	1970	modified 3rd setting; formerly D.480
D.478/3	–	Harfenspieler II (“An die Türen will ich schleichen”)	v pf	A minor	1816	Vocal	1895	1st version; formerly D.479
D.478/3	Op.012/3	Harfenspieler II (“An die Türen will ich schleichen”)	v pf	A minor	1822?	Vocal	1822	2nd version; formerly D.479
D.478/3	–	Harfenspieler II (“An die Türen will ich schleichen”)	v pf	F minor	–	Vocal	1970	modified 2nd version; formerly D.479
D.479	–	–	–	–	–	–	–	now D.478/3
D.480	–	–	–	–	–	–	–	now D.478/2
D.481	–	Sehnsucht (“Nur wer die Sehnsucht kennt”), Lied der Mignon	v pf	A minor	1816	Vocal	1895	3rd setting
D.482	–	Der Sänger am Felsen (“Klage, meine Flöte, klage”)	v pf	E minor	1816	Vocal	1895	–
D.483	–	Lied (Ferne von der grossen Stadt) (“Ferne von der grossen Stadt”)	v pf	E major	1816	Vocal	1895	–
D.484	–	Gesang der Geister über den Wassern (“Des Menschen Seele gleicht dem Wasser”)	v pf	E minor	1816	Vocal	1895	1st setting; fragment
D.485	–	Symphony No.5	orch	B♭ major	1816	Orchestral	1885	–
D.486	–	Magnificat (“Magnificat anima mea Dominum”)	sop alt ten bass ch org orch	C major	1815	Vocal	1888	–
D.487	–	Adagio e Rondo concertante	vn va vc pf	F major	1816	Chamber	1865	–
D.488	–	Auguste jam coelestium (“Auguste jam coelestium”)	sop ten orch	G major	1816	Vocal	1888	offertory
D.489	–	Der Wanderer (“Ich komme vom Gebirge her”), Der Unglückliche	v pf	C♯ minor/ E major	1816	Vocal	1895	1st version
D.489	–	Der Wanderer (“Ich komme vom Gebirge her”), Der Unglückliche	v pf	B minor/ D major	1818?	Vocal	1970	2nd version; formerly D.493
D.489	Op.004/1	Der Wanderer (“Ich komme vom Gebirge her”), Der Unglückliche	v pf	C♯ minor/ E major	–	Vocal	1821	3rd version; formerly D.493
D.490	–	Der Hirt (“Du Turm, zu meinem Leide”)	v pf	F major	1816	Vocal	1895	–
D.491	–	Geheimnis (“Sag an, wer lehrt dich Lieder”)	v pf	B♭ major/ F major	1816	Vocal	1887	–
D.492	–	Zum Punsche (“Woget brausend, Harmonien”)	v pf	D minor	1816	Vocal	1849	–
D.493	–	–	–	–	–	–	–	now D.489 (2nd and 3rd versions)
D.494	–	Der Geistertanz (“Die bretterne Kammer der Toten erbebt”)	2ten 3bass	C minor/ A♭ major	1816	Vocal	1871	4th setting
D.495	–	Abendlied der Fürstin (“Der Abend rötet nun das Tal”)	v pf	F major	1816	Vocal	1868	–
D.496	–	Bei dem Grabe meines Vaters (“Friede sei um diesen Grabstein her!”)	v pf	E♭ major	1816	Vocal	1885	–
D.496a	–	Klage um Ali Bey (“Lasst mich! Lasst mich! ich will klagen”)	v pf	E♭ minor	1816?	Vocal	1968	2nd version
D.497	Op.098/1	An die Nachtigall (“Er liegt und schläft”)	v pf	G major	1816	Vocal	1829	–
D.498	Op.098/2	Wiegenlied (“Schlafe, schlafe, holder süsser Knabe”)	v pf	A♭ major	1816	Vocal	1829	–
D.499	–	Abendlied (“Der Mond is aufgegangen”)	v pf	B♭ major	1816	Vocal	1885	–
D.500	–	Phidile (“Ich war erst sechzehn Sommer alt”)	v pf	G♭ major	1816	Vocal	1895	–
D.501	–	Zufriedenheit (“Ich bin vergnügt”)	v pf	E major	1816	Vocal	1895	2nd setting - 1st version
D.501	–	Zufriedenheit (“Ich bin vergnügt”)	v pf	G major	1816?	Vocal	1999	2nd setting - 2nd version
D.502	–	Herbstlied (“Bunt sind schon die Wälder”)	v pf	G major	1816	Vocal	1872	–
D.503	–	Mailied (“Grüner wird die Au und der Himmel”)	v pf	G major	1816	Vocal	1967	3rd setting
D.504	Op.006/3	Am Grabe Anselmos (“Dass ich dich verloren habe”)	v pf	E♭ minor	1816	Vocal	1821	1st version
D.504	–	Am Grabe Anselmos (“Dass ich dich verloren habe”)	v pf	E♭ minor	1816?	Vocal	1970	2nd version
D.505	–	Adagio	pf	D♭ major	1818?	Keyboard	1897	probably movt. II of D.625
D.505	Op.145/1*	Adagio	pf	E major	–	Keyboard	1848	published by Anton Diabelli in E major, in an abridged form
D.506	Op.145/2*	Rondo	pf	E major	1817?	Keyboard	1848	probably movt. IV of D.566
D.507	–	Skolie (“Mädchen entsiegelten, Brüder, die Flaschen”)	v pf	G major	1816	Vocal	1895	–
D.508	–	Lebenslied (“Kommen und scheiden, suchen und meiden”)	v pf	C major	1816	Vocal	1845	2nd setting
D.509	–	Leiden der Trennung (“Vom Meere trennt sich die Welle”)	v pf	G minor/ B♭ major	1816	Vocal	1999	1st version
D.509	–	Leiden der Trennung (“Vom Meere trennt sich die Welle”)	v pf	G minor/ B♭ major	1816	Vocal	1872	2nd version
D.510	–	Vedi quanto t'adoro (“Vedi quanto t'adoro”)	sop pf	E♭ major/ F minor	1816?	Vocal	1999	1st version; fragment
D.510	–	Vedi quanto t'adoro (“Vedi quanto t'adoro”)	sop pf	E♭ major/ F minor	1816?	Vocal	1960 ca.	2nd version; fragment
D.510	–	Vedi quanto adoro (“Vedi quanto adoro”)	sop pf	E♭ major/ F minor	1816	Vocal	1999	3rd version; fragment
D.510	–	Vedi quanto adoro (“Vedi quanto adoro”)	sop pf	E♭ major/ F minor	1816	Vocal	1895	4th version
D.511	–	Ecossaise	pf	E♭ major	1817 ca.	Keyboard	1956	–
D.512	–	–	–	–	–	–	–	now D.Anh.I/28
D.513	–	La pastorella al prato (“La pastorella al prato”), La Pastorella	2ten 2bass pf	C major	1817?	Vocal	1891	1st setting
D.513a	–	Nur wer die Liebe kennt (“Nur wer die Liebe kennt”)	v pf	A♭ major	1817?	Vocal	1974	sketch
D.514	Op.007/1	Die abgeblühte Linde (“Wirst du halten, was du schwurst”)	v pf	A minor/ C major	1817?	Vocal	1821	–
D.515	Op.007/2	Der Flug der Zeit (“Es floh die Zeit im Wirbelfluge”)	v pf	A major	1817?	Vocal	1821	–
D.516	Op.008/2	Sehnsucht (“Der Lerche wolkennahe Lieder”)	v pf	C major/ G major	1816?	Vocal	1822	–
D.517	–	Der Schäfer und der Reiter (“Ein Schäfer sass im Grünen”)	v pf	E major/E minor	1817	Vocal	1972	1st version
D.517	Op.013/1	Der Schäfer und der Reiter (“Ein Schäfer sass im Grünen”)	v pf	E major/E minor	1817	Vocal	1822	2nd version
D.518	–	An den Tod (“Tod, du Schrecken der Natur”)	bass pf	B major	1816 or 1817	Vocal	1824	–
D.519	Op.173/5*	Die Blumensprache (“Es deuten die Blumen des Herzens Gefühle”)	v pf	B♭ major	1817?	Vocal	1867	–
D.520	–	Frohsinn (“Ich bin von lockerem Schlage”)	v pf	F major	1817	Vocal	1895	1st version
D.520	–	Frohsinn (“Ich bin von lockerem Schlage”)	v pf	F major	–	Vocal	1850	2nd version
D.521	–	Jagdlied (“Trarah! Trarah! Wir kehren daheim”)	uch pf	F major	1817	Vocal	1895	–
D.522	–	Die Liebe (“Wo weht der Liebe hoher Geist?”)	v pf	G major	1817	Vocal	1895	–
D.523	–	Trost (“Nimmer lange weil’ ich hier”)	v pf	E major	1817	Vocal	1885	–
D.524	–	Der Alpenjäger (“Auf hohen Bergesrücken”)	v pf	E major	1817	Vocal	1895	1st version
D.524	–	Der Alpenjäger (“Auf hohen Bergesrücken”)	bass pf	D major	1818?	Vocal	1970	2nd version
D.524	Op.013/3	Der Alpenjäger (“Auf hohen Bergesrücken”)	v pf	F major	–	Vocal	1822	3rd version
D.525	–	Wie Ulfru fischt (“Der Angel zuckt, die Rute bebt”)	bass pf	D minor	1817	Vocal	1970	1st version
D.525	Op.021/3	Wie Ulfru fischt (“Der Angel zuckt, die Rute bebt”)	bass pf	D minor	1817	Vocal	1823	2nd version
D.526	–	Fahrt zum Hades (“Der Nachen dröhnt”)	bass pf	F major	1817	Vocal	1832	–
D.527	–	Schlaflied (“Es mahnt der Wald”), Abendlied or Schlummerlied	v pf	F major	1817	Vocal	1975	1st version
D.527	Op.024/2	Schlaflied (“Es mahnt der Wald”), Abendlied or Schlummerlied	v pf	F major	1817	Vocal	1823	2nd version
D.528	–	La pastorella al prato (“La pastorella al prato”), La Pastorella	sop pf	G major	1817	Vocal	1872	2nd setting
D.529	–	Ecossaises (8)	pf	–	1817	Keyboard	1871	–
D.530	Op.109/3*	An eine Quelle (“Du kleine grünumwachs’ne Quelle”)	v pf	A major	1817	Vocal	1829	–
D.531	Op.007/3	Der Tod und das Mädchen (“Vorüber, ach vorüber”)	v pf	D minor	1817	Vocal	1821	–
D.532	–	Das Lied vom Reifen (“Seht meine lieben Bäume an”)	v pf	A♭ major	1817	Vocal	1895	fragment
D.533	–	Täglich zu singen (“Ich danke Gott und freue mich”)	v pf	F major	1817	Vocal	1895	–
D.534	–	Die Nacht (“Die Nacht ist dumpfig und finster”)	v pf	G minor/ F major	1817	Vocal	1830	–
D.535	–	Lied (Brüder, schrecklich brennt die Träne) (“Brüder, schrecklich brennt die Träne”)	sop orch	G minor/ B♭ major	1817	Vocal	1895	–
D.536	–	Der Schiffer (“Im winde, im Sturme”)	bass pf	E♭ major	1817?	Vocal	1970	1st version
D.536	Op.021/2	Der Schiffer (“Im winde, im Sturme”)	bass pf	E♭ major	–	Vocal	1823	2nd version
D.537	Op.164*	Piano Sonata	pf	A minor	1817	Keyboard	1852 ca.	–
D.538	–	Gesang der Geister über den Wassern (“Des Menschen Seele gleicht dem Wasser”)	2ten 2bass	A major	1817	Vocal	1891	2nd setting
D.539	Op.008/4	Am Strome (“Ist mir’s doch, als sei mein Leben”)	v pf	B major	1817	Vocal	1822	–
D.540	–	Philoktet (“Da sitz’ ich ohne Bogen”)	v pf	B minor	1817	Vocal	1831	–
D.541	Op.006/1	Memnon (“Den Tag hindurch nur einmal mag ich sprechen”)	v pf	D♭ major	1817	Vocal	1821	–
D.542	Op.006/2	Antigone und Oedip (“Ihr hohen Himmlischen”)	v pf	C major	1817	Vocal	1821	–
D.543	–	Auf dem See (“Und frische Nahrung”)	v pf	E major	1817	Vocal	1895	1st version
D.543	Op.092/2	Auf dem See (“Und frische Nahrung”)	v pf	E♭ major	1817	Vocal	1828	2nd version
D.544	Op.019/3	Ganymed (“Wie im Morgenglanze”)	v pf	A♭ major/ F major	1817	Vocal	1825	–
D.545	–	Der Jüngling und der Tod (“Die Sonne sinkt, o könnt ich”)	2vv pf	C♯ minor/ B♭ major	1817	Vocal	1895	1st version
D.545	–	Der Jüngling und der Tod (“Die Sonne sinkt, o könnt ich”)	v pf	C♯ minor/ F major	1817	Vocal	1872	2nd version
D.546	–	Trost im Liede (“Braust des Unglücks Sturm empor”)	v pf	F major	1817	Vocal	1985	1st version
D.546	Op.101/3*	Trost im Liede (“Braust des Unglücks Sturm empor”)	v pf	F major	1817	Vocal	1827	2nd version
D.547	–	An die Musik (“Du holde Kunst”)	v pf	D major	1817	Vocal	1895	1st version
D.547	Op.088/4	An die Musik (“Du holde Kunst”)	v pf	D major	1817	Vocal	1827	2nd version
D.548	–	Orest (“Ist dies Tauris”)	v pf	E♭ major/ D major	1817	Vocal	1831	also appears as "Orest auf Tauris"
D.549	–	Mahomets Gesang (“Seht den Felsenquell”)	v pf	E major	1817	Vocal	1895	1st setting; fragment
D.550	–	Die Forelle (“In einem Bächlein helle”)	v pf	D♭ major	1816-17	Vocal	1895	1st version
D.550	–	Die Forelle (“In einem Bächlein helle”)	v pf	D♭ major	1816-17	Vocal	1895	2nd version
D.550	–	Die Forelle (“In einem Bächlein helle”)	v pf	D♭ major	1818	Vocal	1895	3rd version
D.550	Op.032	Die Forelle (“In einem Bächlein helle”)	v pf	D♭ major	1820	Vocal	1820	4th version
D.550	–	Die Forelle (“In einem Bächlein helle”)	v pf	D♭ major	1821	Vocal	1975	5th version
D.551	–	Pax vobiscum (“Der Friede sei mit euch!”)	v pf	F major	1817	Vocal	1831	–
D.552	–	Hänflings Liebeswerbung (“Ahidi! ich liebe”)	v pf	A major	1817	Vocal	1970	1st version
D.552	Op.020/3	Hänflings Liebeswerbung (“Ahidi! ich liebe”)	v pf	A major	–	Vocal	1823	2nd version
D.553	Op.021/1	Auf der Donau (“Auf der Wellen Spiegel”)	bass pf	E♭ major/ F♯ minor	1817	Vocal	1823	–
D.554	–	Uraniens Flucht (“Lasst uns, ihr Himmlischen, ein Fest begehen!”)	v pf	D major/ B♭ major	1817	Vocal	1895	–
D.555	–	Song	v pf	A minor	1817?	Vocal	1934	sketch without text
D.556	–	Overture	orch	D major	1817	Orchestral	1886	–
D.557	–	Piano Sonata	pf	A♭ major	1817	Keyboard	1888	–
D.558	–	Liebhaber in allen Gestalten (“Ich wollt’, ich wär’ ein Fisch”)	v pf	A major	1817	Vocal	1887	–
D.559	–	Schweizerlied (“Uf’m Bergli bin i g’sässe”)	v pf	F major	1817	Vocal	1885	–
D.560	–	Der Goldschmiedsgesell (“Es ist doch meine Nachbarin”)	v pf	F major	1817	Vocal	1850	–
D.561	–	Nach einem Gewitter (“Auf den Blumen”)	v pf	F major	1817	Vocal	1872	–
D.562	–	Fischerlied (“Das Fischergewerbe gibt rüstigen Mut”)	v pf	F major	1817	Vocal	1895	3rd setting
D.563	–	Die Einsiedelei (“Es rieselt klar und wehend ein Quell”)	v pf	C major	1817	Vocal	1887	3rd setting
D.564	–	Gretchen im Zwinger (“Ach neige, du Schmerzensreiche”), Gretchens Bitte	v pf	B♭ minor	1817	Vocal	1838	fragment
D.565	–	Der Strom (“Mein Leben wälzt sich murrend fort”)	bass pf	D minor	1817	Vocal	1876	–
D.566	–	Piano Sonata	pf	E minor	1817	Keyboard	1888	unfinished? – movts. I-III are extant; D.506 is probably movt. IV
D.567	–	–	–	–	–	–	–	now D.568 (1st version)
D.568	–	Piano Sonata	pf	D♭ major	1817	Keyboard	1897	1st version; 2 versions of movt. I; movt. III is a fragment; formerly D.567; related to D.593/2?
D.568	Op.122*	Piano Sonata	pf	E♭ major	1825-26(?)	Keyboard	1829	2nd version
D.569	–	Das Grab (“Das Grab ist tief und stille”)	uch pf	C♯ minor	1817	Vocal	1895	4th setting; for unison male chorus and piano
D.570	–	Allegro and Scherzo	pf	–	1817	Keyboard	1897	the "Allegro" is a fragment; probably movts. III and IV of D.571
D.570/1	–	Allegro	pf	F♯ minor	1817	Keyboard	1897	fragment; probably movt. IV of D.571
D.570/2	–	Scherzo	pf	D major	1817	Keyboard	1897	probably movt. III of D.571
D.571	–	Piano Sonata	pf	F♯ minor	1817	Keyboard	1897	fragment of movt. I is extant; D.604 and D.570 probably constitute the remaining movts.
D.572	–	Lied im Freien (“Wie schön ist’s im Freien”)	2ten 2bass	F major	1817	Vocal	1872	2nd setting
D.573	–	Iphigenia (“Blüht denn hier an Tauris Strande”)	v pf	G♭ major/ D♭ major	1817	Vocal	1895	1st version
D.573	–	Iphigenia (“Blüht denn hier an Tauris Strande”)	v pf	E♭ major/ B♭ major	–	Vocal	1985	2nd version
D.573	Op.098/3	Iphigenia (“Blüht denn hier an Tauris Strande”)	v pf	F major/ C major	–	Vocal	1829	3rd version
D.574	Op.162*	Violin Sonata, Duo	vn pf	A major	1817	Chamber	1851	–
D.575	Op.147*	Piano Sonata	pf	B major	1817	Keyboard	1846	–
D.576	–	Variations on a Theme by Anselm Hüttenbrenner (13)	pf	A minor	1817	Keyboard	1867	–
D.577	–	Entzückung an Laura (“Laura, über diese Welt”)	v pf	A major/ G major(?)	1817	Vocal	1895	2nd setting; 2 fragments of a sketch; also appears as "Die Entzückung an Laura"
D.578	–	Abschied (“Lebe wohl! Du lieber Freund!”)	v pf	B minor	1817	Vocal	1838	–
D.579	–	Der Knabe in der Wiege (“Er schläft so süss”)	v pf	C major	1817	Vocal	1872	1st version
D.579	–	Der Knabe in der Wiege (“Er schläft so süss”)	v pf	A♭ major	1817	Vocal	1894	2nd version; fragment
D.579a	–	Vollendung (“Wenn ich einst das Ziel errungen habe”)	v pf	A major	1817?	Vocal	1970	formerly D.989
D.579b	–	Die Erde (“Wenn sanft entzückt mein Auge sieht”)	v pf	E major	1817?	Vocal	1970	formerly D.989a
D.580	–	Polonaise	vn orch	B♭ major	1817	Orchestral	1928	–
D.581	–	String Trio	vn va vc	B♭ major	1817	Chamber	1897	1st version
D.581	–	String Trio	vn va vc	B♭ major	1817?	Chamber	1981	2nd version
D.582	–	–	–	–	–	–	–	now D.990b
D.583	Op.024/1	Gruppe aus dem Tartarus (“Horch wie Murmeln des empörten Meeres”)	v pf	C major	1817	Vocal	1823	2nd setting
D.584	–	Elysium (“Vorüber die stöhnende Klage!”)	v pf	E major/ A major	1817	Vocal	1830	–
D.585	–	Atys (“Der Knabe seufzt übers grüne Meer”)	v pf	A minor	1817	Vocal	1833	–
D.586	Op.008/3	Erlafsee (“Mir ist so wohl”)	v pf	F major	1817	Vocal	1818	–
D.587	–	An den Frühling (“Willkommen, schöner Jüngling!”)	v pf	A major	1817	Vocal	1885	3rd setting - 1st version
D.587	–	An den Frühling (“Willkommen, schöner Jüngling!”)	v pf	B♭ major	1819?	Vocal	1895	3rd setting - 2nd version; formerly D.245
D.588	–	Der Alpenjäger (“Willst du nicht das Lämmlein hüten?”)	v pf	E♭ major/ G major	1817	Vocal	1975	1st version
D.588	Op.037/2	Der Alpenjäger (“Willst du nicht das Lämmlein hüten?”)	v pf	C major/ A major	–	Vocal	1825	2nd version
D.589	–	Symphony No.6, Kleine C-Dur-Sinfonie (Little C major Symphony)	orch	C major	1817–18	Orchestral	1885	–
D.590	–	Overture "in the Italian Style"	orch	D major	1817	Orchestral	1886	–
D.591	Op.170*	Overture "in the Italian Style"	orch	C major	1817	Orchestral	1865	–
D.592	–	Overture "in the Italian Style"	pf4h	D major	1817	Keyboard	1872	version for piano duet of D.590
D.593	–	Scherzos (2)	pf	–	1817	Keyboard	1871	–
D.593/1	–	Scherzo	pf	B♭ major	1817	Keyboard	1871	–
D.593/2	–	Scherzo	pf	D♭ major	1817	Keyboard	1871	related to D.568 (1st version)?
D.594	Op.110*	Der Kampf (“Nein, länger werd’ ich diesen Kampf nicht kämpfen”)	bass pf	D minor	1817	Vocal	1829	–
D.595	–	Thekla (eine Geisterstimme) (“Wo ich sei, und wo mich hingewendet”)	v pf	C♯ minor/ C♯ major	1817	Vocal	1895	2nd setting - 1st version
D.595	Op.088/2	Thekla (eine Geisterstimme) (“Wo ich sei und wo mich hingewendet”)	v pf	C minor/ C major	–	Vocal	1827	2nd setting - 2nd version
D.596	–	Lied eines Kindes (“Lauter Freude fühl’ ich”)	v pf	B♭ major	1817	Vocal	1895	fragment
D.597	–	Overture "in the Italian Style"	pf4h	C major	1817	Keyboard	1872	version for piano duet of D.591
D.597a	–	Variations	vn	A major	1817	Chamber	lost	sketch
D.598	–	Das Dörfchen (“Ich rühme mir mein Dörfchen hier”)	2ten 2bass pf	D major	1817	Vocal	1891	1st version; sketch without the piano part
D.598	Op.011/1	Das Dörfchen (“Ich rühme mir mein Dörfchen hier”)	2ten 2bass pf	D major	–	Vocal	1822	2nd version; formerly D.641
D.598a	–	–	–	–	–	–	–	now D.Anh.I/32
D.599	Op.075	Polonaises (4)	pf4h	–	1818	Keyboard	1827	–
D.600	–	Minuet	pf	C♯ minor	1814?	Keyboard	1897	the Trio, D.610 has been associated to this Minuet
D.601	–	–	–	–	–	–	–	now D.470 (version for string quartet)
D.602	Op.027	Marches Héroiques (3)	pf4h	–	1818 or 1824	Keyboard	1824	–
D.603	–	–	–	–	–	–	–	now D.968a
D.604	–	Piano Piece	pf	A major	1816 or 1817	Keyboard	1888	also appears as "Andante"; probably movt. II of D.571
D.605	–	Fantasy	pf	C major	1821–23	Keyboard	1897	fragment
D.605a	–	Fantasy, Grazer Fantasie	pf	C major	1818?	Keyboard	1969	–
D.606	–	March	pf	E major	1818?	Keyboard	1840	–
D.607	–	Evangelium Johannis 6, Vers 55–58 (“In der Zeit sprach der Herr Jesus”)	v bc	E major	1818	Vocal	1983	basso continuo usually realized for piano
D.608	–	Rondo, Notre amitié est invariable	pf4h	D major	1818	Keyboard	2007	1st version; fragment
D.608	Op.138*	Rondo, Notre amitié est invariable	pf4h	D major	–	Keyboard	1834	2nd version
D.609	–	Die Geselligkeit (“Wer Lebenslust fühlet”), Lebenslust	sop alt ten bass pf	D major	1818	Vocal	1872	–
D.609	–	Die Geselligkeit (“Im traulichen Kreise”)	sop alt ten bass pf	D major	1818	Vocal	1872	2nd part of the first verse; formerly D.665
D.610	–	Trio, Zu betrachten als verlorener Sohn eines Menuetts (to be regarded as the lost son of a minuet)	pf	E major	1818	Keyboard	1889	the Minuet, D.600 has been associated to this Trio
D.611	–	Auf der Riesenkoppe (“Hoch auf dem Gipfel deiner Gebirge”)	v pf	D minor/ B♭ major	1818	Vocal	1850 ca.	–
D.612	–	Adagio	pf	E major	1818	Keyboard	1869	probably movt. II of D.613
D.613	–	Piano Sonata	pf	C major	1818	Keyboard	1897	fragments of 2 movts. are extant; D.612 is probably movt. II
D.614	–	An den Mond in einer Herbstnacht (“Freundlich ist dein Antlitz”)	v pf	A major	1818	Vocal	1832	–
D.615	–	Symphony	orch	D major	1818	Orchestral	1978	fragment; piano sketches of 2 movts. are extant
D.616	–	Grablied für die Mutter (“Hauche milder, Abendluft”)	v pf	B minor/ B major	1818	Vocal	1838	–
D.617	Op.030	Sonata	pf4h	B♭ major	1818	Keyboard	1823	–
D.618	–	German Dance and Ländler (1,2)	pf4h	–	1818	Keyboard	1909	–
D.618a	–	Polonaise	pf4h	B♭ major	1818	Keyboard	1972	fragment; Trio also used in D.599/4
D.619	–	Vocal Exercises	2vv bc	C major	1818	Vocal	1965	basso continuo usually realized for piano
D.620	–	Einsamkeit (“Gib mir die Fülle der Einsamkeit!”)	v pf	B♭ major/ G major	1818	Vocal	1840	–
D.621	–	Deutsche Trauermesse, Deutsches Requiem	sop alt ten bass ch org	G minor	1818	Vocal	1826	–
D.622	–	Der Blumenbrief (“Euch Blümlein will ich senden”)	v pf	D major	1818	Vocal	1833	–
D.623	–	Das Marienbild (“Sei gegrüsst, du Frau der Huld”)	v pf	C major	1818	Vocal	1831	–
D.624	Op.010	Variations on a French Song (8)	pf4h	E minor	1818	Keyboard	1822	2 versions of the Theme
D.625	–	Piano Sonata	pf	F minor	1818	Keyboard	1897	unfinished – a complete movt. and 2 fragments are extant; D.505 is probably movt. II
D.626	–	Blondel zu Marien (“In düstrer Nacht”)	v pf	E♭ minor/ E♭ major	1818	Vocal	1842	–
D.627	Op.173/6*	Das Abendrot (“Du heilig, glühend Abendrot!”)	bass pf	E major	1818	Vocal	1867	–
D.628	–	Sonnet (“Apollo, lebet noch dein hold Verlangen”)	v pf	B♭ major	1818	Vocal	1895	also appears as "Sonett I"
D.629	–	Sonnet (“Allein, nachdenklich, wie gelähmt vom Krampfe”)	v pf	G minor	1818	Vocal	1895	also appears as "Sonett II"
D.630	–	Sonnet (“Nunmehr, da Himmel, Erde schweigt”)	v pf	C major	1818	Vocal	1895	also appears as "Sonett III"
D.631	–	Blanka (“Wenn mich einsam Lüfte fächeln”), Das Mädchen	v pf	A minor	1818	Vocal	1885	–
D.632	–	Vom Mitleiden Mariä (“Als bei dem Kreuz Maria stand”)	v pf	G minor	1818	Vocal	1831	–
D.633	Op.057/1	Der Schmetterling (“Wie soll ich nicht tanzen”)	v pf	F major	1819-23(?)	Vocal	1826	–
D.634	Op.057/2	Die Berge (“Sieht uns der Blick gehoben”)	v pf	G major	1819-23(?)	Vocal	1826	–
D.635	–	Leise, leise lasst uns singen (“Leise, leise lasst uns singen”), Ruhe	2ten 2bass	C major	1819 ca.	Vocal	1906	–
D.636	–	Sehnsucht (“Ach, aus dieses Tales Gründen”)	v pf	B minor/ E major	1821?	Vocal	1975	2nd setting - 1st version
D.636	–	Sehnsucht (“Ach, aus dieses Tales Gründen”)	v pf	B minor/ E major	–	Vocal	1895	2nd setting - 2nd version
D.636	Op.039	Sehnsucht (“Ach, aus dieses Tales Gründen”)	v pf	B minor/ E major	–	Vocal	1826	2nd setting - 3rd version
D.637	Op.087/2	Hoffnung (“Es reden und träumen die Menschen viel”)	v pf	B♭ major	–	Vocal	1827	2nd setting
D.638	–	Der Jüngling am Bache (“An der Quelle sass der Knabe”)	v pf	D minor	1819	Vocal	1895	3rd setting - 1st version
D.638	Op.087/3	Der Jüngling am Bache (“An der Quelle sass der Knabe”)	v pf	C minor	–	Vocal	1827	3rd setting - 2nd version
D.639	–	Widerschein (“Fischer harrt am Brückenbogen”)	v pf	D major	–	Vocal	1820	1st version
D.639	–	Widerschein (“Fischer harrt am Brückenbogen”)	v pf	B♭ major	1828?	Vocal	1985	2nd version - original text; formerly D.949
D.639	–	Widerschein (“Tom lehnt harrend auf der Brücke”)	v pf	B♭ major	1828?	Vocal	1832	2nd version - 1st text revision; formerly D.949
D.639	–	Widerschein (“Harrt ein Fischer auf der Brücke”)	v pf	B♭ major	–	Vocal	1895	2nd version - 2nd text revision; formerly D.949
D.640	–	–	–	–	–	–	–	now D.980a
D.641	–	–	–	–	–	–	–	now D.598 (2nd version)
D.642	–	Viel tausend Sterne prangen (“Viel tausend Sterne prangen”)	sop alt ten bass pf	D major	1812?	Vocal	1937	–
D.643	–	German Dance and Ecossaise	pf	–	1819	Keyboard	1889	–
D.643a	–	Das Grab (“Das Grab ist tief und stille”)	sop alt ten bass	E♭ major	1819	Vocal	1972	5th setting
D.644	–	Die Zauberharfe	ten 6nar ch orch	–	1820	Stage	1855 ca.	music for zauberspiel in 3 acts: overtures to the 1st and 3rd acts, and 13 numbers; overture to Act I, known as the "Rosamunde" overture, also used in D.797
D.645	–	Abend (“Wie ist es denn, dass trüb und schwer”)	v pf	G minor	1819	Vocal	1983 ca.	fragment of a sketch
D.646	–	Die Gebüsche (“Es wehet kühl und leise”)	v pf	G major	1819	Vocal	1885	–
D.647	–	Die Zwillingsbrüder	sop ten 3bass ch orch	–	1819	Stage	1889	singspiel in 1 act: overture and 10 numbers
D.648	–	Overture	orch	E minor	1819	Orchestral	1886	–
D.649	–	Der Wanderer (“Wie deutlich des Mondes Licht zu mir spricht”)	v pf	D major	1819	Vocal	1982	1st version
D.649	Op.065/2	Der Wanderer (“Wie deutlich des Mondes Licht zu mir spricht”)	v pf	D major	1819	Vocal	1826	2nd version
D.650	–	Abendbilder (“Still beginnt’s im Hain zu tauen”)	v pf	A minor/ A major	1819	Vocal	1831	–
D.651	–	Himmelsfunken (“Der Odem Gottes weht”)	v pf	B♭ major	1819	Vocal	1831	first published in G major
D.652	–	Das Mädchen (“Wie so innig, möcht ich sagen”)	v pf	A major	1819	Vocal	1842 ca.	1st version
D.652	–	Das Mädchen (“Wie so innig, möcht ich sagen”)	v pf	A major	–	Vocal	1996	2nd version
D.653	–	Bertas Lied in der Nacht (“Nacht umhüllt mit wehendem Flügel”)	v pf	G♭ major/ F♯ major	1819	Vocal	1842 ca.	–
D.654	–	An die Freunde (“Im Wald, im Wald, da grabt mich ein”)	v pf	A minor/ A major	1819	Vocal	1842 ca.	–
D.655	–	Piano Sonata	pf	C♯ minor	1819	Keyboard	1897	fragment of movt. I is extant
D.656	–	Sehnsucht (“Nur wer die Sehnsucht kennt”)	2ten 3bass	E major	1819	Vocal	1867	4th setting
D.657	–	Ruhe, schönstes Glück der Erde (“Ruhe, schönstes Glück der Erde”)	2ten 2bass	C major	1819	Vocal	1871	–
D.658	–	Geistliches Lied (“Ich sehe dich in tausend Bildern”)	v pf	D major	1819?	Vocal	1895	formerly titled "Marie"
D.659	–	Hymne (“Wenige wissen das Geheimnis der Liebe”)	v pf	A minor/ F major	1819	Vocal	1872	also appears as "Hymne I"
D.660	–	Geistliches Lied (“Wenn ich ihn nur habe”)	v pf	B♭ minor/ B♭ major	1819	Vocal	1872	also appears as "Hymne II"
D.661	–	Geistliches Lied (“Wenn alle untreu werden”)	v pf	B♭ minor/ B♭ major	1819	Vocal	1872	also appears as "Hymne III"
D.662	–	Geistliches Lied (“Ich sag’ es jedem, dass er lebt”)	v pf	A major	1819	Vocal	1872	also appears as "Hymne IV"
D.663	–	Der 13. Psalm (“Ach Herr, wie lange willst du mein so ganz vergessen?”)	v pf	B♭ minor	1819	Vocal	1927 ca.	fragment
D.664	Op.120*	Piano Sonata	pf	A major	1819 or 1825	Keyboard	1829	–
D.665	–	–	–	–	–	–	–	now belongs to D.609
D.666	Op.158*	Kantate zum Geburtstag des Sängers Johann Michael Vogl (“Sänger, der von Herzen singet”), Der Frühlingsmorgen	sop ten bass pf	C major	1819	Vocal	1849	–
D.667	Op.114*	Piano Quintet, Forellenquintett (Trout Quintet)	vn va vc db pf	A major	1819?	Chamber	1829	–
D.668	–	Overture	pf4h	G minor	1819	Keyboard	1897	–
D.669	–	Beim Winde (“Es traümen die Wolken”)	v pf	G minor/ G major	1819	Vocal	1829	–
D.670	–	Die Sternennächte (“In monderhellten Nächten”)	v pf	D♭ major	1819	Vocal	1895	1st version
D.670	Op.165/2*	Die Sternennächte (“In monderhellten Nächten”)	v pf	B♭ major	–	Vocal	1862	2nd version
D.671	–	Trost (“Hörnerklänge rufen klagend”)	v pf	E♭ major	1819	Vocal	1849	–
D.672	–	Nachtstück (“Wenn über Berge sich der Nebel breitet”)	v pf	C♯ minor	1819	Vocal	1895	1st version
D.672	Op.036/2	Nachtstück (“Wenn über Berge sich der Nebel breitet”)	v pf	C minor	–	Vocal	1825	2nd version
D.673	–	Die Liebende schreibt (“Ein Blick von deinen Augen”)	v pf	B♭ major	1819	Vocal	1895	1st version
D.673	Op.165/1*	Die Liebende schreibt (“Ein Blick von deinen Augen”)	v pf	A major	–	Vocal	1832	2nd version
D.674	–	Prometheus (“Bedecke deinen Himmel, Zeus”)	bass pf	G minor/ C major	1819	Vocal	1850	–
D.675	Op.034	Overture	pf4h	F major	1819?	Keyboard	1825	–
D.676	Op.153*	Salve Regina (“Salve Regina”), Drittes Offertorium	sop str	A major	1819	Vocal	1845	offertory
D.677	–	Strophe aus ‘Die Götter Griechenlands' (“Schöne Welt, wo bist du?”)	v pf	A minor	1819	Vocal	1895	1st version
D.677	–	Strophe aus ‘Die Götter Griechenlands' (“Schöne Welt, wo bist du?”)	v pf	A minor	1819	Vocal	1848	2nd version
D.678	–	Mass (No.5)	sop alt ten bass ch org orch	A♭ major	1819	Vocal	1875	1st version
D.678	–	Mass (No.5)	sop alt ten bass ch org orch	A♭ major	1822	Vocal	1887	2nd version
D.679	–	–	–	–	–	–	–	now D.980b
D.680	–	–	–	–	–	–	–	now D.980c
D.681	–	Ländler (12)	pf	–	1815 ca.	Keyboard	1930	Nos.5–12 are extant
D.682	–	UberÜber allen Zauber Liebe (“Sie hüpfte mit mir auf grünem Plan”)	v pf	G major	1820?	Vocal	1895	fragment
D.683	–	–	–	–	–	–	–	now belongs to D.732/11
D.684	–	Die Sterne (“Du staunest, o Mensch”)	v pf	E♭ major	1820	Vocal	1850	–
D.685	Op.004/2	Morgenlied (“Eh’ die Sonne früh aufersteht”)	v pf	A minor/ A major	1820	Vocal	1821	–
D.686	–	Frühlingsglaube (“Die linden Lüfte sind erwacht”)	v pf	B♭ major	1820	Vocal	1970	1st version
D.686	–	Frühlingsglaube (“Die linden Lüfte sind erwacht”)	v pf	B♭ major	1820?	Vocal	1895	2nd version
D.686	Op.020/2	Frühlingsglaube (“Die linden Lüfte sind erwacht”)	v pf	A♭ major	1822	Vocal	1823	3rd version
D.687	–	Nachthymne (“Hinüber wall’ ich”)	v pf	D major	1820	Vocal	1872	–
D.688	–	Canzonen (4)	v pf	–	1820	Vocal	1871	–
D.688/1	–	Non t'accostar all'urna (“Non t'accostar all'urna”)	v pf	C major	1820	Vocal	1871	–
D.688/2	–	Guarda, che bianca luna (“Guarda, che bianca luna”)	v pf	G major	1820	Vocal	1871	–
D.688/3	–	Da quel sembiante appresi (“Da quel sembiante appresi”)	v pf	B♭ major	1820	Vocal	1871	–
D.688/4	–	Mio ben, ricordati (“Mio ben, ricordati”)	v pf	B♭ minor/ B♭ major	1820	Vocal	1871	–
D.689	–	Lazarus, oder: Die Feier der Auferstehung	3sop 2ten bass ch orch	–	1820	Vocal	1865	oratorio in 3 acts; unfinished – Act I: 21 numbers, and 8 numbers from Act II are extant
D.690	–	Abendröte (“Tiefer sinket schon die Sonne”)	v pf	A major	1823	Vocal	1830	–
D.691	Op.172/6*	Die Vögel (“Wie lieblich und fröhlich”)	v pf	A major	1820	Vocal	1865	–
D.692	–	Der Knabe (“Wenn ich nur ein Vöglein wäre”)	v pf	A major	1820	Vocal	1872	–
D.693	–	Der Fluss (“Wie rein Gesang sich windet”)	v pf	B major	1820	Vocal	1872	–
D.694	–	Der Schiffer (“Friedlich lieg’ ich hingegossen”)	v pf	D major	1820	Vocal	1842	–
D.695	–	Namenstagslied (“Vater, schenk’ mir diese Stunde”)	v pf	A major	1820	Vocal	1895	–
D.696	Op.113*	Antiphonen zum Palmsonntag (6)	ch	–	1820	Vocal	1829	–
D.696/1	Op.113/1*	Hosanna filio David (“Hosanna filio David”)	ch	C major	1820	Vocal	1829	–
D.696/2	Op.113/2*	In monte Oliveti (“In monte Oliveti”)	ch	A minor	1820	Vocal	1829	–
D.696/3	Op.113/3*	Sanctus (“Sanctus, sanctus, sanctus”)	ch	F major	1820	Vocal	1829	–
D.696/4	Op.113/4*	Pueri Hebraeorum (“Pueri Hebraeorum”)	ch	G major	1820	Vocal	1829	–
D.696/5	Op.113/5*	Cum angelis et pueris (“Cum angelis et pueris”)	ch	C major	1820	Vocal	1829	–
D.696/6	Op.113/6*	Ingrediente Domino (“Ingrediente Domino”)	ch	C major	1820	Vocal	1829	–
D.697	–	Ecossaises (6)	pf	A♭ major	1820	Keyboard	1823	D.697/5 = D.145/35
D.698	–	Des Fräuleins Liebeslauschen (“Hier unten steht ein Ritter”)	v pf	A major	1820	Vocal	1832	also appears as "Liebeslauschen"
D.699	–	Der entsühnte Orest (“Zu meinen Füssen brichst du dich”)	v pf	C major	1820	Vocal	1831	–
D.700	–	Freiwilliges Versinken (“Wohin? o Helios!”)	v pf	D minor	1820	Vocal	1831	–
D.701	–	Sacontala	7sop 6ten 6bass 2nar ch orch	–	1820	Stage	1929	opera in 3 acts; unfinished – sketches of 11 numbers from Acts I and II are extant; also appears as "Sakontala" or "Sakuntala"
D.702	Op.008/1	Der Jüngling auf dem Hügel (“Ein Jüngling auf dem Hügel”)	v pf	G major	1820	Vocal	1822	–
D.703	–	String Quartet (No.12), Quartettsatz	2vn va vc	C minor	1820	Chamber	1870	unfinished – a complete movt. I and a fragment of movt. II are extant
D.704	–	–	–	–	–	–	–	now D.714 (1st version)
D.705	–	Gesang der Geister über den Wassern (“Des Menschen Seele gleicht dem Wasser”)	2ten 2bass pf	C♯ minor	1820	Vocal	1897	3rd setting; sketch
D.706	Op.132*	Der 23. Psalm (“Gott ist mein Hirt, mir wird nichts mangeln”)	2sop 2alt pf	A♭ major	1820	Vocal	1832	–
D.707	–	Der zürnenden Diana (“Ja, spanne nur den Bogen”)	v pf	A major	1820	Vocal	1895	1st version
D.707	Op.036/1	Der zürnenden Diana (“Ja, spanne nur den Bogen”)	v pf	A♭ major	1820	Vocal	1825	2nd version
D.708	–	Im Walde (“Windes Rauschen, Gottes Flügel”), Waldesnacht	v pf	E major	1820	Vocal	1832	–
D.708a	–	Symphony	orch	D major	1820 post	Orchestral	1978	fragment; piano sketches of all 4 movts. are extant
D.709	–	Frühlingsgesang (“Schmücket die Locken mit duftigen Kränzen”)	2ten 2bass	D major	1822	Vocal	1891	1st setting
D.710	–	Im Gegenwärtigen Vergangenes (“Ros und Lilie morgentaulich”)	2ten 2bass pf	D♭ major	1821?	Vocal	1849	–
D.711	–	Lob der Tränen (“Laue Lüfte, Blumendüfte”)	v pf	D major	1818?	Vocal	1970	1st version
D.711	Op.013/2	Lob der Tränen (“Laue Lüfte, Blumendüfte”)	v pf	D major	–	Vocal	1822	2nd version
D.712	–	Die gefangenen Sänger (“Hörst du von den Nachtigallen”)	v pf	G major	1821	Vocal	1842	–
D.713	–	Der Unglückliche (“Die Nacht bricht an”)	v pf	B minor	1821	Vocal	1895	1st version
D.713	Op.087/1	Der Unglückliche (“Die Nacht bricht an”)	v pf	B minor	1821	Vocal	1827	2nd version
D.714	–	Gesang der Geister über den Wassern (“Des Menschen Seele gleicht dem Wasser”)	4ten 4bass 2va 2vc bass	C major	1820	Vocal	1891	4th setting - 1st version; fragment; formerly D.704
D.714	Op.167*	Gesang der Geister über den Wassern (“Des Menschen Seele gleicht dem Wasser”)	4ten 4bass 2va 2vc bass	C major	1821	Vocal	1858	4th setting - 2nd version
D.715	–	Versunken (“Voll Locken kraus ein Haupt so rund”)	v pf	A♭ major	1821	Vocal	1845	1st version
D.715	–	Versunken (“Voll Locken kraus ein Haupt so rund”)	v pf	F major	1825	Vocal	1992	2nd version
D.716	–	Grenzen der Menschheit (“Wenn der uralte heilige Vater”)	bass pf	E major	1821	Vocal	1832	–
D.717	Op.031	Suleika II (“Ach um deine feuchten Schwingen”)	v pf	B♭ major	1821	Vocal	1825	–
D.718	–	Variation on a Waltz by Anton Diabelli	pf	C minor	1821	Keyboard	1824	written for "Vaterländischer Künstlerverein"
D.719	Op.014/2	Geheimes (“Über meines Liebchens Äugeln”)	v pf	A♭ major	1821	Vocal	1822	–
D.720	–	Suleika I (“Was bedeutet die Bewegung?”)	v pf	B minor/ B major	1821	Vocal	1970	1st version
D.720	Op.014/1	Suleika I (“Was bedeutet die Bewegung?”)	v pf	B minor/ B major	1821	Vocal	1822	2nd version
D.721	–	Mahomets Gesang (“Seht den Felsenquell”)	bass pf	C♯ minor	1821	Vocal	1895	2nd setting; fragment
D.722	–	German Dance	pf	G♭ major	1821	Keyboard	1889	–
D.723	–	Einlagen für Das Zauberglöckchen von Louis Joseph Ferdinand Hérold	2ten bass orch	–	1821	Stage	1893	2 additional numbers for "Das Zauberglöckchen", by Ferdinand Hérold
D.724	Op.011/2	Die Nachtigall (“Bescheiden verborgen im buschigten Gang”)	2ten 2bass pf	D major	1821?	Vocal	1822	–
D.725	–	Linde Weste wehen (“Linde Weste wehen”)	mez ten pf	B minor	1821	Vocal	1929	fragment; also appears as “Linde Lüfte wehen”
D.726	–	Mignon I (“Heiss mich nicht reden, heiss mich schweigen”)	v pf	B minor	1821	Vocal	1870	1st setting
D.727	–	Mignon II (“So lasst mich scheinen, bis ich werde”)	v pf	B minor/ B major	1821	Vocal	1850	2nd setting
D.728	–	Johanna Sebus (“Der Damm zerreisst”)	v pf	D minor	1821	Vocal	1895	fragment
D.729	–	Symphony No.7	orch	E major	1821	Orchestral	1885	fragment; sketches of all 4 movts. are extant. 1885 publication was a piano reduction of J.F. Barnett's completion
D.730	–	Tantum ergo (“Tantum ergo”)	sop alt ten bass ch org orch	B♭ major	1821	Vocal	1926	–
D.731	Op.173/4*	Der Blumen Schmerz (“Wie tönt es mir so schaurig”)	v pf	E minor	1821	Vocal	1821	–
D.732	–	Alfonso und Estrella	2sop 2ten bass 2bar ch orch	–	1821–22	Stage	1867	opera in 3 acts: overture and 34 numbers; overture arranged for piano as D.759a, for piano duet as D.773
D.732	–	Alfonso und Estrella No.8 "Arie: Doch im Getümmel der Schlacht"	bass pf	E♭ minor	1822?	Vocal	1833 ca.	version for bass and piano of No.8 from the opera
D.732	–	Alfonso und Estrella No.11 "Arie: Der Jäger ruhte hingegossen"	bryt orch	G major	1821–22	Vocal	1867	formerly D.683
D.732	–	Alfonso und Estrella No.13 "Arie: Wenn ich dich, Holde, sehe"	ten pf	C major	1822?	Vocal	1834 ca.	version for tenor and piano of No.13 from the opera
D.733	Op.051	Marches Militaires (3)	pf4h	–	1818?	Keyboard	1826	–
D.734	Op.067	Ländler and Ecossaises (16, 2), Wiener Damen-Ländler	pf	–	–	Keyboard	1826	–
D.735	Op.049	Galop and Ecossaises (1, 8)	pf	–	–	Keyboard	1825	–
D.736	–	Ihr Grab (“Dort ist ihr Grab”)	v pf	E♭ major	1822?	Vocal	1842	–
D.737	Op.056/2	An die Leier (“Ich will von Atreus Söhnen”)	v pf	E♭ major	1822 or 1823(?)	Vocal	1826	–
D.738	Op.056/3	Im Haine (“Sonnenstrahlen durch die Tannen”)	v pf	A major	1822 or 1823(?)	Vocal	1826	–
D.739	Op.045	Tantum ergo (“Tantum ergo”)	ch org orch	C major	1814	Vocal	1825	–
D.740	Op.016/1	Frühlingsgesang (“Schmücket die Locken mit duftigen Kränzen”)	2ten 2bass pf	D major	1822	Vocal	1823	2nd setting
D.741	Op.020/1	Sei mir gegrüsst (“O du Entriss’ne mir”)	v pf	B♭ major	1821–22	Vocal	1823	–
D.742	Op.068	Der Wachtelschlag (“Ach! mir schallt’s dorten”)	v pf	A major	–	Vocal	1822	–
D.743	Op.023/2	Selige Welt (“Ich treibe auf des Lebens Meer”)	bass pf	A♭ major	1822?	Vocal	1823	–
D.744	Op.023/3	Schwanengesang (“Wie klag’ ich’s aus das Sterbegefühl”)	v pf	A♭ major	1822?	Vocal	1823	–
D.745	Op.073	Die Rose (“Es lockte schöne Wärme”)	v pf	G major	1822	Vocal	1822	1st version
D.745	–	Die Rose (“Es lockte schöne Wärme”)	v pf	F major	1822	Vocal	1895	2nd version
D.746	–	Am See (“In des Sees Wogenspiele”)	v pf	E♭ major	1822 or 1823(?)	Vocal	1831	–
D.747	Op.011/3	Geist der Liebe (“Der Abend schleiert Flur und Hain”)	2ten 2bass pf	C major	1822	Vocal	1822	2nd setting
D.748	Op.157*	Am Geburtstage des Kaisers (“Steig empor, umblüht von Segen”)	sop alt ten bass ch orch	B♭ major	1822	Vocal	1822	–
D.749	–	Herrn Josef Spaun, Assessor in Linz (“Und nimmer schreibst du?”)	v pf	F minor/ C minor	1822	Vocal	1850	–
D.750	–	Tantum ergo (“Tantum ergo”)	ch org orch	D major	1822	Vocal	1888	–
D.751	Op.023/1	Die Liebe hat gelogen (“Die Liebe hat gelogen, die Sorge lastet schwer”)	v pf	C minor	1822	Vocal	1823	–
D.752	–	Nachtviolen (“Nachtviolen, Nachtviolen”)	v pf	C major	1822	Vocal	1872	–
D.753	Op.065/3	Heliopolis I (“Im kalten, rauhen Norden ist Kunde mir geworden”), Aus Heliopolis I or Im Hochgebirge	v pf	E minor/ E major	1822	Vocal	1826	–
D.754	–	Heliopolis II (“Fels auf Felsen hingewälzet”)	bass pf	C minor/ C major	1822	Vocal	1842	–
D.755	–	Mass	sop alt ten bass ch org str	A minor	1822	Vocal	1998	sketch of the "Kyrie" is extant
D.756	–	Du liebst mich nicht (“Mein Herz ist zerrissen, du liebst mich nicht!”)	v pf	G♯ minor	1822	Vocal	1895	1st version
D.756	Op.059/1	Du liebst mich nicht (“Mein Herz ist zerrissen, du liebst mich nicht!”)	v pf	A minor	1822	Vocal	1826	2nd version
D.757	Op.133*	Gott in der Natur (“Gross ist der Herr!”)	2sop 2alt pf	C major	1822	Vocal	1839	–
D.757a	–	March	pf	B minor	1822	Keyboard	1988	–
D.758	–	Todesmusik (“In des Todes Feierstunde”)	v pf	G♭ major	1822	Vocal	1985	1st version
D.758	Op.108/2	Todesmusik (“In des Todes Feierstunde”)	v pf	G major	1828?	Vocal	1829	2nd version
D.759	–	Symphony No.8, Unvollendete (Unfinished)	orch	B minor	1822	Orchestral	1867	unfinished – 2 complete movts. and a fragment of movt. III are extant; D.797/1 is possibly movt. IV
D.759a	Op.069	Overture to the Opera "Alfonso und Estrella"	pf	D minor/ D major	1822	Keyboard	1839 ca.	version for piano of the overture from D.732
D.760	Op.015	Fantasy, Wandererfantasie (Wanderer Fantasy)	pf	C major	1822	Keyboard	1823	–
D.761	–	Schatzgräbers Begehr (“In tiefster Erde ruht ein alt Gesetz”)	v pf	D minor/ D major	1822	Vocal	1895	1st version
D.761	Op.023/4	Schatzgräbers Begehr (“In tiefster Erde ruht ein alt Gesetz”)	v pf	D minor/ D major	1822	Vocal	1823	2nd version
D.762	–	Schwestergruss (“Im Mondenschein’ wall’ ich auf und ab”)	v pf	F♯ minor	1822	Vocal	1833	–
D.763	Op.146*	Schicksalslenker, blicke nieder (“Schicksalslenker, blicke nieder”)	sop alt ten bass pf	A♭ major	1822	Vocal	1842	also appears as "Des Tages Weihe"
D.764	–	Der Musensohn (“Durch Feld und Wald zu schweifen”)	v pf	A♭ major	1822	Vocal	1895	1st version
D.764	Op.092/1	Der Musensohn (“Durch Feld und Wald zu schweifen”)	v pf	G major	–	Vocal	1828	2nd version
D.765	–	An die Entfernte (“So hab’ ich wirklich dich verloren?”)	v pf	G major	1822	Vocal	1868	–
D.766	–	Am Flusse (“Verfliesset, vielgeliebte Lieder”)	v pf	D major	1822	Vocal	1872	2nd setting
D.767	–	Willkommen und Abschied (“Es schlug mein Herz”)	v pf	D major	1822	Vocal	1895	1st version
D.767	Op.056/1	Willkommen und Abschied (“Es schlug mein Herz”)	v pf	C major	–	Vocal	1826	2nd version
D.768	Op.096/3	Wandrers Nachtlied (“Über allen Gipfeln ist Ruh”)	v pf	B♭ major	1824	Vocal	1827	–
D.769	–	German Dances (2)	pf	–	1823?-24	Keyboard	1823	–
D.769a	–	Piano Sonata	pf	E minor	1823 ca.	Keyboard	1958	fragment of movt. I is extant; formerly D.994
D.770	Op.071	Drang in die Ferne (“Vater, du glaubst es nicht”)	v pf	A minor/ A major	1823	Vocal	1823	–
D.771	Op.022/1	Der Zwerg (“Im trüben Licht verschwinden schon die Berge”)	v pf	A minor	1822?	Vocal	1823	–
D.772	Op.022/2	Wehmut (“Wenn ich durch Wald und Fluren geh’ ”)	v pf	D minor	1822 or 1823(?)	Vocal	1823	–
D.773	Op.069	Overture to the Opera "Alfonso und Estrella"	pf4h	D minor/ D major	1823	Keyboard	1826	version for piano duet of the overture from D.732
D.774	Op.072	Auf dem Wasser zu singen (“Mitten im Schimmer der spiegelnden Wellen”)	v pf	A♭ major	1823	Vocal	1823	–
D.775	Op.059/2	Dass sie hier gewesen (“Dass der Ostwind Düfte hauchet”)	v pf	C major	1823?	Vocal	1826	–
D.776	Op.059/3	Du bist die Ruh (“Du bist die Ruh, der Friede mild”)	v pf	E♭ major	1823	Vocal	1826	–
D.777	Op.059/4	Lachen und Weinen (“Lachen und Weinen zu jeglicher Stunde”)	v pf	A♭ major	1823?	Vocal	1826	–
D.778	–	Greisengesang (“Der Frost hat mir bereifet”)	bass pf	B minor	1823?	Vocal	1982	1st version
D.778	–	Greisengesang (“Der Frost hat mir bereifet”)	bass pf	B minor	1826?	Vocal	1982	2nd version
D.778	Op.060/1	Greisengesang (“Der Frost hat mir bereifet”)	bass pf	B minor	–	Vocal	1826	3rd version
D.778a	–	Die Wallfahrt (“Meine Tränen im Bussgewand”)	bass pf	F minor	1823?	Vocal	1969	–
D.778b	–	Ich hab in mich gesogen (“Ich hab’ in mich gesogen den Frühling treu und lieb”)	2ten 2bass	C major	1823?	Vocal	1963	sketch
D.779	Op.050	Valses sentimentales (34)	pf	–	1823?	Keyboard	1825	2 versions for Nos.1-2, 4, 8-9, 12, 14 and 33
D.780	Op.094	Moments Musicaux (6)	pf	–	1823–24(?)	Keyboard	1828	–
D.780/1	Op.094/1	Moment Musical	pf	C major	–	Keyboard	1828	–
D.780/2	Op.094/2	Moment Musical	pf	A♭ major	–	Keyboard	1828	–
D.780/3	Op.094/3	Moment Musical, Air russe	pf	F minor	1823	Keyboard	1828	–
D.780/4	Op.094/4	Moment Musical	pf	C♯ minor	–	Keyboard	1828	–
D.780/5	Op.094/5	Moment Musical	pf	F minor	–	Keyboard	1828	–
D.780/6	Op.094/6	Moment Musical, Plaintes d'un Troubadour	pf	A♭ major	1824	Keyboard	1828	–
D.781	–	Ecossaises (12)	pf	–	1823	Keyboard	1824	D.781/1 = D.783/18
D.782	–	Ecossaise	pf	D major	–	Keyboard	1824	–
D.783	Op.033	German Dances and Ecossaises (16, 2)	pf	–	1823–24	Keyboard	1825	2 versions for No.6; D.783/18 = D.781/1
D.784	Op.143*	Piano Sonata, Grande Sonate	pf	A minor	1823	Keyboard	1839	–
D.785	–	Der zürnende Barde (“Wer wagt’s, wer wagt’s”)	bass pf	G minor/ G major	1823	Vocal	1831	–
D.786	Op.123*	Viola (“Schneeglöcklein, o Schneeglöcklein”)	v pf	A♭ major	1823	Vocal	1830	–
D.787	–	Die Verschworenen, Der haüsliche Krieg	4/5sop 2alt 2/3ten 2bass ch orch	–	1823	Stage	1889	singspiel in 1 act: overture (unfinished) and 11 numbers
D.788	–	Lied (Des Lebens Tag ist schwer und schwül) (“Des Lebens Tag ist schwer und schwül”), Die Mutter Erde	v pf	A minor/ A major	1823	Vocal	1838	–
D.789	–	Pilgerweise (“Ich bin ein Waller auf der Erde”)	v pf	F♯ minor	1823	Vocal	1832	–
D.790	Op.171*	German Dances (12)	pf	–	1823	Keyboard	1864	also appears as "12 Ländler"
D.791	–	Rüdiger	2ten ch orch	–	1823	Stage	1867	opera; sketches of 2 numbers are extant
D.792	–	Vergissmeinnicht (“Als der Frühling”)	v pf	A♭ major/ E major	1823	Vocal	1833	–
D.793	Op.173/2*	Das Geheimnis (“Sie konnte mir kein Wörtchen sagen”)	v pf	G major	1823	Vocal	1867	2nd setting
D.794	–	Der Pilgrim (“Noch in meines Lebens Lenze”)	v pf	E major/ C♯ minor	1823	Vocal	1909	1st version
D.794	Op.037/1	Der Pilgrim (“Noch in meines Lebens Lenze”)	v pf	D major/ B minor	–	Vocal	1825	2nd version
D.795	Op.025	Die schöne Müllerin	v pf	–	1823	Vocal	1824	–
D.795/01	Op.025/01	Das Wandern (“Das Wandern ist des Müllers Lust”)	v pf	B♭ major	1823	Vocal	1824	–
D.795/02	Op.025/02	Wohin? (“Ich hört’ ein Bächlein rauschen”)	v pf	G major	1823	Vocal	1824	–
D.795/03	Op.025/03	Halt! (“Eine Mühle seh’ ich blinken”)	v pf	C major	1823	Vocal	1824	–
D.795/04	Op.025/04	Danksagung an den Bach (“War es also gemeint”)	v pf	G major	1823	Vocal	1824	–
D.795/05	Op.025/05	Am Feierabend (“Hätt’ ich tausend Arme zu rühren”)	v pf	A minor	1823	Vocal	1824	–
D.795/06	Op.025/06	Der Neugierige (“Ich frage keine Blume”)	v pf	B major	1823	Vocal	1824	–
D.795/07	Op.025/07	Ungeduld (“Ich schnitt’ es gern in alle Rinden ein”)	v pf	A major	1823	Vocal	1824	–
D.795/08	Op.025/08	Morgengruss (“Guten Morgen, schöne Müllerin”)	v pf	C major	1823	Vocal	1824	–
D.795/09	Op.025/09	Des Müllers Blumen (“Am Bach viel kleine Blumen stehn’ ”)	v pf	A major	1823	Vocal	1824	–
D.795/10	Op.025/10	Tränenregen (“Wir sassen so traulich beisammen”)	v pf	A major	1823	Vocal	1824	–
D.795/11	Op.025/11	Mein! (“Bächlein, lass dein Rauschen sein”)	v pf	D major	1823	Vocal	1824	original version
D.795/11	–	Mein! (“Bächlein, lass dein Rauschen sein”)	v pf	D major	–	Vocal	1975	modified version
D.795/12	Op.025/12	Pause (“Meine Laute hab’ ich gehängt an die Wand”)	v pf	B♭ major	1823	Vocal	1824	–
D.795/13	Op.025/13	Mit dem grünen Lautenbande (“Schad’ um das schöne grüne Band”)	v pf	B♭ major	1823	Vocal	1824	original version
D.795/13	–	Mit dem grünen Lautenbande (“Schad’ um das schöne grüne Band”)	v pf	B♭ major	–	Vocal	1975	modified version
D.795/14	Op.025/14	Der Jäger (“Was sucht denn der Jäger”)	v pf	C minor	1823	Vocal	1824	–
D.795/15	Op.025/15	Eifersucht und Stolz (“Wohin so schnell”)	v pf	G minor/ G major	1823	Vocal	1824	–
D.795/16	Op.025/16	Die liebe Farbe (“In Grün will ich mich kleiden”)	v pf	B minor	1823	Vocal	1824	–
D.795/17	Op.025/17	Die böse Farbe (“Ich möchte zieh’n in die Welt hinaus”)	v pf	B major	1823	Vocal	1824	–
D.795/18	Op.025/18	Trockne Blumen (“Ihr Blümlein alle”)	v pf	E minor	1823	Vocal	1824	original version
D.795/18	–	Trockne Blumen (“Ihr Blümlein alle”)	v pf	C minor	–	Vocal	1975	modified version
D.795/19	Op.025/19	Der Müller und der Bach (“Wo ein treues Herze”)	v pf	G minor/ G major	1823	Vocal	1824	original version
D.795/19	–	Der Müller und der Bach (“Wo ein treues Herze”)	v pf	F minor/ F major	–	Vocal	1975	modified version
D.795/20	Op.025/20	Des Baches Wiegenlied (“Gute Ruh’, gute Ruh’ ”)	v pf	E major	1823	Vocal	1824	–
D.796	–	Fierabras	3sop 3ten 3bass bar nar ch orch	–	1823	Stage	1867	opera in 3 acts: overture and 23 numbers; also appears as "Fierrabras"; overture arranged for piano duet as D.798
D.796	–	Fierabras No.21a "Chor: Lass dein Vertrauen nicht schwinden"	mch orch	F major	1823	Vocal	1840	formerly D.333
D.797	Op.026	Rosamunde, Fürstin von Zypern	alt ch orch	–	1823	Stage	1824	music for schauspiel: overture (from D.644) and 9 numbers
D.798	Op.076	Overture to the Opera "Fierabras"	pf4h	F major	1823	Keyboard	1827	version for piano duet of the overture from D.796; setting by Carl Czerny published as Op.76
D.799	–	Im Abendrot (“Oh, wie schön ist deine Welt”)	v pf	A♭ major	1825	Vocal	1992	1st version
D.799	–	Im Abendrot (“Oh, wie schön ist deine Welt”)	v pf	A♭ major	1827	Vocal	1832	2nd version
D.800	Op.041	Der Einsame (“Wann meine Grillen schwirren”)	v pf	G major	1825	Vocal	1827	2 published "versions", although Deutsch and the Neue Schubert-Ausgabe only list 1 version (Op.41)
D.801	–	Dithyrambe (“Nimmer, das glaubt mir, erscheinen die Götter”)	bass pf	A major	–	Vocal	1982	2nd setting - 1st version
D.801	Op.060/2	Dithyrambe (“Nimmer, das glaub mir, erscheinen die Götter”)	bass pf	A major	–	Vocal	1826	2nd setting - 2nd version
D.802	Op.160*	Variations, Trockne Blumen	fl pf	E minor/ E major	1824	Chamber	1850	2 versions of Variation V
D.803	Op.166*	Octet	cl bn hn 2vn va vc db	F major	1824	Chamber	1853	–
D.804	Op.029	String Quartet (No.13), Rosamunde	2vn va vc	A minor	1824	Chamber	1824	–
D.805	–	Der Sieg (“O unbewölktes Leben”)	bass pf	F major	1824	Vocal	1833	–
D.806	–	Abendstern (“Was weilst du einsam an dem Himmel”)	v pf	A minor	1824	Vocal	1833	–
D.807	–	Auflösung (“Verbirg dich, Sonne”)	v pf	G major	1824	Vocal	1842	–
D.808	–	Gondelfahrer (“Es tanzen Mond und Sterne”)	v pf	C major	1824	Vocal	1872	1st setting
D.809	Op.028	Gondelfahrer (“Es tanzen Mond und Sterne”)	2ten 2bass pf	C major	1824	Vocal	1824	2nd setting
D.810	–	String Quartet (No.14), Der Tod und das Mädchen (Death and the Maiden)	2vn va vc	D minor	1824	Chamber	1831	–
D.811	Op.149*	Salve Regina (“Salve Regina”)	2ten 2bass	C major	1824	Vocal	1850	antiphon
D.812	Op.140*	Sonata, Grand Duo	pf4h	C major	1824	Keyboard	1837	–
D.813	Op.035	Variations on an Original Theme (8)	pf4h	A♭ major	1824	Keyboard	1825	–
D.814	–	Ländler (4)	pf4h	–	1824	Keyboard	1869	D.814/1 arranged for piano as D.366/17
D.815	Op.139/1*	Gebet (“Du Urquell aller Güte”)	sop alt ten bass pf	A♭ major	1824	Vocal	1840	–
D.816	–	Ecossaises (3)	pf	–	1824	Keyboard	1956	–
D.817	–	Ungarische Melodie	pf	B minor	1824	Keyboard	1928	–
D.818	Op.054	Divertissement à l’hongroise	pf4h	G minor	1824?	Keyboard	1826	–
D.819	Op.040	Grandes Marches (6)	pf4h	–	1818 or 1824	Keyboard	1825	–
D.820	–	German Dances (6)	pf	–	1824	Keyboard	1931	–
D.821	–	Sonata, Arpeggione Sonata	arp pf	A minor	1824	Chamber	1871	–
D.822	–	Lied eines Kriegers (“Des stolzen Männerlebens schönste Zeichen”)	bass uch pf	A major/ A minor	1824	Vocal	1842	for bass, unison male chorus and piano
D.823	–	Divertissement sur des motifs originaux français	pf4h	E minor	–	Keyboard	1826	–
D.823/1	Op.063	Tempo de Marcia	pf4h	E minor	–	Keyboard	1826	this movt. first published as Op.63
D.823/2	Op.084/1	Andantino varié	pf4h	B minor	–	Keyboard	1827	this movt. first published as Op.84/1
D.823/3	Op.084/2	Rondeau brillant	pf4h	E minor	–	Keyboard	1827	this movt. first published as Op.84/2
D.824	Op.061	Polonaises (6)	pf4h	–	1826	Keyboard	1826	–
D.825	Op.064/1	Wehmut (“Die Abendglocke tönet”)	2ten 2bass	B♭ major	1826	Vocal	1828	–
D.825a	Op.064/2	Ewige Liebe (“Ertönet, ihr Saiten, in nächtlicher Ruh”)	2ten 2bass	C major	1826	Vocal	1828	–
D.825b	Op.064/3	Flucht (“In der Freie will ich leben”)	2ten 2bass	C major	1825	Vocal	1828	–
D.826	–	Der Tanz (“Es redet und träumet die Jugend so viel”)	sop alt ten bass pf	C major	1828	Vocal	1892	–
D.827	–	Nacht und Träume (“Heil’ge Nacht, du sinkest nieder!”)	v pf	B major	–	Vocal	1975	1st version
D.827	Op.043/2	Nacht und Träume (“Heil’ge Nacht, du sinkest nieder!”)	v pf	B major	1823	Vocal	1825	2nd version
D.828	Op.043/1	Die junge Nonne (“Wie braust durch die Wipfel”)	v pf	F minor/ F major	1825	Vocal	1825	–
D.829	–	Leb’ wohl du schöne Erde (“Leb’ wohl du schöne Erde”)	nar pf	F major	1826	Vocal	1873	melodrama; also appears as "Abschied" or "Abschied von der Erde"
D.830	Op.085/1	Lied der Anne Lyle (“Wärst du bei mir im Lebenstal”)	v pf	C minor	1825?	Vocal	1828	–
D.831	Op.085/2	Gesang der Norna (“Mich führt mein Weg wohl meilenlang”)	v pf	F minor	1825	Vocal	1828	–
D.832	–	Des Sängers Habe (“Schlagt mein ganzes Glück in Splitter”)	v pf	B♭ major	1825	Vocal	1830	–
D.833	–	Der blinde Knabe (“O sagt, ihr Lieben, mir einmal”)	v pf	B♭ major	1825	Vocal	1895	1st version
D.833	Op.101/2*	Der blinde Knabe (“O sagt, ihr Lieben, mir einmal”)	v pf	B♭ major	1825	Vocal	1827	2nd version
D.833	–	Der blinde Knabe (“O sagt, ihr Lieben, mir einmal”)	v pf	B♭ major	–	Vocal	1985	modified 2nd version
D.834	–	Im Walde (“Ich wandre über Berg und Tal”)	v pf	G minor	1825	Vocal	1835	1st version
D.834	Op.093/1	Im Walde (“Ich wandre über Berg und Tal”)	v pf	B♭ minor	1827?	Vocal	1828	2nd version
D.835	Op.052/3	Bootgesang (“Triumph, er naht”)	2ten 2bass pf	C minor	1825	Vocal	1826	–
D.836	Op.052/4	Coronach (“Er ist uns geschieden”), Totengesang der Frauen und Mädchen	fch pf	F minor	1825	Vocal	1826	–
D.837	Op.052/1	Ellens Gesang I (“Raste, Krieger, Krieg ist aus”)	v pf	D♭ major	1825	Vocal	1826	–
D.838	Op.052/2	Ellens Gesang II (“Jäger, ruhe von der Jagd!”)	v pf	E♭ major	1825	Vocal	1826	–
D.839	Op.052/6	Ellens Gesang III (“Ave Maria! Jungfrau mild”), Ave Maria or Hymne an die Jungfrau	v pf	B♭ major	1825	Vocal	1826	–
D.840	–	Piano Sonata, Reliquie	pf	C major	1825	Keyboard	1861	unfinished – movts. I and II are complete; movts. III and IV are fragments
D.841	–	German Dances (2)	pf	–	1825	Keyboard	1930	–
D.842	–	Totengräbers Heimwehe (“O Menschheit, o Leben, was soll’s?”)	v pf	F minor/ F major	1825	Vocal	1833	–
D.843	Op.052/7	Lied des gefangenen Jägers (“Mein Ross so müd”)	v pf	D minor	1825	Vocal	1826	–
D.844	–	Waltz, Albumblatt	pf	G major	1825	Keyboard	1897	–
D.845	Op.042	Piano Sonata	pf	A minor	1825	Keyboard	1826	–
D.846	Op.052/5	Normans Gesang (“Die Nacht bricht bald herein”)	v pf	C minor/ C major	1825	Vocal	1826	–
D.847	Op.155*	Trinklied aus dem 16. Jahrhundert (“Edit Nonna, edit Clerus”)	2ten 2bass	C major	1825	Vocal	1849	–
D.848	Op.156*	Nachtmusik (“Wir stimmen dir mit Flötensang”)	2ten 2bass	C major	1825	Vocal	1849	–
D.849	–	–	–	–	–	–	–	see D.944
D.850	Op.053	Piano Sonata, Gasteiner	pf	D major	1825	Keyboard	1826	–
D.851	–	Das Heimweh (“Ach, der Gebirgssohn”)	v pf	A minor	1825	Vocal	1895	1st version
D.851	Op.079/1	Das Heimweh (“Ach, der Gebirgssohn”)	v pf	A minor	1825	Vocal	1827	2nd version
D.852	Op.079/2	Die Allmacht (“Gross ist Jehova, der Herr”)	v pf	C major	1825	Vocal	1827	1st setting - original version
D.852	–	Die Allmacht (“Gross ist Jehova, der Herr”)	v pf	A major	–	Vocal	1982	1st setting - modified version
D.853	–	Auf der Bruck (“Frisch trabe sonder Ruh’ und Rast”)	v pf	G major	1825	Vocal	1835	1st version
D.853	Op.093/2	Auf der Bruck (“Frisch trabe sonder Ruh’ und Rast”)	v pf	A♭ major	1827?	Vocal	1828	2nd version
D.854	–	Fülle der Liebe (“Ein sehnend Streben teilt mir das Herz”)	v pf	A♭ major	1825	Vocal	1830	–
D.855	–	Wiedersehn (“Der Frühlingssonne holdes Lächeln”)	v pf	G major	1825	Vocal	1842	–
D.856	Op.088/1	Abendlied für die Entfernte (“Hinaus mein Blick, hinaus ins Tal”)	v pf	F major	1825	Vocal	1827	–
D.857	Op.124*	Szenen aus dem Schauspiel ‘Lacrimas' (2)	v pf	–	1825	Vocal	1829	–
D.857/1	Op.124/1*	Lied der Delphine (“Ach, was soll ich beginnen vor Liebe?”)	v pf	A major	1825	Vocal	1829	–
D.857/2	Op.124/2*	Lied des Florio (“Nun, da Schatten niedergleiten”)	v pf	E major	1825	Vocal	1829	–
D.858	–	–	–	–	–	–	–	now D.Anh.I/7
D.859	Op.055	Grande Marche Funèbre	pf4h	C minor	1825	Keyboard	1826	–
D.860	–	An mein Herz (“O Herz, sei endlich stille”)	v pf	A minor/ A major	1825	Vocal	1832	–
D.861	–	Der liebliche Stern (“Ihr Sternlein, still in der Höhe”)	v pf	G major	1825	Vocal	1832	–
D.862	–	Um Mitternacht (“Keine Stimme hör’ ich schallen”)	v pf	B♭ major	1825	Vocal	1979	1st version
D.862	Op.088/3	Um Mitternacht (“Keine Stimme hör’ ich schallen”)	v pf	B♭ major	1826?	Vocal	1827	2nd version
D.863	–	An Gott (“Kein Auge hat dein Angesicht geschaut”)	v pf	–	1827 or earlier	Vocal	lost	–
D.864	–	Das Totenhemdchen (“Starb das Kindlein”)	v pf	–	1827?	Vocal	lost	–
D.865	Op.105/1	Widerspruch (“Wenn ich durch Busch und Zweig”)	v/[2ten 2bass] pf	D major	1828	Vocal	1828	–
D.866	Op.095	Refrainlieder (4)	v pf	–	1828?	Vocal	1828	–
D.866/1	Op.095/1	Die Unterscheidung (“Die Mutter hat mich jüngst gescholten”)	v pf	G major	1828?	Vocal	1828	–
D.866/2	Op.095/2	Bei dir allein (“Bei dir allein empfind ich, dass ich lebe”)	v pf	A♭ major	1828?	Vocal	1828	–
D.866/3	Op.095/3	Die Männer sind méchant (“Du sagtest mir es, Mutter”)	v pf	A minor	1828?	Vocal	1828	–
D.866/4	Op.095/4	Irdisches Glück (“So mancher sieht mit finstrer Miene”)	v pf	D minor/ D major	1828?	Vocal	1828	–
D.867	Op.105/2	Wiegenlied (“Wie sich der Äuglein kindlicher Himmel”)	v pf	A♭ major	–	Vocal	1828	–
D.868	–	–	–	–	–	–	–	now D.990c
D.869	–	Totengräber-Weise (“Nicht so düster und so bleich”)	v pf	F♯ minor/ F♯ major	1826	Vocal	1832	–
D.870	Op.080/1	Der Wanderer an den Mond (“Ich auf der Erd’, am Himmel du”)	v pf	G minor/ G major	1826	Vocal	1827	–
D.871	–	Das Zügenglöcklein (“Kling die Nacht durch, klinge”)	v pf	A♭ major	1826	Vocal	1979	1st version
D.871	Op.080/2	Das Zügenglöcklein (“Kling die Nacht durch, klinge”)	v pf	A♭ major	1826	Vocal	1827	2nd version
D.872	–	Gesänge zur Feier des heiligen Opfers der Messe ("Deutsche Messe")	ch org	F major/ E minor	1827	Vocal	2001	1st version
D.872	–	Gesänge zur Feier des heiligen Opfers der Messe ("Deutsche Messe")	ww br timp db ch org	F major/ E minor	1827	Vocal	1870	2nd version
D.873	–	Canone a sei	6vv	A major	1826	Vocal	1974	canon; sketch without text
D.873a	–	Nachklänge	2ten 2bass	C major	1826	Vocal	1974	sketch without text
D.874	–	O Quell, was strömst du rasch und wild (“O Quell, was strömst du rasch und wild”)	v pf	G major	1826?	Vocal	1967	sketch
D.875	Op.102	Mondenschein (“Des Mondes Zauberblume lacht”)	2ten 3bass pf	A♭ major	1826	Vocal	1831	–
D.875a	–	Die Allmacht (“Gross ist Jehova, der Herr”)	ch pf	C major	1826	Vocal	1965	2nd setting; sketch
D.876	–	Im Jänner 1817 (“Ich bin von aller Ruh’ geschieden”), Tiefes Leid	v pf	E minor/ E major	1826	Vocal	1838	–
D.877	Op.062	Gesänge aus "Wilhelm Meister" (4)	v pf	–	1826	Vocal	1827	–
D.877/1	Op.062/1	Mignon und der Harfner (“Nur wer die Sehnsucht kennt”)	2vv pf	B minor	1826	Vocal	1827	5th setting
D.877/2	Op.062/2	Lied der Mignon (“Heiss mich nicht reden, heiss mich schweigen”)	v pf	E minor	1826	Vocal	1827	2nd setting – original version
D.877/2	–	Lied der Mignon (“Heiss mich nicht reden, heiss mich schweigen”)	v pf	D minor	–	Vocal	1982	2nd setting – modified version; fragment
D.877/3	Op.062/3	Lied der Mignon (“So lasst mich scheinen, bis ich werde”)	v pf	B major	1826	Vocal	1827	3rd setting
D.877/4	Op.062/4	Lied der Mignon (“Nur wer die Sehnsucht kennt”)	v pf	A minor	1826	Vocal	1827	6th setting
D.878	Op.105/3	Am Fenster (“Ihr lieben Mauern hold und traut”)	v pf	F major	1826	Vocal	1828	–
D.879	Op.105/4	Sehnsucht (“Die Scheibe friert, der Wind ist rauh”)	v pf	D minor/ D major	1826	Vocal	1828	–
D.880	Op.080/3	Im Freien (“Draussen in der weiten Nacht”)	v pf	E♭ major	1826	Vocal	1827	–
D.881	–	Fischerweise (“Den Fischer fechten Sorgen und Gram und Leid nicht an”)	v pf	D major	1826	Vocal	1895	1st version
D.881	Op.096/4	Fischerweise (“Den Fischer fechten Sorgen und Gram und Leid nicht an”)	v pf	D major	1826	Vocal	1828	2nd version
D.882	–	Im Frühling (“Still sitz’ ich an des Hügels Hang”)	v pf	G major	1826	Vocal	1985	1st version
D.882	Op.101/1*	Im Frühling (“Still sitz’ ich an des Hügels Hang”)	v pf	G major	1826	Vocal	1828	2nd version
D.883	–	Lebensmut (“O wie dringt das junge Leben”)	v pf	B♭ major	1826	Vocal	1832	–
D.884	Op.108/1	UberÜber Wildemann (“Die Winde sausen am Tannenhang”)	v pf	D minor	1826	Vocal	1829	–
D.885	Op.066	Grande Marche Héroique	pf4h	A minor	1826	Keyboard	1826	–
D.886	–	–	–	–	–	–	–	now D.968b
D.887	Op.161*	String Quartet (No.15)	2vn va vc	G major	1826	Chamber	1851	–
D.888	–	Trinklied (“Bacchus, feister Fürst des Weins”)	v pf	C major	1826	Vocal	1850	–
D.889	–	Ständchen (“Horch, horch! die Lerch im Ätherblau”)	v pf	C major	1826	Vocal	1830	–
D.890	–	Hippolits Lied (“Lasst mich, ob ich auch still verglüh”)	v pf	A minor	1826	Vocal	1830	–
D.891	Op.106/4	An Silvia (“Was ist Silvia, saget an”), Gesang	v pf	A major	1826	Vocal	1828	also appears as "Gesang (An Sylvia)"
D.892	Op.134*	Nachthelle (“Die Nacht ist heiter”)	3ten 2bass pf	B♭ major	1826	Vocal	1839 ca.	–
D.893	–	Grab und Mond (“Silberblauer Mondenschein fällt herab”)	2ten 2bass	A minor	1826	Vocal	1827	–
D.894	Op.078	Piano Sonata, Fantasie	pf	G major	1826	Keyboard	1827	a discarded 1st version of movt. II is also extant
D.895	Op.070	Rondo, Rondeau brillant	vn pf	B minor	1826	Chamber	1827	–
D.896	–	Fröhliches Scheiden (“Gar fröhlich kann ich scheiden”)	v pf	F major	1827–28	Vocal	1980 ca.	sketch
D.896a	–	Sie in jedem Liede (“Nehm ich die Harfe”)	v pf	B♭ major	1827–28	Vocal	1980 ca.	sketch
D.896b	–	Wolke und Quelle (“Auf meinen heimischen Bergen”)	v pf	C major	1827–28	Vocal	1980 ca.	sketch
D.897	Op.148*	Piano Trio, Notturno	vn vc pf	E♭ major	1828?	Chamber	1846	an "Adagio" movt. is extant
D.898	Op.099*	Piano Trio	vn vc pf	B♭ major	1828?	Chamber	1836	–
D.899	Op.090	Impromptus (4)	pf	–	1827?	Keyboard	1827	–
D.899/1	Op.090/1	Impromptu	pf	C minor	1827?	Keyboard	1827	–
D.899/2	Op.090/2	Impromptu	pf	E♭ major	1827?	Keyboard	1827	–
D.899/3	Op.090/3	Impromptu	pf	G♭ major	1827?	Keyboard	1857	–
D.899/4	Op.090/4	Impromptu	pf	A♭ major	1827?	Keyboard	1857	–
D.900	–	Allegretto	pf	C minor	1822 post	Keyboard	1897	fragment
D.901	–	Wein und Liebe (“Liebchen und der Saft der Reben”)	2ten 2bass	D major	1827	Vocal	1827	–
D.902	Op.083	Gesänge (3)	bass pf	–	1827	Vocal	1827	–
D.902/1	Op.083/1	L'incanto degli occhi; Die Macht der Augen (“Da voi, cari lumi”; “Nur euch, schöne Sterne”)	v pf	C major	1827	Vocal	1827	2nd setting
D.902/2	Op.083/2	Il traditor deluso; Der getäuschte Verräter (“Ahimè, io tremo!”; “Weh mir, ich bebe!”)	v pf	E minor	1827	Vocal	1827	–
D.902/3	Op.083/3	Il modo di prender moglie; Die Art ein Weib zu nehmen (“Orsù! non ci pensiamo”; “Wohlan! und ohne Zagen”)	v pf	C major	1827	Vocal	1827	–
D.903	Op.081/3	Zur guten Nacht (“Horch auf! Es schlägt die Stunde”)	bar mch pf	D major	1827	Vocal	1827	–
D.904	Op.081/1	Alinde (“Die Sonne sinkt in’s tiefe Meer”)	v pf	A major	1827	Vocal	1827	–
D.905	Op.081/2	An die Laute (“Leiser, leiser, kleine Laute”)	v pf	D major	1827	Vocal	1827	–
D.906	–	Der Vater mit dem Kind (“Dem Vater liegt das kind in Arm”)	v pf	D major	1827	Vocal	1832	–
D.907	–	Romanze des Richard Löwenherz (“Grosser Taten tat der Ritter fern im heiligen Lande viel”)	v pf	B♭ minor/ B♭ major	1826?	Vocal	1979	1st version
D.907	Op.086	Romanze des Richard Löwenherz (“Grosser Taten tat der Ritter fern im heiligen Lande viel”)	v pf	B minor/ B major	1826?	Vocal	1828	2nd version
D.908	Op.082/1	Variations on a Theme from Hérold's Opera "Marie" (8)	pf4h	C major	1827	Keyboard	1827	–
D.909	Op.096/2	Jägers Liebeslied (“Ich schiess’ den Hirsch im grünen Forst”)	v pf	D major	1827	Vocal	1828	–
D.910	–	Schiffers Scheidelied (“Die Wogen am Gestade schwellen”)	v pf	E minor	1827	Vocal	1833	–
D.911	Op.089	Winterreise	v pf	–	1827	Vocal	1828	–
D.911/01	Op.089/01	Gute Nacht (“Fremd bin ich eingezogen”)	v pf	D minor	1827	Vocal	1828	–
D.911/02	Op.089/02	Die Wetterfahne (“Der Wind spielt mit der Wetterfahne”)	v pf	A minor	1827	Vocal	1828	–
D.911/03	Op.089/03	Gefror'ne Thränen (“Gefror’ne Tropfen fallen”)	v pf	F minor	1827	Vocal	1828	–
D.911/04	Op.089/04	Erstarrung (“Ich such’ im Schnee vergebens”)	v pf	C minor	1827	Vocal	1828	–
D.911/05	Op.089/05	Der Lindenbaum (“Am Brunnen vor dem Tore”)	v pf	E major	1827	Vocal	1828	–
D.911/06	Op.089/06	Wasserflut (“Manche Trän’ aus meinen Augen”)	v pf	E minor	1827	Vocal	1828	–
D.911/07	–	Auf dem Flusse (“Der du so lustig rauschtest”)	v pf	E minor	–	Vocal	1979	1st version
D.911/07	Op.089/07	Auf dem Flusse (“Der du so lustig rauschtest”)	v pf	E minor	1827	Vocal	1828	2nd version
D.911/08	Op.089/08	Rückblick (“Es brennt mir unter beiden Sohlen”)	v pf	G minor/ G major	1827	Vocal	1828	–
D.911/09	Op.089/09	Irrlicht (“In die tiefsten Felsengründe”)	v pf	B minor	1827	Vocal	1828	–
D.911/10	–	Rast (“Nun merk’ ich erst, wie müd ich bin”)	v pf	D minor	–	Vocal	1895	1st version
D.911/10	Op.089/10	Rast (“Nun merk’ ich erst, wie müd ich bin”)	v pf	C minor	1827	Vocal	1828	2nd version
D.911/11	–	Frühlingstraum (“Ich träumte von bunten Blumen”)	v pf	A major	–	Vocal	1979	1st version
D.911/11	Op.089/11	Frühlingstraum (“Ich träumte von bunten Blumen”)	v pf	A major	1827	Vocal	1828	2nd version
D.911/12	Op.089/12	Einsamkeit (“Wie eine trübe Wolke”)	v pf	B minor	1827	Vocal	1828	–
D.911/13	Op.089/13	Die Post (“Von der Strasse her ein Posthorn klingt”)	v pf	E♭ major	1827	Vocal	1828	–
D.911/14	Op.089/14	Der greise Kopf (“Der Reif hat einen weissen Schein”)	v pf	C minor	1827	Vocal	1828	–
D.911/15	Op.089/15	Die Krähe (“Eine Krähe war mit mir aus der Stadt gezogen”)	v pf	C minor	1827	Vocal	1828	–
D.911/16	Op.089/16	Letzte Hoffnung (“Hie und da ist an den Bäumen”)	v pf	E♭ major	1827	Vocal	1828	–
D.911/17	Op.089/17	Im Dorfe (“Es bellen die Hunde”)	v pf	D major	1827	Vocal	1828	–
D.911/18	Op.089/18	Der stürmische Morgen (“Wie hat der Sturm zerrissen”)	v pf	D minor	1827	Vocal	1828	–
D.911/19	Op.089/19	Täuschung (“Ein Licht tanzt freundlich vor mir her”)	v pf	A major	1827	Vocal	1828	–
D.911/20	Op.089/20	Der Wegweiser (“Was vermeid’ ich denn die Wege”)	v pf	G minor	1827	Vocal	1828	–
D.911/21	Op.089/21	Das Wirtshaus (“Auf einen Totenacker hat mich mein Weg gebracht”)	v pf	F major	1827	Vocal	1828	–
D.911/22	–	Mut (“Fliegt der Schnee mir ins Gesicht”)	v pf	A minor/ A major	–	Vocal	1895	1st version
D.911/22	Op.089/22	Mut (“Fliegt der Schnee mir ins Gesicht”)	v pf	G minor/ G major	1827	Vocal	1828	2nd version
D.911/23	–	Die Nebensonnen (“Drei Sonnen sah ich”)	v pf	A major	–	Vocal	1979	1st version
D.911/23	Op.089/23	Die Nebensonnen (“Drei Sonnen sah ich”)	v pf	A major	1827	Vocal	1828	2nd version
D.911/24	Op.089/24	Der Leiermann (“Drüben hinterm Dorfe steht ein Leiermann”)	v pf	A minor	1827	Vocal	1828	–
D.912	Op.151*	Schlachtlied (“Mit unserm Arm ist nichts getan”)	2mch	D major	1827	Vocal	1845 ca.	2nd setting
D.913	Op.139/2*	Nachtgesang im Walde (“Sei uns stets gegrüsst, o Nacht!”)	2ten 2bass 4hn	E major	1827	Vocal	1846	–
D.914	–	Frühlingslied (“Geöffnet sind des Winters Riegel”)	2ten 2bass	C major	1827	Vocal	1897	1st setting
D.915	–	Allegretto	pf	C minor	1827	Keyboard	1870	–
D.916	–	Das stille Lied (“Schweige nur, süsser Mund”)	2ten 2bass	E♭ major	1827	Vocal	1961	–
D.916a	–	Song	v pf	C major	1827?	Vocal	1988	sketch without text
D.916b	–	Piano Piece	pf	C major	1827?	Keyboard	1978	sketch
D.916c	–	Piano Piece	pf	C minor	1827?	Keyboard	1978	sketch
D.917	Op.115/1*	Das Lied im Grünen (“Ins Grüne, ins Grüne, da lockt uns der Frühling”)	v pf	A major	1827	Vocal	1829	–
D.918	–	Der Graf von Gleichen	5sop 3ten 6bass nar ch orch	–	1827	Stage	1868	opera in 2 acts; unfinished – sketches of 11 numbers for Act I and 9 numbers for Act II are extant
D.919	–	Frühlingslied (“Geöffnet sind des Winters Riegel”)	v pf	A♭ major	1827	Vocal	1897	2nd setting
D.920	–	Ständchen (“Zögernd leise, in des Dunkels nächt'ger Hülle”), Notturno	alt mch pf	F major	1827	Vocal	1891	1st version
D.920	Op.135*	Ständchen (“Zögernd leise, in des Dunkels nächt'ger Hülle”), Notturno	alt fch pf	F major	1827	Vocal	1840	2nd version; formerly D.921
D.921	–	–	–	–	–	–	–	now D.920 (2nd version)
D.922	–	Heimliches Lieben (“O du, wenn deine Lippen mich berühren”)	v pf	B♭ major	1827	Vocal	1895	1st version
D.922	Op.106/1	Heimliches Lieben (“O du, wenn deine Lippen mich berühren”)	v pf	B♭ major	1827	Vocal	1828	2nd version
D.923	Op.165/5*	Ein altschottische Ballade (“Dein Schwert, wie ist’s von Blut so rot”), Edward	2vv pf	G minor	1827	Vocal	1862	1st version; for male voice, female voice and piano
D.923	–	Ein altschottische Ballade (“Dein Schwert, wie ist’s von Blut so rot”), Edward	v pf	G minor	1827	Vocal	1895	2nd version; for voice and piano
D.923	–	Ein altschottische Ballade (“Dein Schwert, wie ist’s von Blut so rot”), Edward	2vv pf	G minor	1828	Vocal	1971	3rd version; for male voice, female voice and piano
D.924	Op.091	Grazer Walzer (12)	pf	–	1827?	Keyboard	1828	–
D.925	–	Grazer Galopp	pf	C major	1827?	Keyboard	1828	–
D.926	Op.106/2	Das Weinen (“Gar tröstlich kommt geronnen”)	v pf	D major	1828?	Vocal	1828	–
D.927	Op.106/3	Vor meiner Wiege (“Das also, das ist der enge Schrein”)	v pf	B minor	1827–28	Vocal	1828	–
D.928	–	March, Kindermarsch	pf4h	G major	1827	Keyboard	1870	–
D.929	Op.100	Piano Trio	vn vc pf	E♭ major	1827	Chamber	1828	–
D.930	Op.104*	Der Hochzeitsbraten (“Ach liebes Herz, ach Theobald, lass dir nur diesmal raten”)	sop ten bass pf	G major	1827	Vocal	1829	–
D.931	–	Der Wallensteiner Lanzknecht beim Trunk (“He! schenket mir im Helme ein!”)	v pf	G minor	1827	Vocal	1830	–
D.932	–	Der Kreuzzug (“Ein Münich steht in seiner Zell”)	v pf	D major	1827	Vocal	1832	–
D.933	–	Des Fischers Liebesglück (“Dort blinket durch Weiden”)	v pf	A minor	1827	Vocal	1835	–
D.934	Op.159*	Fantasy	vn pf	C major	1827	Chamber	1850	–
D.935	Op.142*	Impromptus (4)	pf	–	1827	Keyboard	1839	–
D.935/1	Op.142/1*	Impromptu	pf	F minor	1827	Keyboard	1839	–
D.935/2	Op.142/2*	Impromptu	pf	A♭ major	1827	Keyboard	1839	–
D.935/3	Op.142/3*	Impromptu, Rosamunde	pf	B♭ major	1827	Keyboard	1839	–
D.935/4	Op.142/4*	Impromptu	pf	F minor	1827	Keyboard	1839	–
D.936	–	Kantate für Irene Kiesewetter (“Al par del ruscelletto chiaro”)	2ten 2bass ch pf4h	C major	1827	Vocal	1892	also appears as "Kantate zur Feier der Genesung der Irene Kiesewetter"
D.936a	–	Symphony No.10	orch	D major	1828?	Orchestral	1978	fragment; piano sketches of all 3 movts. are extant
D.937	–	Lebensmut (“Fröhlicher Lebensmut braust in dem raschen Blut”)	v pf	B♭ major	1828?	Vocal	1872	fragment
D.938	–	Der Winterabend (“Es ist so still, so heimlich um mich”)	v pf	B♭ major	1828	Vocal	1835	–
D.939	Op.096/1	Die Sterne (“Wie blitzen die Sterne so hell durch die Nacht”)	v pf	E♭ major	1828	Vocal	1828	–
D.940	Op.103	Fantasy	pf4h	F minor	1828	Keyboard	1829	–
D.941	–	–	–	–	–	–	–	now D.948 (1st version)
D.942	Op.136*	Mirjams Siegesgesang (“Rührt die Zimbel, schlagt die Saiten”)	sop ch pf	C major	1828	Vocal	1839 ca.	–
D.943	Op.119*	Auf dem Strom (“Nimm die letzten Abschiedsküsse”)	v hn/vc pf	E major	1828	Vocal	1829	–
D.944	–	Symphony No.9, Grosse C-dur-Sinfonie (Great C major Symphony)	orch	C major	1825 and 1828	Orchestral	1840	identical to the "Gmunden-Gastein" Symphony, D.849
D.944a	–	German Dance	pf	–	1828	Keyboard	lost	–
D.945	–	Herbst (“Es rauschen die Winde so herbstlich und kalt”)	v pf	E minor	1828	Vocal	1895	–
D.946	–	Piano Pieces (3)	pf	–	1828	Keyboard	1868	–
D.946/1	–	Piano Piece	pf	E♭ minor	1828	Keyboard	1868	–
D.946/2	–	Piano Piece	pf	E♭ major	1828	Keyboard	1868	–
D.946/3	–	Piano Piece	pf	C major	1828	Keyboard	1868	–
D.947	Op.144*	Allegro, Lebensstürme	pf4h	A minor	1828	Keyboard	1840	–
D.948	–	Hymnus an den heiligen Geist (“Komm, heil’ger Geist, erhöre unser Flehen”)	2ten 2bass mch	C major	1828	Vocal	1891	1st version; formerly D.941
D.948	Op.154*	Hymnus an den heiligen Geist (“Komm, heil’ger Geist, erhöre unser Flehen”)	2ten 2bass mch ww br	C major	1828	Vocal	1849	2nd version' formerly D.964
D.949	–	–	–	–	–	–	–	now D.639 (2nd version)
D.950	–	Mass (No.6)	sop alt ten bass ch orch	E♭ major	1828	Vocal	1865	–
D.951	Op.107	Rondo, Grand Rondeau	pf4h	A major	1828	Keyboard	1828	–
D.952	Op.152*	Fugue	pf4h/org4h	E minor	1828	Keyboard	1848	–
D.953	–	Der 92. Psalm (“tôw l’hôdôs ladônoj”)	sop alt ten bar bass ch	C major	1828	Vocal	1841	–
D.954	–	Glaube, Hoffnung und Liebe (“Gott, lass die Glocke glücklich steigen”)	2ten 2bass ch [ww br]/pf	B♭ major	1828	Vocal	1828	–
D.955	Op.097	Glaube, Hoffnung und Liebe (“Glaube, hoffe, liebe!”)	v pf	E♭ major	1828	Vocal	1828	–
D.956	Op.163*	String Quintet	2vn va 2vc	C major	1828	Chamber	1853	–
D.957	–	Lieder nach Gedichten von Rellstab und Heine ("Schwanengesang") (13)	v pf	–	1828	Vocal	1829	first published as having 14 songs; D.957/14 is now D.965a
D.957/01	–	Liebesbotschaft (“Rauschendes Bächlein, so silber und hell”)	v pf	G major	1828	Vocal	1829	–
D.957/02	–	Kriegers Ahnung (“In tiefer Ruh liegt um mich her”)	v pf	C minor	1828	Vocal	1829	–
D.957/03	–	Frühlingssehnsucht (“Säuselnde Lüfte wehen so mild”)	v pf	B♭ major	1828	Vocal	1829	–
D.957/04	–	Ständchen (“Leise flehen meine Lieder”), Serenade	v pf	D minor	1828	Vocal	1829	original version
D.957/04	–	Ständchen (“Leise flehen meine Lieder”), Serenade	v pf	C minor	–	Vocal	1988	modified version
D.957/05	–	Aufenthalt (“Rauschender Strom, brausender Wald”)	v pf	E minor	1828	Vocal	1829	–
D.957/06	–	In der Ferne (“Wehe dem Fliehenden”)	v pf	B minor	1828	Vocal	1829	–
D.957/07	–	Abschied (“Ade! du muntre, du fröhliche Stadt”)	v pf	E♭ major	1828	Vocal	1829	–
D.957/08	–	Der Atlas (“Ich unglückselger Atlas”)	v pf	G minor	1828	Vocal	1829	–
D.957/09	–	Ihr Bild (“Ich stand in dunkeln Träumen”)	v pf	B♭ minor/ D♭ major	1828	Vocal	1829	–
D.957/10	–	Das Fischermädchen (“Du schönes Fischermädchen”)	v pf	A♭ major	1828	Vocal	1829	–
D.957/11	–	Die Stadt (“Am fernen Horizonte”)	v pf	C minor	1828	Vocal	1829	–
D.957/12	–	Am Meer (“Das Meer erglänzte weit hinaus”)	v pf	C major	1828	Vocal	1829	–
D.957/13	–	Der Doppelgänger (“Still ist die Nacht, es ruhen die Gassen”)	v pf	B minor	1828	Vocal	1829	–
D.957/14	–	–	–	–	–	–	–	now D.965a
D.958	–	Piano Sonata	pf	C minor	1828	Keyboard	1839	–
D.959	–	Piano Sonata	pf	A major	1828	Keyboard	1839	–
D.960	–	Piano Sonata	pf	B♭ major	1828	Keyboard	1839	–
D.961	–	–	–	–	–	–	–	now belongs to D.452
D.962	–	Tantum ergo (“Tantum ergo”)	sop alt ten bass ch orch	E♭ major	1828	Vocal	1890	–
D.963	–	Intende voci (“Intende voci orationis meae”)	ten ch orch	B♭ major	1828	Vocal	1890	offertory (Tenor-Aria)
D.964	–	–	–	–	–	–	–	now D.948 (2nd version)
D.965	Op.129*	Der Hirt auf dem Felsen (“Wenn auf dem höchsten Fels ich steh”)	v cl pf	B♭ major	1828	Vocal	1830	–
D.965a	–	Die Taubenpost (“Ich hab’ eine Brieftaub in meinem Sold”)	v pf	G major	1828	Vocal	1829	first published as belonging to D.957; formerly D.957/14
D.965b	–	Fugal Exercises (18)	–	–	1828	–	1986	18 two-voice fugal expositions
D.966	–	–	–	–	–	–	–	now D.11/3
D.966a	–	–	–	–	–	–	–	now D.71c
D.966b	–	Orchestra Piece	orch	A major	1823?	Orchestral	2012	sketch
D.967	–	–	–	–	–	–	–	now D.37a
D.968	–	Allegro moderato and Andante, Sonatine	pf4h	–	1815-19(?)	Keyboard	1888	–
D.968/1	–	Allegro moderato	pf4h	C major	1815-19(?)	Keyboard	1888	–
D.968/2	–	Andante	pf4h	A minor	1815-19(?)	Keyboard	1888	–
D.968a	Op.082/2*	Introduction, Variations on an Original Theme and Finale (4)	pf4h	B♭ major	–	Keyboard	1860	formerly D.603
D.968b	Op.121*	Marches Caractéristiques (2)	pf4h	C major	–	Keyboard	1829	formerly D.886
D.969	Op.077	Waltzes (12), Valses nobles	pf	–	–	Keyboard	1827	–
D.970	–	Ländler (6)	pf	–	–	Keyboard	1889	also appears as "6 German Dances"; D.970/2 = D.145/7
D.971	–	German Dances (3)	pf	–	–	Keyboard	1823	–
D.972	–	German Dances (3)	pf	–	1817 ante	Keyboard	1889	–
D.973	–	German Dances (3)	pf	–	1823?	Keyboard	1889	–
D.974	–	German Dances (2)	pf	D♭ major	1822?	Keyboard	1889	–
D.975	–	German Dance	pf	D major	1824?	Keyboard	1889	–
D.976	–	Cotillon	pf	E♭ major	–	Keyboard	1825	–
D.977	–	Ecossaises (8)	pf	–	1816?	Keyboard	1889	–
D.978	–	Waltz	pf	A♭ major	–	Keyboard	1825	–
D.979	–	Waltz	pf	G major	–	Keyboard	1826	–
D.980	–	Waltzes (2)	pf	–	–	Keyboard	1826	–
D.980a	–	Dance Sketches (2)	pf?	–	1821 ante	Keyboard	1956	fragment; formerly D.640
D.980b	–	Ländler (2)	pf	E♭ major	1816?	Keyboard	1925	formerly D.679
D.980c	–	Ländler (2)	pf	D♭ major	1821 ante	Keyboard	1930	fragment; formerly D.680
D.980d	–	Waltz, Krähwinkler Tanz	pf	C major	–	Keyboard	1828	–
D.980e	–	Dance Sketches (2)	pf?	–	1818 post	Keyboard	1989	fragment
D.980f	–	March	pf	G major	–	Keyboard	–	piano reduction of a lost march for orchestra?
D.981	–	Der Minnesänger	vv ch orch (?)	–	–	Stage	lost	singspiel; fragment
D.982	–	Sophie’’’	2sop ten bass orch	–	1820?	Stage	–	sketches of 3 numbers are extant; title and text author unknown; also appears as "Sophie"
D.983	Op.017/1	Jünglingswonne (“So lang im deutschen Eichentale”)	2ten 2bass	C major	–	Vocal	1823	formerly D.983/1
D.983a	Op.017/2	Liebe (“Liebe rauscht der Silberbach”)	2ten 2bass	D major	–	Vocal	1823	formerly D.983/2
D.983b	Op.017/3	Zum Rundetanz (“Auf! es dunkelt; silbern funkelt”)	2ten 2bass	E major	–	Vocal	1823	formerly D.983/3
D.983c	Op.017/4	Die Nacht (“Wie schön bist du, freundliche Stille”)	2ten 2bass	D major	–	Vocal	1823	formerly D.983/4
D.984	Op.169*	Der Wintertag (“In schöner heller Winterzeit ward eine Maid geboren”), Geburtstaglied	2ten 2bass pf	A minor/ A major	1820 post	Vocal	1865 ca.	fragment; piano part is lost
D.985	Op.112/1*	Gott im Ungewitter (“Du Schrecklicher, wer kann vor dir und deinem Donner stehn?”)	sop alt ten bass pf	C minor/ E♭ major	1815?	Vocal	1829	–
D.986	Op.112/2*	Gott der Weltschöpfer (“Zu Gott, zu Gott flieg auf”)	sop alt ten bass pf	C major	1815?	Vocal	1829	–
D.987	–	–	–	–	–	–	–	now D.168a
D.988	–	Liebe säuseln die Blätter (“Liebe säuseln die Blätter”)	3vv	G major	1815?	Vocal	1873	canon
D.988a	–	Piano Accompaniment	vv? pf	B♭ major	1820 post	Vocal	–	fragment; for a multi-part vocal composition?
D.989	–	–	–	–	–	–	–	now D.579a
D.989a	–	–	–	–	–	–	–	now D.579b
D.990	–	Der Graf von Habsburg (“Zu Aachen in seiner Kaiserpracht”)	v pf	G major	–	Vocal	1853	–
D.990a	–	Kaiser Maximilian auf der Martinswand in Tirol (“Hinauf! hinauf! in Sprung und Lauf”)	v pf	B♭ major	–	Vocal	1853	also appears as "Kaiser Maximilian auf der Martinswand"
D.990b	–	Augenblicke in Elysium (“Vor der in Ehrfurcht all mein Wesen kniet”)	v pf	–	–	Vocal	lost	formerly D.582
D.990c	Op.130*	Das Echo (“Herzliebe gute Mutter, o grolle nicht mit mir”)	v pf	B♭ major	1828?	Vocal	1830	formerly D.868
D.990d	–	Die Schiffende (“Sie wankt dahin; die Abendwinde spielen”)	v pf	–	–	Vocal	lost	–
D.990e	–	L'incanto degli occhi (“Da voi, cari lumi”)	sop pf	B♭ major	1816?	Vocal	1979	1st setting; fragment
D.990f	–	Ombre amene (“Ombre amene”), La serenata	v pf	A major	1816?	Vocal	1999	fragment; listed incorrectly by Deutsch as an early version of the song "Il traditor deluso"
D.991	–	–	–	–	–	–	–	now belongs to D.323
D.992	–	–	–	–	–	–	–	now belongs to D.383
D.993	–	–	–	–	–	–	–	now D.2e
D.994	–	–	–	–	–	–	–	now D.769a
D.995	–	–	–	–	–	–	–	now D.2d
D.996	–	–	–	–	–	–	–	now D.2a
D.997	–	–	–	–	–	–	–	now D.2b
D.998	–	–	–	–	–	–	–	now D.2c
D.Anh.I/01	–	String Quartet	2vn va vc	E♭ major	1813	Chamber	lost	formerly D.40; possibly identical to D.87
D.Anh.I/02	–	String Quartet	2vn va vc	F major	1816	Chamber	lost	possibly identical to D.353 or D.487
D.Anh.I/03	–	Fugue	2vn va vc (?)	C major	1812?	Chamber	1986	fragment; only viola part is extant
D.Anh.I/04	–	String Quartet Movement	2vn va vc	G major	–	Chamber	–	fragment; composition by Albert Stadler; formerly D.2
D.Anh.I/05	–	String Quartet	2vn va vc	E♭ major	1818	Chamber	–	sketch of movt. I is extant; composition by Anselm Hüttenbrenner
D.Anh.I/06	–	Duet	2vn	D major	1816	Chamber	–	fragment; not by Schubert
D.Anh.I/06a	–	Symphony, 1825	orch	E major	–	Orchestral	1982	not by Schubert; composition by Gunter Elsholz
D.Anh.I/07	–	March	pf8h	–	1825	Keyboard	lost	formerly D.858
D.Anh.I/08	–	Piano Sonata	pf	F major	1815	Keyboard	lost	possibly identical to D.157
D.Anh.I/09	–	Piano Sonata	pf	F major	1816	Keyboard	lost	possibly identical to D.459
D.Anh.I/10	–	Fantasy	pf	E♭ major	1825?	Keyboard	lost	–
D.Anh.I/11	–	Allegro and Minuet	pf	–	1813	Keyboard	1967	also appears as "Sonatina"; not by Schubert
D.Anh.I/11/1	–	Allegro	pf	G major	1813	Keyboard	1967	not by Schubert
D.Anh.I/11/2	–	Minuet	pf	C major	1813	Keyboard	1967	Trio is lost; not by Schubert
D.Anh.I/12	–	Easy Variations (7)	pf	G major	1810?	Keyboard	1810	presumably not by Schubert
D.Anh.I/13	–	German Dances (6)	pf	–	1814	Keyboard	lost	–
D.Anh.I/14	–	Waltz, Kupelwieser-Walzer	pf	G♭ major	1826	Keyboard	1970	transcribed by Richard Strauss
D.Anh.I/15	–	Minuet with Trio	pf	D major	–	Keyboard	1897	formerly D.336; presumably not by Schubert
D.Anh.I/16	–	Ecossaise de Vienne	pf	A♭ major	1821?	Keyboard	1975	composition by Anselm Hüttenbrenner?
D.Anh.I/17	–	Tantum ergo (“Tantum ergo”)	vv?	B♭ major	–	Vocal	–	fragment; only 1 soprano part is extant; presumably not by Schubert
D.Anh.I/18	–	Lied beim Rundetanz (“Auf, es dunkelt, silbern funkelt”)	2ten bass/2bass	C major	1815-16(?)	Vocal	1974	fragment; only 1 tenor part is extant; formerly D.132
D.Anh.I/19	–	Lied im Freien (“Wie schön ist’s im Freien”)	2ten bass/2bass	G major	1815-16(?)	Vocal	1974	1st setting; fragment; only 1 tenor part is extant; formerly D.133
D.Anh.I/20	–	Amors Macht (“Wo Amors Flügel weben”)	2ten bass/2bass	B♭ major	1815-16(?)	Vocal	1974	fragment; only 1 tenor part is extant; formerly D.339
D.Anh.I/21	–	Badelied (“Zur Elbe, zur Elbe, des Äthers Gewölbe”)	2ten bass/2bass	C major	1815-16(?)	Vocal	1974	fragment; only 1 tenor part is extant; formerly D.340
D.Anh.I/22	–	Sylphen (“Was unterm Monde gleicht uns Sylphen flink und leicht”)	2ten bass/2bass	C major	1815-16(?)	Vocal	1974	fragment; only 1 tenor part is extant; formerly D.341
D.Anh.I/23	–	Lebenslied (“Kommen und scheiden, suchen und meiden”)	2ten bass/2bass	C major	1816	Vocal	1974	1st setting; fragment; only 1 tenor part is extant; first published as D.425, which is now considered lost
D.Anh.I/24	–	Kantate auf den Vater	vv pf (?)	–	1816	Vocal	lost	–
D.Anh.I/25	–	Drum Schwester und Brüder (“Drum Schwester und Brüder singt fröhliche Lieder”)	v ch vn vc (?)	A major	1819	Vocal	–	fragment; only violin and cello parts are extant
D.Anh.I/26	–	Sturmbeschwörung (“Nirgends Rettung, nirgends Land”)	2sop alt/2alt(?)	A minor?	–	Vocal	–	fragment; only 1 soprano part is extant
D.Anh.I/27	–	Choruses with Winds (3)	mch 2hn 2bn	–	–	Vocal	–	fragment; not by Schubert
D.Anh.I/27/1	–	Lieblich ist, wenn sanftes Grau (“Lieblich ist, wenn sanftes Grau”)	mch 2hn 2bn	F major	–	Vocal	–	fragment; not by Schubert
D.Anh.I/27/2	–	Leb wohl, geliebte Freundin (“Leb wohl, geliebte Freundin”)	mch 2hn 2bn	F major	–	Vocal	–	fragment; not by Schubert
D.Anh.I/27/3	–	O Zeit, wie manchen herben Schmerz (“O Zeit, wie manchen herben Schmerz”)	mch 2hn 2bn	E♭ major	–	Vocal	–	fragment; not by Schubert
D.Anh.I/28	–	Klage (Nimmer länger trag ich) (“Nimmer länger trag ich dieser Leiden Last”)	v pf	G minor	1817 ca.	Vocal	1967	also appears as "Nimmer länger trag ich"; formerly D.512; presumably not by Schubert
D.Anh.I/29	–	Kaiser Ferdinand II. (“Was reget die Stadt sich in freudiger Hast?”)	v pf	A major	–	Vocal	1853	Schubert’s authorship doubtful
D.Anh.I/30	–	Mein Frieden (“Ferne, ferne flammen helle Sterne”)	v pf	E♭ major	1817?	Vocal	1823	composition by Franz Anton Schubert
D.Anh.I/31	–	Adieu! (Lebe wohl!) (“Voici l'instant suprême; Schon naht, um uns zu scheiden”)	v pf	C minor	1824	Vocal	1835 ca.	composition by August Heinrich von Weyrauch
D.Anh.I/32	–	General Bass Exercises (16?)	–	–	1810-12	–	1986	6 composition exercises: 3 complete and 3 fragments are extant in manuscript; Neue Schubert-Ausgabe published only 2 of them (Nos.15 and 16); formerly D.598a
D.Anh.II/1	–	Overture to the Opera "Iphigenie in Aulis"	pf4h	C major	1810	Keyboard	–	arrangement of the overture to the opera Iphigénie en Aulide, Wq.40, by Christoph Willibald Gluck; fragment
D.Anh.II/2	–	Quartet	fl gtr va vc	G major	1814	Chamber	1926	arrangement of the Notturno for Flute, Viola and Guitar, Op.21, by Wenzel Thomas Matiegka; Trio II in movt. II "Menuetto", by Schubert; formerly D.96
D.Anh.II/3	–	Arias from the Opera "Echo et Narcisse" (2)	v pf	–	1816	Vocal	–	arrangement of 2 arias from the opera Écho et Narcisse, Wq.47, by Christoph Willibald Gluck
D.Anh.II/3/1	–	Rien de la nature (“Rien de la nature”)	v pf	A major	1816	Vocal	–	–
D.Anh.II/3/2	–	O combats, o désordre extrème! (“O combats, o désordre extrème!”)	v pf	C major	1816	Vocal	–	–
D.Anh.II/4	–	Der 8. Psalm (“Unendlicher, Gott, unser Herr”)	v 2ob 2cl timp str org	B♭ major	1823	Vocal	1960	arrangement of "Der 8. Psalm für Solostimme und Klavier", from 18 Psalmen David's by Maximilian Stadler; instrumentation by Schubert
D.Anh.III/01	–	Canons (9)	vv	–	–	Vocal	–	1810 ca. copy; written by various composers
D.Anh.III/01/1	–	Es packe dich das Glück beim Kragen, MH 577 (“Es packe dich das Glück beim Kragen”)	5vv	F major	1795-1802 ca.	Vocal	–	1810 ca. copy; composition by Michael Haydn
D.Anh.III/01/2	–	Vom Glück sei alles dir beschert, MH 619 (“Vom Glück sei alles dir beschert”)	4vv	B♭ major	1795-1802 ca.	Vocal	–	1810 ca. copy; composition by Michael Haydn (or possibly Joseph Haydn)
D.Anh.III/01/3	–	Glück fehl dir vor allem, MH 582 (“Glück fehl dir vor allem”)	4vv	G major	1795-1802 ca.	Vocal	–	1810 ca. copy; composition by Michael Haydn
D.Anh.III/01/4	–	Wohlsein und Freude, MH 584 (“Wohlsein und Freude”)	5vv	C major	1795-1802 ca.	Vocal	–	1810 ca. copy; composition by Michael Haydn
D.Anh.III/01/5	–	Drum habe Dank, o Vater Hayden (“Drum habe Dank, o Vater Hayden”)	9vv	F major	–	Vocal	–	1810 ca. copy; composition by Franz Joseph Otter
D.Anh.III/01/6	–	Adam hat siebn Söhn, MH 699 (“Adam hat siebn Söhn”)	4vv	F major	1795-1802 ca.	Vocal	–	1810 ca. copy; composition by Michael Haydn
D.Anh.III/01/7	–	Cato, Plato, Cicero, MH 714 (“Cato, Plato, Cicero”)	10vv	F major	1795-1802 ca.	Vocal	–	1810 ca. copy; composition by Michael Haydn
D.Anh.III/01/8	–	Was i beim Tag mit der Leiern gwinn, MH 723 (“Was i beim Tag mit der Leiern gwinn”)	vv?	E minor	1795-1802 ca.	Vocal	–	1810 ca. copy; composition by Michael Haydn
D.Anh.III/01/9	–	Alleluia, KV.553 (“Alleluia”)	4vv	C major	1788	Vocal	–	1810 ca. copy; composition by Wolfgang Amadeus Mozart
D.Anh.III/02	–	Die Teilung der Erde (“Nehmt hin die Welt! rief Zeus aus seinen Höhen”)	v pf	C major/ B♭ major	–	Vocal	1932	1810 ca. copy; composition by Franz Roser
D.Anh.III/03	–	Symphony, KV.551	orch	C major	1788	Orchestral	1793	1813 copy; composition by Wolfgang Amadeus Mozart
D.Anh.III/04	–	Canon (Hoffnung Kind des Himmels) (“Hoffnung Kind des Himmels”)	2sop ten bass pf	–	–	Vocal	1802	canon; 1813 copy; from the singspiel "Elbondocani"; composition by Johann Rudolf Zumsteeg
D.Anh.III/05	–	Chor der Derwische (“Ein Gott, ein wahrer Gott ist nur”)	2ten bass	–	–	Vocal	1802	1813? copy; composition by Johann Rudolf Zumsteeg
D.Anh.III/06	–	Offertory, Op.16 (“Clamavi ad te”)	vv?	C major	–	Vocal	1798	1813 copy; fragment; solo soprano part is extant; composition by Joseph Preindl; formerly D.85
D.Anh.III/07	–	Monolog aus Goethes 'Iphigenie' (“Heraus in eure Schatten”)	v fch pf	E♭ major/ A♭ major	1798	Vocal	1798	1815 copy; composition by Johann Friedrich Reichardt
D.Anh.III/08	–	Symphony No.4, Op.60	orch	B♭ major	1806	Orchestral	1808	copy from 1820 or later; composition by Ludwig van Beethoven
D.Anh.III/09	–	Deutsches Hochamt, MH.560 (“Hier liegt vor deiner Majestät”)	vv? org	B♭ major	1795	Vocal	1800	copy of the organ part; lost; composition by Michael Haydn
D.Anh.III/10	–	Mass	vv ch orch (?)	C major	–	Vocal	–	1820 copy; composition by Joseph Preindl
D.Anh.III/11	–	Lass immer in der Jugend Glanz, KV.484d (“Lass immer in der Jugend Glanz”)	2vv	F major	1785	Vocal	1804	canon; copy lost; composition by Wolfgang Amadeus Mozart; formerly D.92
D.Anh.III/12	–	Selig alle, die im Herrn entschliefen, KV.382b (“Selig alle, die im Herrn entschliefen”)	2vv	C minor	1782	Vocal	1821 ante	canon; copy lost; composition by Wolfgang Amadeus Mozart; formerly D.127
D.Anh.III/13	–	Abendlied unter'm gestirnten Himmel, WoO 150 (“Wenn die Sonne niedersinket”)	v pf	D major	1820	Vocal	1820	1820 copy; composition by Ludwig van Beethoven
D.deest	–	Piece	vv orch (?)	–	1811	Vocal	–	erased sketch; fragment without text
D.deest	–	Vocal Trio (“Mala musica, bona musica?”), Scherz-Terzett	3alt	B♭ major	1812	Vocal	–	Schubert’s authorship doubtful
D.deest	–	Aria	bass pf (?)	D major	1812	Vocal	1960	sketch without text; also appears as "Allegretto"
D.deest	–	Fantasy	2vn va vc	–	1813	Chamber	lost	–
D.deest	–	Fugue	pf	–	1813	Keyboard	lost	–
D.deest	–	Fugue	pf	F major	1813	Keyboard	–	sketch
D.deest	–	Piano Piece	pf	F major	1813	Keyboard	–	sketch
D.deest	–	Minuets (2)	pf?	–	1813?	Keyboard	1963	sketches; only themes are extant
D.deest	–	Song	v pf (?)	–	1815?	Vocal	lost?	possibly identical to D.284
D.deest	–	String Quartet	2vn va vc	B♭ major	1816	Chamber	lost	–
D.deest	–	Canon a trè	3vv	B♭ major	1816?	Vocal	–	canon; fragment without text
D.deest	–	Dances (9)	pf	A major	–	Keyboard	1983	sketches; only incipits are extant
D.deest	–	Die Nacht (“Die Nacht bricht an”)	v gtr	G major	1816 post	Vocal	1990	Schubert’s authorship doubtful; guitar part by Franz Xaver von Schlechta; voice part by Schubert?
D.deest	–	Duets from "Singfundament" (8)	2vn	–	–	Chamber	1986	arrangement of 8 exercises from the singing method Singfundament by Johann Joseph Fux; fragment
D.deest	–	Winterlied (“Das Glas gefüllt!”), Winterabend	v pf	F♯ minor	1820?	Vocal	2009	2nd setting of D.242, with a different title
D.deest	–	Canon	5vv	C major	1826?	Vocal	1986	canon; composition exercise; sketch without text
D.deest	–	Song	v pf	–	1827 ca.	Vocal	lost	fragment
D.deest	–	Counterpoint Exercises	–	C major	1828	–	1986	3 two-part imitation exercises; sketches
D.deest	–	Seliges Genügen	v/vv (?)	–	–	Vocal	lost	–
D.deest	–	doch stärker ist die Mutterliebe	v? orch	–	–	Vocal	lost	fragment
D.deest	–	Overture	orch	–	–	Orchestral	lost	–
D.deest	–	Lieder für das Pianoforte	v?/pf?	–	–	Vocal	lost	–
D.deest	–	String Sextet	3vn va vc db	–	–	Chamber	lost	fragment