Jauchzet Gott in allen Landen, BWV 51 (Bach, Johann Sebastian)

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Feldmahler (2006/8/07)

Editor Wilhelm Rust (1822–1892)
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Publisher. Info. Bach-Gesellschaft Ausgabe, Band 12
Leipzig: Breitkopf und Härtel, 1863. Plate B.W. XII (2).
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Arranger Bernhard Todt (1822-1907)
Editor Günter Raphael (1903-1960)
Language German / English
Translator John Michael Diack (1869-1946), English text
Publisher. Info. Leipzig: Breitkopf & Härtel, n.d.(1932). Plate J.S.B. I.51
Reprinted New York: Edwin F. Kalmus, n.d.(1933-70).
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Michrond (2012/4/23)

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General Information

Work Title Jauchzet Gott in allen Landen
Alternative. Title Shout for Joy to God in all Lands
Composer Bach, Johann Sebastian
Opus/Catalogue NumberOp./Cat. No. BWV 51
Key C major
Movements/SectionsMov'ts/Sec's 5 movements
1. Aria: Jauchzet Gott in allen Landen (C major)
2. Recitative: Wir beten zu dem Tempel an (A minor)
3. Aria: Höchster, mache deine Güte (A minor)
4. Chorale: Sei Lob und Preis mit Ehren (C major)
5. [Finale]: Alleluja! (C major)
Year/Date of CompositionY/D of Comp. 1727-30?
First Performance. 1730-09-17 in Leipzig?
First Publication. 1863 (BGA)
Librettist Anonymous
Language German
Dedication 15th Sunday after Trinity
Average DurationAvg. Duration 17-18 minutes
Composer Time PeriodComp. Period Baroque
Piece Style Baroque
Instrumentation Vocal — Soprano Solo
Orchestra — Trumpet, Strings, BC
External Links Wikipedia article
All Music Guide
J.S. Bach.org
Bach.de (German)
Bach-Cantatas.com


Misc. Comments

Although Bach says that this could be used in ogni tempo (any point in the Church year), it is originally for the 15th Sunday after Trinity.

Commentary on the movements

  1. [Aria]: Jauchzet Gott in allen landen! The famous opening aria with virtuoso parts for trumpet and soprano, including notes up to high C in the soprano. A Concerto-grosso type movement with Soprano, Trumpet, and occasionally violin (mostly as an echo or imitative effect) as the soloists.
  2. Recitativo: Wir beten zu dem Tempel an. The recitative begins as a standard recitative with string accompaniment, but changes to an arioso section at the end.
  3. Aria: Höchster mache deine Güte. A continuo aria with a highly exposed soprano solo line over a bassline utilizing a repeating phrase.
  4. Chorale: Sei Lob und Preis mit Ehren. Basically the final movement. The Soprano sings the chorale melody plain while the strings play a trio sonata-type movement around it.
  5. [Finale]: Alleluja! A closing Fugue as a coda.

Print Sources Consulted

Oxford: Oxford University Press, 2005.
Cantatas by Johann Sebastian Bach