Gottes Zeit ist die allerbeste Zeit, BWV 106 (Bach, Johann Sebastian)
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Performances
Recordings
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Synthesized/MIDI
Sonatina (No.1)
For 4 Recorders and Continuo (Tennent)
MIDI performance
*#281169 - 0.01MB - 3 minutes - (0) - - !N/!N/!N - 6x⇩
Photoscore
Rdtennent
Creative Commons Attribution-ShareAlike 3.0 [tag/del]
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For Organ solo (Guilmant)
MIDI Performance
*#193372 - 0.00MB - ? - (0) - - !N/!N/!N - 211x⇩
Synthesized MIDI
Roland Lopes
Creative Commons Attribution Non-commercial Share Alike 3.0 [tag/del]
These file(s) are part of the Werner Icking Music Collection.
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For Organ solo (Lemmens)
MIDI Performance
*#212453 - 0.01MB - ? - (0) - - !N/!N/!N - 123x⇩
Synthesized MIDI
Thomas Lemmens
Creative Commons Attribution Non-commercial Share Alike 3.0 [tag/del]
These file(s) are part of the Werner Icking Music Collection.
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Sheet Music
Full Scores
Complete Score
*#01359 - 2.70MB, 32 pp. - (8) - V/V/V - 9042x⇩
Wilhelm Rust (1822–1892)
Bach-Gesellschaft Ausgabe, Band 23
Leipzig: Breitkopf & Härtel, 1876. Plate B.W. XXIII.
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Complete score
*#259831 - 0.70MB, 39 pp. - (3) - !N/!N/!N - 960x⇩
Jean-Charles Malahieude
CPDL:Choral Public Domain Library
Creative Commons Attribution Share Alike 3.0 [tag/del]
Created from the engraving files #01359 above.
A modern re-typset of Breitkopf & Härtel, 1876. Plate B.W. XXIII.
Source files enclosed.
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Parts
Complete
Flute (Recorder) 1
*#259846 - 0.17MB, 6 pp. - (0) - !N/!N/!N - 223x⇩
Flute (Recorder) 2
*#259847 - 0.16MB, 6 pp. - (0) - !N/!N/!N - 101x⇩
Flute (Recorder) 1/2
*#259848 - 0.22MB, 9 pp. - (0) - !N/!N/!N - 183x⇩
Viola da gamba 1
*#259849 - 0.15MB, 6 pp. - (0) - !N/!N/!N - 127x⇩
Viola da gamba 2
*#259850 - 0.15MB, 6 pp. - (0) - !N/!N/!N - 104x⇩
Viola da gamba 1/2
*#259851 - 0.21MB, 9 pp. - (0) - !N/!N/!N - 160x⇩
Jean-Charles Malahieude
CPDL:Choral Public Domain Library
Creative Commons Attribution Share Alike 3.0 [tag/del]
Created from the engraving files #01359 above.
A modern re-typset of Breitkopf & Härtel, 1876. Plate B.W. XXIII.
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Vocal Scores
Complete Score
*#220959 - 2.16MB, 31 pp. - (0) - V/V/V - 973x⇩
PDF scanned by Sibley Library
Afp0815 (2012/5/18)
Color Cover
*#220960 - 1.18MB, 1 pp. - (0) - V/V/V - 147x⇩
PDF scanned by Sibley Library
Afp0815 (2012/5/18)
Gustav Rösler (1819-1882), piano reduction
Leipzig: C.F. Peters, n.d. Plate 6311.
This file is part of the Sibley Mirroring Project.
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Complete Score
*#24279 - 2.00MB, 37 pp. - (0) - V/V/C - 2640x⇩
PDF scanned by bh2000
Perlnerd666 (2008/11/9)
Bernhard Todt (1822–1907), piano reduction
German / English
Leipzig: Breitkopf & Härtel, n.d.(ca.1890)
New York: Edwin F. Kalmus, n.d.(after 1933).
Vocal Score based on Bach-Gesellschaft Ausgabe
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Complete Score
*#91507 - 1.73MB, 43 pp. - (1) - V/V/V - 1165x⇩
PDF scanned by Sibley Library
Carolus (2011/1/29)
Robert Franz (1818-1892), piano reduction
German / English
John Troutbeck (1832-1899), English text
Leipzig: F.E.C. Leuckart, n.d. Plate F.E.C.L. 4950
London: Novello & Co., n.d.(ca.1900). - with added English text
This file is part of the Sibley Mirroring Project.
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Chorus score
*#259832 - 0.32MB, 21 pp. - (0) - !N/!N/!N - 140x⇩
Jean-Charles Malahieude
CPDL:Choral Public Domain Library
Creative Commons Attribution Share Alike 3.0 [tag/del]
Created from the engraving files #01359 above.
A modern re-typset of Breitkopf & Härtel, 1876. Plate B.W. XXIII.
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Arrangements and Transcriptions
Sonatina (No.1)
For 4 Recorders and Continuo (Tennent)
Complete Score (AATB recorders)
*#116918 - 0.05MB, 2 pp. - (2) - !N/!N/!N - 989x⇩
PDF typeset by R. D. Tennent
R. D. Tennent (2011/9/1)
R. D. Tennent
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These file(s) are part of the Werner Icking Music Collection, and are also included in the Mondrup Recorder Collection.
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For Organ solo (Gouin)
Complete score
*#129552 - 0.10MB, 2 pp. - (0) - !N/!N/!N - 1345x⇩
PDF typeset by Pierre Gouin
Pierre Gouin (2011/9/25)
Montréal: Les Éditions Outremontaises, 2009
Creative Commons Attribution Non-commercial 3.0 [tag/del]
These file(s) are part of the Werner Icking Music Collection.
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For Organ solo (Guilmant)
Complete Score
*#193371 - 0.10MB, 2 pp. - (0) - !N/!N/!N - 782x⇩
Alexandre Guilmant (1837-1911)
Roland Lopes
Creative Commons Attribution Non-commercial Share Alike 3.0 [tag/del]
These file(s) are part of the Werner Icking Music Collection.
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For Organ solo (Lemmens)
Complete Score
*#212451 - 0.05MB, 2 pp. - (0) - !N/!N/!N - 541x⇩
Engraving files (PMX)
*#212452 - 0.00MB, ? pp. - (0) - !N/!N/!N - 69x⇩
Thomas Lemmens
Creative Commons Attribution Non-commercial Share Alike 3.0 [tag/del]
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General Information
| Work Title | Gottes Zeit ist die allerbeste Zeit |
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| Alternative Title | Actus Tragicus. God's Time is the very best Time |
| Composer | Bach, Johann Sebastian |
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| Opus/Catalogue Number | BWV 106 |
| Key | E♭ major |
| Movements/Sections | 4 movements
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| Year/Date of Composition | 1707 ? |
| Language | German |
| Average Duration | 23 minutes |
| Piece Style | Baroque |
| Instrumentation | Vocal — Soloists (AB), Chorus (SATB) Orchestra — 2 Recorders, 2 Gambas, BC |
| External Links | Wikipedia article Bach-Cantatas.com |
Misc. Comments
For an unknown funeral.
"A work of genius such as even great masters seldom achieve ... The Actus Tragicus belongs to the great musical literature of the world".1
Commentary on the movements
- Sonatina. A slow, subdued opening movement; highly expressive, and highly beautiful. E♭ major)
- Movement in multiple parts:
- Chorus: Gottes Zeit ist die allerbeste Zeit. An expressive opening chorus replete with text-painting.
- Arioso (Tenor): Ach, Herr, lehre uns bedenken. A chaconne with the full instrumental ensemble.
- Aria (Bass): Bestelle dein Haus; denn du wirst sterben. Unison recorders are the only obbligato here; however, the writing is anything but ascetic. Virtuoso figurations abound.
- Chorus: Es ist der alte Bund. The Alto, Tenor and Bass sing a fugue; the soprano interrupts with continuo alone. Then, an instrumental version of Ich hab mein Sach Gott heimgestellt is played. The sequence is repeated four times in total, however the repetitions each become shorter and more intense. Eventually the three components of the movement are superimposed upon each other.
- Movement in multiple parts:
- Aria (Alto): In deine Hände befehl ich meinen Geist. Another chaconne-type movement, with viola da gambas obbligato.
- Arioso (Bass) & Choral (Alto): Heute wirst du mit mir im Paradies sein. A continuo aria again full of imitation; the alto here interrupts with Mit Fried und Freud ich fahr dahin.
- Chorus: Glorie, Lob, Ehr und Herrlichkeit. A plain chorale setting followed by a vivacious fugue on the last line of the chorale.
Print Sources Consulted
- Dürr, Alfred. The Cantatas of J.S. Bach. 2 ed. Richard D.P. Jones (Trans).
- Oxford: Oxford University Press, 2005.
- E-flat major
- C minor
- F minor
- B-flat minor
- A-flat major
- Recordings
- WIMA files
- Rust, Wilhelm/Editor
- Scores with links to Amazon
- Pages with scores
- Pages with parts
- Sibley Mirroring Project
- Todt, Bernhard/Arranger
- Works reprinted by Edwin F. Kalmus
- Franz, Robert/Arranger
- Troutbeck, John/Translator
- Tennent, R.D./Arranger
- Mondrup Recorder Collection
- Gouin, Pierre/Arranger
- Guilmant, Alexandre/Arranger
- Lopes, Roland/Editor
- Lemmens, Thomas/Arranger
- Scores
- Bach, Johann Sebastian
- Baroque
- Secular cantatas
- Cantatas
- Funeral music
- For 2 voices, mixed chorus, orchestra
- Scores featuring the voice
- Scores featuring the alto voice
- Scores featuring the bass voice
- Scores featuring mixed chorus
- Scores featuring the orchestra
- For voices and chorus with orchestra
- German language
- For 4 recorders, continuo (arr)
- Scores featuring the recorder
- Scores with basso continuo
- For 4 players with continuo
- For organ (arr)
- For 1 player
- Scores featuring the organ
- Pages with arrangements
- Pages with parts for purchase

